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Author: Konstanze Kutzbach Publisher: Rodopi ISBN: 9042022647 Category : Law Languages : en Pages : 311
Book Description
The Abject of Desire approaches the aestheticization of the unaesthetic via a range of different topics and genres in twentieth-century Anglophone literature and culture. The "experience of disgust", which Winfried Menninghaus describes as "an acute crisis of self-preservation", is correlated with conceptualizations of gender in theories of the abject/abjection. In view of this general crisis of identity in the experience of disgust, the contributions to this volume discuss examples of the aestheticization of the unaesthetic in cultural representations and locate conceptual (re)codings of the body, gender, and identity with regard to the abject as an immediate and uncompromising experience on the one hand, and a social and political phenomenon on the other. Considering a variety of cultural narratives by writers as diverse as Samuel Delany, Sarah Schulman, Joyce Carol Oates, Leslie Marmon Silko, Paul Magrs, J. G. Ballard, Stevie Smith, T. C. Boyle, Joseph Conrad, Poppy Z. Brite, and Will Self, by film directors John Waters and Peter Greenaway, playwrights Girish Karnad and Mahesh Dattani, and "body artist" Gunter von Hagens, the contributors to this volume scrutinize different implications of the ambivalent concept of the abject/abjection.
Author: Konstanze Kutzbach Publisher: Rodopi ISBN: 9042022647 Category : Law Languages : en Pages : 311
Book Description
The Abject of Desire approaches the aestheticization of the unaesthetic via a range of different topics and genres in twentieth-century Anglophone literature and culture. The "experience of disgust", which Winfried Menninghaus describes as "an acute crisis of self-preservation", is correlated with conceptualizations of gender in theories of the abject/abjection. In view of this general crisis of identity in the experience of disgust, the contributions to this volume discuss examples of the aestheticization of the unaesthetic in cultural representations and locate conceptual (re)codings of the body, gender, and identity with regard to the abject as an immediate and uncompromising experience on the one hand, and a social and political phenomenon on the other. Considering a variety of cultural narratives by writers as diverse as Samuel Delany, Sarah Schulman, Joyce Carol Oates, Leslie Marmon Silko, Paul Magrs, J. G. Ballard, Stevie Smith, T. C. Boyle, Joseph Conrad, Poppy Z. Brite, and Will Self, by film directors John Waters and Peter Greenaway, playwrights Girish Karnad and Mahesh Dattani, and "body artist" Gunter von Hagens, the contributors to this volume scrutinize different implications of the ambivalent concept of the abject/abjection.
Author: Julia Kristeva Publisher: Columbia University Press ISBN: 0231561415 Category : Psychology Languages : en Pages : 324
Book Description
In Powers of Horror, Julia Kristeva offers an extensive and profound consideration of the nature of abjection. Drawing on Freud and Lacan, she analyzes the nature of attitudes toward repulsive subjects and examines the function of these topics in the writings of Louis-Ferdinand Céline, Marcel Proust, James Joyce, and other authors. Kristeva identifies the abject with the eruption of the real and the presence of death. She explores how art and religion each offer ways of purifying the abject, arguing that amid abjection, boundaries between subject and object break down.
Author: Deborah Caslav Covino Publisher: State University of New York Press ISBN: 0791484335 Category : Social Science Languages : en Pages : 163
Book Description
Feminist theorists have often argued that aesthetic surgeries and body makeovers dehumanize and disempower women patients, whose efforts at self-improvement lead to their objectification. Amending the Abject Body proposes that although objectification is an important element in this phenomenon, the explosive growth of "makeover culture" can be understood as a process of both abjection (ridding ourselves of the unwanted) and identification (joining the community of what Julia Kristeva calls "clean and proper bodies"). Drawing from the advertisement and advocacy of body makeovers on television, in aesthetic surgery trade books, and in the print and Web-based marketing of face lifts, tummy tucks, and Botox injections, Deborah Caslav Covino articulates the relationship among objectification, abjection, and identification, and offers a fuller understanding of contemporary beauty-desire.
