Author: Svanhildur Óskarsdóttir
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110625393
Category : Literary Criticism
Languages : en
Pages : 294
Book Description
Njáls saga is the best known and most highly regarded of all medieval Icelandic sagas and it occupies a special place in Icelandic cultural history. The manuscript tradition is exceptionally rich and extensive. The oldest extant manuscripts date to only a couple of decades after the saga’s composition in the late 13th century and the saga was subsequently copied by hand continuously up until the 20th century, even alongside the circulation of printed text editions in latter centuries. The manuscript corpus as a whole has great socio-historical value, showcasing the myriad ways in which generations of Icelanders interpreted the saga and took an active part in its transmission; the manuscripts are also valuable sources for evidence of linguistic change and other phenomena. The essays in this volume present new research and a range of interdisciplinary perspectives on the Njáls saga manuscripts. Many of the authors took part in the international research project "The Variance of Njáls saga" which was funded by the Icelandic Research Council from 2011-2013.
New Studies in the Manuscript Tradition of Njáls saga
Author: Svanhildur Óskarsdóttir
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110625393
Category : Literary Criticism
Languages : en
Pages : 294
Book Description
Njáls saga is the best known and most highly regarded of all medieval Icelandic sagas and it occupies a special place in Icelandic cultural history. The manuscript tradition is exceptionally rich and extensive. The oldest extant manuscripts date to only a couple of decades after the saga’s composition in the late 13th century and the saga was subsequently copied by hand continuously up until the 20th century, even alongside the circulation of printed text editions in latter centuries. The manuscript corpus as a whole has great socio-historical value, showcasing the myriad ways in which generations of Icelanders interpreted the saga and took an active part in its transmission; the manuscripts are also valuable sources for evidence of linguistic change and other phenomena. The essays in this volume present new research and a range of interdisciplinary perspectives on the Njáls saga manuscripts. Many of the authors took part in the international research project "The Variance of Njáls saga" which was funded by the Icelandic Research Council from 2011-2013.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3110625393
Category : Literary Criticism
Languages : en
Pages : 294
Book Description
Njáls saga is the best known and most highly regarded of all medieval Icelandic sagas and it occupies a special place in Icelandic cultural history. The manuscript tradition is exceptionally rich and extensive. The oldest extant manuscripts date to only a couple of decades after the saga’s composition in the late 13th century and the saga was subsequently copied by hand continuously up until the 20th century, even alongside the circulation of printed text editions in latter centuries. The manuscript corpus as a whole has great socio-historical value, showcasing the myriad ways in which generations of Icelanders interpreted the saga and took an active part in its transmission; the manuscripts are also valuable sources for evidence of linguistic change and other phenomena. The essays in this volume present new research and a range of interdisciplinary perspectives on the Njáls saga manuscripts. Many of the authors took part in the international research project "The Variance of Njáls saga" which was funded by the Icelandic Research Council from 2011-2013.
An Introduction to the Sagas of Icelanders
Author: Carl Phelpstead
Publisher: University Press of Florida
ISBN: 0813057566
Category : Literary Criticism
Languages : en
Pages : 180
Book Description
Combining an accessible approach with innovative scholarship, An Introduction to the Sagas of Icelanders provides up-to-date perspectives on a unique medieval literary genre that has fascinated the English-speaking world for more than two centuries. Carl Phelpstead draws on historical context, contemporary theory, and close reading to deepen our understanding of Icelandic saga narratives about the island’s early history. Phelpstead explores the origins and cultural setting of the genre, demonstrating the rich variety of oral and written source traditions that writers drew on to produce the sagas. He provides fresh, theoretically informed discussions of major themes such as national identity, gender and sexuality, and nature and the supernatural, relating the Old Norse-Icelandic texts to questions addressed by postcolonial studies, feminist and queer theory, and ecocriticism. He then presents readings of select individual sagas, pointing out how the genre’s various source traditions and thematic concerns interact. Including an overview of the history of English translations that shows how they have been stimulated and shaped by ideas about identity, and featuring a glossary of critical terms, this book is an essential resource for students of the literary form. A volume in the series New Perspectives on Medieval Literature: Authors and Traditions, edited by R. Barton Palmer and Tison Pugh
Publisher: University Press of Florida
ISBN: 0813057566
Category : Literary Criticism
Languages : en
Pages : 180
Book Description
