Author: John E. Gedo
Publisher: Columbia University Press
ISBN: 9780231078535
Category : Art
Languages : en
Pages : 278
Book Description
Articulates the role of personality in creative pursuits, defining personality a set of enduring qualities that effect such behavior as a general preference for autonomous or interdependent activity. Examines the psychology of creativity, the challenge and opportunity of developing a creative gift, the struggles of a creative life, and the fit between talent and opportunity. Illustrates the principles with case studies of Paul Cezanne and Eugene Delacroix. Annotation copyright by Book News, Inc., Portland, OR
The Artist & the Emotional World
Author: John E. Gedo
Publisher: Columbia University Press
ISBN: 9780231078535
Category : Art
Languages : en
Pages : 278
Book Description
Articulates the role of personality in creative pursuits, defining personality a set of enduring qualities that effect such behavior as a general preference for autonomous or interdependent activity. Examines the psychology of creativity, the challenge and opportunity of developing a creative gift, the struggles of a creative life, and the fit between talent and opportunity. Illustrates the principles with case studies of Paul Cezanne and Eugene Delacroix. Annotation copyright by Book News, Inc., Portland, OR
Publisher: Columbia University Press
ISBN: 9780231078535
Category : Art
Languages : en
Pages : 278
Book Description
Articulates the role of personality in creative pursuits, defining personality a set of enduring qualities that effect such behavior as a general preference for autonomous or interdependent activity. Examines the psychology of creativity, the challenge and opportunity of developing a creative gift, the struggles of a creative life, and the fit between talent and opportunity. Illustrates the principles with case studies of Paul Cezanne and Eugene Delacroix. Annotation copyright by Book News, Inc., Portland, OR
Emotions, Art, and Christianity in the Transatlantic World, 1450–1800
Author: Heather Graham
Publisher: BRILL
ISBN: 9004464689
Category : Art
Languages : en
Pages : 407
Book Description
A study into the role of visual and material culture in shaping early modern emotional experiences, c. 1450–1800
Publisher: BRILL
ISBN: 9004464689
Category : Art
Languages : en
Pages : 407
Book Description
A study into the role of visual and material culture in shaping early modern emotional experiences, c. 1450–1800
Art's Emotions
Author: Damien Freeman
Publisher: Routledge
ISBN: 131754756X
Category : Philosophy
Languages : en
Pages : 223
Book Description
Despite the very obvious differences between looking at Manet’s Woman with a Parrot and listening to Elgar’s Cello Concerto, both experiences provoke similar questions in the thoughtful aesthete: why does the painting seem to express reverie and the music, nostalgia? How do we experience the reverie and nostalgia in such works of art? Why do we find these experiences rewarding in similar ways? As our awareness of emotion in art, and our engagement with art’s emotions, can make such a special contribution to our life, it is timely for a philosopher to seek to account for the nature and significance of the experience of art’s emotions. Damien Freeman develops a new theory of emotion that is suitable for resolving key questions in aesthetics. He then reviews and evaluates three existing approaches to artistic expression, and proposes a new approach to the emotional experience of art that draws on the strengths of the existing approaches. Finally, he seeks to establish the ethical significance of this emotional experience of art for human flourishing. Freeman challenges the reader not only to consider how art engages with emotion, but how we should connect up our answers to questions concerning the nature and value of the experiences offered by works of art.
Publisher: Routledge
ISBN: 131754756X
Category : Philosophy
Languages : en
Pages : 223
Book Description
Despite the very obvious differences between looking at Manet’s Woman with a Parrot and listening to Elgar’s Cello Concerto, both experiences provoke similar questions in the thoughtful aesthete: why does the painting seem to express reverie and the music, nostalgia? How do we experience the reverie and nostalgia in such works of art? Why do we find these experiences rewarding in similar ways? As our awareness of emotion in art, and our engagement with art’s emotions, can make such a special contribution to our life, it is timely for a philosopher to seek to account for the nature and significance of the experience of art’s emotions. Damien Freeman develops a new theory of emotion that is suitable for resolving key questions in aesthetics. He then reviews and evaluates three existing approaches to artistic expression, and proposes a new approach to the emotional experience of art that draws on the strengths of the existing approaches. Finally, he seeks to establish the ethical significance of this emotional experience of art for human flourishing. Freeman challenges the reader not only to consider how art engages with emotion, but how we should connect up our answers to questions concerning the nature and value of the experiences offered by works of art.
