Author: Edgar Allan Poe
Publisher: University of Illinois Press
ISBN: 9780252069239
Category : Fiction
Languages : en
Pages : 770
Book Description
Collects the tales of Edgar Allan Poe. This book includes Ms Found in a Bottle, the horrific Berenice, Ligeia (which Poe considered his finest tale), The Murders in the Rue Morgue, and one of his most famous stories, The Fall of the House of Usher.
Tales and Sketches: 1843-1849
Author: Edgar Allan Poe
Publisher: University of Illinois Press
ISBN: 9780252069239
Category : Fiction
Languages : en
Pages : 770
Book Description
Collects the tales of Edgar Allan Poe. This book includes Ms Found in a Bottle, the horrific Berenice, Ligeia (which Poe considered his finest tale), The Murders in the Rue Morgue, and one of his most famous stories, The Fall of the House of Usher.
Publisher: University of Illinois Press
ISBN: 9780252069239
Category : Fiction
Languages : en
Pages : 770
Book Description
Collects the tales of Edgar Allan Poe. This book includes Ms Found in a Bottle, the horrific Berenice, Ligeia (which Poe considered his finest tale), The Murders in the Rue Morgue, and one of his most famous stories, The Fall of the House of Usher.
Borges's Poe
Author: Emron Esplin
Publisher: University of Georgia Press
ISBN: 0820349054
Category : Literary Criticism
Languages : en
Pages : 254
Book Description
Esplin argues that Borges, through a sustained and complex literary relationship with Poe's works, served as the primary catalyst that changed Poe's image throughout Spanish America from a poet-prophet to a timeless fiction writer.
Publisher: University of Georgia Press
ISBN: 0820349054
Category : Literary Criticism
Languages : en
Pages : 254
Book Description
Esplin argues that Borges, through a sustained and complex literary relationship with Poe's works, served as the primary catalyst that changed Poe's image throughout Spanish America from a poet-prophet to a timeless fiction writer.
Tales and Sketches: 1831-1842
Author: Edgar Allan Poe
Publisher: University of Illinois Press
ISBN: 9780252069222
Category : Fiction
Languages : en
Pages : 428
Book Description
Promising spine-tingling delights and sleepless nights, this annotated edition of Tales and Sketches is a treasure trove for scholars and general readers alike, confirming Edgar Allan Poe's status as one of literary art's "most brilliant but erratic stars". This volume is the first of two, edited by the consummate Poe scholar Thomas Ollive Mabbott, collecting all the tales of a master of the uncanny, the unnerving, and the terrifying. Each volume is enriched with Mabbott's detailed and authoritative notes on sources, the history and collation of all known texts authorized by Poe, and variants of Poe's "final" version. Marrying grotesque inventiveness with superb plot construction, Poe's strikingly original tales often use only one main character and one main incident. In many of them, horror and suspense, revenge and torture, are laced with hilarious satire. Volume I includes "Ms. Found in a Bottle", the horrific "Berenice", "Ligeia" (which Poe considered his finest tale), "The Murders in the Rue Morgue", and one of his most famous stories, "The Fall of the House of Usher".
Publisher: University of Illinois Press
ISBN: 9780252069222
Category : Fiction
Languages : en
Pages : 428
Book Description
Promising spine-tingling delights and sleepless nights, this annotated edition of Tales and Sketches is a treasure trove for scholars and general readers alike, confirming Edgar Allan Poe's status as one of literary art's "most brilliant but erratic stars". This volume is the first of two, edited by the consummate Poe scholar Thomas Ollive Mabbott, collecting all the tales of a master of the uncanny, the unnerving, and the terrifying. Each volume is enriched with Mabbott's detailed and authoritative notes on sources, the history and collation of all known texts authorized by Poe, and variants of Poe's "final" version. Marrying grotesque inventiveness with superb plot construction, Poe's strikingly original tales often use only one main character and one main incident. In many of them, horror and suspense, revenge and torture, are laced with hilarious satire. Volume I includes "Ms. Found in a Bottle", the horrific "Berenice", "Ligeia" (which Poe considered his finest tale), "The Murders in the Rue Morgue", and one of his most famous stories, "The Fall of the House of Usher".
