Author: Steve McCaffery
Publisher: BookThug
ISBN: 0978158776
Category : Literary Criticism
Languages : en
Pages : 70
Book Description
The Basho Variations gathers thirty-four translations of Basho's famous haiku. In doing so it enters an august (albeit scanty) lineage of maverick redactions of this poem that include (as inaugural) the "frog pond plop" by Dom Sylvester Hudard and the "fog prondl pop" by Gerry Gilbert. Inspired by Raymond Queneau's Exercises in Style, it also joins the company of his earlier "Restricted Translation with Imperfect Level Shift (After Basho)" as well as the Frogments from the Frag Pool: Haiku after Basho by fellow ludicians de langage Gary Barwin and Derek Beaulieu; Beaulieu's solo ((plop)) and Basho's Frogger (a Zen video game) created by the Prize Budget for Boys.
The Basho Variations
Author: Steve McCaffery
Publisher: BookThug
ISBN: 0978158776
Category : Literary Criticism
Languages : en
Pages : 70
Book Description
The Basho Variations gathers thirty-four translations of Basho's famous haiku. In doing so it enters an august (albeit scanty) lineage of maverick redactions of this poem that include (as inaugural) the "frog pond plop" by Dom Sylvester Hudard and the "fog prondl pop" by Gerry Gilbert. Inspired by Raymond Queneau's Exercises in Style, it also joins the company of his earlier "Restricted Translation with Imperfect Level Shift (After Basho)" as well as the Frogments from the Frag Pool: Haiku after Basho by fellow ludicians de langage Gary Barwin and Derek Beaulieu; Beaulieu's solo ((plop)) and Basho's Frogger (a Zen video game) created by the Prize Budget for Boys.
Publisher: BookThug
ISBN: 0978158776
Category : Literary Criticism
Languages : en
Pages : 70
Book Description
The Basho Variations gathers thirty-four translations of Basho's famous haiku. In doing so it enters an august (albeit scanty) lineage of maverick redactions of this poem that include (as inaugural) the "frog pond plop" by Dom Sylvester Hudard and the "fog prondl pop" by Gerry Gilbert. Inspired by Raymond Queneau's Exercises in Style, it also joins the company of his earlier "Restricted Translation with Imperfect Level Shift (After Basho)" as well as the Frogments from the Frag Pool: Haiku after Basho by fellow ludicians de langage Gary Barwin and Derek Beaulieu; Beaulieu's solo ((plop)) and Basho's Frogger (a Zen video game) created by the Prize Budget for Boys.
The Basho Variations
Author: Steve McCaffery
Publisher: Book*hug Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 80
Book Description
The Basho Variations gathers thirty-four translations of Basho's famous haiku. In doing so it enters an august (albeit scanty) lineage of maverick redactions of this poem that include (as inaugural) the "frog pond plop" by Dom Sylvester Hudard and the "fog prondl pop" by Gerry Gilbert. Inspired by Raymond Queneau's Exercises in Style, it also joins the company of his earlier "Restricted Translation with Imperfect Level Shift (After Basho)" as well as the Frogments from the Frag Pool: Haiku after Basho by fellow ludicians de langage Gary Barwin and Derek Beaulieu; Beaulieu's solo ((plop)) and Basho's Frogger (a Zen video game) created by the Prize Budget for Boys.
Publisher: Book*hug Press
ISBN:
Category : Literary Criticism
Languages : en
Pages : 80
Book Description
The Basho Variations gathers thirty-four translations of Basho's famous haiku. In doing so it enters an august (albeit scanty) lineage of maverick redactions of this poem that include (as inaugural) the "frog pond plop" by Dom Sylvester Hudard and the "fog prondl pop" by Gerry Gilbert. Inspired by Raymond Queneau's Exercises in Style, it also joins the company of his earlier "Restricted Translation with Imperfect Level Shift (After Basho)" as well as the Frogments from the Frag Pool: Haiku after Basho by fellow ludicians de langage Gary Barwin and Derek Beaulieu; Beaulieu's solo ((plop)) and Basho's Frogger (a Zen video game) created by the Prize Budget for Boys.
