Author: Walter Jackson Bate
Publisher: Belknap Press
ISBN: 9780674085879
Category : Literary Criticism
Languages : en
Pages : 164
Book Description
In this reissue of a classic work in modern literary criticism, W. Jackson Bate presents a thoughtful and informed investigation of the responses of English writers to the perennial dilemma of modern literature, concentrating especially on the period between 1660 and 1830.
The Burden of the Past and the English Poet
Author: Walter Jackson Bate
Publisher: Belknap Press
ISBN: 9780674281004
Category :
Languages : en
Pages : 160
Book Description
Publisher: Belknap Press
ISBN: 9780674281004
Category :
Languages : en
Pages : 160
Book Description
The Burden of the Past and the English Poet
Author: Walter Jackson Bate
Publisher: Belknap Press
ISBN: 9780674085879
Category : Literary Criticism
Languages : en
Pages : 164
Book Description
In this reissue of a classic work in modern literary criticism, W. Jackson Bate presents a thoughtful and informed investigation of the responses of English writers to the perennial dilemma of modern literature, concentrating especially on the period between 1660 and 1830.
Publisher: Belknap Press
ISBN: 9780674085879
Category : Literary Criticism
Languages : en
Pages : 164
Book Description
In this reissue of a classic work in modern literary criticism, W. Jackson Bate presents a thoughtful and informed investigation of the responses of English writers to the perennial dilemma of modern literature, concentrating especially on the period between 1660 and 1830.
Loving in Verse
Author: Stephen Guy-Bray
Publisher: University of Toronto Press
ISBN: 0802092039
Category : Literary Criticism
Languages : en
Pages : 153
Book Description
The current critical tendency in the study of Renaissance literature is to regard the relationship between a poet and his predecessor as either familial or antagonistic. Stephen Guy-Bray argues that neither of these models can be applied to all poetic relationships and that, in fact, the romantic and even sexual nature of some relationships must be considered. Loving in Verse examines how three poets present their relationship to their most important predecessors, beginning with Dante's use of Virgil and Statius in the Divine Comedy, moving on to Spenser's use of medieval English poets in theFaerie Queene, and finally addressing Hart Crane's use of Whitman in The Bridge. In each case, Guy-Bray shows how the younger poet presents himself and the older poet as part of a male couple. He goes on to demonstrate how male couples are, in fact, found throughout these poems, and while some are indeed familial or hostile, many are romantic or sexual. Using concepts from queer theory and close readings of images and allusions in these texts, Loving in Verse demonstrates the importance of homoeroticism to an examination of poetic influence. A discussion of the theories of poetic influence from four twentieth-century writers (T.S. Eliot, Harold Bloom, Roland Barthes, and Frank O'Hara) concludes Guy-Bray's analysis.
Publisher: University of Toronto Press
ISBN: 0802092039
Category : Literary Criticism
Languages : en
Pages : 153
Book Description
The current critical tendency in the study of Renaissance literature is to regard the relationship between a poet and his predecessor as either familial or antagonistic. Stephen Guy-Bray argues that neither of these models can be applied to all poetic relationships and that, in fact, the romantic and even sexual nature of some relationships must be considered. Loving in Verse examines how three poets present their relationship to their most important predecessors, beginning with Dante's use of Virgil and Statius in the Divine Comedy, moving on to Spenser's use of medieval English poets in theFaerie Queene, and finally addressing Hart Crane's use of Whitman in The Bridge. In each case, Guy-Bray shows how the younger poet presents himself and the older poet as part of a male couple. He goes on to demonstrate how male couples are, in fact, found throughout these poems, and while some are indeed familial or hostile, many are romantic or sexual. Using concepts from queer theory and close readings of images and allusions in these texts, Loving in Verse demonstrates the importance of homoeroticism to an examination of poetic influence. A discussion of the theories of poetic influence from four twentieth-century writers (T.S. Eliot, Harold Bloom, Roland Barthes, and Frank O'Hara) concludes Guy-Bray's analysis.