Combining an accessible approach with innovative scholarship, An Introduction to the Sagas of Icelanders provides up-to-date perspectives on a unique medieval literary genre that has fascinated the English-speaking world for more than two centuries. Carl Phelpstead draws on historical context, contemporary theory, and close reading to deepen our understanding of Icelandic saga narratives about the island’s early history. Phelpstead explores the origins and cultural setting of the genre, demonstrating the rich variety of oral and written source traditions that writers drew on to produce the sagas. He provides fresh, theoretically informed discussions of major themes such as national identity, gender and sexuality, and nature and the supernatural, relating the Old Norse-Icelandic texts to questions addressed by postcolonial studies, feminist and queer theory, and ecocriticism. He then presents readings of select individual sagas, pointing out how the genre’s various source traditions and thematic concerns interact. Including an overview of the history of English translations that shows how they have been stimulated and shaped by ideas about identity, and featuring a glossary of critical terms, this book is an essential resource for students of the literary form. A volume in the series New Perspectives on Medieval Literature: Authors and Traditions, edited by R. Barton Palmer and Tison Pugh
Nart Sagas from the Caucasus
Author: John Colarusso
Publisher: Princeton University Press
ISBN: 9780691026473
Category : Social Science
Languages : en
Pages : 568
Book Description
The Nart sagas are a series of tales originating from the North Caucasus, forming the basic mythology of the tribes in the area. In ninety-two straightforward tales populated by extraordinary characters and exploits, by giants who humble haughty Narts, by horses and sorceresses, these myths bring these cultures to life in a powerful epos. In these colorful tales, women, not least the beautiful temptress Satanaya, the mother of all Narts, are not only fertility figures but also pillars of authority and wisdom. In one variation on a recurring theme, a shepherd, overcome with passion on observing Satanaya bathing alone, shoots a "bolt of lust" that strikes a rock -- a rock that gives birth to the Achilles-like Sawseruquo, or Sosruquo. With steely skin but tender knees, Sawseruquo is a man the Narts come to love and hate. Despite a tragic history, the Circassians, Abazas, Abkhaz, and Ubykhs have retained the Nart sagas as a living tradition. The memory of their elaborate warrior culture, so richly expressed by these tales, helped them resist Tsarist imperialism in the nineteenth century, Stalinist suppression in the twentieth, and has bolstered their ongoing cultural journey into the post-Soviet future. Because these peoples were at the crossroads of Eurasia for millennia, their myths exhibit striking parallels with the lore of ancient India, classical Greece, and pagan Scandinavia. The Nart sagas may also have formed a crucial component of the Arthurian cycle. Notes after each tale reveal these parallels; an appendix offers extensive linguistic commentary.
Publisher: Princeton University Press
ISBN: 9780691026473
Category : Social Science
Languages : en
Pages : 568
Book Description
The Nart sagas are a series of tales originating from the North Caucasus, forming the basic mythology of the tribes in the area. In ninety-two straightforward tales populated by extraordinary characters and exploits, by giants who humble haughty Narts, by horses and sorceresses, these myths bring these cultures to life in a powerful epos. In these colorful tales, women, not least the beautiful temptress Satanaya, the mother of all Narts, are not only fertility figures but also pillars of authority and wisdom. In one variation on a recurring theme, a shepherd, overcome with passion on observing Satanaya bathing alone, shoots a "bolt of lust" that strikes a rock -- a rock that gives birth to the Achilles-like Sawseruquo, or Sosruquo. With steely skin but tender knees, Sawseruquo is a man the Narts come to love and hate. Despite a tragic history, the Circassians, Abazas, Abkhaz, and Ubykhs have retained the Nart sagas as a living tradition. The memory of their elaborate warrior culture, so richly expressed by these tales, helped them resist Tsarist imperialism in the nineteenth century, Stalinist suppression in the twentieth, and has bolstered their ongoing cultural journey into the post-Soviet future. Because these peoples were at the crossroads of Eurasia for millennia, their myths exhibit striking parallels with the lore of ancient India, classical Greece, and pagan Scandinavia. The Nart sagas may also have formed a crucial component of the Arthurian cycle. Notes after each tale reveal these parallels; an appendix offers extensive linguistic commentary.
Tense-aspect, Transitivity and Causativity
Author: Werner Abraham
Publisher: John Benjamins Publishing
ISBN: 9027230536
Category : Language Arts & Disciplines
Languages : en
Pages : 396
Book Description
This collection presents typological work on tense, aspect, and epistemic modality in a variety of languages and against the background of different schools of thinking, among which the St. Petersburg Typological School developed and so masterfully implemented by the Petersburg linguist, Vladimir Petrovich Nedjalkov. The volume honors this reputed scholar for his life work. It is in mainly this spirit (and the EUROTYPE spirit) that the following scholars have contributed to the volume: T.Tsunoda on Warrungu (Australian indigeneous language), L. Kulikov on Vedic, K. Kiryu on Japanese, Korean and Newari, N. Sumbatova on Svan (from the Kartvelian group), T.Bulygina & A. Shmelev on Russian, W. Boeder on Georgian, R. Thieroff on aorist and imperfect in European languages, Y. Poupynin on Russian, L. Johanson on Kipchak Turkic, I. Dolinina on Russian, N. Kozintseva on Old and Modern Eastern Armenian, Ch. Lee on Korean, W. Abraham on split ergative languages and German, G. Silnitsky on Russian, V. Plungian on Russian, E. Rakhilina on Russian, and K. Ebert on Kalmyk.
