Author: British Library. Department of Manuscripts
Publisher:
ISBN:
Category : Manuscripts
Languages : en
Pages : 344
Book Description
The British Library Catalogue of Additions to the Manuscripts: Descriptions
Author: British Library. Department of Manuscripts
Publisher:
ISBN:
Category : Manuscripts
Languages : en
Pages : 344
Book Description
Publisher:
ISBN:
Category : Manuscripts
Languages : en
Pages : 344
Book Description
The British Library Catalogue of Additions to the Manuscripts: Descriptions
Author: British Library
Publisher:
ISBN:
Category : Codicology
Languages : en
Pages : 642
Book Description
Publisher:
ISBN:
Category : Codicology
Languages : en
Pages : 642
Book Description
The British Library Music Manuscript Collection
Author: British Library
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 70
Book Description
Publisher:
ISBN:
Category : Instrumental music
Languages : en
Pages : 70
Book Description
Catalog of Additions to the Manuscripts in the British Museum
Author: British Museum. Department of Manuscripts
Publisher:
ISBN:
Category : Manuscripts
Languages : en
Pages : 392
Book Description
Publisher:
ISBN:
Category : Manuscripts
Languages : en
Pages : 392
Book Description
The British Library Music Manuscript Collection
Author: Roger Bray
Publisher:
ISBN:
Category : Manuscripts
Languages : en
Pages : 92
Book Description
Publisher:
ISBN:
Category : Manuscripts
Languages : en
Pages : 92
Book Description
The British Library Catalogue of Additions to the Manuscripts: Index L-Z
Author: British Library
Publisher:
ISBN:
Category : London (England)
Languages : en
Pages : 424
Book Description
Publisher:
ISBN:
Category : London (England)
Languages : en
Pages : 424
Book Description
Purcell Manuscripts
Author: Robert Shay
Publisher: Cambridge University Press
ISBN: 9780521028110
Category : Music
Languages : en
Pages : 380
Book Description
Few details are known about the life of Henry Purcell. This book provides an in-depth analysis of the most obvious documentary evidence of Purcell's career - the music manuscripts of his own hand and those copied by his colleagues. Robert Shay and Robert Thompson offer a richly illustrated study of Purcell's sources, examining in detail the physical features of the manuscripts as well as their musical content. Their survey sheds light on the chronology of composition and copying of Purcell's works and reassesses the place of extant autographs in his musical development. Major sources are fully catalogued, providing information about the context in which Purcell's music was collected and performed, and his handwriting is more closely examined than ever before. The book represents a significant reference tool for scholars, applying a forensic approach that greatly enriches our knowledge of the composer and the music of his time.
Publisher: Cambridge University Press
ISBN: 9780521028110
Category : Music
Languages : en
Pages : 380
Book Description
Few details are known about the life of Henry Purcell. This book provides an in-depth analysis of the most obvious documentary evidence of Purcell's career - the music manuscripts of his own hand and those copied by his colleagues. Robert Shay and Robert Thompson offer a richly illustrated study of Purcell's sources, examining in detail the physical features of the manuscripts as well as their musical content. Their survey sheds light on the chronology of composition and copying of Purcell's works and reassesses the place of extant autographs in his musical development. Major sources are fully catalogued, providing information about the context in which Purcell's music was collected and performed, and his handwriting is more closely examined than ever before. The book represents a significant reference tool for scholars, applying a forensic approach that greatly enriches our knowledge of the composer and the music of his time.
The Clement Bible at the Medieval Courts of Naples and Avignon
Author: CathleenA. Fleck
Publisher: Routledge
ISBN: 1351545531
Category : Art
Languages : en
Pages : 375
Book Description
As a 'biography' of the fourteenth-century illustrated Bible of Clement VII, an opposition pope in Avignon from 1378-94, this social history traces the Bible's production in Naples (c. 1330) through its changing ownership and meaning in Avignon (c. 1340-1405) to its presentation as a gift to Alfonso, King of Aragon (c. 1424). The author's novel approach, based on solid art historical and anthropological methodologies, allows her to assess the object's evolving significance and the use of such a Bible to enhance the power and prestige of its princely and papal owners. Through archival sources, the author pinpoints the physical location and privileged treatment of the Clement Bible over a century. The author considers how the Bible's contexts in the collection of a bishop, several popes, and a king demonstrate the value of the Bible as an exchange commodity. The Bible was undoubtedly valued for the aesthetic quality of its 200+ luxurious images. Additionally, the author argues that its iconography, especially Jerusalem and visionary scenes, augments its worth as a reflection of contemporary political and religious issues. Its images offered biblical precedents, its style represented associations with certain artists and regions in Italy, and its past provided links to important collections. Fleck's examination of the art production around the Bible in Naples and Avignon further illuminates the manuscript's role as a reflection of the court cultures in those cities. Adding to recent art historical scholarship focusing on the taste and signature styles in late medieval and Renaissance courts, this study provides new information about workshop practices and techniques. In these two court cities, the author analyzes styles associated with different artists, different patrons, and even with different rooms of the rulers' palaces, offering new findings relevant to current scholarship, not only in art history but also in court and collection studies.
Publisher: Routledge
ISBN: 1351545531
Category : Art
Languages : en
Pages : 375
Book Description
As a 'biography' of the fourteenth-century illustrated Bible of Clement VII, an opposition pope in Avignon from 1378-94, this social history traces the Bible's production in Naples (c. 1330) through its changing ownership and meaning in Avignon (c. 1340-1405) to its presentation as a gift to Alfonso, King of Aragon (c. 1424). The author's novel approach, based on solid art historical and anthropological methodologies, allows her to assess the object's evolving significance and the use of such a Bible to enhance the power and prestige of its princely and papal owners. Through archival sources, the author pinpoints the physical location and privileged treatment of the Clement Bible over a century. The author considers how the Bible's contexts in the collection of a bishop, several popes, and a king demonstrate the value of the Bible as an exchange commodity. The Bible was undoubtedly valued for the aesthetic quality of its 200+ luxurious images. Additionally, the author argues that its iconography, especially Jerusalem and visionary scenes, augments its worth as a reflection of contemporary political and religious issues. Its images offered biblical precedents, its style represented associations with certain artists and regions in Italy, and its past provided links to important collections. Fleck's examination of the art production around the Bible in Naples and Avignon further illuminates the manuscript's role as a reflection of the court cultures in those cities. Adding to recent art historical scholarship focusing on the taste and signature styles in late medieval and Renaissance courts, this study provides new information about workshop practices and techniques. In these two court cities, the author analyzes styles associated with different artists, different patrons, and even with different rooms of the rulers' palaces, offering new findings relevant to current scholarship, not only in art history but also in court and collection studies.
Italian Music Manuscripts in the British Library: Section D: c. 1770-c. 1820
Italian Music Manuscripts in the British Library: Section B: c. 1720-c. 1740
Author: British Library
Publisher:
ISBN:
Category : British Library
Languages : en
Pages : 84
Book Description
Publisher:
ISBN:
Category : British Library
Languages : en
Pages : 84
Book Description