Literary Revisionism and the Burden of Modernity
Author: Jean-Pierre Mileur
Publisher: Univ of California Press
ISBN: 9780520052369
Category : Literary Criticism
Languages : en
Pages : 292
Book Description
Publisher: Univ of California Press
ISBN: 9780520052369
Category : Literary Criticism
Languages : en
Pages : 292
Book Description
Influence and Intertextuality in Literary History
Author: Jay Clayton
Publisher: Univ of Wisconsin Press
ISBN: 9780299130343
Category : Literary Criticism
Languages : en
Pages : 364
Book Description
This collection explores and clarifies two of the most contested ideas in literary theory - influence and intertextuality. The study of influence tends to centre on major authors and canonical works, identifying prior documents as sources or contexts for a given author. Intertextuality, on the other hand, is a concept unconcerned with authors as individuals; it treats all texts as part of a network of discourse that includes culture, history and social practices as well as other literary works. In thirteen essays drawing on the entire spectrum of English and American literary history, this volume considers the relationship between these two terms across the whole range of their usage.
Publisher: Univ of Wisconsin Press
ISBN: 9780299130343
Category : Literary Criticism
Languages : en
Pages : 364
Book Description
This collection explores and clarifies two of the most contested ideas in literary theory - influence and intertextuality. The study of influence tends to centre on major authors and canonical works, identifying prior documents as sources or contexts for a given author. Intertextuality, on the other hand, is a concept unconcerned with authors as individuals; it treats all texts as part of a network of discourse that includes culture, history and social practices as well as other literary works. In thirteen essays drawing on the entire spectrum of English and American literary history, this volume considers the relationship between these two terms across the whole range of their usage.
The Anxiety of Influence
Author: Harold Bloom
Publisher: Oxford University Press, USA
ISBN: 9780195112214
Category : Literary Criticism
Languages : en
Pages : 212
Book Description
The book remains a central work of criticism for all students of literature.
Publisher: Oxford University Press, USA
ISBN: 9780195112214
Category : Literary Criticism
Languages : en
Pages : 212
Book Description
The book remains a central work of criticism for all students of literature.
The Cambridge History of English Poetry
Author: Michael O'Neill
Publisher: Cambridge University Press
ISBN: 0521883067
Category : Literary Criticism
Languages : en
Pages : 1117
Book Description
A literary-historical account of English poetry from Anglo-Saxon writings to the present.
Publisher: Cambridge University Press
ISBN: 0521883067
Category : Literary Criticism
Languages : en
Pages : 1117
Book Description
A literary-historical account of English poetry from Anglo-Saxon writings to the present.
Poetry and the Making of the English Literary Past, 1660-1781
Author: Richard G. Terry
Publisher: OUP Oxford
ISBN: 9780198186236
Category : Literary Criticism
Languages : en
Pages : 378
Book Description
Concentrating on the period 1660-1781, this book explores how the English literary past was made. It charts how antiquarians unearthed the raw materials of the English (or more widely) British tradition; how scholars drafted narratives about the development of native literature; and howcritics assigned the leading writers to canons of literary greatness. Poetry and the Making of the English Literary Past also analyzes the various kinds of occasion on which the contents of the literary past are rehearsed. Discussed, for example, is the rise of Poets' Corner as a national shrine forthe consecration of literary worthies; and the author also considers a wide range of poetic genres that lent themselves to recitals of the literary past: the funeral elegy, the progress-of-poesy poem and the session of the poets poem. The book concludes that the opening up and ordering of theEnglish literary past occurs earlier than is generally supposed; and the same also applies to the process by which women writers achieve their own distinctive form of canonical recognition.
Publisher: OUP Oxford
ISBN: 9780198186236
Category : Literary Criticism
Languages : en
Pages : 378
Book Description
Concentrating on the period 1660-1781, this book explores how the English literary past was made. It charts how antiquarians unearthed the raw materials of the English (or more widely) British tradition; how scholars drafted narratives about the development of native literature; and howcritics assigned the leading writers to canons of literary greatness. Poetry and the Making of the English Literary Past also analyzes the various kinds of occasion on which the contents of the literary past are rehearsed. Discussed, for example, is the rise of Poets' Corner as a national shrine forthe consecration of literary worthies; and the author also considers a wide range of poetic genres that lent themselves to recitals of the literary past: the funeral elegy, the progress-of-poesy poem and the session of the poets poem. The book concludes that the opening up and ordering of theEnglish literary past occurs earlier than is generally supposed; and the same also applies to the process by which women writers achieve their own distinctive form of canonical recognition.
