Author: Janet Catherine Berlo
Publisher: BAR International Series
ISBN:
Category : America
Languages : en
Pages : 272
Book Description
Text and Image in Pre-Columbian Art
Author: Janet Catherine Berlo
Publisher: BAR International Series
ISBN:
Category : America
Languages : en
Pages : 272
Book Description
Publisher: BAR International Series
ISBN:
Category : America
Languages : en
Pages : 272
Book Description
Mesoamerica After the Decline of Teotihuacan, A.D. 700-900
Author: Richard A. Diehl
Publisher: Dumbarton Oaks
ISBN: 9780884021759
Category : History
Languages : en
Pages : 266
Book Description
Publisher: Dumbarton Oaks
ISBN: 9780884021759
Category : History
Languages : en
Pages : 266
Book Description
Between Artifacts and Texts
Author: Anders Andrén
Publisher: Springer Science & Business Media
ISBN: 1475794096
Category : Social Science
Languages : en
Pages : 236
Book Description
This is the first truly global survey of the relationship between artifacts and texts from historiographical, methodological, and analytical perspectives. It analyzes the crucial relationship between material culture and writing in ancient societies, employing examples from twelve major disciplines in historical archaeology and summarizing their role in five global methodological approaches. It is valuable reading for advanced (under/post) graduate students, and instructors in any historical archaeological subject.
Publisher: Springer Science & Business Media
ISBN: 1475794096
Category : Social Science
Languages : en
Pages : 236
Book Description
This is the first truly global survey of the relationship between artifacts and texts from historiographical, methodological, and analytical perspectives. It analyzes the crucial relationship between material culture and writing in ancient societies, employing examples from twelve major disciplines in historical archaeology and summarizing their role in five global methodological approaches. It is valuable reading for advanced (under/post) graduate students, and instructors in any historical archaeological subject.
Man-Gods in the Mexican Highlands
Author:
Publisher: Stanford University Press
ISBN: 0804766215
Category :
Languages : en
Pages : 240
Book Description
This book is a reflective, original, and sometimes speculative essay on the concept of power and the man-god tradition in Mexican colonial history, with some provocative thoughts on how that tradition affected the way the indigenous population reacted to the cultural upheavals of the Spanish Conquest and its aftermath. The basis of the work is the rich documentation that survives from efforts to prosecute cases of idolatry and witchcraft. The author closely examines four such cases - Indian peasants living in central Mexico who proclaimed themselves successors of the gods during various stages of the colonial era (in 1537, 1659, 1665, and 1761). Drawing on the testimony of these man-gods and their followers, the author describes the emergence of these native leaders, discusses their individual qualities, and evaluates their impact and hold on their followers. He also sets out in substance their speeches and depositions, which provide a rare critique of colonial society. Coming from the lower classes, socially and culturally marginal, these man-gods tried to understand and surmount the profound changes that were crushing their society. Their actions were doomed to failure, but they reveal a dynamism and creativity that have been ignored by conventional historians. In a more general way, the book demonstrates through concrete examples how popular cultures constantly change and recreate their own traditions, and how vanquished and dominated societies, in order to construct a new identity, create new cultural forms.
Publisher: Stanford University Press
ISBN: 0804766215
Category :
Languages : en
Pages : 240
Book Description
This book is a reflective, original, and sometimes speculative essay on the concept of power and the man-god tradition in Mexican colonial history, with some provocative thoughts on how that tradition affected the way the indigenous population reacted to the cultural upheavals of the Spanish Conquest and its aftermath. The basis of the work is the rich documentation that survives from efforts to prosecute cases of idolatry and witchcraft. The author closely examines four such cases - Indian peasants living in central Mexico who proclaimed themselves successors of the gods during various stages of the colonial era (in 1537, 1659, 1665, and 1761). Drawing on the testimony of these man-gods and their followers, the author describes the emergence of these native leaders, discusses their individual qualities, and evaluates their impact and hold on their followers. He also sets out in substance their speeches and depositions, which provide a rare critique of colonial society. Coming from the lower classes, socially and culturally marginal, these man-gods tried to understand and surmount the profound changes that were crushing their society. Their actions were doomed to failure, but they reveal a dynamism and creativity that have been ignored by conventional historians. In a more general way, the book demonstrates through concrete examples how popular cultures constantly change and recreate their own traditions, and how vanquished and dominated societies, in order to construct a new identity, create new cultural forms.
