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Author: W. H. Pascoe
Publisher:
ISBN:
Category : Biography & Autobiography
Languages : en
Pages : 94

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Author: John T. Koch
Publisher: Bloomsbury Publishing USA
ISBN:
Category : History
Languages : en
Pages : 1358

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Book Description
This succinct, accessible two-volume set covers all aspects of Celtic historical life, from prehistory to the present day. The study of Celtic history has a wide international appeal, but unfortunately many of the available books on the subject are out-of-date, narrowly specialized, or contain incorrect information. Online information on the Celts is similarly unreliable. This two-volume set provides a well-written, up-to-date, and densely informative reference on Celtic history that is ideal for high school or college-aged students as well as general readers. The Celts: History, Life, and Culture uses a cross-disciplinary approach to explore all facets of this ancient society. The book introduces the archaeology, art history, folklore, history, linguistics, literature, music, and mythology of the Celts and examines the global influence of their legacy. Written entirely by acknowledged experts, the content is accessible without being simplistic. Unlike other texts in the field, The Celts: History, Life, and Culture celebrates all of the cultures associated with Celtic languages at all periods, providing for a richer and more comprehensive examination of the topic.

Author: John P. D. Cooper
Publisher: Oxford University Press
ISBN: 9780199263875
Category : History
Languages : en
Pages : 306

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Book Description
This book offers a fresh understanding of the substance behind the rhetoric of English Renaissance monarchy. Propaganda is identified as a key factor in the intensification of the English state. The Tudor royal image is pursued in all its forms: in print and prayer, in iconography andarchitecture. The monarchy surrounded itself with the trappings of majesty at court, but in the shires it relied on different strategies of persuasion to uphold its authority. The Reformation placed the provincial pulpit at the disposal of the crown, and the church became the main conduit of royalpropaganda. Sermons taught the duty of obedience, and parish prayer was redirected from local saints towards the sovereign as the symbolic core of the nation.Dr Cooper examines the relationship between the Tudor monarchy and its subjects in Cornwall and Devon, and the complex interaction between local and national political culture. These were years of social and religious upheaval, during which the western peninsula witnessed three major rebellions,and many more riots and affrays. A vibrant popular religion was devastated by the Protestant Reformation, and foreign invasion was a frequent threat. Cornwall remained recognizably different from England in its ancient language and traditions. Yet in the midst of all this, popular allegiance tomonarchy and nation survived and prospered. The Tudors were mourned and celebrated in towns and parish churches. Loyalty was fostered by the Duchy of Cornwall and the stannaries. Regional difference, far from undermining the power of the crown, was fundamental to its success in the westcountry.This is a study of government at the dangerous edges of Tudor England, and a testament to the unifying power of propaganda.

Author: John Partridge
Publisher: Cambridge Scholars Publishing
ISBN: 144382433X
Category : Language Arts & Disciplines
Languages : en
Pages : 355

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Book Description
This volume resulted from the first Interfaces in Language conference held at the University of Kent, England, as a result of the need perceived for the orthodox distinctions made between the various perceived divisions in language study, e.g. syntax vs. semantics vs. pragmatics vs. phonology vs. morphology, to be expanded into a wider concept of linguistic interfaces, for example language and music, language and politics, languages in mutual contact, languages in mutual conflict, and language and literature. Potential contributors at the conference were encouraged to define and explore the particular interfaces which interested them, to see where there was common ground, where distinctions were to be made and where grey areas invite further investigation. The results were startling: contributors responded from America, Belgium, Brazil, Canada, France, Germany, Israel, Poland, Spain and Switzerland as well as the UK, with themes ultimately grouped under three headings which have been roughly retained in this volume. Many of the wide range of resultant perspectives are represented here, as well as those treated by colleagues prevented at the last moment from attending the conference. Categories and Orthodoxies addresses some of the most traditional interfaces, whilst Contact and Conflict examines clashes and coalescences between languages, languages and politics, the mutual interaction of variants of a language and the imposition or choice of a non-native language over its native counterparts; and Language and Cognition sees language behaviour as partly at least influenced by factors other than those formally identified as strictly linguistic.

