The Bedford Glossary of Critical and Literary Terms PDF Download

Author: Ross C. Murfin
Publisher: Bedford/st Martins
ISBN: 9780312467548
Category : Literary Criticism
Languages : en
Pages : 539

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Book Description
This volume presents over 700 traditional and contemporary critical and literary terms. The entries are arranged alphabetically, extensively cross-referenced and illustrated with hundreds of examples.

Author:
Publisher: Broadview Press
ISBN: 1770484329
Category : Literary Criticism
Languages : en
Pages : 170

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Book Description
This compact guide covers a wide variety of terms commonly used in academic discussions of poetry, fiction, drama, rhetoric, and literary theory. Definitions are kept concise; examples are abundant. The coverage ranges from traditional topics through to recent scholarship, and the straightforward entries aim to enable students to learn new terms with confidence. The pocket glossary brings together entries from a variety of Broadview publications—including The Broadview Anthology of British Literature and The Broadview Anthology of Short Fiction—and adds a number of new entries.

Author:
Publisher:
ISBN: 0199208271
Category : Criticism
Languages : en
Pages : 373

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Author: Meyer Howard Abrams
Publisher: Wadsworth Publishing Company
ISBN: 9781413002188
Category : Education
Languages : en
Pages : 0

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Book Description
This text defines and discusses terms, critical theories, and points of view that are commonly used to classify, analyse, interpret, and write the history of works of literature. The Glossary presents a series of essays in alphabetic order.

Author: Robert Dale Parker
Publisher: Oxford University Press, USA
ISBN: 9780190855697
Category : Criticism
Languages : en
Pages : 432

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Book Description
"Distinguished in the market by its ability to mesh accessibility and intellectual rigor, How to Interpret Literature offers a current, concise, and broad historicist survey of contemporary thinking in critical theory. Ideal for upper-level undergraduate courses in literary and critical theory, this is the only book of its kind that thoroughly merges literary studies with cultural studies, including film. Robert Dale Parker provides a critical look at the major movements in literary studies since the 1930s, including those often omitted from other texts. He includes chapters on New Criticism, Structuralism, Deconstruction, Psychoanalysis, Feminism, Queer Studies, Marxism, Historicism and Cultural Studies, Postcolonial and Race Studies, and Reader Response. Parker weaves connections among chapters, showing how these different ways of thinking respond to and build upon each other. Through these exchanges, he prepares students to join contemporary dialogues in literary and cultural studies. The text is enhanced by charts, text boxes that address frequently asked questions, photos, and a bibliography"--

Author: Donald Eugene Hall
Publisher: Cengage Learning
ISBN:
Category : Education
Languages : en
Pages : 356

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Book Description
This clear, succinct primer for literary theory provides students with a useful guide to contemporary theory and methodologies. Theoretical overviews summarize each literary approach for clarification and "Application Essays" by well-known scholars, on works by authors such as Shakespeare, Austen, Melville, Faulkner, and Angelou, represent the stated principles. The text helps students generate consistent, well-focused analyses based on any of ten critical methodologies, including New Criticism, Psychoanalytic Analysis, Deconstruction, Feminist Analysis, and New Historicism.

Author: Simon Philipps
Publisher: GRIN Verlag
ISBN: 3638596338
Category : Literary Criticism
Languages : en
Pages : 23

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Book Description
Seminar paper from the year 2005 in the subject English Language and Literature Studies - Literature, grade: 1,3, RWTH Aachen University (Institut für Anglistik, Lehrstuhl 1), course: Charles Dickens, language: English, abstract: When first reading ‘Oliver Twist’ it is obvious to most attentive readers that Dickens uses irony. What also becomes clear is that he uses irony in a variety of forms. To grasp this variety it is hardly ever sufficient to use the classical definition of irony exclusively according to which “an ironical utterance is traditionally analyzed as literally saying one thing and figuratively meaning the opposite.” In order to give the reader a more detailed idea of what irony is, the main part of this work will be divided into two sub-divisions. The first sub-division tries to give an answer to the question what irony is in general and how it can be sub-classified into more specific types of irony. The second sub-division is supposed to show the reader which of the formerly described types of irony can or cannot be applied to Oliver Twist and why they can be or cannot be applied. This should give the reader a better idea of why an utterance or a situation is perceived as ironic. The aim is not only to make the reader realise irony but also to make him able to say as to why this situation or that utterance can be seen as ironic. The conclusion will then show to what extent the definitions given in the first sub-division of the main part are useful to analyze irony in the novel. It is also supposed to answer the question why Dickens used irony and what he wanted to achieve using it. The definition of irony and the sub-categorization into the different types of irony, which is the basis of the first sub-division of the main part, was mainly overtaken from The Bedford Glossary of Critical and Literary Terms . The main advantage of this definition is that it draws clear cut boundaries between the different types of irony and gives clear advice how to differentiate between them. Except for one chapter in the book by Patricia Plummer , there was no literature exclusively dealing with the different forms of irony in Oliver Twist specifically. The problem with Mrs. Plummer’s work is that she exclusively describes the ironic parts of Oliver Twist by means of rhetorical figures. Of course, this is a tenable approach but it did not really serve the purpose of a better understanding of irony in Oliver Twist, which is the aim of this work.

