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Author: Ashley Lemke Publisher: Texas A&M University Press ISBN: 1623499232 Category : Social Science Languages : en Pages : 502
Book Description
As one of the most significant economic innovations in prehistory, hunting architecture radically altered life and society for hunter-gatherers. The development of these structures indicates that foragers designed their environments, had a deep knowledge of animal behavior, and interacted with each other in complex ways that reach beyond previous assumptions. Combining underwater archaeology, terrestrial archaeology, and ethnographic and historical research, The Architecture of Hunting investigates the creation and use of hunting architecture by hunter-gatherers. Hunting architecture—including blinds, drive lanes, and fishing weirs—is a global phenomenon found across a broad spectrum of cultures, time, geography, and environments. Relying on similar behaviors in species such as caribou, bison, guanacos, antelope, and gazelles, cultures as diverse as Sami reindeer herders, the Inka, and ancient bison hunters on the North American plains have employed such structures, combined with strategically situated landforms, to ensure adequate food supplies while maintaining a nomadic way of life. Using examples of hunting architecture from across the globe and how they influence forager mobility, territoriality, property, leadership, and labor aggregation, Ashley Lemke explores this architecture as a form of human niche construction and considers the myriad ways such built structures affect hunter-gatherer lifeways. Bringing together diverse sources under the single category of “hunting architecture,” The Architecture of Hunting serves as the new standard guide for anyone interested in hunter-gatherers and their built environment.
Author: Ashley Lemke Publisher: Texas A&M University Press ISBN: 1623499232 Category : Social Science Languages : en Pages : 502
Book Description
As one of the most significant economic innovations in prehistory, hunting architecture radically altered life and society for hunter-gatherers. The development of these structures indicates that foragers designed their environments, had a deep knowledge of animal behavior, and interacted with each other in complex ways that reach beyond previous assumptions. Combining underwater archaeology, terrestrial archaeology, and ethnographic and historical research, The Architecture of Hunting investigates the creation and use of hunting architecture by hunter-gatherers. Hunting architecture—including blinds, drive lanes, and fishing weirs—is a global phenomenon found across a broad spectrum of cultures, time, geography, and environments. Relying on similar behaviors in species such as caribou, bison, guanacos, antelope, and gazelles, cultures as diverse as Sami reindeer herders, the Inka, and ancient bison hunters on the North American plains have employed such structures, combined with strategically situated landforms, to ensure adequate food supplies while maintaining a nomadic way of life. Using examples of hunting architecture from across the globe and how they influence forager mobility, territoriality, property, leadership, and labor aggregation, Ashley Lemke explores this architecture as a form of human niche construction and considers the myriad ways such built structures affect hunter-gatherer lifeways. Bringing together diverse sources under the single category of “hunting architecture,” The Architecture of Hunting serves as the new standard guide for anyone interested in hunter-gatherers and their built environment.
Author: John Dixon Hunt Publisher: MIT Press ISBN: 9780262581318 Category : Architecture Languages : en Pages : 414
Book Description
A collection of Hunt's essays, many previously unpublished, dealing with the ways in which men and women have given meaning to gardens and landscapes, especially with the ways in which gardens have represented the world of nature "picturesquely".
Author: John Dixon Hunt Publisher: Reaktion Books ISBN: 1780231504 Category : Gardening Languages : en Pages : 256
Book Description
Most books on the history of gardens describe the way that gardens have been created; by contrast, The Afterlife of Gardens examines the way that gardens have been experienced. Using examples from many sites around the world, John Dixon Hunt examines responses to gardens, from Renaissance sites to Baroque creations to modern motorway landscaping. Examining how a garden has been experienced extends its history beyond the physical into cultural terms, and the author describes how this ‘afterlife’ of gardens, as they are understood and experienced by many generations, is often ‘redesigned’ in visitors’ imaginative and cultural responses. The author looks at many aspects of the subject, including the enigmatic Hypnerotomachia Polifili of 1499; part fictional narrative and part scholarly treatise, this fascinating early narrative of garden reception paves the way for an exploration of subsequent landscapes and their reception in later periods. He also looks at Italian Renaissance gardens; the Picturesque; the architectural and inscriptional elements of gardens; the ways experiences of gardens have been recorded; and the different kinds of movement within gardens, from the strolling pedestrian to the motorway traveller who experiences landscapes at speed. In this ambitious new book the author shows how the complete history of a garden must extend beyond the moment of its design and the aims of the designer to record its subsequent reception. He raises questions about the preservation of historical sites, and provides lessons for the contemporary designer, who may perhaps be more attentive to the life of a work after its design and implementation. This book will interest all who have a professional interest in gardens, as well as the wide general audience for gardens and landscapes of past and present.
