Author: Henry Willis Wells
Publisher: Praeger
ISBN:
Category : Literary Criticism
Languages : en
Pages : 222
Book Description
The Classical Drama of India
Author: Henry Willis Wells
Publisher: Praeger
ISBN:
Category : Literary Criticism
Languages : en
Pages : 222
Book Description
Publisher: Praeger
ISBN:
Category : Literary Criticism
Languages : en
Pages : 222
Book Description
The Classical Drama of India : Studies in Its Values for the Literature and Theatre of the World
Author: Henry W. Wells
Publisher:
ISBN:
Category : Sanskrit Drama History and Criticism
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Sanskrit Drama History and Criticism
Languages : en
Pages : 0
Book Description
The Classical Drama of India
Author: Henry W. Wells
Publisher:
ISBN:
Category : Sanskrit drama
Languages : en
Pages : 0
Book Description
Publisher:
ISBN:
Category : Sanskrit drama
Languages : en
Pages : 0
Book Description
The Classical Drama of India. Studies in Its Values for the Literature and Theatre of the World, Etc
The Classical Drama of India
The Classical Drama of India: Studies in Its Values for the Literature and Theatre of the World [by] Henry W. Wells. Issued Under the Auspices of the Literary Half-yearly
Author: Henry W. Wells
Publisher:
ISBN:
Category : Sanskrit drama
Languages : en
Pages : 196
Book Description
Publisher:
ISBN:
Category : Sanskrit drama
Languages : en
Pages : 196
Book Description
Indian Literature and Popular Cinema
Author: Heidi R.M. Pauwels
Publisher: Routledge
ISBN: 1134062559
Category : History
Languages : en
Pages : 276
Book Description
This book considers the popular cinema of North India (Bollywood) and how it recasts literary classics. It addresses the socio-political implications of popular reinterpretations of elite culture, exploring gender issues and the perceived sexism of popular films and how that plays out when literature is reworked into film.
Publisher: Routledge
ISBN: 1134062559
Category : History
Languages : en
Pages : 276
Book Description
This book considers the popular cinema of North India (Bollywood) and how it recasts literary classics. It addresses the socio-political implications of popular reinterpretations of elite culture, exploring gender issues and the perceived sexism of popular films and how that plays out when literature is reworked into film.
The Mrichchhakatika of Sudraka
Author: M. R. Kale
Publisher: Motilal Banarsidass
ISBN: 8120840100
Category : Art
Languages : en
Pages : 296
Book Description
Among the known dramatic composition of ancient India, the Mrichchhakatika occupies a very high and distinguished position. It is a creation of outstanding brilliance. The Mrichchhatika is a drama in ten Acts based on the story of the love of Charudatta, a prominent but poor inhabitant of Ujjayini, and Vasantasena, an exquisitely beautiful but pure-minded courtesan of the city. By virtue of its high dramatic charm and its great literary excellence it has endeared itself to generations of spectators and readers; the play has been adapted in many Indian vernaculars, and in that modern form still continues to draw admiring crowds. The editor makes this book as comprehensive and useful as possible. To the commentary of Prithvidhara, which is somewhat abrupt and meager in places, he has made considerable additions where he felt them to be necessary for the elucidation of the text. The relation of this play to: Bhasa's Charudatta has been fully discussed in the Introduction. The Prakrit passages, which prove a hindrance to the student, have been printed below the text, and along with the' text, only the Sanskrit renderings are given above; the utility of this contrivance has been established in actual use.
Publisher: Motilal Banarsidass
ISBN: 8120840100
Category : Art
Languages : en
Pages : 296
Book Description
Among the known dramatic composition of ancient India, the Mrichchhakatika occupies a very high and distinguished position. It is a creation of outstanding brilliance. The Mrichchhatika is a drama in ten Acts based on the story of the love of Charudatta, a prominent but poor inhabitant of Ujjayini, and Vasantasena, an exquisitely beautiful but pure-minded courtesan of the city. By virtue of its high dramatic charm and its great literary excellence it has endeared itself to generations of spectators and readers; the play has been adapted in many Indian vernaculars, and in that modern form still continues to draw admiring crowds. The editor makes this book as comprehensive and useful as possible. To the commentary of Prithvidhara, which is somewhat abrupt and meager in places, he has made considerable additions where he felt them to be necessary for the elucidation of the text. The relation of this play to: Bhasa's Charudatta has been fully discussed in the Introduction. The Prakrit passages, which prove a hindrance to the student, have been printed below the text, and along with the' text, only the Sanskrit renderings are given above; the utility of this contrivance has been established in actual use.