Bashō's Haiku
Author: Matsuo Bashō
Publisher: State University of New York Press
ISBN: 0791484653
Category : Religion
Languages : en
Pages : 346
Book Description
2005 CHOICE Outstanding Academic Title Basho's Haiku offers the most comprehensive translation yet of the poetry of Japanese writer Matsuo Bashō (1644–1694), who is credited with perfecting and popularizing the haiku form of poetry. One of the most widely read Japanese writers, both within his own country and worldwide, Bashō is especially beloved by those who appreciate nature and those who practice Zen Buddhism. Born into the samurai class, Bashō rejected that world after the death of his master and became a wandering poet and teacher. During his travels across Japan, he became a lay Zen monk and studied history and classical poetry. His poems contained a mystical quality and expressed universal themes through simple images from the natural world. David Landis Barnhill's brilliant book strives for literal translations of Bashō's work, arranged chronologically in order to show Bashō's development as a writer. Avoiding wordy and explanatory translations, Barnhill captures the brevity and vitality of the original Japanese, letting the images suggest the depth of meaning involved. Barnhill also presents an overview of haiku poetry and analyzes the significance of nature in this literary form, while suggesting the importance of Bashō to contemporary American literature and environmental thought.
Publisher: State University of New York Press
ISBN: 0791484653
Category : Religion
Languages : en
Pages : 346
Book Description
2005 CHOICE Outstanding Academic Title Basho's Haiku offers the most comprehensive translation yet of the poetry of Japanese writer Matsuo Bashō (1644–1694), who is credited with perfecting and popularizing the haiku form of poetry. One of the most widely read Japanese writers, both within his own country and worldwide, Bashō is especially beloved by those who appreciate nature and those who practice Zen Buddhism. Born into the samurai class, Bashō rejected that world after the death of his master and became a wandering poet and teacher. During his travels across Japan, he became a lay Zen monk and studied history and classical poetry. His poems contained a mystical quality and expressed universal themes through simple images from the natural world. David Landis Barnhill's brilliant book strives for literal translations of Bashō's work, arranged chronologically in order to show Bashō's development as a writer. Avoiding wordy and explanatory translations, Barnhill captures the brevity and vitality of the original Japanese, letting the images suggest the depth of meaning involved. Barnhill also presents an overview of haiku poetry and analyzes the significance of nature in this literary form, while suggesting the importance of Bashō to contemporary American literature and environmental thought.
The Variation Theory of Comparative Literature
Author: Shunqing Cao
Publisher: Springer Science & Business Media
ISBN: 3642342779
Category : Language Arts & Disciplines
Languages : en
Pages : 291
Book Description
Seeing the restrictions of former studies in Comparative Literature and aiming to amend these deficiencies, the author of this book mainly discusses the major theoretical significance and academic value of the Variation Theory in the whole process of the development of Comparative Literature in the world. In China the seminal comparative study of literature among different cultures can be dated back to ancient China, while the founding of comparative literature as a distinct academic discipline has to be largely owing to the influence of the West. The modern Chinese study of comparative literature formed its uniqueness under Western influence. The direct influence of the translation of western theories into China is remarkable. However, in the course of translation and reception of Western theories, Chinese comparatists and intellectuals have been encountering various problems, and solving them with an alternative method accordingly different from the traditional methods proposed by the French School and the American School. Therefore, in this book, modern Chinese study of comparative literature is put in a historical context with regard to the theoretical issue of the discipline in China through the entire 20th century. At present, many scholars in China and in other countries agree that, with the influence study proposed by the French School and the study of analogy advocated by the American School, the entire theoretical system of Comparative Literature is well built. However, when the comparative study of literature between East and West is concerned, the theory of Comparative Literature is far from perfect. It is not only because many problems still exist, but there are significant defects in their theoretical bases respectively. Many researches have proven that even with the influence study and the study of analogy, we still can not solve many problems in the practice of studies in comparative literature. This does not mean that we have no respect for the contributions of the French School and the American School; we just want to attach importance to literary variations, which is a phenomenon that has long been neglected. The purpose of putting forward the Variation Theory in Comparative Literature is to provide new perspectives, new methods and new theory to the study of comparative literature, which may be a major breakthrough in the international arena of Comparative Literature. The neglect of literary variation is mainly because all the previous theories about comparative literature start off in search of similarities but not differences. Accordingly, in 1990s heterogeneity as a premise of comparability was put forward. And later, the variation theory was further advanced. It is not only the important phenomenon in literary communication, but also the most valuable research object in Comparative Literature. Still, it will be an important path to cultural innovation. The Variation Theory may make up the major flaws