F*ck Feelings
Author: Michael Bennett, MD
Publisher: Simon and Schuster
ISBN: 1476789991
Category : Education
Languages : en
Pages : 384
Book Description
"The only self-help book you'll ever need, from a psychiatrist who will help you put aside your unrealistic wishes, stop trying to change things you can't change, and do the best with what you can control--the first steps to solving all of life's impossible problems"--
Publisher: Simon and Schuster
ISBN: 1476789991
Category : Education
Languages : en
Pages : 384
Book Description
"The only self-help book you'll ever need, from a psychiatrist who will help you put aside your unrealistic wishes, stop trying to change things you can't change, and do the best with what you can control--the first steps to solving all of life's impossible problems"--
Self and Emotional Life
Author: Adrian Johnston
Publisher: Columbia University Press
ISBN: 023153518X
Category : Medical
Languages : en
Pages : 301
Book Description
Adrian Johnston and Catherine Malabou defy theoretical humanities' deeply-entrenched resistance to engagements with the life sciences. Rather than treat biology and its branches as hopelessly reductive and politically suspect, they view recent advances in neurobiology and its adjacent scientific fields as providing crucial catalysts to a radical rethinking of subjectivity. Merging three distinct disciplines—European philosophy from Descartes to the present, Freudian-Lacanian psychoanalysis, and affective neuroscience—Johnston and Malabou triangulate the emotional life of affective subjects as conceptualized in philosophy and psychoanalysis with neuroscience. Their experiments yield different outcomes. Johnston finds psychoanalysis and neurobiology have the potential to enrich each other, though affective neuroscience demands a reconsideration of whether affects can be unconscious. Investigating this vexed issue has profound implications for theoretical and practical analysis, as well as philosophical understandings of the emotions. Malabou believes scientific explorations of the brain seriously problematize established notions of affective subjectivity in Continental philosophy and Freudian-Lacanian analysis. She confronts philosophy and psychoanalysis with something neither field has seriously considered: the concept of wonder and the cold, disturbing visage of those who have been affected by disease or injury, such that they are no longer affected emotionally. At stake in this exchange are some of philosophy's most important claims concerning the relationship between the subjective mind and the objective body, the structures and dynamics of the unconscious dimensions of mental life, the role emotion plays in making us human, and the functional differences between philosophy and science.
Publisher: Columbia University Press
ISBN: 023153518X
Category : Medical
Languages : en
Pages : 301
Book Description
Adrian Johnston and Catherine Malabou defy theoretical humanities' deeply-entrenched resistance to engagements with the life sciences. Rather than treat biology and its branches as hopelessly reductive and politically suspect, they view recent advances in neurobiology and its adjacent scientific fields as providing crucial catalysts to a radical rethinking of subjectivity. Merging three distinct disciplines—European philosophy from Descartes to the present, Freudian-Lacanian psychoanalysis, and affective neuroscience—Johnston and Malabou triangulate the emotional life of affective subjects as conceptualized in philosophy and psychoanalysis with neuroscience. Their experiments yield different outcomes. Johnston finds psychoanalysis and neurobiology have the potential to enrich each other, though affective neuroscience demands a reconsideration of whether affects can be unconscious. Investigating this vexed issue has profound implications for theoretical and practical analysis, as well as philosophical understandings of the emotions. Malabou believes scientific explorations of the brain seriously problematize established notions of affective subjectivity in Continental philosophy and Freudian-Lacanian analysis. She confronts philosophy and psychoanalysis with something neither field has seriously considered: the concept of wonder and the cold, disturbing visage of those who have been affected by disease or injury, such that they are no longer affected emotionally. At stake in this exchange are some of philosophy's most important claims concerning the relationship between the subjective mind and the objective body, the structures and dynamics of the unconscious dimensions of mental life, the role emotion plays in making us human, and the functional differences between philosophy and science.
Art coaching, emotions and alchemy
Author: Sonia Boni
Publisher: Anima Srl
ISBN: 8863656762
Category : Self-Help
Languages : en
Pages : 145
Book Description
Art for looking within, art for the soul. Consciousness sees no separation; science and art are companions, united by a single truth, guiding us towards a paradigm shift, towards an encounter with the secret language of art. Have you ever thought that art and art history could be an alchemic tool for the evolution of consciousness? Have you ever wondered what value art could have beyond being purely aesthetic? What if seven small steps were enough to change those assumptions about art that limit its true expression and prevent us from making full use of it to get closer to our souls and listen to and understand what it whispers in our ears? This book is intended to stimulate a change of perspective in order to return art to its true emotional language that is able to touch deep chords and reach inside to “heal” the soul. The intention is to take you on a fascinating journey between art and science where the disciplines converse and complement each other, and to induce you to explore a concept of art therapy that stems from listening to a work of art. Through the exercises I propose, you will learn to “feel” what the work of art arouses in you.
