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Author: Pamela Noensie Publisher: Tuttle Publishing ISBN: 1462913660 Category : Juvenile Fiction Languages : en Pages : 61
Book Description
This colorfully illustrated multicultural children's book presents a touching story about a little girl and her love of Balinese dance. Tari lives on the beautiful island of Bali with her family and friends. She lives a wonderful life, marked by all the things that make Bali special--the lively temple celebrations which occur regularly in her village, the gorgeous surroundings, the warm feelings of her Balinese neighbors, and, most importantly, dance. Tari lives to dance. Just like her beloved grandmother, dance exists for both of them as a favorite art form. One day, Tari's grandmother gives her a special gift--but shortly after, she passes away. In a special ceremony, Tari and her family bid goodbye to her grandmother. Tari gives her grandmother the best gift she knows how to give--a perfect performance of a dance that her grandmother, too, performed when she was very young. Intended for young girls who love to dance, Tari: The Little Balinese Dancer is a moving tale set on the tropical island of Bali, and it provides an excellent introduction to key aspects of Balinese culture. No matter what her ethnicity, young girls will easily relate to the special themes in this story, including the importance of family and the strong bonds of community, traditions such as the famous Legong dance, death of a family member, and the grieving process. Full of traditional Balinese Hindu beliefs, this story offers the message that kids all over the world are unified in the ways they feel about the people and things they love.
Author: Pamela Noensie Publisher: Tuttle Publishing ISBN: 1462913660 Category : Juvenile Fiction Languages : en Pages : 61
Book Description
This colorfully illustrated multicultural children's book presents a touching story about a little girl and her love of Balinese dance. Tari lives on the beautiful island of Bali with her family and friends. She lives a wonderful life, marked by all the things that make Bali special--the lively temple celebrations which occur regularly in her village, the gorgeous surroundings, the warm feelings of her Balinese neighbors, and, most importantly, dance. Tari lives to dance. Just like her beloved grandmother, dance exists for both of them as a favorite art form. One day, Tari's grandmother gives her a special gift--but shortly after, she passes away. In a special ceremony, Tari and her family bid goodbye to her grandmother. Tari gives her grandmother the best gift she knows how to give--a perfect performance of a dance that her grandmother, too, performed when she was very young. Intended for young girls who love to dance, Tari: The Little Balinese Dancer is a moving tale set on the tropical island of Bali, and it provides an excellent introduction to key aspects of Balinese culture. No matter what her ethnicity, young girls will easily relate to the special themes in this story, including the importance of family and the strong bonds of community, traditions such as the famous Legong dance, death of a family member, and the grieving process. Full of traditional Balinese Hindu beliefs, this story offers the message that kids all over the world are unified in the ways they feel about the people and things they love.
Author: R. Anderson Sutton Publisher: Oxford University Press ISBN: 0195354656 Category : Music Languages : en Pages : 302
Book Description
Calling Back the Spirit describes how, in the face of Indonesian and foreign cultural pressures, the Makassarese people of South Sulawesi are defending their local spirit through music and dance. The book examines the ways performers in this corner of Indonesia seek to empower local music and dance in a changing environment.
Author: Fred Everett Maus Publisher: Oxford University Press ISBN: 0197607527 Category : Social Science Languages : en Pages : 691
Book Description
Music and queerness interact in many different ways. The Oxford Handbook of Music and Queerness brings together many topics and scholarly disciplines, reflecting the diversity of current research and methodology. Each of the book's six sections exemplifies a particular rhetoric of queer music studies. The section "Kinds of Music" explores queer interactions with specific musics such as EDM, hip hop, and country. "Versions" explores queer meanings that emerge in the creation of a version of a pre-existing text, for instance in musical settings of Biblical texts or practices of karaoke. "Voices and Sounds" turns in various ways to the materiality of music and sound. "Lives" focuses on interactions of people's lives with music and queerness. "Histories" addresses moments in the past, beginning with times when present conceptualizations of sexuality had not yet developed and moving to cases studies of more recent history, including the creation of pop songs in response to HIV/AIDS and the Eurovision song contest. The final section, "Cross-cultural Queerness," asks how to understand gender and sexuality in locations where recent Euro-American concepts may not be appropriate.
Author: M. Cohen Publisher: Springer ISBN: 0230309003 Category : Performing Arts Languages : en Pages : 298
Book Description
A far-reaching examination of exoticism, cultural internationalism and modernism's encounters with Indonesian tradition, Performing Otherness examines how Indonesia entered world stages through imperialism as an antimodern phantasm and through nationalism became a means of intercultural communication and cultural diplomacy.