of theories by both French school and the American School since it focus on heterogeneity and variability in cross-cultural literary events, especially the ones of inter-civilization which will be a new course for comparative literature. Throughout the history of literature and the history of literary communication, collisions between different civilizations have always been producing new literary events which make the heterogeneity of different civilizations and variability traceable. The higher stage of literary communication may mean dialogue and blend between different cultures. The overarching concerns of this book include different levels of variation in literary communication and the studies of different objects. The introduction begins with a literature review of major achievements made by the French School and the American School with pointing out what they have neglected. The body of the book is divided into three parts. In the first part, Chapter 1 deals with the major contributions of influence study and its weaknesses. The origination of comparative literature in most of European countries is reviewed first, and then the major contributions of the French School are listed to point out its merits and weaknesses. The author discusses the relation between Influence Study and the Variation Theory and the importance of the French school in theoretical development of comparative literature is stressed too. Chapter 2 offers a critical introduction and reflection on the study of analogy . Both its major contributions and weaknesses are made clear to further illustrate the relationship between interpretation and the Variation Theory. And the discursive variation is discussed. Part II is a transitional part with only one chapter that gives a clear account of phenomenon of variation from international perspective. Part III consists of four chapters. Chapter 4 offers a detailed description of The Variation Theory in cross-languages context. Chapter 5 deals with cross-cultural variation in homogeneous circle of civilization. Chapter 6 discusses the variation among heterogeneous civilization. For a long period of time the theoretical study of comparative literature in China has largely been confined to the Chinese academic arena, thus has long been neglected. On one hand western comparatists have gradually realized the importance of a non-western perspective in the study of the discipline; on the other hand, few books are available to introduce the recent development of comparative literature study in China. Compared with the enthusiastic reception of the theories of the French School and the American School, the theories of Chinese comparatists receives relatively little attention in western countries. In this sense, the proposed book attempts to challenge the myth of monolithic theories of comparative literature, trying to construct an alternative theory of the discipline.
Publisher: Springer Science & Business Media
ISBN: 3642342779
Category : Language Arts & Disciplines
Languages : en
Pages : 291
Book Description
Seeing the restrictions of former studies in Comparative Literature and aiming to amend these deficiencies, the author of this book mainly discusses the major theoretical significance and academic value of the Variation Theory in the whole process of the development of Comparative Literature in the world. In China the seminal comparative study of literature among different cultures can be dated back to ancient China, while the founding of comparative literature as a distinct academic discipline has to be largely owing to the influence of the West. The modern Chinese study of comparative literature formed its uniqueness under Western influence. The direct influence of the translation of western theories into China is remarkable. However, in the course of translation and reception of Western theories, Chinese comparatists and intellectuals have been encountering various problems, and solving them with an alternative method accordingly different from the traditional methods proposed by the French School and the American School. Therefore, in this book, modern Chinese study of comparative literature is put in a historical context with regard to the theoretical issue of the discipline in China through the entire 20th century. At present, many scholars in China and in other countries agree that, with the influence study proposed by the French School and the study of analogy advocated by the American School, the entire theoretical system of Comparative Literature is well built. However, when the comparative study of literature between East and West is concerned, the theory of Comparative Literature is far from perfect. It is not only because many problems still exist, but there are significant defects in their theoretical bases respectively. Many researches have proven that even with the influence study and the study of analogy, we still can not solve many problems in the practice of studies in comparative literature. This does not mean that we have no respect for the contributions of the French School and the American School; we just want to attach importance to literary variations, which is a phenomenon that has long been neglected. The purpose of putting forward the Variation Theory in Comparative Literature is to provide new perspectives, new methods and new theory to the study of comparative literature, which may be a major breakthrough in the international arena of Comparative Literature. The neglect of literary variation is mainly because all the previous theories about comparative literature start off in search of similarities but not differences. Accordingly, in 1990s heterogeneity as a premise of comparability was put forward. And later, the variation theory was further advanced. It is not only the important phenomenon in literary communication, but also the most valuable research object in Comparative Literature. Still, it will be an important path to cultural innovation. The Variation Theory may make up the major flaws of theories by both French school and the American School