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Author: Peter Hupfauf Publisher: Taylor & Francis ISBN: 1040033024 Category : Art Languages : en Pages : 222
Book Description
The Art of the Eurasian Steppe is a contextual analysis which traces the stylistic transformation of artefacts depicting animals from various cultures of the Eurasian steppe, and investigates its possible influence on Central and Northern European art. A wide range of individual cultures are "visited" and their historic, cultural, and geographic specifics are explored. The survey in this book is based on a chronological structure, including an East-West geographic direction. This accommodates to position described artefacts of certain styles within time periods, cultures, and locations. Most of the existing literature related to cultures of the Eurasian steppe is specialised on one particular culture or one archaeological excavation. The book is written as a hypothetical journey through time and space, structured in an east to west direction. It provides a wide-reaching overview by placing the discussed artefacts into a cultural, geographic, and chronologic frame, particularly the thousand years between 500 BC and 500 AD. Artistic expression and style are a central theme to explore possible relationships between civilisations of the Eurasian steppe and their influence on medieval Central and Northern European creation of artefacts. Academics in the fields of art history, archaeology, history, and fine arts will find this book compelling/useful.
Author: Peter Hupfauf Publisher: Taylor & Francis ISBN: 1040033024 Category : Art Languages : en Pages : 222
Book Description
The Art of the Eurasian Steppe is a contextual analysis which traces the stylistic transformation of artefacts depicting animals from various cultures of the Eurasian steppe, and investigates its possible influence on Central and Northern European art. A wide range of individual cultures are "visited" and their historic, cultural, and geographic specifics are explored. The survey in this book is based on a chronological structure, including an East-West geographic direction. This accommodates to position described artefacts of certain styles within time periods, cultures, and locations. Most of the existing literature related to cultures of the Eurasian steppe is specialised on one particular culture or one archaeological excavation. The book is written as a hypothetical journey through time and space, structured in an east to west direction. It provides a wide-reaching overview by placing the discussed artefacts into a cultural, geographic, and chronologic frame, particularly the thousand years between 500 BC and 500 AD. Artistic expression and style are a central theme to explore possible relationships between civilisations of the Eurasian steppe and their influence on medieval Central and Northern European creation of artefacts. Academics in the fields of art history, archaeology, history, and fine arts will find this book compelling/useful.
Author: Emma C. Bunker Publisher: Metropolitan Museum of Art ISBN: 0300096887 Category : Art Languages : en Pages : 249
Book Description
This fascinating book examines the artistic exchange between the nomadic peoples of what is now Inner Mongolia and their settled Chinese neighbors during the first millennium B.C.
Author: Emma C. Bunker Publisher: Metropolitan Museum of Art New York ISBN: 9781588390660 Category : Decoration and ornament Languages : en Pages : 233
Book Description
"The artistic exchange between the pastoral peoples and their settled Chinese neighbors through trade, migration, marriage alliances, and warfare contributed to the cultural development of both groups. This book chronicles that exchange and tells of the legacy of their art, with iconographic analyses and detailed descriptions of nearly two hundred artifacts." "The objects, a recent gift to The Metropolitan Museum of Art, are drawn from the distinguished collection of Eugene V. Thaw, with additional works selected from other New York collections and from the holdings of the Metropolitan Museum."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Emma C. Bunker Publisher: Abrams ISBN: Category : Art Languages : en Pages : 416
Book Description
Lavishly illustrated, Ancient Bronzes of the Eastern Eurasian Steppes is the first major volume devoted to the study of the art of the Northern Zone. It includes a dramatic account of the Western medical workers and teachers who first collected these works early in the twentieth century, as well as an up-to-date account of Chinese excavations in the area, based on notes by the eminent Chinese archeologist Wu En. Mr. Wu is himself descended from these peoples. Diagrams and photographs of recently opened tombs are of special interest, and full metallurgical analyses of many pieces are provided, along with an appendix of forgeries that will be of inestimable value to scholars, collectors, and dealers.
Author: Svetlana Pankova Publisher: Archaeopress Publishing Ltd ISBN: 1789696488 Category : Social Science Languages : en Pages : 802
Book Description
This book presents 45 papers presented at a major international conference held at the British Museum during the 2017 BP exhibition 'Scythians: warriors of ancient Siberia'. Papers include new archaeological discoveries, results of scientific research and studies of museum collections, most presented in English for the first time.
Author: Petya Andreeva Publisher: ISBN: Category : Languages : en Pages : 718
Book Description
Animal style is a centuries-old approach to decoration characteristic of the various cultures which flourished along the Eurasian steppe belt in the later half of the first millennium BCE. This vast territory stretching from the Mongolian Plateau to the Hungarian Plain, has yielded hundreds of archaeological finds associated with the early Iron Age. Among these discoveries, high-end metalwork, textiles and tomb furniture, intricately embellished with idiosyncratic zoomorphic motifs, stand out as a recurrent element. While scholarship has labeled animal-style imagery as scenes of combat, this dissertation argues against this overly simplified classification model which ignores the variety of visual tools employed in the abstraction of fantastic hybrids. I identify five primary categories in the arrangement and portrayal of zoomorphic designs: these traits, frequently occurring in clusters, constitute the first comprehensive definition of animal-style art. Each chapter focuses on the materiality and strategic placement of a different type of animal-style object: headdresses, torques and plaques often embellish the body of the deceased whereas felt, leather and silk textiles used as ceiling hangings, rugs, and coffin covers serve to define the tomb's spatial parameters. Lastly, the dissertation also delves into the continuous retention of animal-style motifs in the arts of the Eurasian steppes after the dawn of the first millennium BCE thus challenging the narrative that animal art disappeared after the Iron Age. I demonstrate that elite members of the various pastoral societies perched along the peripheries of sedentary empires invented local interpretations of a common visual language made of tropes and devices (such as "visual synecdoche" and "frame narrative") resulting from ingenious interpretations of the above-mentioned five categories. In so doing, they aimed to tackle an identical conceptual problem: the attendance of a real audience of a certain social stature during the funerary ceremony and the presence of an imagined (divine) one in the afterlife. The dissertation thus deconstructs the politically-motivated role of animal-style items in elite burials and argues that animal art was a constructed visual language intelligible to a small nucleus of elites whose sociopolitical status and network of influence were in fact inextricably linked to their level of fluency in it.