Author: Charles Jacobs Peterson
Publisher:
ISBN:
Category : Enslaved persons
Languages : en
Pages : 348
Book Description
The Cabin and Parlor
Author: Charles Jacobs Peterson
Publisher:
ISBN:
Category : Enslaved persons
Languages : en
Pages : 348
Book Description
Publisher:
ISBN:
Category : Enslaved persons
Languages : en
Pages : 348
Book Description
The Cabin and Parlor
Author: Charles Jacobs Peterson
Publisher:
ISBN:
Category : Slavery
Languages : en
Pages :
Book Description
Publisher:
ISBN:
Category : Slavery
Languages : en
Pages :
Book Description
Cabin and Parlor; Or, Slaves and Masters
Author: J. Thornton Randolph
Publisher: Sagwan Press
ISBN: 9781340269180
Category : History
Languages : en
Pages : 358
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Publisher: Sagwan Press
ISBN: 9781340269180
Category : History
Languages : en
Pages : 358
Book Description
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
The Miser's Heir, Or, The Young Millionaire
Author: Peter Hamilton Myers
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 280
Book Description
Publisher:
ISBN:
Category : American fiction
Languages : en
Pages : 280
Book Description
Mightier than the Sword: Uncle Tom's Cabin and the Battle for America
Author: David S. Reynolds
Publisher: W. W. Norton & Company
ISBN: 0393082342
Category : History
Languages : en
Pages : 369
Book Description
“Fascinating . . . a lively and perceptive cultural history.” —Annette Gordon-Reed, The New Yorker In this wide-ranging, brilliantly researched work, David S. Reynolds traces the factors that made Uncle Tom’s Cabin the most influential novel ever written by an American. Upon its 1852 publication, the novel’s vivid depiction of slavery polarized its American readership, ultimately widening the rift that led to the Civil War. Reynolds also charts the novel’s afterlife—including its adaptation into plays, films, and consumer goods—revealing its lasting impact on American entertainment, advertising, and race relations.
Publisher: W. W. Norton & Company
ISBN: 0393082342
Category : History
Languages : en
Pages : 369
Book Description
“Fascinating . . . a lively and perceptive cultural history.” —Annette Gordon-Reed, The New Yorker In this wide-ranging, brilliantly researched work, David S. Reynolds traces the factors that made Uncle Tom’s Cabin the most influential novel ever written by an American. Upon its 1852 publication, the novel’s vivid depiction of slavery polarized its American readership, ultimately widening the rift that led to the Civil War. Reynolds also charts the novel’s afterlife—including its adaptation into plays, films, and consumer goods—revealing its lasting impact on American entertainment, advertising, and race relations.
Emotional and Sectional Conflict in the Antebellum United States
Author: Michael E. Woods
Publisher: Cambridge University Press
ISBN: 1107068983
Category : History
Languages : en
Pages : 265
Book Description
This book explores how specific emotions shaped Americans' perceptions of, and responses to, the sectional conflict over slavery in the United States.
Publisher: Cambridge University Press
ISBN: 1107068983
Category : History
Languages : en
Pages : 265
Book Description
This book explores how specific emotions shaped Americans' perceptions of, and responses to, the sectional conflict over slavery in the United States.
The Sketch, the Tale, and the Beginnings of American Literature
Author: Lydia G. Fash
Publisher: University of Virginia Press
ISBN: 081394399X
Category : Literary Criticism
Languages : en
Pages : 399
Book Description
Accounts of the rise of American literature often start in the 1850s with a cluster of "great American novels"—Hawthorne’s The Scarlet Letter, Melville’s Moby-Dick and Stowe’s Uncle Tom’s Cabin. But these great works did not spring fully formed from the heads of their creators. All three relied on conventions of short fiction built up during the "culture of beginnings," the three decades following the War of 1812 when public figures glorified the American past and called for a patriotic national literature. Decentering the novel as the favored form of early nineteenth-century national literature, Lydia Fash repositions the sketch and the tale at the center of accounts of American literary history, revealing how cultural forces shaped short fiction that was subsequently mined for these celebrated midcentury novels and for the first novel published by an African American. In the shorter works of writers such as Washington Irving, Catharine Sedgwick, Edgar Allan Poe, and Lydia Maria Child, among others, the aesthetic of brevity enabled the beginning idea of a story to take the outsized importance fitted to the culture of beginnings. Fash argues that these short forms, with their ethnic exclusions and narrative innovations, coached readers on how to think about the United States’ past and the nature of narrative time itself. Combining history, print history, and literary criticism, this book treats short fiction as a vital site for debate over what it meant to be American, thereby offering a new account of the birth of a self-consciously national literary tradition.
Publisher: University of Virginia Press
ISBN: 081394399X
Category : Literary Criticism
Languages : en
Pages : 399
Book Description
Accounts of the rise of American literature often start in the 1850s with a cluster of "great American novels"—Hawthorne’s The Scarlet Letter, Melville’s Moby-Dick and Stowe’s Uncle Tom’s Cabin. But these great works did not spring fully formed from the heads of their creators. All three relied on conventions of short fiction built up during the "culture of beginnings," the three decades following the War of 1812 when public figures glorified the American past and called for a patriotic national literature. Decentering the novel as the favored form of early nineteenth-century national literature, Lydia Fash repositions the sketch and the tale at the center of accounts of American literary history, revealing how cultural forces shaped short fiction that was subsequently mined for these celebrated midcentury novels and for the first novel published by an African American. In the shorter works of writers such as Washington Irving, Catharine Sedgwick, Edgar Allan Poe, and Lydia Maria Child, among others, the aesthetic of brevity enabled the beginning idea of a story to take the outsized importance fitted to the culture of beginnings. Fash argues that these short forms, with their ethnic exclusions and narrative innovations, coached readers on how to think about the United States’ past and the nature of narrative time itself. Combining history, print history, and literary criticism, this book treats short fiction as a vital site for debate over what it meant to be American, thereby offering a new account of the birth of a self-consciously national literary tradition.