Publisher: John Benjamins Publishing
ISBN: 9027230536
Category : Language Arts & Disciplines
Languages : en
Pages : 396
Book Description
This collection presents typological work on tense, aspect, and epistemic modality in a variety of languages and against the background of different schools of thinking, among which the St. Petersburg Typological School developed and so masterfully implemented by the Petersburg linguist, Vladimir Petrovich Nedjalkov. The volume honors this reputed scholar for his life work. It is in mainly this spirit (and the EUROTYPE spirit) that the following scholars have contributed to the volume: T.Tsunoda on Warrungu (Australian indigeneous language), L. Kulikov on Vedic, K. Kiryu on Japanese, Korean and Newari, N. Sumbatova on Svan (from the Kartvelian group), T.Bulygina & A. Shmelev on Russian, W. Boeder on Georgian, R. Thieroff on aorist and imperfect in European languages, Y. Poupynin on Russian, L. Johanson on Kipchak Turkic, I. Dolinina on Russian, N. Kozintseva on Old and Modern Eastern Armenian, Ch. Lee on Korean, W. Abraham on split ergative languages and German, G. Silnitsky on Russian, V. Plungian on Russian, E. Rakhilina on Russian, and K. Ebert on Kalmyk.
Tense
Author: Bernard Comrie
Publisher: Cambridge University Press
ISBN: 9780521281386
Category : Language Arts & Disciplines
Languages : en
Pages : 156
Book Description
Bernard Comrie introduces readers to the range of variation found in tense systems across the languages of the world.
Publisher: Cambridge University Press
ISBN: 9780521281386
Category : Language Arts & Disciplines
Languages : en
Pages : 156
Book Description
Bernard Comrie introduces readers to the range of variation found in tense systems across the languages of the world.
The present and past periphrastic tenses in Anglo-Saxon
Author: Constance Pessels
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111479005
Category : Language Arts & Disciplines
Languages : en
Pages : 92
Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 3111479005
Category : Language Arts & Disciplines
Languages : en
Pages : 92
Book Description
This is a reproduction of a book published before 1923. This book may have occasional imperfections such as missing or blurred pages, poor pictures, errant marks, etc. that were either part of the original artifact, or were introduced by the scanning process. We believe this work is culturally important, and despite the imperfections, have elected to bring it back into print as part of our continuing commitment to the preservation of printed works worldwide. We appreciate your understanding of the imperfections in the preservation process, and hope you enjoy this valuable book.
Diplomatic tenses
Author: Iver Neumann
Publisher: Manchester University Press
ISBN: 1526148706
Category : Political Science
Languages : en
Pages : 186
Book Description
Offering an alternative and a complement to existing histories of diplomacy, this book discusses change in the form of ‘tipping points’, which it understands as the culmination of long-term trends. Part I discusses social evolution on the general level of institutions. It argues that in cases where a diplomatic institution’s tipping points are defined by the types of entities that make it up, the consular institution has evolved from concerning polities of independent traders to becoming ever more of a state concern. Part II challenges the existing literature’s treatment of diplomacy as an elite, textual affair. It lays the groundwork for studying visual diplomacy and observes that the increasingly marginal vision of diplomacy as a confrontation between good and evil survives in popular culture. The book concludes by identifying the future of diplomacy as a struggle between state-to-state based diplomacy and diplomacy as networked global governance.
Publisher: Manchester University Press
ISBN: 1526148706
Category : Political Science
Languages : en
Pages : 186
Book Description
Offering an alternative and a complement to existing histories of diplomacy, this book discusses change in the form of ‘tipping points’, which it understands as the culmination of long-term trends. Part I discusses social evolution on the general level of institutions. It argues that in cases where a diplomatic institution’s tipping points are defined by the types of entities that make it up, the consular institution has evolved from concerning polities of independent traders to becoming ever more of a state concern. Part II challenges the existing literature’s treatment of diplomacy as an elite, textual affair. It lays the groundwork for studying visual diplomacy and observes that the increasingly marginal vision of diplomacy as a confrontation between good and evil survives in popular culture. The book concludes by identifying the future of diplomacy as a struggle between state-to-state based diplomacy and diplomacy as networked global governance.