since it focus on heterogeneity and variability in cross-cultural literary events, especially the ones of inter-civilization which will be a new course for comparative literature. Throughout the history of literature and the history of literary communication, collisions between different civilizations have always been producing new literary events which make the heterogeneity of different civilizations and variability traceable. The higher stage of literary communication may mean dialogue and blend between different cultures. The overarching concerns of this book include different levels of variation in literary communication and the studies of different objects. The introduction begins with a literature review of major achievements made by the French School and the American School with pointing out what they have neglected. The body of the book is divided into three parts. In the first part, Chapter 1 deals with the major contributions of influence study and its weaknesses. The origination of comparative literature in most of European countries is reviewed first, and then the major contributions of the French School are listed to point out its merits and weaknesses. The author discusses the relation between Influence Study and the Variation Theory and the importance of the French school in theoretical development of comparative literature is stressed too. Chapter 2 offers a critical introduction and reflection on the study of analogy . Both its major contributions and weaknesses are made clear to further illustrate the relationship between interpretation and the Variation Theory. And the discursive variation is discussed. Part II is a transitional part with only one chapter that gives a clear account of phenomenon of variation from international perspective. Part III consists of four chapters. Chapter 4 offers a detailed description of The Variation Theory in cross-languages context. Chapter 5 deals with cross-cultural variation in homogeneous circle of civilization. Chapter 6 discusses the variation among heterogeneous civilization. For a long period of time the theoretical study of comparative literature in China has largely been confined to the Chinese academic arena, thus has long been neglected. On one hand western comparatists have gradually realized the importance of a non-western perspective in the study of the discipline; on the other hand, few books are available to introduce the recent development of comparative literature study in China. Compared with the enthusiastic reception of the theories of the French School and the American School, the theories of Chinese comparatists receives relatively little attention in western countries. In this sense, the proposed book attempts to challenge the myth of monolithic theories of comparative literature, trying to construct an alternative theory of the discipline.
The Basho of Economics
Author: Silja Graupe
Publisher: Walter de Gruyter
ISBN: 3110328283
Category : Philosophy
Languages : en
Pages : 337
Book Description
In the parlance of modern Japanese philosophy, the term Basho denotes a field of experience underlying all conceptions of reality, while remaining itself conceptually ungraspable. The Basho of Economics, then, refers to the economy’s hidden experiential ground, which has never been explicitly scrutinized, as such, by mainstream economics. We uncover this ground by discerning the tacit presuppositions of classical and neo-classical theories from the perspective of modern Japanese philosophy. In particular, we draw attention to the traditional atomist assumptions implicit in their equilibrium-centered models. By breaking through these assumptions, we reconstruct the economy as a functional and relational world of habitual and creative activity outside of the scope of mechanical laws.
Publisher: Walter de Gruyter
ISBN: 3110328283
Category : Philosophy
Languages : en
Pages : 337
Book Description
In the parlance of modern Japanese philosophy, the term Basho denotes a field of experience underlying all conceptions of reality, while remaining itself conceptually ungraspable. The Basho of Economics, then, refers to the economy’s hidden experiential ground, which has never been explicitly scrutinized, as such, by mainstream economics. We uncover this ground by discerning the tacit presuppositions of classical and neo-classical theories from the perspective of modern Japanese philosophy. In particular, we draw attention to the traditional atomist assumptions implicit in their equilibrium-centered models. By breaking through these assumptions, we reconstruct the economy as a functional and relational world of habitual and creative activity outside of the scope of mechanical laws.
Stochastic Calculus of Variations
Author: Yasushi Ishikawa
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110675293
Category : Mathematics
Languages : en
Pages : 376
Book Description
This book is a concise introduction to the stochastic calculus of variations for processes with jumps. The author provides many results on this topic in a self-contained way for e.g., stochastic differential equations (SDEs) with jumps. The book also contains some applications of the stochastic calculus for processes with jumps to the control theory, mathematical finance and so. This third and entirely revised edition of the work is updated to reflect the latest developments in the theory and some applications with graphics.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110675293
Category : Mathematics
Languages : en
Pages : 376
Book Description
This book is a concise introduction to the stochastic calculus of variations for processes with jumps. The author provides many results on this topic in a self-contained way for e.g., stochastic differential equations (SDEs) with jumps. The book also contains some applications of the stochastic calculus for processes with jumps to the control theory, mathematical finance and so. This third and entirely revised edition of the work is updated to reflect the latest developments in the theory and some applications with graphics.
