Author: Eric Hebborn
Publisher: Weidenfeld & Nicolson
ISBN: 9780304349142
Category : Art
Languages : en
Pages : 200
Book Description
The English artist Eric Hebborn (1934-1996) explains the secrets of his forging techniqes in this illustrated work compiled shortly before his death. Drawings previously attributed to artists such as Picasso and Corot were in fact the work of Hebborn and this work provides an insight through explanations of his work. Inks, papers, pigments, monograms and signatures are all explained as well as Hebborn's own often outrageous speculations about the nature of art and value.
The Art Forger's Handbook
Author: Eric Hebborn
Publisher: Weidenfeld & Nicolson
ISBN: 9780304349142
Category : Art
Languages : en
Pages : 200
Book Description
The English artist Eric Hebborn (1934-1996) explains the secrets of his forging techniqes in this illustrated work compiled shortly before his death. Drawings previously attributed to artists such as Picasso and Corot were in fact the work of Hebborn and this work provides an insight through explanations of his work. Inks, papers, pigments, monograms and signatures are all explained as well as Hebborn's own often outrageous speculations about the nature of art and value.
Publisher: Weidenfeld & Nicolson
ISBN: 9780304349142
Category : Art
Languages : en
Pages : 200
Book Description
The English artist Eric Hebborn (1934-1996) explains the secrets of his forging techniqes in this illustrated work compiled shortly before his death. Drawings previously attributed to artists such as Picasso and Corot were in fact the work of Hebborn and this work provides an insight through explanations of his work. Inks, papers, pigments, monograms and signatures are all explained as well as Hebborn's own often outrageous speculations about the nature of art and value.
The Art Forger's Handbook
Author: Eric Hebborn
Publisher: Weidenfeld & Nicolson
ISBN: 9780304350278
Category : Art
Languages : en
Pages : 200
Book Description
This book reveals the secrets of master art forger Eric Hebborn, who fooled the art world for more than 20 years with hundreds of fake Old Masters. Drawings attributed to Bruegel, Piranesi, Corot and Augustus John were unmasked as Hebborn's work in 1980 by London journalist Geraldine Norman. In this book, Hebborn shows how he did it. Shortly before his death in 1996, Hebborn compiled this handbook, revealing the secrets of his techniques, and showing in the process a profound knowledge of the great draughtsmen/artists of the past. Inks, papers, pigments, monograms and signatures are all explained and illustrated, and the tale is told in a witty, entertaining and often outrageous style, as the artist speculates on the nature of art, truth and value.
Publisher: Weidenfeld & Nicolson
ISBN: 9780304350278
Category : Art
Languages : en
Pages : 200
Book Description
This book reveals the secrets of master art forger Eric Hebborn, who fooled the art world for more than 20 years with hundreds of fake Old Masters. Drawings attributed to Bruegel, Piranesi, Corot and Augustus John were unmasked as Hebborn's work in 1980 by London journalist Geraldine Norman. In this book, Hebborn shows how he did it. Shortly before his death in 1996, Hebborn compiled this handbook, revealing the secrets of his techniques, and showing in the process a profound knowledge of the great draughtsmen/artists of the past. Inks, papers, pigments, monograms and signatures are all explained and illustrated, and the tale is told in a witty, entertaining and often outrageous style, as the artist speculates on the nature of art, truth and value.
The Art Forger's Handbook
Author: Eric Hebborn
Publisher: Overlook Books
ISBN:
Category : Art
Languages : en
Pages : 260
Book Description
The international art world was plunged into turmoil when it was revealed, in 1980, that many drawings previously attributed to artists as varied as Breughel, Piranesi, and Corot were in fact the work of the English artist Eric Hebborn. Time and again, Hebborn had tempted the experts into making false attributions and putting fakes up for auction. Here in The Art Forger's Handbook, written shortly before his mysterious death, is the artist's master class in the art of faking Old Masters. Packed with wonderfully entertaining and often outrageous speculations about the nature of art, truth, and value, Hebborn details the secrets of his techniques, revealing in the process a truly profound knowledge of the great artists of the past, and above all an overwhelming capacity for deceit, culture, and charm.
