Author: Sudha GopalakrishnanPublisher:
ISBN: 9789380829876
Category : Manuscripts, Indic
Languages : en
Pages : 0
Book Description
Tattvabodha
Author: Sudha GopalakrishnanPublisher:
ISBN: 9789380829876
Category : Manuscripts, Indic
Languages : en
Pages : 0
Book Description
Tattvabodha : Essays From The Lecture Series Of The National Mission For Munuscripts
Author: Kalyan Kumar Chakravarty (ed.)Publisher:
ISBN: 9788190402989
Category :
Languages : en
Pages : 204
Book Description
Illustrations: 25 Colour & 3 B/w Illustrations Description: The National Mission for Manuscript was established as a five Ministry of Tourism and Culture Government of India with the Purpose of locating documenting, Preserving and disseminating the knowledge content of India s handwritten manuscript said to be the largest collection of handwritten knowledge documents anywhere in the world. While looking ahead to reconnect with the knowledge of the past, the Mission is in the process of trying to re-contextualize the knowledge contained in manuscript for the Present and the future generations. The mission launched a lecture series titled Tattvabodha in January 2005. Since then, a monthly lecture series in Delhi and other centers in the country Tattvabodha has established itself as a forum for intellectual discourse, debate and discussion. Eminent scholars representing different aspects of India s knowledge systems have addressed and interacted with highly receptive audiences over the course of the past year and a half. The present volume comprises the first ten lectures under Tattvabodha. A glance at the list of contributors will reveal that the mission has had the privilege of hosting the finest exponents of Indian culture and the compilation of their lectures makes for invaluable literature.
Tattvabodha (Volume VII)
Author: Pratapanand JhaPublisher: DK Printworld (P) Ltd
ISBN: 8124609969
Category : Literary Collections
Languages : en
Pages : 161
Book Description
About the Book The National Mission for Manuscripts was established in February 2003 by the Ministry of Culture, Government of India with the purpose of locating, documenting, preserving and disseminating the knowledge content of India’s handwritten manuscripts, said to be the largest collection of handwritten knowledge documents in the world. While looking ahead to reconnect with the knowledge of the past, the Mission is in the process of trying to re-contextualize the knowledge contained in manuscripts for the present and the future generations. The Mission launched a lecture series titled “Tattvabodha” in January 2005. Since then, a monthly lecture series is organized in Delhi and other academic centres all over the country. Tattvabodha has established itself as a forum for intellectual discourse, debate and discussion. Eminent scholars representing different aspects of India’s knowledge systems have addressed and interacted with highly receptive audiences over the course of the past few years. This volume, seventh in the series, consists of twelve papers — eleven in English and one in Hindi — presented by well-known and upcoming scholars in different Tattvabodha lectures organized by the Mission. The volume finds its merit in varied subjects across Indian knowledge system such as Accessing Manuscripts in the Digital Age; Physics in Ancient Indian Knowledge System; Critical and Comparative Review of the Principal Upaniṣads; The Concept of Śiva in Śiva-rahasya; The Rāmacaritam of Ciraman; Editing of Ayurvedic Manuscripts; The Dravyanāmākara Nighaṇṭu; Tribal Heritage and Indigenous Philosophical Wisdom of Odisha; Glimpses of Archival Manuscripts; Gāndhārī: A Key Mother Figure of the Mahābhārata; Depiction of Indian Culture in Sanskrit Inscriptions of Cambodia; Phāsī Kathā-Paramparā aura Ārabyayāminī.
A Storm of Songs
Author: John Stratton HawleyPublisher: Harvard University Press
ISBN: 0674425286
Category : History
Languages : en
Pages : 457
Book Description
India celebrates itself as a nation of unity in diversity, but where does that sense of unity come from? One important source is a widely-accepted narrative called the “bhakti movement.” Bhakti is the religion of the heart, of song, of common participation, of inner peace, of anguished protest. The idea known as the bhakti movement asserts that between 600 and 1600 CE, poet-saints sang bhakti from India’s southernmost tip to its northern Himalayan heights, laying the religious bedrock upon which the modern state of India would be built. Challenging this canonical narrative, John Stratton Hawley clarifies the historical and political contingencies that gave birth to the concept of the bhakti movement. Starting with the Mughals and their Kachvaha allies, North Indian groups looked to the Hindu South as a resource that would give religious and linguistic depth to their own collective history. Only in the early twentieth century did the idea of a bhakti “movement” crystallize—in the intellectual circle surrounding Rabindranath Tagore in Bengal. Interactions between Hindus and Muslims, between the sexes, between proud regional cultures, and between upper castes and Dalits are crucially embedded in the narrative, making it a powerful political resource. A Storm of Songs ponders the destiny of the idea of the bhakti movement in a globalizing India. If bhakti is the beating heart of India, this is the story of how it was implanted there—and whether it can survive.