Short Story Index
The Raven's Tale
Author: Cat Winters
Publisher: Abrams
ISBN: 1683354869
Category : Young Adult Fiction
Languages : en
Pages : 365
Book Description
A teenage Edgar Allan Poe attempts to escape the allure of his Muse in this YA novel—“a darkly delicious tale that’s sure to haunt readers forevermore” (Kerri Maniscalco, #1 New York Times bestselling author) Seventeen-year-old Edgar Poe counts down the days until he can escape his foster family—the wealthy Allans of Richmond, Virginia. He hungers for his upcoming life as a student at the prestigious new university, almost as much as he longs to marry his beloved Elmira Royster. However, on the brink of his departure, all of Edgar’s plans go awry when a macabre Muse named Lenore appears to him. Muses are frightful creatures that lead Artists down a path of ruin and disgrace, and no respectable person could possibly understand or accept them. But Lenore steps out of the shadows with one request: “Let them see me!”
Publisher: Abrams
ISBN: 1683354869
Category : Young Adult Fiction
Languages : en
Pages : 365
Book Description
A teenage Edgar Allan Poe attempts to escape the allure of his Muse in this YA novel—“a darkly delicious tale that’s sure to haunt readers forevermore” (Kerri Maniscalco, #1 New York Times bestselling author) Seventeen-year-old Edgar Poe counts down the days until he can escape his foster family—the wealthy Allans of Richmond, Virginia. He hungers for his upcoming life as a student at the prestigious new university, almost as much as he longs to marry his beloved Elmira Royster. However, on the brink of his departure, all of Edgar’s plans go awry when a macabre Muse named Lenore appears to him. Muses are frightful creatures that lead Artists down a path of ruin and disgrace, and no respectable person could possibly understand or accept them. But Lenore steps out of the shadows with one request: “Let them see me!”
The Edge of the Swamp
Author: Louis D. Rubin, Jr.
Publisher: LSU Press
ISBN: 0807153648
Category : Literary Criticism
Languages : en
Pages : 269
Book Description
The flowering of literary imagination known as the American Renaissance had few roots in the South. While Hawthorne, Emerson, Melville, Thoreau, and Whitman were creating a body of work that would endure, the only southern writer making a lasting contribution was Edgar Allan Poe. This failure on the part of antebellum southern writers has long been a subject of debate among students of southern history and literature. Now one of the region's most distinguished men of letters offers a cogently argued and gracefully written account of the circumstances that prevented early southern writers from creating transcendent works of art. Louis D. Rubin, Jr., brings forty years of critical integrity and imaginative involvement with the history and literature of the South to his informal inquiry into the foundations of the southern literary imagination. His exploration centers on the lives and works of three of the most important writers of the pre-Civil War South: Poe, William Gilmore Simms, and Henry Timrod. In a close and highly original reading of Poe's poetry and fiction, Rubin shows just how profoundly growing up in Richmond, Virginia, influenced that writer. The sole author of the Old South whose work has endured did not use southern settings or concern himself with his region's history or politics. Poe was, according to Rubin, in active rebellion against the middle-class community of Richmond and its materialistic values. Simms, on the other hand, aspired to the plantation society ideal of his native Charleston, South Carolina. He was not the most devoted and energetic of southern writers and one of the country's best-known and most respected literary figures before the Civil War. Rubin finds an explanation for much of the lost promise of antebellum southern literature in Simms's career. Here was a talented man who got caught up in the politically obsessed plantation community of Charleston, becoming an apologist for the system and an ardent defender of slavery. Timrod, also a Charlestonian native, was a highly gifted poet whose work attained the stature of literature when the Civil War gave him a theme. He was known as the poet laureate of the Confederacy. Only when his region was locked in a desperate military struggle for the right to exist did he suddenly find his enduring voice. Anyone interested in southern life and literature will welcome his provocative and engaging new look at southern writing from one of the region's most perceptive critics.
Publisher: LSU Press
ISBN: 0807153648
Category : Literary Criticism
Languages : en
Pages : 269
Book Description
The flowering of literary imagination known as the American Renaissance had few roots in the South. While Hawthorne, Emerson, Melville, Thoreau, and Whitman were creating a body of work that would endure, the only southern writer making a lasting contribution was Edgar Allan Poe. This failure on the part of antebellum southern writers has long been a subject of debate among students of southern history and literature. Now one of the region's most distinguished men of letters offers a cogently argued and gracefully written account of the circumstances that prevented early southern writers from creating transcendent works of art. Louis D. Rubin, Jr., brings forty years of critical integrity and imaginative involvement with the history and literature of the South to his informal inquiry into the foundations of the southern literary imagination. His exploration centers on the lives and works of three of the most important writers of the pre-Civil War South: Poe, William Gilmore Simms, and Henry Timrod. In a close and highly original reading of Poe's poetry and fiction, Rubin shows just how profoundly growing up in Richmond, Virginia, influenced that writer. The sole author of the Old South whose work has endured did not use southern settings or concern himself with his region's history or politics. Poe was, according to Rubin, in active rebellion against the middle-class community of Richmond and its materialistic values. Simms, on the other hand, aspired to the plantation society ideal of his native Charleston, South Carolina. He was not the most devoted and energetic of southern writers and one of the country's best-known and most respected literary figures before the Civil War. Rubin finds an explanation for much of the lost promise of antebellum southern literature in Simms's career. Here was a talented man who got caught up in the politically obsessed plantation community of Charleston, becoming an apologist for the system and an ardent defender of slavery. Timrod, also a Charlestonian native, was a highly gifted poet whose work attained the stature of literature when the Civil War gave him a theme. He was known as the poet laureate of the Confederacy. Only when his region was locked in a desperate military struggle for the right to exist did he suddenly find his enduring voice. Anyone interested in southern life and literature will welcome his provocative and engaging new look at southern writing from one of the region's most perceptive critics.