Indian Theatre
Author: Farley P. Richmond
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120809819
Category : Folklore
Languages : en
Pages : 518
Book Description
Indian Theatre expands the boundaries of what is usually regarded as theatre in order to explore the multiple dimensions of theatrical performance in India. From rural festivals to contemporary urban theatre, from dramatic rituals and devotional performances to dance-dramas and classical Sanskrit plays, this volume is a vivid introduction to the colourful and often surprising world of Indian performance. Besides mapping the vast range of performance traditions, the volume provides in-depth treatment of representative genres, including well-known forms such as Kathakali and ram lila and little-knowa performances such as tamasha. Each of these chapters explains the historical background of the theatre form under consideration and interprets its dramatic literature, probes its ritual or religious significance, and, where relevant, explores its social and political implications. Moreover, each chapter, except for those on the origins of Indian theatre, concludes with performance notes describing the actual experience of seeing a live performance in its original context. Based on extensive fieldwork, Indian Theatre is the first comprehensive account of the subject to be written by Western specialists and addressed to the needs of readers in the West. It will be a valuable resource for all students of Indian culture and a standard work in the history of theatre and performance for years to come.
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120809819
Category : Folklore
Languages : en
Pages : 518
Book Description
Indian Theatre expands the boundaries of what is usually regarded as theatre in order to explore the multiple dimensions of theatrical performance in India. From rural festivals to contemporary urban theatre, from dramatic rituals and devotional performances to dance-dramas and classical Sanskrit plays, this volume is a vivid introduction to the colourful and often surprising world of Indian performance. Besides mapping the vast range of performance traditions, the volume provides in-depth treatment of representative genres, including well-known forms such as Kathakali and ram lila and little-knowa performances such as tamasha. Each of these chapters explains the historical background of the theatre form under consideration and interprets its dramatic literature, probes its ritual or religious significance, and, where relevant, explores its social and political implications. Moreover, each chapter, except for those on the origins of Indian theatre, concludes with performance notes describing the actual experience of seeing a live performance in its original context. Based on extensive fieldwork, Indian Theatre is the first comprehensive account of the subject to be written by Western specialists and addressed to the needs of readers in the West. It will be a valuable resource for all students of Indian culture and a standard work in the history of theatre and performance for years to come.
Theatres of Independence
Author: Aparna Bhargava Dharwadker
Publisher: University of Iowa Press
ISBN: 158729642X
Category : Drama
Languages : en
Pages : 505
Book Description
Theatres of Independence is the first comprehensive study of drama, theatre, and urban performance in post-independence India. Combining theatre history with theoretical analysis and literary interpretation, Aparna Dharwadker examines the unprecedented conditions for writing and performance that the experience of new nationhood created in a dozen major Indian languages and offers detailed discussions of the major plays, playwrights, directors, dramatic genres, and theories of drama that have made the contemporary Indian stage a vital part of postcolonial and world theatre.The first part of Dharwadker's study deals with the new dramatic canon that emerged after 1950 and the variety of ways in which plays are written, produced, translated, circulated, and received in a multi-lingual national culture. The second part traces the formation of significant postcolonial dramatic genres from their origins in myth, history, folk narrative, sociopolitical experience, and the intertextual connections between Indian, European, British, and American drama. The book's ten appendixes collect extensive documentation of the work of leading playwrights and directors, as well as a record of the contemporary multilingual performance histories of major Indian, Western, and non-Western plays from all periods and genres. Treating drama and theatre as strategically interrelated activities, the study makes post-independence Indian theatre visible as a multifaceted critical subject to scholars of modern drama, comparative theatre, theatre history, and the new national and postcolonial literatures.
Publisher: University of Iowa Press
ISBN: 158729642X
Category : Drama
Languages : en
Pages : 505
Book Description
Theatres of Independence is the first comprehensive study of drama, theatre, and urban performance in post-independence India. Combining theatre history with theoretical analysis and literary interpretation, Aparna Dharwadker examines the unprecedented conditions for writing and performance that the experience of new nationhood created in a dozen major Indian languages and offers detailed discussions of the major plays, playwrights, directors, dramatic genres, and theories of drama that have made the contemporary Indian stage a vital part of postcolonial and world theatre.The first part of Dharwadker's study deals with the new dramatic canon that emerged after 1950 and the variety of ways in which plays are written, produced, translated, circulated, and received in a multi-lingual national culture. The second part traces the formation of significant postcolonial dramatic genres from their origins in myth, history, folk narrative, sociopolitical experience, and the intertextual connections between Indian, European, British, and American drama. The book's ten appendixes collect extensive documentation of the work of leading playwrights and directors, as well as a record of the contemporary multilingual performance histories of major Indian, Western, and non-Western plays from all periods and genres. Treating drama and theatre as strategically interrelated activities, the study makes post-independence Indian theatre visible as a multifaceted critical subject to scholars of modern drama, comparative theatre, theatre history, and the new national and postcolonial literatures.