Author: Samuel Kettlewell
Publisher: BoD – Books on Demand
ISBN: 3385538467
Category :
Languages : en
Pages : 550
Book Description
The Authorship of the De Imitatione Christi, with Many Interesting Particulars About the Book
Author: Samuel Kettlewell
Publisher: BoD – Books on Demand
ISBN: 3385538467
Category :
Languages : en
Pages : 550
Book Description
Publisher: BoD – Books on Demand
ISBN: 3385538467
Category :
Languages : en
Pages : 550
Book Description
The Authorship of the De Imitatione Christi
Author: Samuel Kettlewell
Publisher:
ISBN:
Category : Imitatio Christi
Languages : en
Pages : 584
Book Description
Publisher:
ISBN:
Category : Imitatio Christi
Languages : en
Pages : 584
Book Description
William Law, Nonjuror and Mystic. Author of 'a Serious Call to a Devout and Holy Life' &c. Formerly Follow of Emmanuel College, Cambridge. A Sketch of His Life, Character, and Opinions
Author: John Henry Overton
Publisher: BoD – Books on Demand
ISBN: 3385432235
Category : Fiction
Languages : en
Pages : 498
Book Description
Reprint of the original, first published in 1881.
Publisher: BoD – Books on Demand
ISBN: 3385432235
Category : Fiction
Languages : en
Pages : 498
Book Description
Reprint of the original, first published in 1881.
Etudes rabelaisiennes
Author:
Publisher: Librairie Droz
ISBN: 9782600030588
Category :
Languages : en
Pages : 224
Book Description
Publisher: Librairie Droz
ISBN: 9782600030588
Category :
Languages : en
Pages : 224
Book Description
The New Schaff-Herzog Encyclopedia of Religious Knowledge
Author: Samuel Macauley Jackson
Publisher:
ISBN:
Category : Theology
Languages : en
Pages : 528
Book Description
Publisher:
ISBN:
Category : Theology
Languages : en
Pages : 528
Book Description
Catholic and Protestant Translations of the Imitatio Christi, 1425–1650
Author: Maximilian von Habsburg
Publisher: Routledge
ISBN: 1317169298
Category : Religion
Languages : en
Pages : 383
Book Description
The Imitatio Christi is considered one of the classic texts of Western spirituality. There were 800 manuscript copies and more than 740 different printed editions of the Imitatio between its composition in the fifteenth century and 1650. During the Reformation period, the book retained its popularity with both Protestants and Catholics; with the exception of the Bible it was the most frequently printed book of the sixteenth century. In this pioneering study, the remarkable longevity of the Imitatio across geographical, chronological, linguistic and confessional boundaries is explored. Rather than attributing this enduring popularity to any particular quality of universality, this study suggests that its key virtue was its appropriation by different interest groups. That such an apparently Catholic and monastic work could be adopted and adapted by both Protestant reformers and Catholic activists (including the Jesuits) poses intriguing questions about our understanding of Reformation and Counter Reformation theology and confessional politics. This study focuses on the editions of the Imitatio printed in English, French, German and Latin between the 1470s and 1650. It offers an ambitious and comprehensive survey of the process of translation and its impact and contribution to religious culture. In so doing it offers a fresh analysis of spirituality and devotion within their proper late medieval and early modern contexts. It also demonstrates that spirituality was not a peripheral dimension of religion, but remains at the very heart of both Catholic and Protestant self-perception and identity.
Publisher: Routledge
ISBN: 1317169298
Category : Religion
Languages : en
Pages : 383
Book Description
The Imitatio Christi is considered one of the classic texts of Western spirituality. There were 800 manuscript copies and more than 740 different printed editions of the Imitatio between its composition in the fifteenth century and 1650. During the Reformation period, the book retained its popularity with both Protestants and Catholics; with the exception of the Bible it was the most frequently printed book of the sixteenth century. In this pioneering study, the remarkable longevity of the Imitatio across geographical, chronological, linguistic and confessional boundaries is explored. Rather than attributing this enduring popularity to any particular quality of universality, this study suggests that its key virtue was its appropriation by different interest groups. That such an apparently Catholic and monastic work could be adopted and adapted by both Protestant reformers and Catholic activists (including the Jesuits) poses intriguing questions about our understanding of Reformation and Counter Reformation theology and confessional politics. This study focuses on the editions of the Imitatio printed in English, French, German and Latin between the 1470s and 1650. It offers an ambitious and comprehensive survey of the process of translation and its impact and contribution to religious culture. In so doing it offers a fresh analysis of spirituality and devotion within their proper late medieval and early modern contexts. It also demonstrates that spirituality was not a peripheral dimension of religion, but remains at the very heart of both Catholic and Protestant self-perception and identity.