Images from the Underworld
Author: Andrea J. Stone
Publisher: University of Texas Press
ISBN: 0292786972
Category : Social Science
Languages : en
Pages : 649
Book Description
An in-depth look at Maya cave painting from Preconquest times to the Colonial period, plus a complete visual catalog of the cave art of Naj Tunich. In 1979, a Kekchi Maya Indian accidentally discovered the entrance to Naj Tunich, a deep cave in the Maya Mountains of El Peten, Guatemala. One of the world’s few deep caves that contain rock art, Naj Tunich features figural images and hieroglyphic inscriptions that have helped to revolutionize our understanding of ancient Maya art and ritual. In this book, Andrea Stone takes a comprehensive look at Maya cave painting from Preconquest times to the Colonial period. After surveying Mesoamerican cave and rock painting sites and discussing all twenty-five known painted caves in the Maya area, she focuses extensively on Naj Tunich. Her text analyzes the images and inscriptions, while photographs and line drawings provide a complete visual catalog of the cave art, some of which has been subsequently destroyed by vandals. This important new body of images and texts enlarges our understanding of the Maya view of sacred landscape and the role of caves in ritual. It will be important reading for all students of the Maya, as well as for others interested in cave art and in human relationships with the natural environment. “Not only an extraordinarily detailed and insightful analysis of the painted representations and texts found in Naj Tunich but also a complete survey of all known Maya painted caves. . . . A major monograph on a major Maya site. For completeness of presentation, for clarity of writing, and for depth and scope of analysis, [Images from the Underworld] is a model of what a final report should be.” —Journal of Anthropological Research
Publisher: University of Texas Press
ISBN: 0292786972
Category : Social Science
Languages : en
Pages : 649
Book Description
An in-depth look at Maya cave painting from Preconquest times to the Colonial period, plus a complete visual catalog of the cave art of Naj Tunich. In 1979, a Kekchi Maya Indian accidentally discovered the entrance to Naj Tunich, a deep cave in the Maya Mountains of El Peten, Guatemala. One of the world’s few deep caves that contain rock art, Naj Tunich features figural images and hieroglyphic inscriptions that have helped to revolutionize our understanding of ancient Maya art and ritual. In this book, Andrea Stone takes a comprehensive look at Maya cave painting from Preconquest times to the Colonial period. After surveying Mesoamerican cave and rock painting sites and discussing all twenty-five known painted caves in the Maya area, she focuses extensively on Naj Tunich. Her text analyzes the images and inscriptions, while photographs and line drawings provide a complete visual catalog of the cave art, some of which has been subsequently destroyed by vandals. This important new body of images and texts enlarges our understanding of the Maya view of sacred landscape and the role of caves in ritual. It will be important reading for all students of the Maya, as well as for others interested in cave art and in human relationships with the natural environment. “Not only an extraordinarily detailed and insightful analysis of the painted representations and texts found in Naj Tunich but also a complete survey of all known Maya painted caves. . . . A major monograph on a major Maya site. For completeness of presentation, for clarity of writing, and for depth and scope of analysis, [Images from the Underworld] is a model of what a final report should be.” —Journal of Anthropological Research
Teotihuacan
Author: Matthew Robb
Publisher: Univ of California Press
ISBN: 0520296559
Category : Art
Languages : en
Pages : 444
Book Description
Founded in the first century BCE near a set of natural springs in an otherwise dry northeastern corner of the Valley of Mexico, the ancient metropolis of Teotihuacan was on a symbolic level a city of elements. With a multiethnic population of perhaps one hundred thousand, at its peak in 400 CE, it was the cultural, political, economic, and religious center of ancient Mesoamerica. A devastating fire in the city center led to a rapid decline after the middle of the sixth century, but Teotihuacan was never completely abandoned or forgotten; the Aztecs revered the city and its monuments, giving many of them the names we still use today. Teotihuacan: City of Water, City of Fire examines new discoveries from the three main pyramids at the site—the Sun Pyramid, the Moon Pyramid, and, at the center of the Ciudadela complex, the Feathered Serpent Pyramid—which have fundamentally changed our understanding of the city’s history. With illustrations of the major objects from Mexico City’s Museo Nacional de Antropología and from the museums and storage facilities of the Zona de Monumentos Arqueológicos de Teotihuacan, along with selected works from US and European collections, the catalogue examines these cultural artifacts to understand the roles that offerings of objects and programs of monumental sculpture and murals throughout the city played in the lives of Teotihuacan’s citizens. Published in association with the Fine Arts Museums of San Francisco. Exhibition dates: de Young, San Francisco, September 30, 2017–February 11, 2018 Los Angeles County Museum of Art (LACMA), March–June 2018