Author: John Fletcher Publisher: Routledge ISBN: 0415522935 Category : Literary Criticism Languages : en Pages : 223
Book Description
Julia Kristeva's blend of the literary with the psychoanalytic places her work central to current thinking, from semiotics and critical theory to feminism and psychoanalysis. Her profound understanding of the dynamics of intention and creativity mark her out as one of the leading theoreticians of desire. Each essay in this volume offers new insight into the many aspects that make up Kristeva's thought, ranging from her analyses of sexual difference, female temporality and the perceptions of the body to the mental states of abjection and melancholia, and their representation in painting and literature.
Author: André Valente Publisher: GRIN Verlag ISBN: 364073131X Category : Literary Criticism Languages : en Pages : 28
Book Description
Seminar paper from the year 2010 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Cologne, course: Hauptseminar: Gothic Renaissance, language: English, abstract: Nor dread nor hope attend A dying animal; A man awaits his end Dreading and hoping all ... He knows death to the bone – Man has created death. (W. B. Yeats, “Death”) If Yeats is right by saying that man has created death, or rather the idea of death, then it is not surprising that what people thought about death in the past differs from the attitudes we have today and even across different cultures, the feelings concerning death and its representation vary. As Neill states in his study, Renaissance tragic drama is about “the discovery of death and the mapping of its meanings” and he mentions that Hamlet is a play “whose action is obsessively concerned with the exploration of mortality” (1997: 1). According to Zimmerman the play creates an “unsettling atmosphere of existence on the margins, of half-states in which neither life nor death holds sway” (2005: 172). This in–betweenness is also something that Julia Kristeva investigates in her influential study The powers of Horror: An Essay on Abjection (1980). She develops the theory of the abject, which is primarily concerned with the state of something that is between subject and object and therefore, arouses a feeling of uncanniness. This paper is concerned with the exploration of these margins and half-states concerning death in Hamlet. The investigation has two main aims. First, it wants to identify occurrences of death in Hamlet, which are marked by ambiguity and uncertainty, i.e. with an abject death according to Julia Kristeva’s theory. Second, it tries to answer the questions why a particular appearance of death in the play is abject and whether cultural conventions and the religious development of the Reformation in England at that time influenced the effects and affects evoked with the Elizabethan audience. “Shakespeare’s plays are works that live as much in their written/printed as in their performative re-productions and that [...] are therefore most fruitfully examined in both forms side by side” (Aebischer 2004: 13). Taking this assumption as a preliminary, the analysis in this paper focuses on the text of the play, as well as on practical questions concerning performance and stage conventions in the Elizabethan time.
Author: Leticia Alvarado Publisher: Duke University Press ISBN: 0822371936 Category : Art Languages : en Pages : 204
Book Description
In Abject Performances Leticia Alvarado draws out the irreverent, disruptive aesthetic strategies used by Latino artists and cultural producers who shun standards of respectability that are typically used to conjure concrete minority identities. In place of works imbued with pride, redemption, or celebration, artists such as Ana Mendieta, Nao Bustamante, and the Chicano art collective known as Asco employ negative affects—shame, disgust, and unbelonging—to capture experiences that lie at the edge of the mainstream, inspirational Latino-centered social justice struggles. Drawing from a diverse expressive archive that ranges from performance art to performative testimonies of personal faith-based subjection, Alvarado illuminates modes of community formation and social critique defined by a refusal of identitarian coherence that nonetheless coalesce into Latino affiliation and possibility.