Tattvabodha
Author: Sudha GopalakrishnanPublisher:
ISBN:
Category : Manuscripts, Indic
Languages : en
Pages : 264
Book Description
Body, History, Myth
Author: Anna Lise SeastrandPublisher: Princeton University Press
ISBN: 069125799X
Category : Art
Languages : en
Pages : 304
Book Description
"The first major scholarly history of the important South Indian mural tradition in the early modern period, and a reconception of their role in negotiating the relationship between art and devotion"--
Tattvabodha
Author: Sudha GopalakrishnanPublisher:
ISBN:
Category : Reference
Languages : en
Pages : 196
Book Description
Illustrations: 6 B/W & 3 Colour Illustrations Description: The National Mission for Manuscripts was established as a five-year mission in February 2003 by the Ministry of Tourism and Culture, Government of India with the purpose of locating, documenting, presenting and disseminating the knowledge content of India s handwritten manuscripts, said to be the largest collection of handwritten knowledge documents anywhere in the world. While looking ahead to reconnect with the knowledge of the past, the Mission is in the process of trying to re-contextualize the knowledge contained in manuscripts for the present and the future generations. The Mission launched a lecture series titled Tattvabodha in January 2005. Since then, a monthly lecture series in Delhi and other centres in the country, Tattvabodha has established itself as a forum for intellectual discourse, debate and discussion. Eminent scholars representing different aspects of India s knowledge systems have addressed and interacted with highly receptive audience over the course of the past year and a half. The present volume comprises the first ten lectures under Tattvabodha. A glance at the list of contributors will reveal that the Mission has had the privilege of hosting the finest exponents of Indian culture and the compilation of their lectures makes for invaluable literature. The contributors are listed in alphabetic order: M. K. Byrski, R. Champakalakshmi, Lokesh Chandra, D. P. Chattopadhyaya, G. N. Devy, Irfan Habib, Sheldon Pollock, Namwar Singh, M. S. Valiathan and Kapila Vatsyayan.
Indian Journal of History of Science
Author: Indian National Bibliography
Author: B. S. KesavanBuddhist Art and Thought
Author: ŚaśibālāPublisher:
ISBN:
Category : Buddhism
Languages : en
Pages : 344
Book Description
Buddhist Art and Thought encompasses a number of themes related to the study of cultural interflow among Asian countries, sharing philosophy, literature, arts and architecture, systems of polity and ways of living and thinking. It is a journey through the history of dissemination of Buddhism by monk-scholars to Central, East, Fareast and Southeast Asia. It brings forth the manifestations of divine forms of Buddhas and Bodhisattvas, other deities of the Buddhist pantheon, colossal images, luminous mandalas and meditation. It throws light on the spread of the Buddhist Sanskrit literature, Indian scripts, inscriptions and Sanskrit manuscripts, and Buddhist ceremonies and rituals, beyond the boundaries of India. Contribution of the Indologists as pilgrims in the world of vision and intellection is another area touched upon by the scholar through her research.Contents: Preface, 1. Buddhist Art : From the Northwest to the Far East; 2. Amitabha: The Buddha of Immesurable Light in Japanese Art; 3. Yoga: The Basis of the Taima Mandala; 4. Bodhisattvas of Debate and Defence; 5. Buddhist Colossi in Japan; 6. Mandala and Meditation in Japanese Esoteric Art; 7. India and East Asia : A Cultural Symbiosis; 8. Bodhisattvas in Buddhist Art and Thought; 9. From Ajanta to HoryuÊji; 10. A Sanskrit Manuscript of the Gupta Period at the HoryuÊji Monastery In Japan; 11. Zen Bearings on Japanese Arts; 12. Four Divine Guardians in Japanese Art; 13. India and Japan: Academic Relations in Early 20th Century; 14. Structure of Gobu-shingan and the Graphic Vajradhatu-Mandala in the Light of the Sarva-tathagata-tattva-saÆgraha; 15. Iconography of Vaisravana in Japanese Art Compared with Sanskrit Literary Sources; 16. Cultural Interflow Between India and Central Asia; 17. Monasteries of Khotan in Tibetan Literary Sources; 18. Apotheosis of an Indonesian King of the Singasari Dynasty; 19. Fire Altar for Asvamedha Ceremony in Indonesia; 20. The Earliest Sanskrit Documents from Indonesia; 21. Sanskrit Texts in Chinese and Tibetan Translations; 22. Sanskrit in Japan; 23. Sanskrit in Southeast Asia; 24. Search for Shambhala and Kalacakra by Yuri and Nicholas Roerichs; 25. Hevajra in Buddhist Literature, Imperial Ceremonies and Art; 26. Banner of Peace; 27. Role of Suvarnaprabhasa-sutra in the Polity of East Asia; Index.PROF. SHASHIBALA is a research scientist specialises in art and culture of Asian countries. She is a researcher at the International Academy of Indian Culture, New Delhi for the last thirty years, and has also worked as an adjunct faculty at the National Museum Institute, New Delhi for the last fifteen years. She has to her credit eight research projects and sixty articles presented at various conferences or seminars held in India and abroad besides books published in English and Dutch languages.