Author: Great Britain. Royal Commission for the Vienna International ExhibitionPublisher:
ISBN:
Category : Exhibition catalogs
Languages : en
Pages : 266
Book Description
The British Section at the Vienna Universal Exhibition 1873. Official Catalogue
Author: Great Britain. Royal Commission for the Vienna International ExhibitionPublisher:
ISBN:
Category : Exhibition catalogs
Languages : en
Pages : 266
Book Description
Official Catalogue of the British Section of the Vienna Universal Exhibition 1873
Author: WeltausstellungThe Britsh Section at the Vienna Universal Exhibition, 1873 [Fine Art Galleries, Industrial, Agricultural and Machinery Halls, and Park]
![The Britsh Section at the Vienna Universal Exhibition, 1873 [Fine Art Galleries, Industrial, Agricultural and Machinery Halls, and Park] PDF](https://books.google.com/books/content/images/frontcover/uo9Znu3usWIC?fife=w80-h100)
Author: Reports on the Vienna Universal Exhibition of 1873
Author: Great Britain. Royal Commission for the Vienna Universal Exhibition of 1873Publisher:
ISBN:
Category : Vienna International Exhibition
Languages : en
Pages : 834
Book Description
Architecture and the Late Ottoman Historical Imaginary
Author: AhmetA. ErsoyPublisher: Routledge
ISBN: 1351576011
Category : Art
Languages : en
Pages : 334
Book Description
While European eclecticism is examined as a critical and experimental moment in western art history, little research has been conducted to provide an intellectual depth of field to the historicist pursuits of late Ottoman architects as they maneuvered through the nineteenth century?s vast inventory of available styles and embarked on a revivalist/Orientalist program they identified as the ?Ottoman Renaissance.? Ahmet A. Ersoy?s book examines the complex historicist discourse underlying this belated ?renaissance? through a close reading of a text conceived as the movement?s canonizing manifesto: the Usul-i Mi?mari-i ?Osmani [The Fundamentals of Ottoman Architecture] (Istanbul, 1873). In its translocal, cross-disciplinary scope, Ersoy?s work explores the creative ways in which the Ottoman authors straddled the art-historical mainstream and their new, self-orientalizing aesthetics of locality. The study reveals how Orientalism was embraced by its very objects, the self-styled ?Orientals? of the modern world, as a marker of authenticity, and a strategically located aesthetic tool to project universally recognizable images of cultural difference. Rejecting the lesser, subsidiary status ascribed to non-western Orientalisms, Ersoy?s work contributes to recent, post-Saidian directions in the study of cultural representation that resituate the field of Orientalism beyond its polaristic core, recognizing its cross-cultural potential as a polyvalent discourse.
Reports on the Vienna Universal Exhibition of 1873
Author: AnonymousPublisher: BoD – Books on Demand
ISBN: 3368800973
Category : Fiction
Languages : en
Pages : 830
Book Description
Reprint of the original, first published in 1874.
Official Catalogue
Author: British Section at the Vienna Universal Exhibition, 1873Publisher:
ISBN:
Category :
Languages : en
Pages : 234
Book Description
A Bibliography of Design in Britain, 1851-1970
Author: Anthony J. CoulsonPublisher: London : Design Council
ISBN:
Category : Design
Languages : en
Pages : 312
Book Description
Henrik Ibsen and the Birth of Modernism
Author: Toril MoiPublisher: OUP Oxford
ISBN: 0191502642
Category : Literary Criticism
Languages : en
Pages : 416
Book Description
Henrik Ibsen (1828-1906) is the founder of modern theater, and his plays are performed all over the world. Yet in spite of his unquestioned status as a classic of the stage, Ibsen is often dismissed as a fuddy-duddy old realist, whose plays are of interest only because they remain the gateway to modern theater. In Henrik Ibsen and the Birth of Modernism , Toril Moi makes a powerful case not just for Ibsen's modernity, but for his modernism. Situating Ibsen in his cultural context, she shows how unexpected his rise to world fame was, and the extent of his influence on writers such Shaw, Wilde, and Joyce who were seeking to escape the shackles of Victorianism. Henrik Ibsen and the Birth of Modernism also rewrites nineteenth-century literary history; positioning Ibsen between visual art and philosophy, the book offers a critique of traditional theories of the opposition between realism and modernism. Modernism, Moi argues, arose from the ruins of idealism, the dominant aesthetic paradigm of the nineteenth century. She also shows why Ibsen still matters to us today, by focusing on two major themes-his explorations of women, men, and marriage and his clear-eyed chronicling of the tension between skepticism and the everyday. This radical new account places Ibsen in his rightful place alongside Baudelaire, Flaubert, and Manet as a founder of European modernism.
Author: