Author: Christopher B. Balme
Publisher: Cambridge University Press
ISBN: 9780521856225
Category : Drama
Languages : en
Pages : 0
Book Description
This volume introduces the key elements and approaches in the study of theatre and performance, covering drama, music theatre and dance.
The Cambridge Introduction to Theatre Studies
Author: Christopher B. Balme
Publisher: Cambridge University Press
ISBN: 9780521856225
Category : Drama
Languages : en
Pages : 0
Book Description
This volume introduces the key elements and approaches in the study of theatre and performance, covering drama, music theatre and dance.
Publisher: Cambridge University Press
ISBN: 9780521856225
Category : Drama
Languages : en
Pages : 0
Book Description
This volume introduces the key elements and approaches in the study of theatre and performance, covering drama, music theatre and dance.
The Cambridge Introduction to Theatre Historiography
Author: Thomas Postlewait
Publisher: Cambridge University Press
ISBN: 0521495709
Category : Drama
Languages : en
Pages : 0
Book Description
A 'how to' guide for students and teachers of theatre history, covering archival research, developing historical descriptions and writing reports.
Publisher: Cambridge University Press
ISBN: 0521495709
Category : Drama
Languages : en
Pages : 0
Book Description
A 'how to' guide for students and teachers of theatre history, covering archival research, developing historical descriptions and writing reports.
The Cambridge Companion to Performance Studies
Author: Tracy C. Davis
Publisher: Cambridge University Press
ISBN: 1139828185
Category : Drama
Languages : en
Pages : 361
Book Description
Since the turn of the century, Performance Studies has emerged as an increasingly vibrant discipline. Its concerns - embodiment, ethical research and social change - are held in common with many other fields, however a unique combination of methods and applications is used in exploration of the discipline. Bridging live art practices - theatre, performance art and dance - with technological media, and social sciences with humanities, it is truly hybrid and experimental in its techniques. This Companion brings together specially commissioned essays from leading scholars who reflect on their own experiences in Performance Studies and the possibilities this offers to representations of identity, self-and-other, and communities. Theories which have been absorbed into the field are applied to compelling topics in current academic, artistic and community settings. The collection is designed to reflect the diversity of outlooks and provide a guide for students as well as scholars seeking a perspective on research trends.
Publisher: Cambridge University Press
ISBN: 1139828185
Category : Drama
Languages : en
Pages : 361
Book Description
Since the turn of the century, Performance Studies has emerged as an increasingly vibrant discipline. Its concerns - embodiment, ethical research and social change - are held in common with many other fields, however a unique combination of methods and applications is used in exploration of the discipline. Bridging live art practices - theatre, performance art and dance - with technological media, and social sciences with humanities, it is truly hybrid and experimental in its techniques. This Companion brings together specially commissioned essays from leading scholars who reflect on their own experiences in Performance Studies and the possibilities this offers to representations of identity, self-and-other, and communities. Theories which have been absorbed into the field are applied to compelling topics in current academic, artistic and community settings. The collection is designed to reflect the diversity of outlooks and provide a guide for students as well as scholars seeking a perspective on research trends.
The Cambridge Introduction to Theatre Directing
Author: Christopher Innes
Publisher: Cambridge University Press
ISBN: 0521844495
Category : Drama
Languages : en
Pages : 299
Book Description
The director was fundamental to the development of modern theatre. This Introduction explores the emergence of the director's artistic force.
Publisher: Cambridge University Press
ISBN: 0521844495
Category : Drama
Languages : en
Pages : 299
Book Description
The director was fundamental to the development of modern theatre. This Introduction explores the emergence of the director's artistic force.
The Cambridge Companion to Theatre and Science
Author: Kirsten E. Shepherd-Barr
Publisher: Cambridge University Press
ISBN: 110847652X
Category : Art
Languages : en
Pages : 237
Book Description
The first ever companion to theatre and science brings together research on key topics, performances, and new areas of interest.
Publisher: Cambridge University Press
ISBN: 110847652X
Category : Art
Languages : en
Pages : 237
Book Description
The first ever companion to theatre and science brings together research on key topics, performances, and new areas of interest.
The Cambridge Introduction to Early English Theatre
Author: Janette Dillon
Publisher: Cambridge University Press
ISBN: 0521834740
Category : Drama
Languages : en
Pages : 39
Book Description
An accessible introduction to early English theatre, from the late medieval period to 1642.
Publisher: Cambridge University Press
ISBN: 0521834740
Category : Drama
Languages : en
Pages : 39
Book Description
An accessible introduction to early English theatre, from the late medieval period to 1642.
