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Author: Barry Keith Grant Publisher: Rutgers University Press ISBN: 0813542197 Category : Performing Arts Languages : en Pages : 298
Book Description
This book examines a range of films that characterized the decade, including Hollywood movies, documentaries, and the independent and experimental films.
Author: Barry Keith Grant Publisher: Rutgers University Press ISBN: 0813542197 Category : Performing Arts Languages : en Pages : 298
Book Description
This book examines a range of films that characterized the decade, including Hollywood movies, documentaries, and the independent and experimental films.
Author: Eugenia Paulicelli Publisher: Indiana University Press ISBN: 0253026415 Category : Performing Arts Languages : en Pages : 245
Book Description
A fascinating look at one of the most experimental, volatile, and influential decades, Film, Fashion, and the 1960s, examines the numerous ways in which film and fashion intersected and affected identity expression during the era. From A Hard Day's Night to Breakfast at Tiffany's, from the works of Ingmar Bergman to Blake Edwards, the groundbreaking cinema of the 1960s often used fashion as the ultimate expression for urbanity, youth, and political (un)awareness. Crumbling hierarchies brought together previously separate cultural domains, and these blurred boundaries could be seen in unisex fashions and roles played out on the silver screen. As this volume amply demonstrates, fashion in films from Italy, France, England, Sweden, India, and the United States helped portray the rapidly changing faces of this cultural avant-gardism. This blending of fashion and film ultimately created a new aesthetic that continues to influence the fashion and media of today.
Author: Matthew Kennedy Publisher: Oxford University Press ISBN: 0190262443 Category : Music Languages : en Pages : 318
Book Description
In Roadshow! The Fall of Film Musicals in the 1960s, film historian Matthew Kennedy explores the downfall of a beloved genre caught in the hands of misguided creators who glutted the American film market with a spate of expensive and financially unrewarding musicals between 1967 and 1972. In doing so, it offers an alternative view of this era in the world of American popular entertainment, telling of the cultural importance of the studios' death grip on the film business rather than dwelling on the failures of the flops themselves.
Author: Pamela Robertson Wojcik Publisher: Rutgers University Press ISBN: 081355229X Category : Performing Arts Languages : en Pages : 285
Book Description
American culture changed radically over the course of the 1960s, and the culture of Hollywood was no exception. The film industry began the decade confidently churning out epic spectacles and lavish musicals, but became flummoxed as new aesthetics and modes of production emerged, and low-budget youth pictures like Easy Rider became commercial hits. New Constellations: Movie Stars of the 1960s tells the story of the final glory days of the studio system and changing conceptions of stardom, considering such Hollywood icons as Elizabeth Taylor and Paul Newman alongside such hallmarks of youth culture as Mia Farrow and Dustin Hoffman. Others, like Sidney Poitier and Peter Sellers, took advantage of the developing independent and international film markets to craft truly groundbreaking screen personae. And some were simply “famous for being famous,” with celebrities like Zsa Zsa Gabor and Edie Sedgwick paving the way for today’s reality stars.
Author: Jim Willis Publisher: Bloomsbury Publishing USA ISBN: 1440868786 Category : Performing Arts Languages : en Pages : 217
Book Description
The 1960s on Film tells the narrative of the 1960s through the lens of the movie camera, analyzing 10 films that focus on the people, events, and issues of the decade. Films create both an impression of and — at times for younger audiences — a primary definition of events, people, and issues of an era. The 1960s on Film examines the 1960s as the decade was presented in ten films that focused on that decade. Discussion will focus on both what the films have to say about the era and how close they come to accurately depicting it. For example, films such as Mississippi Burning and Selma tell the story of racial conflict and hope for reconciliation in the 1960s. Other films such as The Right Stuff and Hidden Figures show the deep fascination America had at that time with the burgeoning space program and NASA, while Easy Rider analyzes the role of rock music and drugs among young people of the decade. The Deer Hunter studies the controversies surrounding the war in Vietnam. The Graduate, Mad Men, JFK, and Thirteen Days also receive significant treatment in this exciting volume.