Publisher: Overlook Books
ISBN:
Category : Art
Languages : en
Pages : 260
Book Description
The international art world was plunged into turmoil when it was revealed, in 1980, that many drawings previously attributed to artists as varied as Breughel, Piranesi, and Corot were in fact the work of the English artist Eric Hebborn. Time and again, Hebborn had tempted the experts into making false attributions and putting fakes up for auction. Here in The Art Forger's Handbook, written shortly before his mysterious death, is the artist's master class in the art of faking Old Masters. Packed with wonderfully entertaining and often outrageous speculations about the nature of art, truth, and value, Hebborn details the secrets of his techniques, revealing in the process a truly profound knowledge of the great artists of the past, and above all an overwhelming capacity for deceit, culture, and charm.
Forged
Author: Jonathon Keats
Publisher: Oxford University Press
ISBN: 0199928355
Category : Art
Languages : en
Pages : 206
Book Description
According to Vasari, the young Michelangelo often borrowed drawings of past masters, which he copied, returning his imitations to the owners and keeping originals. Half a millennium later, Andy Warhol made a game of "forging" the Mona Lisa, questioning the entire concept of originality. Forged explores art forgery from ancient times to the present. In chapters combining lively biography with insightful art criticism, Jonathon Keats profiles individual art forgers and connects their stories to broader themes about the role of forgeries in society. From the Renaissance master Andrea del Sarto who faked a Raphael masterpiece at the request of his Medici patrons, to the Vermeer counterfeiter Han van Meegeren who duped the avaricious Hermann Göring, to the frustrated British artist Eric Hebborn, who began forging to expose the ignorance of experts, art forgers have challenged "legitimate" art in their own time, breaching accepted practices and upsetting the status quo. They have also provocatively confronted many of the present-day cultural anxieties that are major themes in the arts. Keats uncovers what forgeries—and our reactions to them—reveal about changing conceptions of creativity, identity, authorship, integrity, authenticity, success, and how we assign value to works of art. The book concludes by looking at how artists today have appropriated many aspects of forgery through such practices as street-art stenciling and share-and-share-alike licensing, and how these open-source "copyleft" strategies have the potential to make legitimate art meaningful again. Forgery has been much discussed—and decried—as a crime. Forged is the first book to assess great forgeries as high art in their own right.
Publisher: Oxford University Press
ISBN: 0199928355
Category : Art
Languages : en
Pages : 206
Book Description
According to Vasari, the young Michelangelo often borrowed drawings of past masters, which he copied, returning his imitations to the owners and keeping originals. Half a millennium later, Andy Warhol made a game of "forging" the Mona Lisa, questioning the entire concept of originality. Forged explores art forgery from ancient times to the present. In chapters combining lively biography with insightful art criticism, Jonathon Keats profiles individual art forgers and connects their stories to broader themes about the role of forgeries in society. From the Renaissance master Andrea del Sarto who faked a Raphael masterpiece at the request of his Medici patrons, to the Vermeer counterfeiter Han van Meegeren who duped the avaricious Hermann Göring, to the frustrated British artist Eric Hebborn, who began forging to expose the ignorance of experts, art forgers have challenged "legitimate" art in their own time, breaching accepted practices and upsetting the status quo. They have also provocatively confronted many of the present-day cultural anxieties that are major themes in the arts. Keats uncovers what forgeries—and our reactions to them—reveal about changing conceptions of creativity, identity, authorship, integrity, authenticity, success, and how we assign value to works of art. The book concludes by looking at how artists today have appropriated many aspects of forgery through such practices as street-art stenciling and share-and-share-alike licensing, and how these open-source "copyleft" strategies have the potential to make legitimate art meaningful again. Forgery has been much discussed—and decried—as a crime. Forged is the first book to assess great forgeries as high art in their own right.
The Art Forger
Author: B. A. Shapiro
Publisher: Algonquin Books
ISBN: 1616203188
Category : Fiction
Languages : en
Pages : 322
Book Description
Don't miss B. A. Shapiro's new novel, Metropolis, available now! “[A] highly entertaining literary thriller about fine art and foolish choices.” —Parade “[A] nimble mystery.” —The New York Times Book Review “Gripping.” —O, The Oprah Magazine Almost twenty-five years after the infamous art heist at the Isabella Stewart Gardner Museum—still the largest unsolved art theft in history—one of the stolen Degas paintings is delivered to the Boston studio of a young artist. Claire Roth has entered into a Faustian bargain with a powerful gallery owner by agreeing to forge the Degas in exchange for a one-woman show in his renowned gallery. But as she begins her work, she starts to suspect that this long-missing masterpiece—the very one that had been hanging at the Gardner for one hundred years—may itself be a forgery. The Art Forger is a thrilling novel about seeing—and not seeing—the secrets that lie beneath the canvas.
