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Author: Cathleen Hoeniger Publisher: Cambridge University Press ISBN: 9780521196949 Category : Art Languages : en Pages : 0
Book Description
Raphael is one of the rare artists who have never gone out of fashion. Acclaimed during his lifetime, he was imitated by contemporaries and served as a model for painters through the nineteenth century. Because of the artist's renown, his works have continuously been subject to care, conservation, and restoration. In this book, Cathleen Hoeniger focuses on the legacy of Raphael's art: the historical trajectory - or "afterlife" - of the paintings themselves. The appreciation of Raphael was expressed and the restoration of his works debated in contemporary treatises, which provide a backdrop for probing the fortune of his paintings. What happened to his panel-paintings and frescoes in the centuries after his death in 1520? Some were lost altogether; others were severely damaged in natural disasters; and many were affected by uncontrolled climactic conditions, by travel from one place to another, and by the not always cautious and careful hands of restorers. This book reveals the five-hundred-year story of many of Raphael's most well-known paintings.
Author: Cathleen Hoeniger Publisher: Cambridge University Press ISBN: 9780521196949 Category : Art Languages : en Pages : 0
Book Description
Raphael is one of the rare artists who have never gone out of fashion. Acclaimed during his lifetime, he was imitated by contemporaries and served as a model for painters through the nineteenth century. Because of the artist's renown, his works have continuously been subject to care, conservation, and restoration. In this book, Cathleen Hoeniger focuses on the legacy of Raphael's art: the historical trajectory - or "afterlife" - of the paintings themselves. The appreciation of Raphael was expressed and the restoration of his works debated in contemporary treatises, which provide a backdrop for probing the fortune of his paintings. What happened to his panel-paintings and frescoes in the centuries after his death in 1520? Some were lost altogether; others were severely damaged in natural disasters; and many were affected by uncontrolled climactic conditions, by travel from one place to another, and by the not always cautious and careful hands of restorers. This book reveals the five-hundred-year story of many of Raphael's most well-known paintings.
Author: Tamara Smithers Publisher: Taylor & Francis ISBN: 1000624382 Category : Art Languages : en Pages : 335
Book Description
This study explores the phenomenon of the cults of Raphael and Michelangelo in relation to their death, burial, and posthumous fame—or second life—from their own times through the nineteenth century. These two artists inspired fervent followings like no other artists before them. The affective response of those touched by the potency of the physical presence of their art- works, personal effects, and remains—or even touched by the power of their creative legacy—opened up new avenues for artistic fame, divination, and commemoration. Within this cultural framework, this study charts the elevation of the status of dozens of other artists in Italy through funerals and tomb memorialization, many of which were held and made in response to those of Raphael and Michelangelo. By bringing together disparate sources and engaging material as well as a variety of types of artworks and objects, this book will be of great interest to anyone who studies early modern Italy, art history, cultural history, and Italian studies.
Author: Una Roman D’Elia Publisher: Penn State Press ISBN: 0271077492 Category : Art Languages : en Pages : 272
Book Description
Raphael’s Ostrich begins with a little-studied aspect of Raphael’s painting—the ostrich, which appears as an attribute of Justice, painted in the Sala di Costantino in the Vatican. Una Roman D’Elia traces the cultural and artistic history of the ostrich from its appearances in ancient Egyptian hieroglyphs to the menageries and grotesque ornaments of sixteenth-century Italy. Following the complex history of shifting interpretations given to the ostrich in scientific, literary, religious, poetic, and satirical texts and images, D’Elia demonstrates the rich variety of ways in which people made sense of this living “monster,” which was depicted as the embodiment of heresy, stupidity, perseverance, justice, fortune, gluttony, and other virtues and vices. Because Raphael was revered as a god of art, artists imitated and competed with his ostrich, while religious and cultural critics complained about the potential for misinterpreting such obscure imagery. This book not only considers the history of the ostrich but also explores how Raphael’s painting forced viewers to question how meaning is attributed to the natural world, a debate of central importance in early modern Europe at a time when the disciplines of modern art history and natural history were developing. The strangeness of Raphael’s ostrich, situated at the crossroads of art, religion, myth, and natural history, both reveals lesser-known sides of Raphael’s painting and illuminates major cultural shifts in attitudes toward nature and images in the Renaissance. More than simply an examination of a single artist or a single subject, Raphael’s Ostrich offers an accessible, erudite, and charming alternative to Vasari’s pervasive model of the history of sixteenth-century Italian art.
Author: Noémie Étienne Publisher: Getty Publications ISBN: 1606065165 Category : Art Languages : en Pages : 318
Book Description
The decades following the 1973 publication of Alessandro Conti’s Storia del Restauro have seen considerable scholarly interest in the development of restoration in France in the second half of the eighteenth century. A number of technical treatises and biographies of restorers have offered insight into restoration practice. The Restoration of Paintings in Paris, 1750–1815, however, is the first book to situate this work within the broader historical and philosophical contexts of the time. Drawing on previously unpublished primary material from archives in Paris, Berlin, Rome, and Venice, Noémie Étienne combines art history with anthropology and sociology to survey the waning decades of the Ancien Régime and early post– Revolution France. Initial chapters present the diversity of restoration practice, encompassing not only royal institutions and the Louvre museum but also private art dealers, artists, and craftsmen, and examine questions of trade secrecy and the changing role of the restorer. Following chapters address the influence of restoration and exhibition on the aesthetic understanding of paintings as material objects. The book closes with a discussion of the institutional and political uses of restoration, along with an art historical consideration of such key concepts as authenticity, originality, and stability of artworks, emphasizing the multilayered dimension of paintings by such important artists as Titian and Raphael. There is also a useful dictionary of the main restorers active in France between 1750 and 1815.