Publisher: Univ of California Press
ISBN: 0520296559
Category : Art
Languages : en
Pages : 444
Book Description
Founded in the first century BCE near a set of natural springs in an otherwise dry northeastern corner of the Valley of Mexico, the ancient metropolis of Teotihuacan was on a symbolic level a city of elements. With a multiethnic population of perhaps one hundred thousand, at its peak in 400 CE, it was the cultural, political, economic, and religious center of ancient Mesoamerica. A devastating fire in the city center led to a rapid decline after the middle of the sixth century, but Teotihuacan was never completely abandoned or forgotten; the Aztecs revered the city and its monuments, giving many of them the names we still use today. Teotihuacan: City of Water, City of Fire examines new discoveries from the three main pyramids at the site—the Sun Pyramid, the Moon Pyramid, and, at the center of the Ciudadela complex, the Feathered Serpent Pyramid—which have fundamentally changed our understanding of the city’s history. With illustrations of the major objects from Mexico City’s Museo Nacional de Antropología and from the museums and storage facilities of the Zona de Monumentos Arqueológicos de Teotihuacan, along with selected works from US and European collections, the catalogue examines these cultural artifacts to understand the roles that offerings of objects and programs of monumental sculpture and murals throughout the city played in the lives of Teotihuacan’s citizens. Published in association with the Fine Arts Museums of San Francisco. Exhibition dates: de Young, San Francisco, September 30, 2017–February 11, 2018 Los Angeles County Museum of Art (LACMA), March–June 2018
Painting the Skin
Author: Élodie Dupey García
Publisher: University of Arizona Press
ISBN: 0816538441
Category : Social Science
Languages : en
Pages : 329
Book Description
Mesoamerican communities past and present are characterized by their strong inclination toward color and their expert use of the natural environment to create dyes and paints. In pre-Hispanic times, skin was among the preferred surfaces on which to apply coloring materials. Archaeological research and historical and iconographic evidence show that, in Mesoamerica, the human body—alive or dead—received various treatments and procedures for coloring it. Painting the Skin brings together exciting research on painted skins in Mesoamerica. Chapters explore the materiality, uses, and cultural meanings of the colors applied to a multitude of skins, including bodies, codices made of hide and vegetal paper, and even building “skins.” Contributors offer physicochemical analysis and compare compositions, manufactures, and attached meanings of pigments and colorants across various social and symbolic contexts and registers. They also compare these Mesoamerican colors with those used in other ancient cultures from both the Old and New Worlds. This cross-cultural perspective reveals crucial similarities and differences in the way cultures have painted on skins of all types. Examining color in Mesoamerica broadens understandings of Native religious systems and world views. Tracing the path of color use and meaning from pre-Columbian times to the present allows for the study of the preparation, meanings, social uses, and thousand-year origins of the coloring materials used by today’s Indigenous peoples. Contributors: María Isabel Álvarez Icaza Longoria Christine Andraud Bruno Giovanni Brunetti David Buti Davide Domenici Élodie Dupey García Tatiana Falcón Álvarez Anne Genachte-Le Bail Fabrice Goubard Aymeric Histace Patricia Horcajada Campos Stephen Houston Olivia Kindl Bertrand Lavédrine Linda R. Manzanilla Naim Anne Michelin Costanza Miliani Virgina E. Miller Sélim Natahi Fabien Pottier Patricia Quintana Owen Franco D. Rossi Antonio Sgamellotti Vera Tiesler Aurélie Tournié María Luisa Vázquez de Ágredos Pascual Cristina Vidal Lorenzo
Publisher: University of Arizona Press
ISBN: 0816538441
Category : Social Science
Languages : en
Pages : 329
Book Description
