The American Harp Journal PDF Download

Author:
Publisher:
ISBN:
Category : Harp
Languages : en
Pages : 360

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Author: Mathilde Aubat-Andrieu
Publisher: Indiana University Press
ISBN: 025303941X
Category : Music
Languages : en
Pages : 193

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Book Description
Harps and harp music have enjoyed a renaissance over the past century and today can be heard in a broad array of musical contexts. Guide to the Contemporary Harp is a comprehensive resource that examines the vibrant present-day landscape of the harp. The authors explore the instrument from all angles, beginning with organology; moving through composition, notation, and playing techniques; and concluding with the contemporary repertoire for the harp. The rapid diversification in these areas of harp performance is the result of both technological innovations in harp making, which have produced the electric harp and MIDI harp, and innovative composers and players. These new instruments and techniques have broadened the concept of what is possible and what constitutes harp music for today. Guide to the Contemporary Harp is an essential guide for any harpist looking to push the instrument and its music to new heights.

Author: David Warren Steel
Publisher: University of Illinois Press
ISBN: 0252077601
Category : Music
Languages : en
Pages : 354

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This authoritative reference work investigates the roots of the Sacred Harp, the central collection of the deeply influential and long-lived southern tradition of shape-note singing. David Warren Steel and Richard H. Hulan concentrate on the regional culture that produced the Sacred Harp in the nineteenth century and delve deeply into history of its authors and composers. They trace the sources of every tune and text in the Sacred Harp, from the work of B. F. White, E. J. King, and their west Georgia contemporaries who helped compile the original collection in 1844 to the contributions by various composers to the 1936 to 1991 editions. Drawing on census reports, local histories, family Bibles and other records, rich oral interviews with descendants, and Sacred Harp Publishing Company records, this volume reveals new details and insights about the history of this enduring American musical tradition. David Waren Stel is an associate professor of music and southern culture at the University of Mississippi. Richard H. Hulan is an independent scholar of American folk hymnody.

Author: Gillis J. Harp
Publisher: Oxford University Press
ISBN: 0199977437
Category : Religion
Languages : en
Pages : 337

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The rise of the modern Christian Right, starting with the 1976 Presidential election and culminating in the overwhelming white evangelical support for Donald Trump in the 2016 election, has been one of the most consequential political developments of the last half-century of American history. And while there has been a flowering of scholarship on the history of American conservatism, almost all of it has focused on the emergence of a conservative movement after World War II. Likewise, while much has been written about the role of Protestants in American politics, such studies generally begin in the 1970s, and almost none look further back than 1945. In this sweeping history, Gillis Harp traces the relationship between Protestantism and conservative politics in America from the Puritans to Palin. Christian belief long shaped American conservatism by bolstering its critical view of human nature and robust skepticism of human perfectibility. At times, Christian conservatives have attempted to enlist the state as an essential ally in the quest for moral reform. Yet, Harp argues, while conservative voters and activists have often professed to be motivated by their religious faith, in fact the connection between Christian principle and conservative politics has generally been remarkably thin. Indeed, with the exception of the seventeenth-century Puritans and some nineteenth-century Protestants, few American conservatives have constructed a well-reasoned theological foundation for their political beliefs. American conservatives have instead adopted a utilitarian view of religious belief that is embedded within essentially secular assumptions about society and politics. Ultimately, Harp claims, there is very little that is distinctly Christian about the modern Christian Right.

Author: Kiri Miller
Publisher: University of Illinois Press
ISBN: 0252032144
Category : Pluralism
Languages : en
Pages : 274

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A compelling account of the vibrant musical tradition of Sacred Harp singing, Traveling Home describes how song brings together Americans of widely divergent religious and political beliefs. Named after the most popular of the nineteenth-century shape-note tunebooks - which employed an innovative notation system to teach singers to read music - Sacred Harp singing has been part of rural Southern life for over 150 years. In the wake of the folk revival of the 1950s and 60s, this participatory musical tradition attracted new singers from all over America. All-day "singings" from The Sacred Harp now take place across the country, creating a diverse and far-flung musical community. Blending historical scholarship with wide-ranging fieldwork, Kiri Miller presents an engagingly written study of this important music movement.

Author: Jaymee Haefner
Publisher: AuthorHouse
ISBN: 1524685127
Category : Music
Languages : en
Pages : 146

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Book Description
Do you love the harp? The French harpist Henriette Reni (18751956) asked this question of each student, and it remained her ideal throughout her life. This book explores the circumstances which surrounded the beginning of Henriette Renis career as a masterful harpist and composer. Through her celebrated performances of her Concerto en ut mineur, she gained acclaim simultaneously as a virtuosic performer and composer. In the wake of her success, several new masterpieces by respected composers appeared, including Pierns Concertstck and Ravels Introduction et Allegro. The elements of Renies virtuosity are traced through her famous Lgende, and her less-known Deux promenades matinales. Her compositional style is explored through her Scherzo-Fantaisie for harp and violin and her Concerto en ut mineur. As a teacher, Renis influence echoed throughout the world. Her profound influence has been evident through the vision of her own students, including Susann McDonald, Marcel Grandjany, Mildred Dilling, Odette Le Dentu, Odette de Montesquiou, Bertile Fournier, Emmy Hrlimann, Bertile Robet Auffray, and Marie Astrid DAuffray. The crystallization of Renis teaching practice is described through her Mthode complte de harpe (Complete Method for Harp) and her twelve volumes of harp transcriptions, Les classiques de la harpe. The amount of literature about Renis life and work is disproportionate to the deep imprint she made upon the harps history and repertoire. This book is a start to further recognizing her vast importance to the establishment of the harp.