Philadelphia Stories
Author: Samuel Otter
Publisher: Oxford University Press
ISBN: 019974193X
Category : Literary Collections
Languages : en
Pages : 409
Book Description
In Philadelphia Stories, Samuel Otter finds literary value, historical significance, and political urgency in a sequence of texts written in and about Philadelphia between the Constitution and the Civil War. Historians such as Gary B. Nash and Julie Winch have chronicled the distinctive social and political space of early national Philadelphia. Yet while individual writers such as Charles Brockden Brown, Edgar Allan Poe, and George Lippard have been linked to Philadelphia, no sustained attempt has been made to understand these figures, and many others, as writing in a tradition tied to the city's history. The site of William Penn's "Holy Experiment" in religious toleration and representative government and of national Declaration and Constitution, near the border between slavery and freedom, Philadelphia was home to one of the largest and most influential "free" African American communities in the United States. The city was seen by residents and observers as the laboratory for a social experiment with international consequences. Philadelphia would be the stage on which racial character would be tested and a possible future for the United States after slavery would be played out. It would be the arena in which various residents would or would not demonstrate their capacities to participate in the nation's civic and political life. Otter argues that the Philadelphia "experiment" (the term used in the nineteenth-century) produced a largely unacknowledged literary tradition of peculiar forms and intensities, in which verbal performance and social behavior assumed the weight of race and nation.
Publisher: Oxford University Press
ISBN: 019974193X
Category : Literary Collections
Languages : en
Pages : 409
Book Description
In Philadelphia Stories, Samuel Otter finds literary value, historical significance, and political urgency in a sequence of texts written in and about Philadelphia between the Constitution and the Civil War. Historians such as Gary B. Nash and Julie Winch have chronicled the distinctive social and political space of early national Philadelphia. Yet while individual writers such as Charles Brockden Brown, Edgar Allan Poe, and George Lippard have been linked to Philadelphia, no sustained attempt has been made to understand these figures, and many others, as writing in a tradition tied to the city's history. The site of William Penn's "Holy Experiment" in religious toleration and representative government and of national Declaration and Constitution, near the border between slavery and freedom, Philadelphia was home to one of the largest and most influential "free" African American communities in the United States. The city was seen by residents and observers as the laboratory for a social experiment with international consequences. Philadelphia would be the stage on which racial character would be tested and a possible future for the United States after slavery would be played out. It would be the arena in which various residents would or would not demonstrate their capacities to participate in the nation's civic and political life. Otter argues that the Philadelphia "experiment" (the term used in the nineteenth-century) produced a largely unacknowledged literary tradition of peculiar forms and intensities, in which verbal performance and social behavior assumed the weight of race and nation.
The North of the South
Author: Barbara Ladd
Publisher: University of Georgia Press
ISBN: 0820362530
Category : Literary Criticism
Languages : en
Pages : 91
Book Description
Over the past generation the Deep South has become the primary focus, and the plantation the predominant site, in southern literary studies. These developments followed academic interest first in postcolonial studies and more recently in globalization studies and conceptions of the Global South. With The North of the South Barbara Ladd turns her attention to the Upper South, exploring the fluidity of regional boundaries in this part of the world. In so doing she argues for greater attention to the impact of its distinctive ecosystems on its literature and points out the complex ways the Upper South’s cultural and natural histories are foundational for our national imaginary. Surprisingly, it is Edgar Allan Poe who anchors this study. No longer American literary nationalism’s most famous misfit, here he is shown to be remarkably attentive to both the natural and the nationalizing world around him, to have engaged deeply and critically with the environmental and the nationalist vision of Thomas Jefferson. Poe left a legacy of national melancholy around questions of American origins and possible futures discernible in the Souths of Elizabeth Madox Roberts, Cormac McCarthy, and Toni Morrison. In her examination of these cultural aspects of the Upper South, Ladd plumbs the depths of Poe’s influence on southern literary studies.