Publisher: Anima Srl
ISBN: 8863656762
Category : Self-Help
Languages : en
Pages : 145
Book Description
Art for looking within, art for the soul. Consciousness sees no separation; science and art are companions, united by a single truth, guiding us towards a paradigm shift, towards an encounter with the secret language of art. Have you ever thought that art and art history could be an alchemic tool for the evolution of consciousness? Have you ever wondered what value art could have beyond being purely aesthetic? What if seven small steps were enough to change those assumptions about art that limit its true expression and prevent us from making full use of it to get closer to our souls and listen to and understand what it whispers in our ears? This book is intended to stimulate a change of perspective in order to return art to its true emotional language that is able to touch deep chords and reach inside to “heal” the soul. The intention is to take you on a fascinating journey between art and science where the disciplines converse and complement each other, and to induce you to explore a concept of art therapy that stems from listening to a work of art. Through the exercises I propose, you will learn to “feel” what the work of art arouses in you.
Language and Emotion. Volume 3
Author: Gesine Lenore Schiewer
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110795485
Category : Language Arts & Disciplines
Languages : en
Pages : 974
Book Description
The Handbook consists of four major sections. Each section is introduced by a main article: Theories of Emotion – General Aspects Perspectives in Communication Theory, Semiotics, and Linguistics Perspectives on Language and Emotion in Cultural Studies Interdisciplinary and Applied Perspectives The first section presents interdisciplinary emotion theories relevant for the field of language and communication research, including the history of emotion research. The second section focuses on the full range of emotion-related aspects in linguistics, semiotics, and communication theories. The next section focuses on cultural studies and language and emotion; emotions in arts and literature, as well as research on emotion in literary studies; and media and emotion. The final section covers different domains, social practices, and applications, such as society, policy, diplomacy, economics and business communication, religion and emotional language, the domain of affective computing in human-machine interaction, and language and emotion research for language education. Overall, this Handbook represents a comprehensive overview in a rich, diverse compendium never before published in this particular domain.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110795485
Category : Language Arts & Disciplines
Languages : en
Pages : 974
Book Description
The Handbook consists of four major sections. Each section is introduced by a main article: Theories of Emotion – General Aspects Perspectives in Communication Theory, Semiotics, and Linguistics Perspectives on Language and Emotion in Cultural Studies Interdisciplinary and Applied Perspectives The first section presents interdisciplinary emotion theories relevant for the field of language and communication research, including the history of emotion research. The second section focuses on the full range of emotion-related aspects in linguistics, semiotics, and communication theories. The next section focuses on cultural studies and language and emotion; emotions in arts and literature, as well as research on emotion in literary studies; and media and emotion. The final section covers different domains, social practices, and applications, such as society, policy, diplomacy, economics and business communication, religion and emotional language, the domain of affective computing in human-machine interaction, and language and emotion research for language education. Overall, this Handbook represents a comprehensive overview in a rich, diverse compendium never before published in this particular domain.
Art's Emotions
Author: Damien Freeman
Publisher: Routledge
ISBN: 1317547551
Category : Philosophy
Languages : en
Pages : 215
Book Description
Despite the very obvious differences between looking at Manet’s Woman with a Parrot and listening to Elgar’s Cello Concerto, both experiences provoke similar questions in the thoughtful aesthete: why does the painting seem to express reverie and the music, nostalgia? How do we experience the reverie and nostalgia in such works of art? Why do we find these experiences rewarding in similar ways? As our awareness of emotion in art, and our engagement with art’s emotions, can make such a special contribution to our life, it is timely for a philosopher to seek to account for the nature and significance of the experience of art’s emotions. Damien Freeman develops a new theory of emotion that is suitable for resolving key questions in aesthetics. He then reviews and evaluates three existing approaches to artistic expression, and proposes a new approach to the emotional experience of art that draws on the strengths of the existing approaches. Finally, he seeks to establish the ethical significance of this emotional experience of art for human flourishing. Freeman challenges the reader not only to consider how art engages with emotion, but how we should connect up our answers to questions concerning the nature and value of the experiences offered by works of art.
Publisher: Routledge
ISBN: 1317547551
Category : Philosophy
Languages : en
Pages : 215
Book Description
Despite the very obvious differences between looking at Manet’s Woman with a Parrot and listening to Elgar’s Cello Concerto, both experiences provoke similar questions in the thoughtful aesthete: why does the painting seem to express reverie and the music, nostalgia? How do we experience the reverie and nostalgia in such works of art? Why do we find these experiences rewarding in similar ways? As our awareness of emotion in art, and our engagement with art’s emotions, can make such a special contribution to our life, it is timely for a philosopher to seek to account for the nature and significance of the experience of art’s emotions. Damien Freeman develops a new theory of emotion that is suitable for resolving key questions in aesthetics. He then reviews and evaluates three existing approaches to artistic expression, and proposes a new approach to the emotional experience of art that draws on the strengths of the existing approaches. Finally, he seeks to establish the ethical significance of this emotional experience of art for human flourishing. Freeman challenges the reader not only to consider how art engages with emotion, but how we should connect up our answers to questions concerning the nature and value of the experiences offered by works of art.