Author: André Valente Publisher: GRIN Verlag ISBN: 3640731271 Category : Language Arts & Disciplines Languages : en Pages : 61
Book Description
Seminar paper from the year 2010 in the subject English Language and Literature Studies - Literature, grade: 1,0, University of Cologne, course: Hauptseminar: Gothic Renaissance, language: English, abstract: Nor dread nor hope attend A dying animal; A man awaits his end Dreading and hoping all ... He knows death to the bone - Man has created death. (W. B. Yeats, "Death") If Yeats is right by saying that man has created death, or rather the idea of death, then it is not surprising that what people thought about death in the past differs from the attitudes we have today and even across different cultures, the feelings concerning death and its representation vary. As Neill states in his study, Renaissance tragic drama is about "the discovery of death and the mapping of its meanings" and he mentions that Hamlet is a play "whose action is obsessively concerned with the exploration of mortality" (1997: 1). According to Zimmerman the play creates an "unsettling atmosphere of existence on the margins, of half-states in which neither life nor death holds sway" (2005: 172). This in-betweenness is also something that Julia Kristeva investigates in her influential study The powers of Horror: An Essay on Abjection (1980). She develops the theory of the abject, which is primarily concerned with the state of something that is between subject and object and therefore, arouses a feeling of uncanniness. This paper is concerned with the exploration of these margins and half-states concerning death in Hamlet. The investigation has two main aims. First, it wants to identify occurrences of death in Hamlet, which are marked by ambiguity and uncertainty, i.e. with an abject death according to Julia Kristeva's theory. Second, it tries to answer the questions why a particular appearance of death in the play is abject and whether cultural conventions and the religious development of the Reformation in England at that time influenced the effects and affects evoked with the Elizabethan audience
Author: Maggie Hennefeld Publisher: Duke University Press ISBN: 1478003413 Category : Social Science Languages : en Pages : 233
Book Description
From the films of Larry Clark to the feminist comedy of Amy Schumer to the fall of Louis C. K., comedic, graphic, and violent moments of abjection have permeated twentieth- and twenty-first-century social and political discourse. The contributors to Abjection Incorporated move beyond simple critiques of abjection as a punitive form of social death, illustrating how it has become a contested mode of political and cultural capital—empowering for some but oppressive for others. Escaping abjection's usual confines of psychoanalysis and aesthetic modernism, core to theories of abjection by thinkers such as Kristeva and Bataille, the contributors examine a range of media, including literature, photography, film, television, talking dolls, comics, and manga. Whether analyzing how comedic abjection can help mobilize feminist politics or how expressions of abjection inflect class, race, and gender hierarchies, the contributors demonstrate the importance of competing uses of abjection to contemporary society and politics. They emphasize abjection's role in circumscribing the boundaries of the human and how the threats abjection poses to the self and other, far from simply negative, open up possibilities for radically new politics. Contributors. Meredith Bak, Eugenie Brinkema, James Leo Cahill, Michelle Cho, Maggie Hennefeld, Rob King, Thomas Lamarre, Sylvère Lotringer, Rijuta Mehta, Mark Mulroney, Nicholas Sammond, Yiman Wang, Rebecca Wanzo
Author: Ramsey Campbell Publisher: Comma Press ISBN: 1912697459 Category : Fiction Languages : en Pages : 293
Book Description
SOMETHING HAS FALLEN AWAY. We have lost a part of ourselves, our history, what we once were. That something, when we encounter it again, look it straight in the eyes, disgusts us, makes us retch. This is the horror of the abject. Following the success of Comma’s award-winning New Uncanny anthology, The New Abject invites leading authors to respond to two parallel theories of the abject – Julia Kristeva’s theory of the psychoanalytic, intimate abject, and Georges Bataille’s societal equivalent – with visceral stories of modern unease. As we become ever-more isolated by social media bubbles, or the demands for social distancing, our moral gag-reflex is increasingly sensitised, and our ability to tolerate difference, or ‘the other’, atrophies. Like all good horror writing, these stories remind us that exposure to what unsettles us, even in small doses, is always better than pretending it doesn’t exist. After all, we can never be wholly free of that which belongs to us.
Author: Konstanze Kutzbach
Author: Konstanze Kutzbach
Author: Julia Kristeva
Author: Jack Ben-Levi
Author: Deborah Caslav Covino
Author: John Fletcher
Author: André Valente
Author: Leticia Alvarado
Author: André Valente
Author: Maggie Hennefeld
Author: Ramsey Campbell