Author: Michael Tenzer Publisher: University of Chicago Press ISBN: 9780226792811 Category : History Languages : en Pages : 524
Book Description
The Balinese gamelan, with its shimmering tones, breathless pace, and compelling musical language, has long captivated musicians, composers, artists, and travelers. Here, Michael Tenzer offers a comprehensive and durable study of this sophisticated musical tradition, focusing on the preeminent twentieth-century genre, gamelan gong kebyar. Combining the tools of the anthropologist, composer, music theorist, and performer, Tenzer moves fluidly between ethnography and technical discussions of musical composition and structure. In an approach as intricate as one might expect in studies of Western classical music, Tenzer's rigorous application of music theory and analysis to a non-Western orchestral genre is wholly original. Illustrated throughout, the book also includes nearly 100 pages of musical transcription (in Western notation) that correlate with 55 separate tracks compiled on two accompanying compact discs. The most ambitious work on gamelan since Colin McPhee's classic Music in Bali, this book will interest musicians of all kinds and anyone interested in the art and culture of Southeast Asia, Indonesia, and Bali.
Author: Catherine Diamond Publisher: University of Hawaii Press ISBN: 082486767X Category : Performing Arts Languages : en Pages : 406
Book Description
Asian theatre is usually studied from the perspective of the major traditions of China, Japan, India, and Indonesia. Now, in this wide-ranging look at the contemporary theatre scene in Southeast Asia, Catherine Diamond shows that performance in some of the lesser known theatre traditions offers a vivid and fascinating picture of the rapidly changing societies in the region. Diamond examines how traditional, modern, and contemporary dramatic works, with their interconnected styles, stories, and ideas, are being presented for local audiences. She not only places performances in their historical and cultural contexts but also connects them to the social, political, linguistic, and religious movements of the last two decades. Each chapter addresses theatre in a different country and highlights performances exhibiting the unique conditions and concerns of a particular place and time. Most performances revolve in some manner around “contemporary modernity,” questioning what it means—for good or ill—to be a part of the globalized world. Chapters are grouped by three general and overlapping themes. The first, which includes Thailand, Vietnam, and Bali, is characterized by the increased participation of women in the performing arts—not only as performers but also as playwrights and directors. Cambodia, Singapore, and Myanmar are linked by a shared concern with the effects of censorship on theatre production. A third group, the Philippines, Laos, and Malaysia, is distinguished by a focus on nationalism: theatres are either contributing to official versions of historical and political events or creating alternative narratives that challenge those interpretations. Communities of Imagination shows the many influences of the past and how the past continues to affect cultural perceptions. It addresses major trends, suggesting why they have developed and why they are popular with the public. It also underscores how theatre continues to attract new practitioners and reflect the changing aspirations and anxieties of societies in immediate and provocative ways even as it is being marginalized by television, film, and the internet. The book will be of interest to students and scholars of theatre and performance, Asian literature, Southeast Asian studies, cultural studies, and gender studies. Travelers wishing to attend local performances as part of their experience abroad will find it an essential reference to theatres of the region.
Author: Eugenio Barba Publisher: BRILL ISBN: 9004392939 Category : Drama Languages : en Pages : 420
Book Description
The Five Continents of Theatre undertakes the exploration of the material culture of the actor, which involves the actors’ pragmatic relations and technical functionality, their behaviour, the norms and conventions that interact with those of the audience and the society in which actors and spectators equally take part. The material culture of the actor is organised around body-mind techniques (see A Dictionary of Theatre Anthropology by the same authors) and auxiliary techniques whose variety concern: ■ the diverse circumstances that generate theatre performances: festive or civil occasions, celebrations of power, popular feasts such as carnival, calendar recurrences such as New Year, spring and summer festivals; ■ the financial and organisational aspects: costs, contracts, salaries, impresarios, tickets, subscriptions, tours; ■ the information to be provided to the public: announcements, posters, advertising, parades; ■ the spaces for the performance and those for the spectators: performing spaces in every possible sense of the term; ■ sets, lighting, sound, makeup, costumes, props; ■ the relations established between actor and spectator; ■ the means of transport adopted by actors and even by spectators. Auxiliary techniques repeat themselves not only throughout different historical periods, but also across all theatrical traditions. Interacting dialectically in the stratification of practices, they respond to basic needs that are common to all traditions when a performance has to be created and staged. A comparative overview of auxiliary techniques shows that the material culture of the actor, with its diverse processes, forms and styles, stems from the way in which actors respond to those same practical needs. The authors’ research for this aspect of theatre anthropology was based on examination of practices, texts and of 1400 images, chosen as exemplars.
Author: Pamela Noensie
Author: Pamela Noensie
Author: R. Anderson Sutton
Author: 
Author: Fred Everett Maus
Author: M. Cohen
Author: Michael Tenzer
Author: New York Public Library. Dance Collection
Author: Catherine Diamond
Author: Eugenio Barba
Author: Stanley Sadie