Publisher: University of Georgia Press
ISBN: 0820362530
Category : Literary Criticism
Languages : en
Pages : 91
Book Description
Over the past generation the Deep South has become the primary focus, and the plantation the predominant site, in southern literary studies. These developments followed academic interest first in postcolonial studies and more recently in globalization studies and conceptions of the Global South. With The North of the South Barbara Ladd turns her attention to the Upper South, exploring the fluidity of regional boundaries in this part of the world. In so doing she argues for greater attention to the impact of its distinctive ecosystems on its literature and points out the complex ways the Upper South’s cultural and natural histories are foundational for our national imaginary. Surprisingly, it is Edgar Allan Poe who anchors this study. No longer American literary nationalism’s most famous misfit, here he is shown to be remarkably attentive to both the natural and the nationalizing world around him, to have engaged deeply and critically with the environmental and the nationalist vision of Thomas Jefferson. Poe left a legacy of national melancholy around questions of American origins and possible futures discernible in the Souths of Elizabeth Madox Roberts, Cormac McCarthy, and Toni Morrison. In her examination of these cultural aspects of the Upper South, Ladd plumbs the depths of Poe’s influence on southern literary studies.
Translated Poe
Author: Emron Esplin
Publisher: Rowman & Littlefield
ISBN: 1611461723
Category : Literary Criticism
Languages : en
Pages : 495
Book Description
Few, if any, U.S. writers are as important to the history of world literature as Edgar Allan Poe, and few, if any, U.S. authors owe so much of their current reputations to the process of translation. Translated Poe brings together 31 essays from 19 different national/literary traditions to demonstrate Poe’s extensive influence on world literature and thought while revealing the importance of the vehicle that delivers Poe to the world—translation. Translated Poe is not preoccupied with judging the “quality” of any given Poe translation nor with assessing what a specific translation of Poe must or should have done. Rather, the volume demonstrates how Poe’s translations constitute multiple contextual interpretations, testifying to how this prolific author continues to help us read ourselves and the world(s) we live in. The examples of how Poe’s works were spread abroad remind us that literature depends as much on authorial creation and timely readership as on the languages and worlds through which a piece of literature circulates after its initial publication in its first language. This recasting of signs and symbols that intervene in other cultures when a text is translated is one of the principal subjects of the humanistic discipline of Translation Studies, dealing with the the products, functions, and processes of translation as both a cognitive and socially regulated activity. Both literary history and the history of translation benefit from this book’s focus on Poe, whose translated fortune has helped to shape literary modernity, in many cases importantly redefining the target literary systems. Furthermore, we envision this book as a fountain of resources for future Poe scholars from various global sites, including the United States, since the cases of Poe’s translations—both exceptional and paradigmatic—prove that they are also levers that force the reassessment of the source text in its native literature.
Publisher: Rowman & Littlefield
ISBN: 1611461723
Category : Literary Criticism
Languages : en
Pages : 495
Book Description
Few, if any, U.S. writers are as important to the history of world literature as Edgar Allan Poe, and few, if any, U.S. authors owe so much of their current reputations to the process of translation. Translated Poe brings together 31 essays from 19 different national/literary traditions to demonstrate Poe’s extensive influence on world literature and thought while revealing the importance of the vehicle that delivers Poe to the world—translation. Translated Poe is not preoccupied with judging the “quality” of any given Poe translation nor with assessing what a specific translation of Poe must or should have done. Rather, the volume demonstrates how Poe’s translations constitute multiple contextual interpretations, testifying to how this prolific author continues to help us read ourselves and the world(s) we live in. The examples of how Poe’s works were spread abroad remind us that literature depends as much on authorial creation and timely readership as on the languages and worlds through which a piece of literature circulates after its initial publication in its first language. This recasting of signs and symbols that intervene in other cultures when a text is translated is one of the principal subjects of the humanistic discipline of Translation Studies, dealing with the the products, functions, and processes of translation as both a cognitive and socially regulated activity. Both literary history and the history of translation benefit from this book’s focus on Poe, whose translated fortune has helped to shape literary modernity, in many cases importantly redefining the target literary systems. Furthermore, we envision this book as a fountain of resources for future Poe scholars from various global sites, including the United States, since the cases of Poe’s translations—both exceptional and paradigmatic—prove that they are also levers that force the reassessment of the source text in its native literature.