The Cambridge Introduction to Tragedy
Author: Jennifer Wallace
Publisher: Cambridge University Press
ISBN: 052185539X
Category : Drama
Languages : en
Pages : 193
Book Description
An introductory study into tragedy in drama and literature, and in the real world.
Publisher: Cambridge University Press
ISBN: 052185539X
Category : Drama
Languages : en
Pages : 193
Book Description
An introductory study into tragedy in drama and literature, and in the real world.
The Cambridge Companion to Theatre History
Author: David Wiles
Publisher: Cambridge University Press
ISBN: 0521766362
Category : Drama
Languages : en
Pages : 339
Book Description
A wide-ranging set of essays that explain what theatre history is and why we need to engage with it.
Publisher: Cambridge University Press
ISBN: 0521766362
Category : Drama
Languages : en
Pages : 339
Book Description
A wide-ranging set of essays that explain what theatre history is and why we need to engage with it.
The Cambridge Introduction to Scenography
Author: Joslin McKinney
Publisher: Cambridge University Press
ISBN: 1316347788
Category : Drama
Languages : en
Pages : 406
Book Description
Scenography – the manipulation and orchestration of the performance environment – is an increasingly popular and key area in performance studies. This book introduces the reader to the purpose, identity and scope of scenography and its theories and concepts. Settings and structures, light, projected images, sound, costumes and props are considered in relation to performing bodies, text, space and the role of the audience. Concentrating on scenographic developments in the twentieth century, the Introduction examines how these continue to evolve in the twenty-first century. Scenographic principles are clearly explained through practical examples and their theoretical context. Although acknowledging the many different ways in which design shapes the creation of scenography, the book is not exclusively concerned with the role of the theatre designer. In order to map out the wider territory and potential of scenography, the theories of pioneering scenographers are discussed alongside the work of directors, writers and visual artists.
Publisher: Cambridge University Press
ISBN: 1316347788
Category : Drama
Languages : en
Pages : 406
Book Description
Scenography – the manipulation and orchestration of the performance environment – is an increasingly popular and key area in performance studies. This book introduces the reader to the purpose, identity and scope of scenography and its theories and concepts. Settings and structures, light, projected images, sound, costumes and props are considered in relation to performing bodies, text, space and the role of the audience. Concentrating on scenographic developments in the twentieth century, the Introduction examines how these continue to evolve in the twenty-first century. Scenographic principles are clearly explained through practical examples and their theoretical context. Although acknowledging the many different ways in which design shapes the creation of scenography, the book is not exclusively concerned with the role of the theatre designer. In order to map out the wider territory and potential of scenography, the theories of pioneering scenographers are discussed alongside the work of directors, writers and visual artists.
An Introduction to Post-Colonial Theatre
Author: Brian Crow
Publisher: Cambridge University Press
ISBN: 9780521567220
Category : Drama
Languages : en
Pages : 208
Book Description
In this book Brian Crow and Chris Banfield provide an introduction to post-colonial theatre by concentrating on the work of major dramatists from the Third World and subordinated cultures in the first world. Crow and Banfield consider the plays of such writers as Wole Soyinka and Athol Fugard and his collaborators from Africa; Derek Walcott from the West Indies; August Wilson and Jack Davis, who write from and about the experience of Black communities in the USA and Australia respectively; and Badal Sircar and Girish Karnad from India. Although these dramatists reflect diverse cultures and histories, they share the common condition of cultural subjection or oppression, which has shaped their theatres. Each chapter contains an informative list of primary source material and further reading about the dramatists. The book will be of interest to students and scholars of theatre and cultural history.
Publisher: Cambridge University Press
ISBN: 9780521567220
Category : Drama
Languages : en
Pages : 208
Book Description
In this book Brian Crow and Chris Banfield provide an introduction to post-colonial theatre by concentrating on the work of major dramatists from the Third World and subordinated cultures in the first world. Crow and Banfield consider the plays of such writers as Wole Soyinka and Athol Fugard and his collaborators from Africa; Derek Walcott from the West Indies; August Wilson and Jack Davis, who write from and about the experience of Black communities in the USA and Australia respectively; and Badal Sircar and Girish Karnad from India. Although these dramatists reflect diverse cultures and histories, they share the common condition of cultural subjection or oppression, which has shaped their theatres. Each chapter contains an informative list of primary source material and further reading about the dramatists. The book will be of interest to students and scholars of theatre and cultural history.