Author: K. Ford Publisher: Springer ISBN: 023010522X Category : Performing Arts Languages : en Pages : 232
Book Description
This book looks at Cuban and Argentine theater of the late 1960s and early 1970s to see how the idea of spectacle as violence was used to comment on and question the social and political violence that was unfolding offstage.
Author: Alejandro Roque Glez Publisher: Alejandro's Libros ISBN: 1463593724 Category : Performing Arts Languages : en Pages : 32
Book Description
El autor estas obras burlescas nació en Ciudad Habana, Cuba y actualmente reside en el sur de la Florida, Estados Unidos; entre sus escritos se destacan las novelas literarias 'Aventuras de Victorino Chang', 'El gran pacificador del Infierno' y 'El Rey Victorino'; además del conocido libro autobiográfico 'Nacido Patria o Muerte', y las obras literarias.'Dos obras del teatro burlesco cubano' refleja la corrupción y absurdidad del régimen comunista cubano dirigido por los psicópatas hermanos Castros, y denunciado aquí en este trabajo literario junto a sus compinches y guatacas que hundieron nuestra isla en la ignominia y esclavitud marxista.C0NTENIDO:-Acerca del autor.-Reyes y súbditos. Acto Primero.-Reyes y súbditos. Acto Segundo.-Reyes y súbditos. Acto Tercero.-El duende Hundimágio. Primera parte.-El duende Hundimágio. Segunda parte.-El duende Hundimágio. Tercera parte.Visitenos en:htt://alejandroslibros.blogspot.com
Author: Willis Knapp Jones Publisher: University of Texas Press ISBN: 1477300163 Category : Performing Arts Languages : en Pages : 626
Book Description
Across a five-hundred-year sweep of history, Willis Knapp Jones surveys the native drama and the Spanish influence upon it in nineteen South American countries, and traces the development of their national theatres to the 1960s. This volume, filled with a fascinating array of information, sparkles with wit while giving the reader a fact-filled course in the history of Spanish American drama that he can get nowhere else. This is the first book in English ever to consider the theatre of all the Spanish American countries. Even in Spanish, the pioneer study that covers the whole field was also written by Jones. Jones sees the history of a nation in the history of its drama. Pre-Columbian Indians, conquistadores, missionary priests, viceroys, dictators, and national heroes form a background of true drama for the main characters here—those who wrote and produced and acted in the make-believe drama of the times. The theatre mirrors the whole life of the community, Jones believes, and thus he offers information about geography, military events, and economics, and follows the politics of state and church through dramatists’ offerings. Examining the plays of a people down the centuries, he shows how the many cultural elements of both Old and New Worlds have been blended into the distinct national characteristics of each of the Spanish American countries. He does full justice to the subject he loves. A lively storyteller, he adds tidbits of spice and laughter, long-buried vignettes of history, tales of politics and drama, stories of high and low life, plots of plays, bits of verse, accounts of dalliance and of hard work, and sad and happy endings of rulers and peons, dramatists, actors, and clowns. A valuable appendix is a selected reading guide, listing the outstanding works of important Spanish American dramatists. A generous bibliography is a useful addition for scholars.
Author: Lillian Manzor Publisher: Taylor & Francis ISBN: 1000625605 Category : Performing Arts Languages : en Pages : 306
Book Description
This study is an exploration of US Cuban theatrical performances written and staged primarily between 1980 and 2000. Lillian Manzor analyzes early plays by Magali Alabau, Jorge Ignacio Cortiñas, María Irene Fornés, Eduardo Machado, Manuel Martín Jr., and Carmelita Tropicana as well as these playwrights’ participation in three foundational Latine theater projects --INTAR’s Hispanic Playwrights-in-Residence Laboratory in New York (1980-1991), Hispanic Playwrights Project at South Coast Repertory Theater in Costa Mesa, CA (1986-2004), and The Latino Theater Initiative at Center Theater Group's Mark Taper Forum in Los Angeles (1992-2005). She also studies theatrical projects of reconciliation among Cubans on and off the island in the early 2000s. Demonstrating the foundational nature of these artists and projects, the book argues that US Cuban theater problematizes both the exile and Cuban-American paradigms. By investigating US Cuban theater, the author theorizes via performance, ways in which we can intervene in and reformulate political and representational positionings within the context of hybrid cultural identities. This book will of great interest to students and scholars in Performance Studies, Transnational Latine Studies, Race and Gender studies.