John Macmurray
Author: Esther McIntosh
Publisher: Andrews UK Limited
ISBN: 1845403797
Category : Philosophy
Languages : en
Pages : 210
Book Description
The philosophy of John Macmurray is only now receiving the attention it deserves. It is in the contemporary climate of dissatisfaction with individualism that Macmurray's emphasis on the relations of persons has come to the fore. Moreover, Macmurray's recognition of the central importance of acknowledging human embodiment is being favourably received by a wide range of fields, which includes philosophers, theologians and psychologists. Macmurray's overriding concern is to present an adequate account of the person and of personal relationships. Nevertheless, he is an eclectic writer, whose work addresses concerns in education, science and art, which all stem from his understanding of human agency. In addition, this leads Macmurray into a discussion of the ethics of personal and political relations and a critique of otherworldly religion. Hence, Macmurray's philosophy is informed by fairly unconventional religious beliefs.
Publisher: Andrews UK Limited
ISBN: 1845403797
Category : Philosophy
Languages : en
Pages : 210
Book Description
The philosophy of John Macmurray is only now receiving the attention it deserves. It is in the contemporary climate of dissatisfaction with individualism that Macmurray's emphasis on the relations of persons has come to the fore. Moreover, Macmurray's recognition of the central importance of acknowledging human embodiment is being favourably received by a wide range of fields, which includes philosophers, theologians and psychologists. Macmurray's overriding concern is to present an adequate account of the person and of personal relationships. Nevertheless, he is an eclectic writer, whose work addresses concerns in education, science and art, which all stem from his understanding of human agency. In addition, this leads Macmurray into a discussion of the ethics of personal and political relations and a critique of otherworldly religion. Hence, Macmurray's philosophy is informed by fairly unconventional religious beliefs.
The Philosophy of Fine Art (Vol. 1-3)
Author: Georg Wilhelm Friedrich Hegel
Publisher: Good Press
ISBN:
Category : Philosophy
Languages : en
Pages : 1473
Book Description
In Georg Wilhelm Friedrich Hegel's monumental work, 'The Philosophy of Fine Art' (Vol. 1-3), readers are taken on a profound journey through the realm of art and aesthetics. Hegel's intricate exploration of the philosophy of art delves into the symbolic, classical, and romantic forms of art, providing a comprehensive analysis of the essence of beauty and artistic creation. His writing style is both eloquent and systematic, reflecting the philosophical rigor for which he is renowned. The book not only serves as a key text in the history of aesthetics but also offers valuable insights into the role of art in human culture and society. Hegel's work is essential for anyone interested in the intersection of philosophy and art. Georg Wilhelm Friedrich Hegel, a prominent German philosopher of the 19th century, was deeply influenced by his predecessors such as Kant and Schelling. His philosophical background and intellectual curiosity led him to investigate the nature of art and aesthetics in his ambitious 'The Philosophy of Fine Art'. Hegel's keen analytical skills and profound understanding of metaphysics are evident throughout his exploration of art's inherent meaning and significance. For readers seeking a comprehensive and thought-provoking study of art and aesthetics, 'The Philosophy of Fine Art' by Hegel is a must-read. Whether you are a student of philosophy, a lover of art, or simply curious about the nature of beauty, this groundbreaking work offers a unique perspective on the role of art in shaping human experience and culture.
Publisher: Good Press
ISBN:
Category : Philosophy
Languages : en
Pages : 1473
Book Description
In Georg Wilhelm Friedrich Hegel's monumental work, 'The Philosophy of Fine Art' (Vol. 1-3), readers are taken on a profound journey through the realm of art and aesthetics. Hegel's intricate exploration of the philosophy of art delves into the symbolic, classical, and romantic forms of art, providing a comprehensive analysis of the essence of beauty and artistic creation. His writing style is both eloquent and systematic, reflecting the philosophical rigor for which he is renowned. The book not only serves as a key text in the history of aesthetics but also offers valuable insights into the role of art in human culture and society. Hegel's work is essential for anyone interested in the intersection of philosophy and art. Georg Wilhelm Friedrich Hegel, a prominent German philosopher of the 19th century, was deeply influenced by his predecessors such as Kant and Schelling. His philosophical background and intellectual curiosity led him to investigate the nature of art and aesthetics in his ambitious 'The Philosophy of Fine Art'. Hegel's keen analytical skills and profound understanding of metaphysics are evident throughout his exploration of art's inherent meaning and significance. For readers seeking a comprehensive and thought-provoking study of art and aesthetics, 'The Philosophy of Fine Art' by Hegel is a must-read. Whether you are a student of philosophy, a lover of art, or simply curious about the nature of beauty, this groundbreaking work offers a unique perspective on the role of art in shaping human experience and culture.