Hoodlums
Author: William L. Van Deburg
Publisher: University of Chicago Press
ISBN: 022610981X
Category : Social Science
Languages : en
Pages : 299
Book Description
Martin Luther King Jr. Malcolm X. Muhammad Ali. When you think of African American history, you think of its heroes—individuals endowed with courage and strength who are celebrated for their bold exploits and nobility of purpose. But what of black villains? Villains, just as much as heroes, have helped define the black experience. Ranging from black slaveholders and frontier outlaws to serial killers and gangsta rappers, Hoodlums examines the pivotal role of black villains in American society and popular culture. Here, William L. Van Deburg offers the most extensive treatment to date of the black badman and the challenges that this figure has posed for race relations in America. He first explores the evolution of this problematic racial stereotype in the literature of the early Republic—documents in which the enslavement of African Americans was justified through exegetical claims. Van Deburg then probes antebellum slave laws, minstrel shows, and the works of proslavery polemicists to consider how whites conceptualized blacks as members of an inferior and dangerous race. Turning to key works by blacks themselves, from the writings of Frederick Douglass and W. E. B. Du Bois to classic blaxploitation films like Black Caesar and The Mack, Van Deburg demonstrates how African Americans have combated such negative stereotypes and reconceptualized the idea of the badman through stories of social bandits—controversial individuals vilified by whites for their proclivity toward evil, but revered in the black community as necessarily insurgent and revolutionary. Ultimately, Van Deburg brings his story up-to-date with discussions of prison and hip-hop culture, urban rioting, gang warfare, and black-on-black crime. What results is a work of remarkable virtuosity—a nuanced history that calls for both whites and blacks to rethink received wisdom on the nature and prevalence of black villainy.
Publisher: University of Chicago Press
ISBN: 022610981X
Category : Social Science
Languages : en
Pages : 299
Book Description
Martin Luther King Jr. Malcolm X. Muhammad Ali. When you think of African American history, you think of its heroes—individuals endowed with courage and strength who are celebrated for their bold exploits and nobility of purpose. But what of black villains? Villains, just as much as heroes, have helped define the black experience. Ranging from black slaveholders and frontier outlaws to serial killers and gangsta rappers, Hoodlums examines the pivotal role of black villains in American society and popular culture. Here, William L. Van Deburg offers the most extensive treatment to date of the black badman and the challenges that this figure has posed for race relations in America. He first explores the evolution of this problematic racial stereotype in the literature of the early Republic—documents in which the enslavement of African Americans was justified through exegetical claims. Van Deburg then probes antebellum slave laws, minstrel shows, and the works of proslavery polemicists to consider how whites conceptualized blacks as members of an inferior and dangerous race. Turning to key works by blacks themselves, from the writings of Frederick Douglass and W. E. B. Du Bois to classic blaxploitation films like Black Caesar and The Mack, Van Deburg demonstrates how African Americans have combated such negative stereotypes and reconceptualized the idea of the badman through stories of social bandits—controversial individuals vilified by whites for their proclivity toward evil, but revered in the black community as necessarily insurgent and revolutionary. Ultimately, Van Deburg brings his story up-to-date with discussions of prison and hip-hop culture, urban rioting, gang warfare, and black-on-black crime. What results is a work of remarkable virtuosity—a nuanced history that calls for both whites and blacks to rethink received wisdom on the nature and prevalence of black villainy.
The Chattel Principle
Author: Walter Johnson
Publisher: Yale University Press
ISBN: 0300129475
Category : History
Languages : en
Pages : 399
Book Description
This wide-ranging book presents the first comprehensive and comparative account of the slave trade within the nations and colonial systems of the Americas. While most scholarly attention to slavery in the Americas has concentrated on international transatlantic trade, the essays in this volume focus on the slave trades within Brazil, the West Indies, and the Southern states of the United States after the closing of the Atlantic slave trade. The contributors cast new light upon questions that have framed the study of slavery in the Americas for decades. The book investigates such topics as the illegal slave trade in Cuba, the Creole slave revolt in the U.S., and the debate between pro- and antislavery factions over the interstate slave trade in the South. Together, the authors offer fresh and provocative insights into the interrelations of capitalism, sovereignty, and slavery.
Publisher: Yale University Press
ISBN: 0300129475
Category : History
Languages : en
Pages : 399
Book Description
This wide-ranging book presents the first comprehensive and comparative account of the slave trade within the nations and colonial systems of the Americas. While most scholarly attention to slavery in the Americas has concentrated on international transatlantic trade, the essays in this volume focus on the slave trades within Brazil, the West Indies, and the Southern states of the United States after the closing of the Atlantic slave trade. The contributors cast new light upon questions that have framed the study of slavery in the Americas for decades. The book investigates such topics as the illegal slave trade in Cuba, the Creole slave revolt in the U.S., and the debate between pro- and antislavery factions over the interstate slave trade in the South. Together, the authors offer fresh and provocative insights into the interrelations of capitalism, sovereignty, and slavery.
A Modern Proteus
Author: James Lyman Whitney
Publisher:
ISBN:
Category : Impostors and imposture
Languages : en
Pages : 144
Book Description
Publisher:
ISBN:
Category : Impostors and imposture
Languages : en
Pages : 144
Book Description