Publisher: Algonquin Books
ISBN: 1616203188
Category : Fiction
Languages : en
Pages : 322
Book Description
Don't miss B. A. Shapiro's new novel, Metropolis, available now! “[A] highly entertaining literary thriller about fine art and foolish choices.” —Parade “[A] nimble mystery.” —The New York Times Book Review “Gripping.” —O, The Oprah Magazine Almost twenty-five years after the infamous art heist at the Isabella Stewart Gardner Museum—still the largest unsolved art theft in history—one of the stolen Degas paintings is delivered to the Boston studio of a young artist. Claire Roth has entered into a Faustian bargain with a powerful gallery owner by agreeing to forge the Degas in exchange for a one-woman show in his renowned gallery. But as she begins her work, she starts to suspect that this long-missing masterpiece—the very one that had been hanging at the Gardner for one hundred years—may itself be a forgery. The Art Forger is a thrilling novel about seeing—and not seeing—the secrets that lie beneath the canvas.
Drawn to Trouble
Author: Eric Hebborn
Publisher: Random House Incorporated
ISBN: 9780679420842
Category : Art forgers
Languages : en
Pages : 380
Book Description
A premier art forger describes his rags-to-riches journey into the dark side of the art world, detailing the shady intrigues of the world's great museums and auction houses and offering a lesson in forgery techniques. 15,000 first printing.
Publisher: Random House Incorporated
ISBN: 9780679420842
Category : Art forgers
Languages : en
Pages : 380
Book Description
A premier art forger describes his rags-to-riches journey into the dark side of the art world, detailing the shady intrigues of the world's great museums and auction houses and offering a lesson in forgery techniques. 15,000 first printing.
The Palgrave Handbook on Art Crime
Author: Saskia Hufnagel
Publisher: Springer
ISBN: 1137544058
Category : Social Science
Languages : en
Pages : 909
Book Description
This handbook showcases studies on art theft, fraud and forgeries, cultural heritage offences and related legal and ethical challenges. It has been authored by prominent scholars, practitioners and journalists in the field and includes both overviews of particular art crime issues as well as regional and national case studies. It is one of the first scholarly books in the current art crime literature that can be utilised as an immediate authoritative reference source or teaching tool. It also includes a bibliographic guide to the current literature across interdisciplinary boundaries. Apart from legal, criminological, archeological and historical perspectives on theft, fraud and looting, this volume contains chapters on iconoclasm and graffiti, underwater cultural heritage, the trade in human remains and the trade, theft and forgery of papyri. The book thereby hopes to encourage scholars from a wider variety of disciplines to contribute their valuable knowledge to art crime research.
Publisher: Springer
ISBN: 1137544058
Category : Social Science
Languages : en
Pages : 909
Book Description
This handbook showcases studies on art theft, fraud and forgeries, cultural heritage offences and related legal and ethical challenges. It has been authored by prominent scholars, practitioners and journalists in the field and includes both overviews of particular art crime issues as well as regional and national case studies. It is one of the first scholarly books in the current art crime literature that can be utilised as an immediate authoritative reference source or teaching tool. It also includes a bibliographic guide to the current literature across interdisciplinary boundaries. Apart from legal, criminological, archeological and historical perspectives on theft, fraud and looting, this volume contains chapters on iconoclasm and graffiti, underwater cultural heritage, the trade in human remains and the trade, theft and forgery of papyri. The book thereby hopes to encourage scholars from a wider variety of disciplines to contribute their valuable knowledge to art crime research.
The Art of Forgery
Author: Noah Charney
Publisher: Phaidon Press
ISBN: 9780714867458
Category : True Crime
Languages : en
Pages : 296
Book Description
The Art of Forgery: Case Studies in Deception explores the stories, dramas and human intrigues surrounding the world’s most famous forgeries – investigating the motivations of the artists and criminals who have faked great works of art, and in doing so conned the public and the art establishment alike.
Publisher: Phaidon Press
ISBN: 9780714867458
Category : True Crime
Languages : en
Pages : 296
Book Description
The Art of Forgery: Case Studies in Deception explores the stories, dramas and human intrigues surrounding the world’s most famous forgeries – investigating the motivations of the artists and criminals who have faked great works of art, and in doing so conned the public and the art establishment alike.