Tense Switching as a Narrative Device
Author: Arsena G. Ianeva-Lockney
Publisher:
ISBN:
Category : Discourse analysis, Narrative
Languages : en
Pages : 480
Book Description
Publisher:
ISBN:
Category : Discourse analysis, Narrative
Languages : en
Pages : 480
Book Description
Philosophy of Time and Perceptual Experience
Author: Sean Enda Power
Publisher: Routledge
ISBN: 1351249479
Category : Philosophy
Languages : en
Pages : 252
Book Description
This book explores the important yet neglected relationship between the philosophy of time and the temporal structure of perceptual experience. It examines how time structures perceptual experience and, through that structuring, the ways in which time makes perceptual experience trustworthy or erroneous. Sean Power argues that our understanding of time can determine our understanding of perceptual experience in relation to perceptual structure and perceptual error. He examines the general conditions under which an experience may be sorted into different kinds of error such as illusions, hallucinations, and anosognosia. Power also argues that some theories of time are better than others at giving an account of the structure and errors of perceptual experience. He makes the case that tenseless theory and eternalism more closely correspond to experience than tense theory and presentism. Finally, the book includes a discussion of the perceptual experience of space and how tenseless theory and eternalism can better support the problematic theory of naïve realism. Philosophy of Time and Perceptual Experience originally illustrates how the metaphysics of time can be usefully applied to thinking about experience in general. It will appeal to those interested in the philosophy of time and debates about the trustworthiness of experience.
Publisher: Routledge
ISBN: 1351249479
Category : Philosophy
Languages : en
Pages : 252
Book Description
This book explores the important yet neglected relationship between the philosophy of time and the temporal structure of perceptual experience. It examines how time structures perceptual experience and, through that structuring, the ways in which time makes perceptual experience trustworthy or erroneous. Sean Power argues that our understanding of time can determine our understanding of perceptual experience in relation to perceptual structure and perceptual error. He examines the general conditions under which an experience may be sorted into different kinds of error such as illusions, hallucinations, and anosognosia. Power also argues that some theories of time are better than others at giving an account of the structure and errors of perceptual experience. He makes the case that tenseless theory and eternalism more closely correspond to experience than tense theory and presentism. Finally, the book includes a discussion of the perceptual experience of space and how tenseless theory and eternalism can better support the problematic theory of naïve realism. Philosophy of Time and Perceptual Experience originally illustrates how the metaphysics of time can be usefully applied to thinking about experience in general. It will appeal to those interested in the philosophy of time and debates about the trustworthiness of experience.
The Prosimetrum of the Íslendingasögur
Author: Brynja þOrgeirsdóttir
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311128039X
Category : Literary Criticism
Languages : en
Pages : 279
Book Description
Verse quotation is intrinsic to the literary style of the medieval Icelandic corpus of Íslendingasögur (sagas of Icelanders), one of the most important vernacular literary genres of the European Middle Ages. The essays collected in this volume demonstrate that the combination of prose and verse constitutes a distinctive literary aesthetic, and that in the medieval Icelandic literary tradition, it was not a question of choosing between prose and verse as the vehicle for stories about the foundational generations of settlers on the island, but of combining both modes to forge the unique literary form of the saga. Verse quotation has always been recognised as an important aspect of the Íslendingasögur, but to date, the significance of verse to the aesthetic of the narrative has mainly been explored with reference to the sub-genre of the skáldasögur (sagas of poets), in which the proportion of verse to prose is at its highest. The contributions to the volume analyse the Íslendingasögur as prosimetrum - that is, they treat the combination of verse and prose as a salient generic and aesthetic feature of this body of sagas. The contributors are leading scholars in the field of Old Norse studies, and their work represents current research trends in the UK, USA, Iceland, Denmark, and Germany. Their innovative approaches will enable a better understanding on the literary mode of the corpus as a whole, as well as producing fresh insights into the compositional habits of the (anonymous) authors of individual sagas.
Publisher: Walter de Gruyter GmbH & Co KG
ISBN: 311128039X
Category : Literary Criticism
Languages : en
Pages : 279
Book Description
Verse quotation is intrinsic to the literary style of the medieval Icelandic corpus of Íslendingasögur (sagas of Icelanders), one of the most important vernacular literary genres of the European Middle Ages. The essays collected in this volume demonstrate that the combination of prose and verse constitutes a distinctive literary aesthetic, and that in the medieval Icelandic literary tradition, it was not a question of choosing between prose and verse as the vehicle for stories about the foundational generations of settlers on the island, but of combining both modes to forge the unique literary form of the saga. Verse quotation has always been recognised as an important aspect of the Íslendingasögur, but to date, the significance of verse to the aesthetic of the narrative has mainly been explored with reference to the sub-genre of the skáldasögur (sagas of poets), in which the proportion of verse to prose is at its highest. The contributions to the volume analyse the Íslendingasögur as prosimetrum - that is, they treat the combination of verse and prose as a salient generic and aesthetic feature of this body of sagas. The contributors are leading scholars in the field of Old Norse studies, and their work represents current research trends in the UK, USA, Iceland, Denmark, and Germany. Their innovative approaches will enable a better understanding on the literary mode of the corpus as a whole, as well as producing fresh insights into the compositional habits of the (anonymous) authors of individual sagas.