Author: Wheeler Winston Dixon Publisher: Springer ISBN: 1137562501 Category : Performing Arts Languages : en Pages : 167
Book Description
Focusing on "dark" or black comedy films in the US and the UK, Wheeler Winston Dixon provides a comprehensive overview of a variety of films and filmmakers (Vanishing Point, Marcel Hanoun), whose work has largely been ignored, but whose influence and importance is clearly present.
Author: David Neumeyer Publisher: Oxford University Press ISBN: 0190250593 Category : Music Languages : en Pages : 696
Book Description
The Oxford Handbook of Film Music Studies gathers two dozen original essays that chart the history and current state of interdisciplinary scholarship on music in audiovisual media, focusing on four areas: history, genre and medium, analysis and criticism, and interpretation.
Author: David Bordwell Publisher: Routledge ISBN: 1134988087 Category : Social Science Languages : en Pages : 1338
Book Description
'A dense, challenging and important book.' Philip French Observer 'At the very least, this blockbuster is probably the best single volume history of Hollywood we're likely to get for a very long time.' Paul Kerr City Limits 'Persuasively argued, the book is also packed with facts, figures and photographs.' Nigel Andrews Financial Times Acclaimed for their breakthrough approach, Bordwell, Staiger and Thompson analyze the basic conditions of American film-making as a historical institution and consider to what extent Hollywood film production constitutes a systematic enterprise, in both its style and its business operations. Despite differences of director, genre or studio, most Hollywood films operate within a set of shared assumptions about how a film should look and sound. Such assumptions are neither natural nor inevitable; but because classical-style films have been the type most widely seen, they have come to be accepted as the 'norm' of film-making and viewing. The authors show how these classical conventions were formulated and standardized, and how they responded to the arrival of sound, colour, widescreen ratios and stereophonic sound. They argue that each new technological development has served a function within an existing narrational system. The authors also examine how the Hollywood cinema standardized the film-making process itself. They describe how, over the course of its history, Hollywood developed distinct modes of production in a constant search for maximum efficiency, predictability and novelty. Set apart by its combination of theoretical analysis and empirical evidence, this book is the standard work on the classical Hollywood cinema style of film-making from the silent era to the 1960s. Now available in paperback, it is a 'must' for film students, lecturers and all those seriously interested in the development of the film industry.
Author: Debarchana Baruah Publisher: Transcript Publishing ISBN: 9783837657210 Category : Languages : en Pages : 246
Book Description
Numerous contemporary televisual productions revisit the past but direct their energies towards history's non-events and anti-heroic subjectivities. Debarchana Baruah offers a vocabulary to discuss these, using Mad Men as primary case study and supplementing the analysis with other examples from the US and around the world. She takes a fundamentally interdisciplinary approach to studying film and television, drawing from history, memory, and nostalgia discourses, and layering them with theories of intertextuality, paratexts, and actor-networks. The book's compositionist style invites discussion from scholars of various fields, as well as those who are simply fans of history or of Mad Men.
Author: Toby Miller Publisher: OUP Oxford ISBN: 9780198159520 Category : Performing Arts Languages : en Pages : 250
Book Description
Spyscreen is a genre study of English-language spy fiction film and television between the 1930s and 1960s. Taking as his focus many well-known films and television series, Toby Miller uses a wide range of critical approaches - from textual interpretation, audience studies, and culturalhistory, through auteurism, imperial history, class, and governmentality, to genre, cultural imperialism, and gender.Beginning with an overview of the social and political background to the history, production, and analysis of spy fiction, topics discussed include the first canonical espionage movie, The 39 Steps, key film noir texts such as Gilda and The Third Man, the figure of popular spies, including JamesBond, and the importance of women to the genre. The result is not just an insightful new study of key texts in this popular genre; it is an important intervention in the methodology and practice of Screen Studies.
Author: Barry Keith Grant
Author: Barry Keith Grant
Author: Eugenia Paulicelli
Author: Matthew Kennedy
Author: Pamela Robertson Wojcik
Author: Jim Willis
Author: Wheeler Winston Dixon
Author: David Neumeyer
Author: David Bordwell
Author: Debarchana Baruah
Author: Toby Miller