Author: Philip Butterworth
Publisher: Taylor & Francis
ISBN: 1000610691
Category : Performing Arts
Languages : en
Pages : 421

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Book Description
When we speak of theatre, we think we know what a stage direction is: we tend to think of it as an authorial requirement, devised to be complementary to the spoken text and directed at those who put on a play as to what, when, where, how or why a moment, action or its staging should be completed. This is the general understanding to condition a theatrical convention known as the 'stage direction'. As such, we recognise that the stage direction is directed towards actors, directors, designers, and any others who have a part to play in the practical realisation of the play. And perhaps we think that this has always been the case. However, the term 'stage direction' is not a medieval one, nor does an English medieval equivalent term exist to codify the functions contained in extraneous manuscript notes, requirements, directions or records. The medieval English stage direction does not generally function in this way: it mainly exists as an observed record of earlier performance. There are examples of other functions, but even they are not directed at players or those involved in creating performance. More than 2000 stage directions from 40 or so plays and cycles have been included in the catalogue of the volume, and over 400 of those have been selected for analysis throughout the work. The purpose of this research is to examine the theatrical functions of medieval English stage directions as records of earlier performance. Examples of such functions are largely taken from outdoor scriptural plays. This book will be of great interest to students and scholars in theatre, medieval history and literature.

Author: Donald Mackinnon
Publisher:
ISBN:
Category : Celtic languages
Languages : en
Pages : 400

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Includes section "Book reviews".

Author: Brian Murdoch
Publisher: Boydell & Brewer
ISBN: 9780859913645
Category : Literary Collections
Languages : en
Pages : 196

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Book Description
This admirable survey...compact, smoothly written, easy to read and digest, yet indicative throughout of profound scholarship and an obvious mastery of the field, Cornish Literatureprovides an enduring guide to this small but significant genre. The three Middle Cornish plays -- in English titles, The Creation of the World, Life of St Meriasekand the tripartite Ordinalia -- accompany a long Pascon agan Arluth, a verse Passion of our Lord' and the odd fragment... His last chapter, Survivals and Revivals', is a fair but detached account covering a long (1611 to 1992) phase that will also interest sociologists. The chief strength of his book is the textual analysis of the main plays, placing them alongside medieval English drama as well as the larger European manifestation of religious drama and the complex question of all their biblical and quasi-biblical sources. There is a useful bibliography. Modestly priced, Brian Murdoch's scholarly and attractive guide should appeal to many beyond medievalist circles; it will not be superseded for a long time.' THE TIMES LITERARY SUPPLEMENT BRIAN MURDOCHis head of the Department of German at Stirling University.

Author: Ann Wroe
Publisher: Random House
ISBN: 0307432475
Category : Biography & Autobiography
Languages : en
Pages : 642

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Book Description
In 1491, as Machiavelli advised popes and princes and Leonardo da Vinci astonished the art world, a young man boarded a ship in Portugal bound for Ireland. He would be greeted upon arrival as the rightful heir to the throne of England. The trouble was, England already had a king. The most intriguing and ambitious pretender in history, this elegant young man was celebrated throughout Europe as the prince he claimed to be: Richard, Duke of York, the younger of the “Princes in the Tower” who were presumed to have been murdered almost a decade earlier. Handsome, well-mannered, and charismatic, he behaved like the perfect prince, and many believed he was one. The greatest European rulers of the age—among them the emperor Maximilian, Ferdinand and Isabella of Spain, and Charles VIII of France—used him as a diplomatic pawn to their own advantage. As such, he tormented Henry VII for eight years, attempting to invade England three times. Eventually, defeated and captured, he admitted to being Perkin Warbeck, the son of a common boatman from Flanders. But was this really the truth? Ann Wroe, a historian and storyteller of the first rank, delves into the secret corners of the late medieval world to explore both the elusive nature of identity and the human propensity for deception. In uncovering the mystery of Perkin Warbeck, Wroe illuminates not only a life but an entire world trembling on the verge of discovery.

Author: Royal Institution of Cornwall
Publisher:
ISBN:
Category : Cornwall (England : County)
Languages : en
Pages : 1040

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Author: Frank Ernest Halliday
Publisher:
ISBN:
Category : Mysteries and miracle-plays, Cornish
Languages : en
Pages : 152

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Book Description
Examines the three Cornish mystery plays and how they represent the genre.