Author: Mary Anne Hunting Publisher: W. W. Norton ISBN: 9780393733013 Category : Architecture Languages : en Pages : 176
Book Description
'Colossus,' 'visionary,' 'giant' are superlatives used in the mid-twentieth century to describe Edward Durell Stone (1902 - 1978), a celebrity architect whose wholly unique modern aesthetic of 'new romanticism' played a crucial role in defining middle-class culture. Framed between the Great Depression and the oil embargo of the early 1970s, the distinguished career of the native Arkansan is represented on four continents, in thirteen foreign countries, and in thirty-two states - his masterpiece the American Embassy chancery (1953 - 59) in New Delhi, India. Recognized in his prime as one of the nation's most sought-after architects, Stone's vast and prestigious workload brought prosperity on a scale rare in architecture in his time; after the death of Frank Lloyd Wright, some supporters thought Stone seemed destined to take the place of his personal hero and close friend as the great national architect. But Stone also drew divergent reactions. Such International Style buildings as his Museum of Modern Art (1935 - 39) in New York City, an austere, unornamented volume, won critical approval; in contrast, his monumental postwar architecture - the John F. Kennedy Center for the Performing Arts (1958 - 71) in Washington, DC, among the best known - exposed popular tastes by offering a broader definition of Modernism inclusive of decoration. Enhanced interest in Stone's architecture has been spurred by the reconsideration of a number of his buildings. The former Gallery of Modern Art (1958 - 64) at 2 Columbus Circle in New York City, which was lost to a near complete makeover, stimulated vigorous and at times contentious discussion that made evident the need for an objective reassessment. His legacy - of giving form to the aspirations of the emerging consumer culture and of reconciling Modernism with the dynamism of the age - is established in Edward Durell Stone: Modernism's Populist Architect.
Author: W. Roger Powers Publisher: Texas A&M University Press ISBN: 1623495393 Category : Social Science Languages : en Pages : 344
Book Description
With cultural remains dated unequivocally to 13,000 calendar years ago, Dry Creek assumed major importance upon its excavation and study by W. Roger Powers. The site was the first to conclusively demonstrate a human presence that could be dated to the same time as the Bering Land Bridge. As Powers and his team studied the site, their work verified initial expectations. Unfortunately, the research was never fully published. Dry Creek: The Archaeology and Paleoecology of a Late Pleistocene Alaskan Hunting Camp is ready to take its rightful place in the ongoing research into the peopling of the Americas. Containing the original research, this book also updates and reconsiders Dry Creek in light of more recent discoveries and analysis.
Author: John Dixon Hunt Publisher: University of Pennsylvania Press ISBN: 0812248007 Category : Architecture Languages : en Pages : 208
Book Description
Site, Sight, Insight presents twelve essays by John Dixon Hunt, the leading theorist and historian of landscape architecture. The collection's common theme is a focus on sites, how we see them and what we derive from that looking. Acknowledging that even the most modest landscape encounter has validity, Hunt contends that the more one knows about a site and one's own sight of it (an awareness of how one is seeing), the greater the insight. Employing the concepts, tropes, and rhetorical methods of literary analysis, he addresses the problem of how to discuss, understand, and appreciate places that are experienced through all the senses, over time and through space. Hunt questions our intellectual and aesthetic understanding of gardens and designed landscapes and asks how these sites affect us emotionally. Do gardens have meaning? When we visit a fine garden or designed landscape, we experience a unique work of great complexity in purpose, which has been executed over a number of years—a work that, occasionally, achieves beauty. While direct experience is fundamental, Hunt demonstrates how the ways in which gardens and landscapes are communicated in word and image can be equally important. He returns frequently to a cluster of key sites and writings on which he has based much of his thinking about garden-making and its role in landscape architecture: the gardens of Rousham in Oxfordshire; Thomas Whately's Observations on Modern Gardening (1770); William Gilpin's dialogues on Stowe (1747); Alexander Pope's meditation on genius loci; the Désert de Retz; Paolo Burgi's Cardada; and the designs by Bernard Lassus and Ian Hamilton Finlay.
Author: John Dixon Hunt Publisher: Reaktion Books ISBN: 1780233787 Category : Gardening Languages : en Pages : 370
Book Description
A Japanese garden is immediately distinct to the eye from the traditional gardens of an English manor house, just as the manicured topiaries of Versailles contrast with the sharp cacti of the American Southwest. Though gardening is beloved the world over, the style of gardens themselves varies from region to region, determined as much by culture as climate. In this series of illustrated essays, John Dixon Hunt takes us on a world tour of different periods in the making of gardens. Hunt shows here how cultural assumptions and local geography have shaped gardens and their meaning. He explores our continuing responses to land and reworkings of the natural world, encompassing a broad range of gardens, from ancient Roman times to early Islamic and Mughal gardens, from Chinese and Japanese gardens to the invention of the public park and modern landscape architecture. A World of Gardens looks at key chapters in garden history, reviewing their significance past and present and tracing the recurrence of different themes and motifs in the design and reception of gardens throughout the world. A World of Gardens celebrates the idea that similar experiences of gardens can be found in many different times and places, including sacred landscapes, scientific gardens, urban gardens, secluded gardens, and symbolic gardens. Featuring two hundred images, this book is a treasure trove of ideas and inspiration, whether your garden is a window box, a secluded backyard, or a daydream.
Author: Ashley Lemke
Author: Ashley Lemke
Author: John Dixon Hunt
Author: Myron Hunt
Author: John Dixon Hunt
Author: William Dudley Hunt
Author: William Dudley Hunt
Author: Mary Anne Hunting
Author: W. Roger Powers
Author: John Dixon Hunt
Author: John Dixon Hunt