The Logic of Nothingness
Author: Robert J. J. Wargo
Publisher: University of Hawaii Press
ISBN: 0824873890
Category : Religion
Languages : en
Pages : 256
Book Description
The writings of Nishida Kitarô, whose name has become almost synonymous with Japanese philosophy, continue to attract attention around the world. Yet studies of his thought in Western languages have tended to overlook two key areas: first, the influence of the generation of Japanese philosophers who preceded Nishida; and second, the logic of basho (place), the cornerstone of Nishida’s mature philosophical system. The Logic of Nothingness addresses both of these topics. Robert Wargo argues that the overriding concern of Nishida’s mature philosophy, the attempt to give a reasonable account of reality that includes the reasonableness of that account itself—or what Wargo calls "the problem of completeness"—has its origins in Inoue Enryo’s (1858–1919) and Inoue Tetsujiro’s (1855–1944) preoccupation with "the problem of standpoints." A translation of one of Nishida’s most demanding texts, included here as an appendix, demonstrates the value of Wargo’s insightful analysis of the logic of basho as an aid to deciphering the philosopher’s early work.
Publisher: University of Hawaii Press
ISBN: 0824873890
Category : Religion
Languages : en
Pages : 256
Book Description
The writings of Nishida Kitarô, whose name has become almost synonymous with Japanese philosophy, continue to attract attention around the world. Yet studies of his thought in Western languages have tended to overlook two key areas: first, the influence of the generation of Japanese philosophers who preceded Nishida; and second, the logic of basho (place), the cornerstone of Nishida’s mature philosophical system. The Logic of Nothingness addresses both of these topics. Robert Wargo argues that the overriding concern of Nishida’s mature philosophy, the attempt to give a reasonable account of reality that includes the reasonableness of that account itself—or what Wargo calls "the problem of completeness"—has its origins in Inoue Enryo’s (1858–1919) and Inoue Tetsujiro’s (1855–1944) preoccupation with "the problem of standpoints." A translation of one of Nishida’s most demanding texts, included here as an appendix, demonstrates the value of Wargo’s insightful analysis of the logic of basho as an aid to deciphering the philosopher’s early work.
On the Other Side(s) of 150
Author: Linda M. Morra
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1771125152
Category : Social Science
Languages : en
Pages : 336
Book Description
On the Other Side(s) of 150 explores the different literary, historical and cultural legacies of Canada’s sesquicentennial celebrations. It asks vital questions about the ways that histories and stories have been suppressed and invites consideration about what happens once a commemorative moment has passed. Like a Cubist painting, this modality offers a critical strategy by which also to approach the volume as dismantling, reassembling, and re-enacting existing commemorative tropes; as offering multiple, conditional, and contingent viewpoints that unfold over time; and as generating a broader (although far from being comprehensive) range of counter-memorial performances. The chapters in this volume are thus provisional, interconnected, and adaptive: they offer critical assemblages by which to approach commemorative narratives or showcase lacunae therein; by which to return to and intervene in ongoing readings of the past from the present moment; and by which not necessarily to resolve, but rather to understand the troubled and troubling narratives of the present moment. Contributors propose that these preoccupations are not a means of turning away from present concerns, but rather a means of grappling with how the past informs or is shaped to inform them; and how such concerns are defined by immediate social contexts and networks.
