Author: Thomas Richards (surgeon.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
Book Description
Tales of Welsh society and scenery [by T. Richards].
Author: Thomas Richards (surgeon.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 440
Book Description
Tales of Welsh society and scenery. [By Thomas Richards.]
Author: Thomas RICHARDS (Surgeon.)
Publisher:
ISBN:
Category :
Languages : en
Pages : 398
Book Description
Publisher:
ISBN:
Category :
Languages : en
Pages : 398
Book Description
Welsh Gothic
Author: Jane Aaron
Publisher: University of Wales Press
ISBN: 0708326099
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
Welsh Gothic, the first study of its kind, introduces readers to the array of Welsh Gothic literature published from 1780 to the present day. Informed by postcolonial and psychoanalytic theory, it argues that many of the fears encoded in Welsh Gothic writing are specific to the history of Welsh people, telling us much about the changing ways in which Welsh people have historically seen themselves and been perceived by others. The first part of the book explores Welsh Gothic writing from its beginnings in the last decades of the eighteenth century to 1997. The second part focuses on figures specific to the Welsh Gothic genre who enter literature from folk lore and local superstition, such as the sin-eater, cŵn Annwn (hellhounds), dark druids and Welsh witches. Contents Prologue: ‘A Long Terror’ PART I: HAUNTED BY HISTORY 1. Cambria Gothica (1780s–1820s) 2. An Underworld of One’s Own (1830s–1900s). 3. Haunted Communities (1900s–1940s). 4. Land of the Living Dead (1940s–1997). PART II: ‘THINGS THAT GO BUMP IN THE CELTIC TWILIGHT’ 5. Witches, Druids and the Hounds of Annwn. 6. The Sin-eater Epilogue: Post-devolution Gothic Notes Select Bibliography Index
Publisher: University of Wales Press
ISBN: 0708326099
Category : Literary Criticism
Languages : en
Pages : 272
Book Description
Welsh Gothic, the first study of its kind, introduces readers to the array of Welsh Gothic literature published from 1780 to the present day. Informed by postcolonial and psychoanalytic theory, it argues that many of the fears encoded in Welsh Gothic writing are specific to the history of Welsh people, telling us much about the changing ways in which Welsh people have historically seen themselves and been perceived by others. The first part of the book explores Welsh Gothic writing from its beginnings in the last decades of the eighteenth century to 1997. The second part focuses on figures specific to the Welsh Gothic genre who enter literature from folk lore and local superstition, such as the sin-eater, cŵn Annwn (hellhounds), dark druids and Welsh witches. Contents Prologue: ‘A Long Terror’ PART I: HAUNTED BY HISTORY 1. Cambria Gothica (1780s–1820s) 2. An Underworld of One’s Own (1830s–1900s). 3. Haunted Communities (1900s–1940s). 4. Land of the Living Dead (1940s–1997). PART II: ‘THINGS THAT GO BUMP IN THE CELTIC TWILIGHT’ 5. Witches, Druids and the Hounds of Annwn. 6. The Sin-eater Epilogue: Post-devolution Gothic Notes Select Bibliography Index
British Short Fiction in the Early Nineteenth Century
Author: Tim Killick
Publisher: Routledge
ISBN: 1317171462
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
In spite of the importance of the idea of the 'tale' within Romantic-era literature, short fiction of the period has received little attention from critics. Contextualizing British short fiction within the broader framework of early nineteenth-century print culture, Tim Killick argues that authors and publishers sought to present short fiction in book-length volumes as a way of competing with the novel as a legitimate and prestigious genre. Beginning with an overview of the development of short fiction through the late eighteenth century and analysis of the publishing conditions for the genre, including its appearance in magazines and annuals, Killick shows how Washington Irving's hugely popular collections set the stage for British writers. Subsequent chapters consider the stories and sketches of writers as diverse as Mary Russell Mitford and James Hogg, as well as didactic short fiction by authors such as Hannah More, Maria Edgeworth, and Amelia Opie. His book makes a convincing case for the evolution of short fiction into a self-conscious, intentionally modern form, with its own techniques and imperatives, separate from those of the novel.
Publisher: Routledge
ISBN: 1317171462
Category : Literary Criticism
Languages : en
Pages : 200
Book Description
In spite of the importance of the idea of the 'tale' within Romantic-era literature, short fiction of the period has received little attention from critics. Contextualizing British short fiction within the broader framework of early nineteenth-century print culture, Tim Killick argues that authors and publishers sought to present short fiction in book-length volumes as a way of competing with the novel as a legitimate and prestigious genre. Beginning with an overview of the development of short fiction through the late eighteenth century and analysis of the publishing conditions for the genre, including its appearance in magazines and annuals, Killick shows how Washington Irving's hugely popular collections set the stage for British writers. Subsequent chapters consider the stories and sketches of writers as diverse as Mary Russell Mitford and James Hogg, as well as didactic short fiction by authors such as Hannah More, Maria Edgeworth, and Amelia Opie. His book makes a convincing case for the evolution of short fiction into a self-conscious, intentionally modern form, with its own techniques and imperatives, separate from those of the novel.
Nineteenth Century Short Title Catalogue Extracted from the Catalogues of the Bodleian Library, the British Library, the Library of Trinity College (Dublin), the National Library of Scotland, and the University Libraries of Cambridge and Newcastle: Phase 1: 1816-1870. v.15. Fort - Fyv and Indexes for volumes 11-15. v.20. Hor-Hunt, W. R. and Indexes for v. 16-20. v.21. Hunten-Jero. v.22. Jerp-Kief. v.23. Kieg-Lecom. v.24. Lecon-Lorc. v.25. Lord-Maccaul and Indexes for volumes 21-25
Nineteenth Century Short-title Catalogue: phase 1. 1816-1870
The Literary Gazette
The London Literary Gazette and Journal of Belles Lettres, Arts, Sciences, Etc
The Connoisseur
Snake Ropes
Author: Jess Richards
Publisher: Harper Collins
ISBN: 1443410160
Category : Fiction
Languages : en
Pages : 363
Book Description
Set on an isolated island off the Scottish coast, in a community run by women who are in awe of a mysterious structure called the Thrashing House, the novel is narrated by two teenage girls in very different circumstances. Mary is doing her best to protect her younger brother, Barney, as the island’s sons are mysteriously disappearing. Morgan is scheming to escape the prison her parents have made of their home. The two girls unite, each on a desperate mission in which secrets will be revealed and lives changed forever.
Publisher: Harper Collins
ISBN: 1443410160
Category : Fiction
Languages : en
Pages : 363
Book Description
Set on an isolated island off the Scottish coast, in a community run by women who are in awe of a mysterious structure called the Thrashing House, the novel is narrated by two teenage girls in very different circumstances. Mary is doing her best to protect her younger brother, Barney, as the island’s sons are mysteriously disappearing. Morgan is scheming to escape the prison her parents have made of their home. The two girls unite, each on a desperate mission in which secrets will be revealed and lives changed forever.