Author: Samuel Milligan
Publisher: Wings Press
ISBN: 1609404548
Category : History
Languages : en
Pages : 64

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This is a collection of nine familiar Sephardic folk songs, most dating to the 16th century or earlier, both religious and secular in nature, in attractive arrangements for voice with pedal or lever harp accompaniments of moderate difficulty. Texts are in Ladino, with translations provided. Arranged by a well-known arranger/transcriber, Nine Sephardic Songs is perfect for those preparing voice and harp programs and fills a specific niche in available harp music.

Author: Rilla Askew
Publisher: University of Oklahoma Press
ISBN: 0806184213
Category : Fiction
Languages : en
Pages : 347

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Harlan Singer, a harmonica-playing troubadour, shows up in the Thompson family’s yard one morning. He steals their hearts with his music, and their daughter with his charm. Soon he and his fourteen-year-old bride, Sharon, are on the road, two more hobos of the Great Depression, hitchhiking and hopping freights across the Great Plains in search of an old man and the settlement of Harlan’s long-standing debt. Finding shelter in hobo jungles and Hoovervilles, the newlyweds careen across the 1930s landscape in a giant figure eight with Oklahoma in the middle. Sharon’s growing doubts about her husband’s quest set in motion events that turn Harlan Singer into a hero while blinding her to the dark secret of his journey. A love story infused with history and folk tradition, Harpsong shows what happened to the friends and neighbors Steinbeck’s Joads left behind. In this moving, redemptive tale inspired by Oklahoma folk heroes, Rilla Askew continues her exploration of the American story. Harpsong is a novel of love and loss, of adventure and renewal, and of a wayfaring orphan’s search for home—all set to the sounds of Harlan’s harmonica. It shows us the strength and resilience of a people who, in the face of unending despair, maintain their faith in the land.

Author: Nancy Hurrell
Publisher:
ISBN: 9781846827594
Category : History
Languages : en
Pages : 0

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In the politically charged era following the 1801 Act of Union, when Ireland's harp symbol was ubiquitous in political imagery, the playable instrument, the Gaelic harp, had largely disappeared. John Egan, a self-taught inventor, conceived a new national instrument, the "Portable Irish Harp," with innovative mechanisms to expand the harp's chromatic capabilities. The template for the modern Irish harp, Egan's design was imitated a century later by several principal harp makers. Antique Egan harps, prized as rare cultural artefacts and art objects, survive in museums and private collections worldwide, and the book's illustrations and a "Catalogue of Egan Harps" are an invaluable resource. This book on Ireland's renowned harp maker, John Egan, and the Egan family firm, reveals the significance of Egan harps in shaping Irish harp history.

Author: Sandra Joyce
Publisher:
ISBN: 9781846825880
Category : Celtic harp
Languages : en
Pages : 0

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Book Description
'Harp studies' presents new research on the Irish harp with perspectives from the disciplines of ethnomusicology, musicology, history, arts practice, folklore and cultural studies. Themes explored in this volume include iconography, reception history, diaspora, identity, spirituality and politics. Taking an expansive view of the harp through history and music, these essays individually engage with the variety of ways in which the harp has been interpreted and implicated in Irish culture, politics and music from the 9th century to the present day. Contents: Ann Heymann (ind.), Three iconic Gaelic harp pieces; Paul Dooley (UL), The harp in the time of Giraldus; Colette Moloney (Waterford IT), Edward Bunting (1773-1843), a collector of Irish music and song; Sandra Joyce (UL), Inventing and mythologizing Carolan in texts from the 18th to 20th centuries; Harry White (UCD), The lyre of Orpheus: Moore's ambiguous harp; Mary Louise O'Donnell, The Bengal subscription: patriotism, patronage and the perpetuation of the Irish harp tradition in the early 19th century; Ruan O'Donnell (UL), The Irish harp and Irish republican iconography; Adrian Scahill (MU), The harp in the early traditional group; Helen Lawlor (DkIT), Interpretations of Irishness and spirituality: the music of Mary O'Hara; Therese Smith (UCD), The harp as icon for Irish identity; Eibhlis Farrell (DkIT), The Magic Harp; Michelle Mulcahy (UL), Aistear: performing traditional music; Anne-Marie O'Farrell (DIT, QUB), Lever design and transcription for lever harp. [Subject: Irish Harp, Musical History, Traditional Music, Folklore, Ethnomusicology, Cultural Studies, Ireland]