The Buddhist Art of Ancient Arakan PDF Download

Author: San Tha Aung (U.)
Publisher:
ISBN:
Category : Arakan State (Burma)
Languages : en
Pages : 242

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Author: Pamela Gutman
Publisher: Weatherhill, Incorporated
ISBN:
Category : History
Languages : en
Pages : 196

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Book Description
This thorough introduction to the history, art, and culture of Arakan, an ancient state located in the northeast corner of Burma, explains and illustrates how Southeast Asia from the beginning of the first millennium absorbed and reinterpreted the influences of many cultures. It is written by a noted scholar who visited the area over many years while conducting research for her doctoral thesis on Arakan. Off the Bay of Bengal, in the northwest corner of Burma lie the splendid capital cites of ancient Arakan; Dhanyaawadi, Vesali and Mrauk-U (Myohaung) being the largest. Mentioned in Ptolemy's "Geographia" (2nd century), Arakan was from earliest times a cosmopolitan state with a vigorous and mixed culture. Indian Brahmins conducted the royal ceremonials, Buddhist monks spread their teachings, traders came and went, and artists and architects used Indian models for inspiration. Through Buddhism, Arakan came into contact with other remote countries, including Sri Lanka, Nepal, Tibet, and China. To the east were the many early empires of Southeast Asia: Burman, Siamese, and Khmer, while later came influences from the Islamic courts of Bengal and Delhi. This is the first comprehensive study on the history, art, and culture of Arakan. It also serves as an excellent introduction to the hitherto almost unknown bronze and stone art of Arakan.

Author: Noel F. Singer
Publisher: APH Publishing
ISBN: 9788131304051
Category : Arakan State (Burma)
Languages : en
Pages : 226

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Arakan (Rakhaing) situated on the western part of Myanmar.

Author: Haskia Hasson
Publisher: Conran Octopus
ISBN:
Category : Art, Buddhist
Languages : en
Pages : 112

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Author: Sylvia Fraser-Lu
Publisher: Yale University Press
ISBN: 0300209452
Category : Art
Languages : en
Pages : 273

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Book Description
A stunning showcase of exceptional and rare works of Buddhist art, presented to the international community for the first time The practice of Buddhism in Myanmar (Burma) has resulted in the production of dazzling objects since the 5th century. This landmark publication presents the first overview of these magnificent works of art from major museums in Myanmar and collections in the United States, including sculptures, paintings, textiles, and religious implements created for temples and monasteries, or for personal devotion. Many of these pieces have never before been seen outside of Myanmar. Accompanied by brilliant color photography, essays by Sylvia Fraser-Lu, Donald M. Stadtner, and scholars from around the world synthesize the history of Myanmar from the ancient through colonial periods and discuss the critical links between religion, geography, governance, historiography, and artistic production. The authors examine the multiplicity of styles and techniques throughout the country, the ways Buddhist narratives have been conveyed through works of art, and the context in which the diverse objects were used. Certain to be the essential resource on the subject, Buddhist Art of Myanmar illuminates two millennia of rarely seen masterpieces.

Author: Juliane Schober
Publisher: Motilal Banarsidass Publ.
ISBN: 9788120818125
Category : Religion
Languages : en
Pages : 396

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Book Description
This interdisciplinary collection of essays explores the biographical genre of the Buddhist traditions of South and Southeast Asia. Scholars in the history of religions, anthropology, literature and art history present a broad range of explorations into sacred biography as an interpretive genre. Easch essay makes unique contributions and the collection as a whole engages methodological and interpretive approaches that are central to scholars of Buddhism and those specializing in the study of south and Southeast Asia.

Author: Claudine Bautze-Picron
Publisher: Sanctum Books
ISBN: 8190995006
Category : Religion
Languages : en
Pages : 771

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This book represents a comprehensive study of 'The Bejewelled Buddha' considering stylistic as well as iconographic issues. A crucial moment in the Buddha's life seems to have been referred to through this image, namely, the sojourn on Mount Meru, where the Buddha sat on Indra's seat and taught all the gods. By occupying the seat of the king of the gods he was able to endorse the royal function of this deity; this becomes particularly evident in the late fifth century, and probably reflects the dramatic situation that the Buddhist community was confronted with, i.e. the political power essentially fostering the Hindu religion and social structure. Hence, the Buddha is depicted as a perfect and powerful ruler sitting at the top of the universe and showing himself adorned as a king; more than any human ruler, the Buddha rules over the universe. There is also another dimension that should never be neglected - as in any other Indian cult, worship of his image entailed offerings of various kinds, such as flower garlands or jewels, being made to the Buddha. The image of the Bejewelled Buddha thus included various constituents while at the same time it was used as the locus where different religious or political concepts found a way of expression. The result was the creation of an image of multi-layered significance which found its way into all Asian cultures.

Author: Alexandra Green
Publisher: NUS Press
ISBN: 9789971694043
Category : Art
Languages : en
Pages : 264

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Book Description
The collection of Burmese art housed at the Denison Museum in Granville, Ohio, USA, includes more than 1,500 objects dating from the late first millennium AD through the twentieth century. While particularly strong on textiles originating with minority groups in Burma, it also showcases Buddha images, lacquer objects, works on paper, manuscripts, wood carvings, and pieces made from bronze, silver, and ivory. Eclectic Collecting is both a catalogue of the collection and a scholarly examination of Burmese art.

Author: Azeem Ibrahim
Publisher: Oxford University Press
ISBN: 1849049734
Category : Burma
Languages : en
Pages : 259

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Book Description
The Rohingya are a Muslim group who live in Rakhine state (formerly Arakan state) in western Myanmar (Burma), a majority Buddhist country. According to the United Nations, they are one of the most persecuted minorities in the world. They suffer routine discrimination at the hands of neighboring Buddhist Rakhine groups, but international human rights groups such as Human Rights Watch (HRW) have also accused Myanmar's authorities of being complicit in a campaign of ethnic cleansing against the Rohingya Muslims. The Rohingya face regular violence, arbitrary arrest and detention, extortion, and other abuses, a situation that has been particularly acute since 2012 in the wake of a serious wave of sectarian violence. Islam is practiced by around 4% of the population of Myanmar, and most Muslims also identify as Rohingya. Yet the authorities refuse to recognize this group as one of the 135 ethnic groups or 'national races' making up Myanmar's population. On this basis, Rohingya individuals are denied citizenship rights in the country of their birth, and face severe limitations on many aspects of an ordinary life, such as marriage or movement around the country. This expose of the attempt to erase the Rohingyas from the face of Myanmar is sure to gain widespread attention.

Author: Vincent Lefèvre
Publisher: BRILL
ISBN: 9004207368
Category : Art
Languages : en
Pages : 289

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Book Description
In the study of Indian art prior to the Mughal period, portraiture has so far been much neglected, when its existence has not simply been denied. This book is an attempt to reassess this issue, by showing that portraits have existed in great number in early India, since probably the first artistic achievements. Through a close scrutiny of sculpted and (more rarely) painted images brought together with textual and epigraphical references, it aims at highlighting the specificities of Indian portraiture, its relationship with divine images and, consequently, at understanding the development of Indian imagery. It questions also the social and religious implications related to this issue.