Author: Louis A. Perez, Jr. Publisher: University of Pittsburgh Press ISBN: 0822971003 Category : History Languages : en Pages : 274
Book Description
Cuban Studies has been published annually by the University of Pittsburgh Press since 1985. Founded in 1970, it is the preeminent journal for scholarly work on Cuba. Each volume includes articles in both English and Spanish, a large book review section, and an exhaustive compilation of recent works in the field. This volume contains articles on economics, politics, racial and gender issues, and the exodus of Cuban Jewry in the early 1960s, among others.
Author: Lawrence Boudon Publisher: University of Texas Press ISBN: 9780292709102 Category : History Languages : en Pages : 978
Book Description
Beginning with volume 41 (1979), the University of Texas Press became the publisher of the Handbook of Latin American Studies, the most comprehensive annual bibliography in the field. Compiled by the Hispanic Division of the Library of Congress and annotated by a corps of more than 130 specialists in various disciplines, the Handbook alternates from year to year between social sciences and humanities. The Handbook annotates works on Mexico, Central America, the Caribbean and the Guianas, Spanish South America, and Brazil, as well as materials covering Latin America as a whole. Most of the subsections are preceded by introductory essays that serve as biannual evaluations of the literature and research under way in specialized areas. The Handbook of Latin American Studies is the oldest continuing reference work in the field. Lawrence Boudon became the editor in 2000. The subject categories for Volume 58 are as follows: Electronic Resources for the Humanities Art History (including ethnohistory) Literature (including translations from the Spanish and Portuguese) Philosophy: Latin American Thought Music
Author: Arthur Holmberg Publisher: Routledge ISBN: 1136118365 Category : Performing Arts Languages : en Pages : 640
Book Description
The second volume of the World Encyclopedia of Contemporary Theatre covers the Americas, from Canada to Argentina, including the United States. Entries on twenty-six countries are preceded by specialist introductions on Theatre in Post-Colonial Latin America, Theatres of North America, Puppet Theatre, Theatre for Young Audiences, Music Theatre and Dance Theatre. The essays follow the series format, allowing for cross-referring across subjects, both within the volume and between volumes. Each country entry is written by specialists in the particular country and the volume has its own teams of regional editors, overseen by the main editorial team based at the University of York in Canada headed by Don Rubin. Each entry covers all aspects of theatre genres, practitioners, writers, critics and styles, with bibliographies, over 200 black & white photographs and a substantial index. This is a unique volume in its own right; in conjunction with the other volumes in this series it forms a reference resource of unparalleled value.
Author: Charles A. Carpenter Publisher: University of Toronto Press ISBN: Category : Drama Languages : en Pages : 676
Book Description
A selective list of publications for the period, offering some 25,200 entries (no annotations) arranged by nationality and linguistic groups. Most entries concern literary currents in drama since the last third of the 19th century, playwrights who lived at least part of their lives in the 20th century, noted directors, and performance theory. For students and scholars of modern dramatic literature. While annual supplements of recent publications appear in the journal Modern Drama, new compilers took a publication date of 1991 as their starting point for listings, leaving some 2,000 items collected after 1992 appearing only in this volume. Annotation copyrighted by Book News, Inc., Portland, OR
Author: K. Ford
Author: Alejandro Roque Glez
Author: Brendan Sainsbury
Author: 
Author: Willis Knapp Jones
Author: Lillian Manzor
Author: Louis A. Perez, Jr.
Author: Lawrence Boudon
Author: Arthur Holmberg
Author: Charles A. Carpenter