Author: Shanti Kumar
Publisher: University of Illinois Press
ISBN: 0252091663
Category : Social Science
Languages : en
Pages : 259

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Book Description
Shanti Kumar's Gandhi Meets Primetime examines how cultural imaginations of national identity have been transformed by the rapid growth of satellite and cable television in postcolonial India. To evaluate the growing influence of foreign and domestic satellite and cable channels since 1991, the book considers a wide range of materials including contemporary television programming, historical archives, legal documents, policy statements, academic writings and journalistic accounts. Kumar argues that India's hybrid national identity is manifested in the discourses found in this variety of empirical sources. He deconstructs representations of Mahatma Gandhi as the Father of the Nation on the state-sponsored network Doordarshan and those found on Rupert Murdoch's STAR TV network. The book closely analyzes print advertisements to trace the changing status of the television set as a cultural commodity in postcolonial India and examines publicity brochures, promotional materials and programming schedules of Indian-language networks to outline the role of vernacular media in the discourse of electronic capitalism. The empirical evidence is illuminated by theoretical analyses that combine diverse approaches such as cultural studies, poststructuralism and postcolonial criticism.

Author: Helon Habila
Publisher: W. W. Norton & Company
ISBN: 9780393052510
Category : Fiction
Languages : en
Pages : 386

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Book Description
Mamo and LaMamo are twin brothers living in the small Nigerian village of Keti, where their domineering father controls their lives. With high hopes the twins attempt to flee from home, but only LaMamo escapes successfully and is able to live their dream of becoming a soldier who meets beautiful women. Mamo, the sickly, awkward twin, is doomed to remain in the village with his father. Gradually he comes out of his father's shadow and gains local fame as a historian, and, using Plutarch's Parallel Lives as his model, he embarks on the ambitious project of writing a "true" history of his people. But when the rains fail and famine rages, religious zealots incite the people to violence--and LaMamo returns to fight the enemy at home. A novel of ardent loyalty, encroaching modernity, political desire, and personal liberation, Measuring Time is a heart-wrenching history of Nigeria, portrayed through the eyes of a single family.

Author: Henry James
Publisher: Graphic Arts Books
ISBN: 1513268066
Category : Fiction
Languages : en
Pages : 100

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Book Description
"[James] is the most intelligent man of his generation." -T. S. Eliot "The economy of horror is carried to its last degree."-Edith Wharton "The most hopelessly evil story that we could have read in any literature"-The Independent Henry James’ The Turn of the Screw (1898) is one of the most gripping psychological novellas ever written; a grim tale that could equally be a tale of madness or a tale of the supernatural. The depths and meaning of this story has been one of the most fascinating literary debates in all of literature. The intriguing asymmetry of The Turn of the Screw, between the seen vs. unseen, the internal v. the external, and good vs. evil, rises this book beyond what can be described as a simple ghost story. The novella begins on Christmas Eve with the recitation of a letter. The story quickly shifts to the perspective of a governess, who is the subject of the strangely ambiguous story. She had been employed by a dashing bachelor to take care of his niece and nephew in a remote country home. To her surprise, she is requested not to reach the uncle of the children under any circumstance. She is smitten by Flora, the little girl, but receives a letter that the boy, Miles, has been expelled from his school and would not be able to return. One evening, strolling outside, the governess is shocked to see a man in the tower of the house, and later in a window. When she describes him to Mrs. Grouse, the maid, she is informed that the description matches that of a former valet, who had died. Later, while at the lake with Flora, the governess sees a second apparition, that of the governess who proceeded her. As the ghosts eventually occupy the house, the governess develops a fearful obsession of the corruption of the children by the terrifying spirits. This gripping work of the unknown and moral decline is one of the most haunting pieces of fiction in the western canon. With an eye-catching new cover, and professionally typeset manuscript, this edition of The Turn of the Screw is both modern and readable.