The Scottish Review
A Bibliography of Theology
Author: William Swan Sonnenschein
Publisher:
ISBN:
Category : Theology
Languages : en
Pages : 232
Book Description
Publisher:
ISBN:
Category : Theology
Languages : en
Pages : 232
Book Description
The Best Books: a Readers Guide to the Choice of the Best Available Books (about 50.000)...
Author: William Swan Sonnenschein
Publisher:
ISBN:
Category :
Languages : en
Pages : 876
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 876
Book Description
Who Wrote Citizen Kane?
Author: Warren Buckland
Publisher: Springer Nature
ISBN: 3031402243
Category : Social Science
Languages : en
Pages : 174
Book Description
This book offers a solution to one of film history’s major controversies: the long-running dispute over Orson Welles’ and Herman J. Mankiewicz’s contributions to the Citizen Kane screenplay. It establishes the vital importance of computing and statistics to solving previously intractable puzzles in the arts and humanities. Citizen Kane (1941) is one of the most acclaimed films in the history of cinema. For 50 years it topped the Sight & Sound film critics’ poll. Orson Welles directed the film and is credited with co-writing the screenplay with Herman J. Mankiewicz. But the co-writer credit generates furious disputes between those who argue Mankiewicz is the sole author of Citizen Kane and those who claim that Welles collaborated fully with its writing. The author employs computing and statistics to answer two questions: What are the distinguishing features of Welles’ and of Mankiewicz’s writing? And What did each contribute to the writing of the Citizen Kane screenplay? To answer these questions, the author bypasses opinions and impressions, and instead subjects the language of the Citizen Kane screenplay to a ‘forensic’ examination. Employing linguistics, basic statistical tests, plus computer technology and software, the author identifies the stylistic signature of each author – the combination of consistent and regular linguistic habits that make each author’s writing distinctive. This book replaces impressionistic discussions of Mankiewicz’s and Welles’ contributions to the Citizen Kane screenplay with a rigorous, experiment-driven statistical analysis. Earlier statistical studies of authorship have discovered that small, unassuming language features (such as punctuation, pronouns, and prepositions) in statistically significant quantities, constitute a screenwriter’s distinctive writing habits. Only with the extensive experimentation carried out in this volume, did the author decide Mankiewicz’s and Welles’ specific habits and their contributions to Citizen Kane.
Publisher: Springer Nature
ISBN: 3031402243
Category : Social Science
Languages : en
Pages : 174
Book Description
This book offers a solution to one of film history’s major controversies: the long-running dispute over Orson Welles’ and Herman J. Mankiewicz’s contributions to the Citizen Kane screenplay. It establishes the vital importance of computing and statistics to solving previously intractable puzzles in the arts and humanities. Citizen Kane (1941) is one of the most acclaimed films in the history of cinema. For 50 years it topped the Sight & Sound film critics’ poll. Orson Welles directed the film and is credited with co-writing the screenplay with Herman J. Mankiewicz. But the co-writer credit generates furious disputes between those who argue Mankiewicz is the sole author of Citizen Kane and those who claim that Welles collaborated fully with its writing. The author employs computing and statistics to answer two questions: What are the distinguishing features of Welles’ and of Mankiewicz’s writing? And What did each contribute to the writing of the Citizen Kane screenplay? To answer these questions, the author bypasses opinions and impressions, and instead subjects the language of the Citizen Kane screenplay to a ‘forensic’ examination. Employing linguistics, basic statistical tests, plus computer technology and software, the author identifies the stylistic signature of each author – the combination of consistent and regular linguistic habits that make each author’s writing distinctive. This book replaces impressionistic discussions of Mankiewicz’s and Welles’ contributions to the Citizen Kane screenplay with a rigorous, experiment-driven statistical analysis. Earlier statistical studies of authorship have discovered that small, unassuming language features (such as punctuation, pronouns, and prepositions) in statistically significant quantities, constitute a screenwriter’s distinctive writing habits. Only with the extensive experimentation carried out in this volume, did the author decide Mankiewicz’s and Welles’ specific habits and their contributions to Citizen Kane.