Author: Charles A. FedererPublisher:
ISBN:
Category : Flodden, Battle of, England, 1513
Languages : en
Pages : 172
Book Description
The Ballad of Flodden Field
Author: Charles A. FedererPublisher:
ISBN:
Category : Flodden, Battle of, England, 1513
Languages : en
Pages : 172
Book Description
Marmion; A Tale of Flodden Field in Six Cantos
Author: Walter ScottPublisher: BoD – Books on Demand
ISBN: 3387038437
Category : Fiction
Languages : en
Pages : 494
Book Description
Reproduction of the original. The publishing house Megali specialises in reproducing historical works in large print to make reading easier for people with impaired vision.
Marmion A Tale of Flodden Field : A Poem, In Six Cantos
Author: Walter ScottPublisher: Prabhat Prakashan
ISBN:
Category : Poetry
Languages : en
Pages : 206
Book Description
Marmion: A Tale of Flodden Field in Six Cantos by Walter Scott is an epic historical poem set in 16th-century Scotland during the tumultuous times of the Battle of Flodden. This gripping narrative explores themes of honor, love, betrayal, and the devastating consequences of war, capturing the reader's imagination with its vivid descriptions and captivating storytelling. Key Aspects of The Book “Marmion: A Tale of Flodden Field: Historical Setting: Set against the backdrop of the Battle of Flodden in 1513, the poem transports readers to a pivotal moment in Scottish history. Walter Scott meticulously researches the historical events and characters of the time, offering a richly detailed and authentic portrayal of the era. Epic Narrative: Marmion follows the exploits of the eponymous character, a brave Scottish knight, as he navigates treacherous political intrigues, romantic entanglements, and the horrors of war. The poem unfolds through six cantos, each filled with vivid descriptions, stirring battle scenes, and emotional depth. Themes of Honor and Betrayal: Throughout the poem, Scott delves into the complexities of honor, exploring how it can be both upheld and compromised in the face of personal ambition, political machinations, and the fog of war. The characters grapple with loyalty, deceit, and the consequences of their choices, highlighting the moral dilemmas that arise in times of conflict. Walter Scott: Walter Scott, born in 1771, was a Scottish historical novelist, poet, and playwright. Often referred to as the Father of the Historical Novel, Scott's works, including Ivanhoe and Waverley, transported readers to different eras, weaving intricate tales of adventure, romance, and heroism against vivid historical backdrops. Scott's novels played a significant role in popularizing historical fiction, blending meticulously researched historical events with captivating storytelling. His impact on the literary landscape endures, with his works remaining beloved classics that transport readers to bygone times.
The Book of Old English Ballads
Author: George Wharton EdwardsPublisher: Library of Alexandria
ISBN: 1465525270
Category : Fiction
Languages : en
Pages : 64
Book Description
Goethe, who saw so many things with such clearness of vision, brought out the charm of the popular ballad for readers of a later day in his remark that the value of these songs of the people is to be found in the fact that their motives are drawn directly from nature; and he added, that in the art of saying things compactly, uneducated men have greater skill than those who are educated. It is certainly true that no kind of verse is so completely out of the atmosphere of modern writing as the popular ballad. No other form of verse has, therefore, in so great a degree, the charm of freshness. In material, treatment, and spirit, these bat lads are set in sharp contrast with the poetry of the hour. They deal with historical events or incidents, with local traditions, with personal adventure or achievement. They are, almost without exception, entirely objective. Contemporary poetry is, on the other hand, very largely subjective; and even when it deals with events or incidents it invests them to such a degree with personal emotion and imagination, it so modifies and colours them with temperamental effects, that the resulting poem is much more a study of subjective conditions than a picture or drama of objective realities. This projection of the inward upon the outward world, in such a degree that the dividing line between the two is lost, is strikingly illustrated in Maeterlinck's plays. Nothing could be in sharper contrast, for instance, than the famous ballad of "The Hunting of the Cheviot" and Maeterlinck's "Princess Maleine." There is no atmosphere, in a strict use of the word, in the spirited and compact account of the famous contention between the Percies and the Douglases, of which Sir Philip Sidney said "that I found not my heart moved more than with a Trumpet." It is a breathless, rushing narrative of a swift succession of events, told with the most straight-forward simplicity. In the "Princess Maleine," on the other hand, the narrative is so charged with subjective feeling, the world in which the action takes place is so deeply tinged with lights that never rested on any actual landscape, that all sense of reality is lost. The play depends for its effect mainly upon atmosphere. Certain very definite impressions are produced with singular power, but there is no clear, clean stamping of occurrences on the mind. The imagination is skilfully awakened and made to do the work of observation. The note of the popular ballad is its objectivity; it not only takes us out of doors, but it also takes us out of the individual consciousness. The manner is entirely subordinated to the matter; the poet, if there was a poet in the case, obliterates himself. What we get is a definite report of events which have taken place, not a study of a man's mind nor an account of a man's feelings. The true balladist is never introspective; he is concerned not with himself but with his story. There is no self-disclosure in his song. To the mood of Senancour and Amiel he was a stranger. Neither he nor the men to whom he recited or sang would have understood that mood. They were primarily and unreflectively absorbed in the world outside of themselves. They saw far more than they meditated; they recorded far more than they moralized. The popular ballads are, as a rule, entirely free from didacticism in any form; that is one of the main sources of their unfailing charm. They show not only a childlike curiosity about the doings of the day and the things that befall men, but a childlike indifference to moral inference and justification. The bloodier the fray the better for ballad purposes; no one feels the necessity of apology either for ruthless aggression or for useless blood-letting; the scene is reported as it was presented to the eye of the spectator, not to his moralizing faculty. He is expected to see and to sing, not to scrutinize and meditate. In those rare cases in which a moral inference is drawn, it is always so obvious and elementary that it gives the impression of having been fastened on at the end of the song, in deference to ecclesiastical rather than popular feeling.
The Ballad History of the Reigns of Henry VII and Henry VIII
Author: Charles Harding FirthPublisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 42
Book Description
The Battle of Flodden Field Fought September 9, 1513
Author: Robert JonesPublisher:
ISBN:
Category : Flodden, Battle of, England, 1513
Languages : en
Pages : 118
Book Description
The English and Scottish Popular Ballads
Author: Francis James ChildPublisher:
ISBN:
Category : Ballads, English
Languages : en
Pages : 284
Book Description
English and Scottish ballads
Author: Francis James ChildThe English and Scottish Popular Ballads
Author: Francis James ChildPublisher: Cambridge University Press
ISBN: 1108076343
Category : History
Languages : en
Pages : 279
Book Description
Published 1882-98, this ten-part work by Harvard's first professor of English became an essential resource for scholars and folklorists.
Author: Child