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1771125152
Category : Social Science
Languages : en
Pages : 336
Book Description
On the Other Side(s) of 150 explores the different literary, historical and cultural legacies of Canada’s sesquicentennial celebrations. It asks vital questions about the ways that histories and stories have been suppressed and invites consideration about what happens once a commemorative moment has passed. Like a Cubist painting, this modality offers a critical strategy by which also to approach the volume as dismantling, reassembling, and re-enacting existing commemorative tropes; as offering multiple, conditional, and contingent viewpoints that unfold over time; and as generating a broader (although far from being comprehensive) range of counter-memorial performances. The chapters in this volume are thus provisional, interconnected, and adaptive: they offer critical assemblages by which to approach commemorative narratives or showcase lacunae therein; by which to return to and intervene in ongoing readings of the past from the present moment; and by which not necessarily to resolve, but rather to understand the troubled and troubling narratives of the present moment. Contributors propose that these preoccupations are not a means of turning away from present concerns, but rather a means of grappling with how the past informs or is shaped to inform them; and how such concerns are defined by immediate social contexts and networks.
On Love and Barley
Author: Matsuo Basho
Publisher: Penguin UK
ISBN: 0141907770
Category : Poetry
Languages : en
Pages : 81
Book Description
Basho, one of the greatest of Japanese poets and the master of haiku, was also a Buddhist monk and a life-long traveller. His poems combine 'karumi', or lightness of touch, with the Zen ideal of oneness with creation. Each poem evokes the natural world - the cherry blossom, the leaping frog, the summer moon or the winter snow - suggesting the smallness of human life in comparison to the vastness and drama of nature. Basho himself enjoyed solitude and a life free from possessions, and his haiku are the work of an observant eye and a meditative mind, uncluttered by materialism and alive to the beauty of the world around him.
Publisher: Penguin UK
ISBN: 0141907770
Category : Poetry
Languages : en
Pages : 81
Book Description
Basho, one of the greatest of Japanese poets and the master of haiku, was also a Buddhist monk and a life-long traveller. His poems combine 'karumi', or lightness of touch, with the Zen ideal of oneness with creation. Each poem evokes the natural world - the cherry blossom, the leaping frog, the summer moon or the winter snow - suggesting the smallness of human life in comparison to the vastness and drama of nature. Basho himself enjoyed solitude and a life free from possessions, and his haiku are the work of an observant eye and a meditative mind, uncluttered by materialism and alive to the beauty of the world around him.
Public Poetics
Author: Bart Vautour
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1771120487
Category : Literary Criticism
Languages : en
Pages : 377
Book Description
Public Poetics is a collection of essays and poems that address some of the most pressing issues of the discipline in the twenty-first century. The collection brings together fifteen original essays addressing “publics,” “poetry,” and “poetics” from the situated space of Canada while simultaneously troubling the notion of the nation as a stable term. It asks hard questions about who and what count as “publics” in Canada. Critical essays stand alongside poetry as visual and editorial reminders of the cross-pollination required in thinking through both poetry and poetics. Public Poetics is divided into three thematic sections. The first contains essays surveying poetics in the present moment through the lens of the public/private divide, systematic racism in Canada, the counterpublic, feminist poetics, and Canadian innovations on postmodern poetics. The second section contains author-specific studies of public poets. The final section contains essays that use innovative renderings of “poetics” as a means of articulating alternative communities and practices. Each section is paired with a collection of original poetry by ten contemporary Canadian poets. This collection attends to the changing landscape of critical discourse around poetry and poetics in Canada, and will be of use to teachers and students of poetry and poetics.
Publisher: Wilfrid Laurier Univ. Press
ISBN: 1771120487
Category : Literary Criticism
Languages : en
Pages : 377
Book Description
Public Poetics is a collection of essays and poems that address some of the most pressing issues of the discipline in the twenty-first century. The collection brings together fifteen original essays addressing “publics,” “poetry,” and “poetics” from the situated space of Canada while simultaneously troubling the notion of the nation as a stable term. It asks hard questions about who and what count as “publics” in Canada. Critical essays stand alongside poetry as visual and editorial reminders of the cross-pollination required in thinking through both poetry and poetics. Public Poetics is divided into three thematic sections. The first contains essays surveying poetics in the present moment through the lens of the public/private divide, systematic racism in Canada, the counterpublic, feminist poetics, and Canadian innovations on postmodern poetics. The second section contains author-specific studies of public poets. The final section contains essays that use innovative renderings of “poetics” as a means of articulating alternative communities and practices. Each section is paired with a collection of original poetry by ten contemporary Canadian poets. This collection attends to the changing landscape of critical discourse around poetry and poetics in Canada, and will be of use to teachers and students of poetry and poetics.