Dead Masters
Author: Anthony W. Lee
Publisher: Lexington Books
ISBN: 1611460751
Category : Literary Criticism
Languages : en
Pages : 263
Book Description
Dead Masters examines the dual issues of mentoring and intertextuality as an integrated phenomenon. Through a series of fresh and novel readings of Johnsonian and Boswellian texts, the book further advances our awareness of the formal complexities of Johnson's writings and the psychological substratum from which they issue.
Publisher: Lexington Books
ISBN: 1611460751
Category : Literary Criticism
Languages : en
Pages : 263
Book Description
Dead Masters examines the dual issues of mentoring and intertextuality as an integrated phenomenon. Through a series of fresh and novel readings of Johnsonian and Boswellian texts, the book further advances our awareness of the formal complexities of Johnson's writings and the psychological substratum from which they issue.
Madness and the Romantic Poet
Author: James Whitehead
Publisher: Oxford University Press
ISBN: 0191081892
Category : Literary Criticism
Languages : en
Pages : 437
Book Description
Madness and the Romantic Poet examines the longstanding and enduringly popular idea that poetry is connected to madness and mental illness. The idea goes back to classical antiquity, but it was given new life at the turn of the nineteenth century. The book offers a new and much more complete history of its development than has previously been attempted, alongside important associated ideas about individual genius, creativity, the emotions, rationality, and the mind in extreme states or disorder - ideas that have been pervasive in modern popular culture. More specifically, the book tells the story of the initial growth and wider dissemination of the idea of the 'Romantic mad poet' in the nineteenth century, how (and why) this idea became so popular, and how it interacted with the very different fortunes in reception and reputation of Romantic poets, their poetry, and attacks on or defences of Romanticism as a cultural trend generally - again leaving a popular legacy that endured into the twentieth century. Material covered includes nineteenth-century journalism, early literary criticism, biography, medical and psychiatric literature, and poetry. A wide range of scientific (and pseudoscientific) thinkers are discussed alongside major Romantic authors, including Wordsworth, Coleridge, Blake, Hazlitt, Lamb, Percy Bysshe Shelley, Keats, Byron, and John Clare. Using this array of sources and figures, the book asks: was the Romantic mad genius just a sentimental stereotype or a romantic myth? Or does its long popularity tell us something serious about Romanticism and the role it has played, or has been given, in modern culture?
Publisher: Oxford University Press
ISBN: 0191081892
Category : Literary Criticism
Languages : en
Pages : 437
Book Description
Madness and the Romantic Poet examines the longstanding and enduringly popular idea that poetry is connected to madness and mental illness. The idea goes back to classical antiquity, but it was given new life at the turn of the nineteenth century. The book offers a new and much more complete history of its development than has previously been attempted, alongside important associated ideas about individual genius, creativity, the emotions, rationality, and the mind in extreme states or disorder - ideas that have been pervasive in modern popular culture. More specifically, the book tells the story of the initial growth and wider dissemination of the idea of the 'Romantic mad poet' in the nineteenth century, how (and why) this idea became so popular, and how it interacted with the very different fortunes in reception and reputation of Romantic poets, their poetry, and attacks on or defences of Romanticism as a cultural trend generally - again leaving a popular legacy that endured into the twentieth century. Material covered includes nineteenth-century journalism, early literary criticism, biography, medical and psychiatric literature, and poetry. A wide range of scientific (and pseudoscientific) thinkers are discussed alongside major Romantic authors, including Wordsworth, Coleridge, Blake, Hazlitt, Lamb, Percy Bysshe Shelley, Keats, Byron, and John Clare. Using this array of sources and figures, the book asks: was the Romantic mad genius just a sentimental stereotype or a romantic myth? Or does its long popularity tell us something serious about Romanticism and the role it has played, or has been given, in modern culture?