The Oxford Handbook of Aesthetics
Author: Jerrold Levinson
Publisher: Oxford University Press
ISBN: 9780199279456
Category : Art
Languages : en
Pages : 844
Book Description
'The Oxford Handbook of Aesthetics' has assembled 48 brand-new essays, making this a comprehensive guide available to the theory, application, history, and future of the field.
Publisher: Oxford University Press
ISBN: 9780199279456
Category : Art
Languages : en
Pages : 844
Book Description
'The Oxford Handbook of Aesthetics' has assembled 48 brand-new essays, making this a comprehensive guide available to the theory, application, history, and future of the field.
The Oxford Handbook of Victorian Medievalism
Author: Joanne Parker
Publisher: Oxford University Press
ISBN: 0191648264
Category : Literary Criticism
Languages : en
Pages : 672
Book Description
In 1859, the historian Lord John Acton asserted: 'two great principles divide the world, and contend for the mastery, antiquity and the middle ages'. The influence on Victorian culture of the 'Middle Ages' (broadly understood then as the centuries between the Roman Empire and the Renaissance) was both pervasive and multi-faceted. This 'medievalism' led, for instance, to the rituals and ornament of the Medieval Catholic church being reintroduced to Anglicanism. It led to the Saxon Witan being celebrated as a prototypical representative parliament. It resulted in Viking raiders being acclaimed as the forefathers of the British navy. And it encouraged innumerable nineteenth-century men to cultivate the superlative beards we now think of as typically 'Victorian'—in an attempt to emulate their Anglo-Saxon forefathers. Different facets of medieval life, and different periods before the Renaissance, were utilized in nineteenth-century Britain for divergent political and cultural agendas. Medievalism also became a dominant mode in Victorian art and architecture, with 75 per cent of churches in England built on a Gothic rather than a classical model. And it was pervasive in a wide variety of literary forms, from translated sagas to pseudo-medieval devotional verse to triple-decker novels. Medievalism even transformed nineteenth-century domesticity: while only a minority added moats and portcullises to their homes, the medieval-style textiles produced by Morris and Co. decorated many affluent drawing rooms. The Oxford Handbook of Victorian Medievalism is the first work to examine in full the fascinating phenomenon of 'medievalism' in Victorian Britain. Covering art, architecture, religion, literature, politics, music, and social reform, the Handbook also surveys earlier forms of antiquarianism that established the groundwork for Victorian movements. In addition, this collection addresses the international context, by mapping the spread of medievalism across Europe, South America, and India, amongst other places.
Publisher: Oxford University Press
ISBN: 0191648264
Category : Literary Criticism
Languages : en
Pages : 672
Book Description
In 1859, the historian Lord John Acton asserted: 'two great principles divide the world, and contend for the mastery, antiquity and the middle ages'. The influence on Victorian culture of the 'Middle Ages' (broadly understood then as the centuries between the Roman Empire and the Renaissance) was both pervasive and multi-faceted. This 'medievalism' led, for instance, to the rituals and ornament of the Medieval Catholic church being reintroduced to Anglicanism. It led to the Saxon Witan being celebrated as a prototypical representative parliament. It resulted in Viking raiders being acclaimed as the forefathers of the British navy. And it encouraged innumerable nineteenth-century men to cultivate the superlative beards we now think of as typically 'Victorian'—in an attempt to emulate their Anglo-Saxon forefathers. Different facets of medieval life, and different periods before the Renaissance, were utilized in nineteenth-century Britain for divergent political and cultural agendas. Medievalism also became a dominant mode in Victorian art and architecture, with 75 per cent of churches in England built on a Gothic rather than a classical model. And it was pervasive in a wide variety of literary forms, from translated sagas to pseudo-medieval devotional verse to triple-decker novels. Medievalism even transformed nineteenth-century domesticity: while only a minority added moats and portcullises to their homes, the medieval-style textiles produced by Morris and Co. decorated many affluent drawing rooms. The Oxford Handbook of Victorian Medievalism is the first work to examine in full the fascinating phenomenon of 'medievalism' in Victorian Britain. Covering art, architecture, religion, literature, politics, music, and social reform, the Handbook also surveys earlier forms of antiquarianism that established the groundwork for Victorian movements. In addition, this collection addresses the international context, by mapping the spread of medievalism across Europe, South America, and India, amongst other places.