Textile Art in the Church PDF Download

Author: Marion P. Ireland
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 296

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Author: Maya Stanfield-Mazzi
Publisher: University of Notre Dame Pess
ISBN: 0268108072
Category : Art
Languages : en
Pages : 461

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Book Description
The book provides the first broad survey of church textiles of Spanish America and demonstrates that, while overlooked, textiles were a vital part of visual culture in the Catholic Church. When Catholic churches were built in the New World in the sixteenth century, they were furnished with rich textiles known in Spanish as “church clothing.” These textile ornaments covered churches’ altars, stairs, floors, and walls. Vestments clothed priests and church attendants, and garments clothed statues of saints. The value attached to these textiles, their constant use, and their stunning visual qualities suggest that they played a much greater role in the creation of the Latin American Church than has been previously recognized. In Clothing the New World Church, Maya Stanfield-Mazzi provides the first comprehensive survey of church adornment with textiles, addressing how these works helped establish Christianity in Spanish America and expand it over four centuries. Including more than 180 photos, this book examines both imported and indigenous textiles used in the church, compiling works that are now scattered around the world and reconstructing their original contexts. Stanfield-Mazzi delves into the hybrid or mestizo qualities of these cloths and argues that when local weavers or embroiderers in the Americas created church textiles they did so consciously, with the understanding that they were creating a new church through their work. The chapters are divided by textile type, including embroidery, featherwork, tapestry, painted cotton, and cotton lace. In the first chapter, on woven silk, we see how a “silk standard” was established on the basis of priestly preferences for this imported cloth. The second chapter explains how Spanish-style embroidery was introduced in the New World and mastered by local artisans. The following chapters show that, in select times and places, spectacular local textile types were adapted for the church, reflecting ancestral aesthetic and ideological patterns. Clothing the New World Church makes a significant contribution to the fields of textile studies, art history, Church history, and Latin American studies, and to interdisciplinary scholarship on material culture and indigenous agency in the New World.

Author:
Publisher:
ISBN: 9780268108083
Category : Textile fabrics
Languages : en
Pages : 408

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Book Description
Clothing the New World Church makes a significant contribution to the fields of textile studies, art history, Church history, and Latin American studies, and to interdisciplinary scholarship on material culture and indigenous agency in the New World.

Author: Roslyn Hahn
Publisher:
ISBN:
Category : Church decoration and ornament
Languages : en
Pages : 39

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Author: Kathryn M. Rudy
Publisher: Brepols Publishers
ISBN:
Category : Art
Languages : en
Pages : 392

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Book Description
Christianity is a religion of clothing. To become a priest or a nun is to take the cloth. The Christian liturgy is intimately bound with veiling objects and revealing them. Cloths hide the altar, making it all the more spectacular when it is revealed. Fragments of imported silk cradle the relic, thereby giving identity to the dessicated bone. Much of that silk came from the east, meaning that a material of Islamic origin was a primary signifier of sanctity in Christianity. Weaving, Veiling, and Dressing brings together twelve essays about text and textile, about silk and wool, about the formation of identity through fibre. The essays bring to light hitherto unseen material, and for the first time, establish the function of textiles as a culturally rich way to approach the Middle Ages. Textiles were omnipresent in the medieval church, but have not survived well. To uncover their uses, presence, and meanings in the Middle Ages is to reconsider the period spun, draped, clothed, shrouded, and dressed. Textiles in particular were essential to the performance of devotion and of the liturgy. Brightly dyed cloth was a highly visible maker of meaning. While some aspects of culture have been studied, namely the important tapestry industry, as well as some of the repercussions and activities of cloth guilds, other areas of textile studies in the period are yet to be studied. This book brings an interdisciplinary approach to new material, drawing on art history, anthropology, medieval text history, theology, and gender and performance studies. It makes a compelling miscellany exploring the nature of Christianity in the largely uninvestigated field of text and textile interplay.

Author: Ronald T. Marchese
Publisher: Citlembik Publications
ISBN: 9789944424783
Category : Armenians in art
Languages : en
Pages : 0

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Book Description
The first-ever detailed presentation of historic and sacred Armenian textiles found in treasury of the Armenian Patriarchate in Istanbul. Text accompanied by 175 color photographs (many full-spread) of the selection of artifacts, exquisite pieces dating from the past three hundred years that were executed by women artisans in embroidery, applique techniques of textile printing, and/or painting. Includes description and histories of the Armenian Orthodox community and its churches, iconography, techniques, and detailed catalogue.

Author: Daniel Rock
Publisher:
ISBN:
Category : Textile fabrics
Languages : en
Pages : 146

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Book Description

Author: Pauline Johnstone
Publisher: Taylor & Francis
ISBN: 1000940209
Category : Social Science
Languages : en
Pages : 209

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Book Description
This book focuses on second half of the twentieth century, for strange things have been happening in the church. It aim is to show something of the origins and use of the vestments themselves, and to traces the development of their decoration in the context of the arts.

Author: Peter Barnet
Publisher: University of Washington Press
ISBN:
Category : Art
Languages : en
Pages : 56

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Book Description

Author: Daniel Rock
Publisher: Forgotten Books
ISBN: 9781330579855
Category : Crafts & Hobbies
Languages : en
Pages : 602

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Book Description
Excerpt from Textile Fabrics: A Descriptive Catalogue of the Collection of Church-Vestments, Dresses, Silk Stuffs, Needle-Work and Tapestries, Forming That Section of the Museum Like every other specific collection of art labour among the several such brought together within these splendid halls of the South Kensington Museum, this extensive one made from woven stuffs, tapestry, and needlework, is meant to have, like them, its own peculiar useful purposes. Here, at a glance, may be read the history of the loom of various times and in many lands. Here may be seen a proof of the onward march of trade and its consequent civilizing influences. Here we take a peep at the private female life in ages gone by, and learn how women, high-born and lowly, spent or rather ennobled many a day of life in needlework, not merely graceful but artistic. Here, in fine, in strict accordance with the intended industrial purposes of this public institution, artizans, designers, and workers in all kinds of embroidery, may gather many an useful lesson for their respective crafts, in the rare as well as beautiful samples set out before them. The materials out of which the articles in this collection were woven, are severally wool, hemp, flax, cotton, silk, gold, and silver. The silken textures are in general wholly so; in many instances they are wrought up along with either cotton, or with flax; hence, in ancient documents, the distinction of "holosericum," all silk, and "subsericum," not all silk, or the warp - that is, the longitudinal threads - of cotton or flax, and the woof - that is the cross-threads of silk. Very seldom is the gold or the gilt silver woven into these textiles found upon them in a solid wire-drawn form, but almost always, after being flattened very thin, the precious metal was wound about a very small twist of cotton, or of flax, and thus became what we call gold thread. As a substitute for this, the Moors of Granada, and after them the Spaniards of that kingdom, employed strips of gilded parchment, as we shall have to notice. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.