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Author: Frances Fenwick Williams Publisher: Good Press ISBN: Category : Fiction Languages : en Pages : 180
Book Description
In "The Arch-Satirist," Frances Fenwick Williams crafts a compelling narrative centered around the complexities of relationships between brothers and sisters, set against the backdrop of Québec's vibrant city, Montréal. The story delves deep into themes of self-sacrifice, love, and familial bonds, making it a captivating read for those who appreciate rich character development and intricate plotlines.
Author: Frances Fenwick Williams Publisher: Good Press ISBN: Category : Fiction Languages : en Pages : 180
Book Description
In "The Arch-Satirist," Frances Fenwick Williams crafts a compelling narrative centered around the complexities of relationships between brothers and sisters, set against the backdrop of Québec's vibrant city, Montréal. The story delves deep into themes of self-sacrifice, love, and familial bonds, making it a captivating read for those who appreciate rich character development and intricate plotlines.
Author: Stephen E. Kercher Publisher: University of Chicago Press ISBN: 0226431657 Category : Humor Languages : en Pages : 589
Book Description
We live in a time much like the postwar era. A time of arch political conservatism and vast social conformity. A time in which our nation’s leaders question and challenge the patriotism of those who oppose their policies. But before there was Jon Stewart, Al Franken, or Bill Maher, there were Mort Sahl, Stan Freberg, and Lenny Bruce—liberal satirists who, through their wry and scabrous comedic routines, waged war against the political ironies, contradictions, and hypocrisies of their times. Revel with a Cause is their story. Stephen Kercher here provides the first comprehensive look at the satiric humor that flourished in the United States during the 1950s and early 1960s. Focusing on an impressive range of comedy—not just standup comedians of the day but also satirical publications like MAD magazine, improvisational theater groups such asSecond City, the motion picture Dr. Strangelove, and TV shows like That Was the Week That Was—Kercher reminds us that the postwar era saw varieties of comic expression that were more challenging and nonconformist than we commonly remember. His history of these comedic luminaries shows that for a sizeable audience of educated, middle-class Americans who shared such liberal views, the period’s satire was a crucial mode of cultural dissent. For such individuals, satire was a vehicle through which concerns over the suppression of civil liberties, Cold War foreign policies, blind social conformity, and our heated racial crisis could be productively addressed. A vibrant and probing look at some of the most influential comedy of mid-twentieth-century America, Revel with a Cause belongs on the short list of essential books for anyone interested in the relationship between American politics and popular culture.
Author: David H. J. Larmour Publisher: University of Oklahoma Press ISBN: 0806155051 Category : Fiction Languages : en Pages : 369
Book Description
In this first comprehensive reading of Juvenal’s satires in more than fifty years, David H. J. Larmour deftly revises and sharpens our understanding of the second-century Roman writer who stands as the archetype for all later practitioners of the satirist’s art. The enduring attraction of Juvenal’s satires is twofold: they not only introduce the character of the “angry satirist” but also offer vivid descriptions of everyday life in Rome at the height of the Empire. In Larmour’s interpretation, these two elements are inextricably linked. The Arena of Satire presents the satirist as flaneur traversing the streets of Rome in search of its authentic core—those distinctly Roman virtues that have disappeared amid the corruption of the age. What the vengeful, punishing satirist does to his victims, as Larmour shows, echoes what the Roman state did to outcasts and criminals in the arena of the Colosseum. The fact that the arena was the most prominent building in the city and is mentioned frequently by Juvenal makes it an ideal lens through which to examine the spectacular and punishing characteristics of Roman satire. And the fact that Juvenal undertakes his search for the uncorrupted, authentic Rome within the very buildings and landmarks that make up the actual, corrupt Rome of his day gives his sixteen satires their uniquely paradoxical and contradictory nature. Larmour’s exploration of “the arena of satire” guides us through Juvenal’s search for the true Rome, winding from one poem to the next. He combines close readings of passages from individual satires with discussions of Juvenal’s representation of Roman space and topography, the nature of the “arena” experience, and the network of connections among the satirist, the gladiator, and the editor—or producer—of Colosseum entertainments. The Arena of Satire also offers a new definition of “Juvenalian satire” as a particular form arising from the intersection of the body and the urban landscape—a form whose defining features survive in the works of several later satirists, from Jonathan Swift and Evelyn Waugh to contemporary writers such as Russian novelist Victor Pelevin and Irish dramatist Martin McDonagh.
Author: Frances Fenwick Williams
Author: Frances Fenwick Williams
Author: Frances De Wolfe Fenwick
Author: Stephen E. Kercher
Author: David H. J. Larmour
Author: Juvenal
Author: Juvenal
Author: 
Author: Horace
Author: Aulus Persius Flaccus
Author: Persius