Mesoamerican communities past and present are characterized by their strong inclination toward color and their expert use of the natural environment to create dyes and paints. In pre-Hispanic times, skin was among the preferred surfaces on which to apply coloring materials. Archaeological research and historical and iconographic evidence show that, in Mesoamerica, the human body—alive or dead—received various treatments and procedures for coloring it. Painting the Skin brings together exciting research on painted skins in Mesoamerica. Chapters explore the materiality, uses, and cultural meanings of the colors applied to a multitude of skins, including bodies, codices made of hide and vegetal paper, and even building “skins.” Contributors offer physicochemical analysis and compare compositions, manufactures, and attached meanings of pigments and colorants across various social and symbolic contexts and registers. They also compare these Mesoamerican colors with those used in other ancient cultures from both the Old and New Worlds. This cross-cultural perspective reveals crucial similarities and differences in the way cultures have painted on skins of all types. Examining color in Mesoamerica broadens understandings of Native religious systems and world views. Tracing the path of color use and meaning from pre-Columbian times to the present allows for the study of the preparation, meanings, social uses, and thousand-year origins of the coloring materials used by today’s Indigenous peoples. Contributors: María Isabel Álvarez Icaza Longoria Christine Andraud Bruno Giovanni Brunetti David Buti Davide Domenici Élodie Dupey García Tatiana Falcón Álvarez Anne Genachte-Le Bail Fabrice Goubard Aymeric Histace Patricia Horcajada Campos Stephen Houston Olivia Kindl Bertrand Lavédrine Linda R. Manzanilla Naim Anne Michelin Costanza Miliani Virgina E. Miller Sélim Natahi Fabien Pottier Patricia Quintana Owen Franco D. Rossi Antonio Sgamellotti Vera Tiesler Aurélie Tournié María Luisa Vázquez de Ágredos Pascual Cristina Vidal Lorenzo
Aztecs
Author: Inga Clendinnen
Publisher: Cambridge University Press
ISBN: 1139953036
Category : History
Languages : en
Pages : 575
Book Description
In 1521, the city of Tenochtitlan, magnificent centre of the Aztec empire, fell to the Spaniards and their Indian allies. Inga Clendinnen's account of the Aztecs recreates the culture of that city in its last unthreatened years. It provides a vividly dramatic analysis of Aztec ceremony as performance art, binding the key experiences and concerns of social existence in the late imperial city to the mannered violence of their ritual killings.
Publisher: Cambridge University Press
ISBN: 1139953036
Category : History
Languages : en
Pages : 575
Book Description
In 1521, the city of Tenochtitlan, magnificent centre of the Aztec empire, fell to the Spaniards and their Indian allies. Inga Clendinnen's account of the Aztecs recreates the culture of that city in its last unthreatened years. It provides a vividly dramatic analysis of Aztec ceremony as performance art, binding the key experiences and concerns of social existence in the late imperial city to the mannered violence of their ritual killings.
Western Mesoamerican Calendars and Writing Systems
Author: Mikkel Bøg Clemmensen
Publisher: Archaeopress Publishing Ltd
ISBN: 1803274867
Category : History
Languages : en
Pages : 190
Book Description
Mesoamerica is one of the few places to witness the independent invention of writing. Bringing together new research, papers discuss the writing systems of Teotihuacan, Mixteca Baja, the Epiclassic period and Aztec writing of the Postclassic. These writing systems represent more than a millennium of written records and literacy in Mesoamerica.
Publisher: Archaeopress Publishing Ltd
ISBN: 1803274867
Category : History
Languages : en
Pages : 190
Book Description
Mesoamerica is one of the few places to witness the independent invention of writing. Bringing together new research, papers discuss the writing systems of Teotihuacan, Mixteca Baja, the Epiclassic period and Aztec writing of the Postclassic. These writing systems represent more than a millennium of written records and literacy in Mesoamerica.
Moche Art and Visual Culture in Ancient Peru
Author: Margaret Ann Jackson
Publisher: UNM Press
ISBN: 0826343651
Category : Art
Languages : en
Pages : 250
Book Description
This multidisciplinary study analyzes the visual, linguistic, and cultural significance of the imagery used by the Moche in their ceramics and murals.
Publisher: UNM Press
ISBN: 0826343651
Category : Art
Languages : en
Pages : 250
Book Description
This multidisciplinary study analyzes the visual, linguistic, and cultural significance of the imagery used by the Moche in their ceramics and murals.