Author: Marcia B. Hall Publisher: ISBN: 9780521444477 Category : Art Languages : en Pages : 182
Book Description
Raphael's "School of Athens" examines one of the masterpieces of the Italian Renaissance and the artist's best known work. Commissioned by Pope Julius II to decorate the walls of his private library, the fresco represents the gathering of the philosophers of the ancient world around the central figures of Plato and Aristotle. Presented in this volume are the early criticism of the fresco along with new interpretations of its iconography in relation to the other frescoes in the Stanza and in the context of the humanism and rhetorical tradition of the papal court.
Author: Simcha Paull Raphael Publisher: Rowman & Littlefield ISBN: 153810346X Category : Religion Languages : en Pages : 529
Book Description
Originally published in 1994, Jewish Views of the Afterlife is a classic study of ideas of afterlife and postmortem survival in Jewish tradition and mysticism. As both a scholar and pastoral counselor, Raphael guides the reader through 4,000 years of Jewish thought on the afterlife by investigating pertinent sacred texts produced in each era. Through a compilation of ideas found in the Bible, Apocrypha, rabbinic literature, medieval philosophy, medieval Midrash, Kabbalah, Hasidism and Yiddish literature, the reader learns how Judaism conceived of the fate of the individual after death throughout Jewish history. In addition, this book explores the implications of Jewish afterlife beliefs for a renewed understanding of traditional rituals of funeral, burial, shiva, kaddish and more. This newly released twenty-fifth anniversary edition presents new material on little-known Jewish mystical teachings on reincarnation, a chapter on “Spirits, Ghosts and Dybbuks in Yiddish Literature”, and a foreword by the renowned scholar of Jewish mysticism, Rabbi Arthur Green. Both historical and contemporary, this book provides a rich resource for scholars and laypeople and for teachers and students and makes an important Jewish contribution to the growing contemporary psychology of death and dying.
Author: Clare Browne Publisher: Victoria & Albert Museum ISBN: 9781851776344 Category : Art Languages : en Pages : 0
Book Description
In September 2010, the V+A exhibited four of the ten tapestries Raphael designed for the Sistine Chapel in Vatican City. These remarkable works are comparable with Michelangelo's Sistine Chapel Ceiling as masterpieces of High Renaissance art and, in this unique exhibition, were displayed with the full-size designs Raphael made for them - the famous Cartoons, which have been on display in the V+A since 1865. For anyone unable to view this once-in-a-lifetime exhibition, this book is the next best thing. It introduces and contextualizes the cartoons and the tapestries made from them. It looks at how and why they were made, before discussing each subject individually in terms of sources and composition. Accessible and beautiful, and with 100 colour illustrations, this will be essential reading for all Raphael and Renaissance enthusiasts.
Author: Ingrid D. Rowland Publisher: Harvard University Press ISBN: 0674416538 Category : History Languages : en Pages : 289
Book Description
When Vesuvius erupted in 79 CE, the force of the explosion blew the top right off the mountain, burying nearby Pompeii in a shower of volcanic ash. Ironically, the calamity that proved so lethal for Pompeii's inhabitants preserved the city for centuries, leaving behind a snapshot of Roman daily life that has captured the imagination of generations. The experience of Pompeii always reflects a particular time and sensibility, says Ingrid Rowland. From Pompeii: The Afterlife of a Roman Town explores the fascinating variety of these different experiences, as described by the artists, writers, actors, and others who have toured the excavated site. The city's houses, temples, gardens--and traces of Vesuvius's human victims--have elicited responses ranging from awe to embarrassment, with shifting cultural tastes playing an important role. The erotic frescoes that appalled eighteenth-century viewers inspired Renoir to change the way he painted. For Freud, visiting Pompeii was as therapeutic as a session of psychoanalysis. Crown Prince Hirohito, arriving in the Bay of Naples by battleship, found Pompeii interesting, but Vesuvius, to his eyes, was just an ugly version of Mount Fuji. Rowland treats readers to the distinctive, often quirky responses of visitors ranging from Wolfgang Amadeus Mozart, Charles Dickens, and Mark Twain to Roberto Rossellini and Ingrid Bergman. Interwoven throughout a narrative lush with detail and insight is the thread of Rowland's own impressions of Pompeii, where she has returned many times since first visiting in 1962.
Author: Arthur J. DiFuria Publisher: Walter de Gruyter GmbH & Co KG ISBN: 1501513486 Category : Art Languages : en Pages : 374
Book Description
The essays in Space, Image, and Reform in Early Modern Art build on Marcia Hall’s seminal contributions in several categories crucial for Renaissance studies, especially the spatiality of the church interior, the altarpiece’s facture and affectivity, the notion of artistic style, and the controversy over images in the era of Counter Reform. Accruing the advantage of critical engagement with a single paradigm, this volume better assesses its applicability and range. The book works cumulatively to provide blocks of theoretical and empirical research on issues spanning the function and role of images in their contexts over two centuries. Relating Hall’s investigations of Renaissance art to new fields, Space, Image, and Reform expands the ideas at the center of her work further back in time, further afield, and deeper into familiar topics, thus achieving a cohesion not usually seen in edited volumes honoring a single scholar.
Author: Cathleen Hoeniger
Author: Cathleen Hoeniger
Author: Robert Williams
Author: Tamara Smithers
Author: Una Roman D’Elia
Author: Noémie Étienne
Author: Marcia B. Hall
Author: Simcha Paull Raphael
Author: Clare Browne
Author: Ingrid D. Rowland
Author: Arthur J. DiFuria