Symphonies nos. 8 and 9 PDF Download

Author: Antonín Dvo?ák
Publisher: Courier Corporation
ISBN: 048624749X
Category : Music
Languages : en
Pages : 274

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Book Description
Few composers have achieved the widespread and lasting popularity of Antonin Dvo ak. He was a master of instrumentation and symphonic form, composing a total of nine symphonies. His most celebrated work, Symphony No. 9, "From the New World" (composed during Dvo ak's three-year stay in America), echoes the folk spirit of his native Czechoslovakia as well as American influences, and is filled with the spontaneous melodic invention, rhythmic variety, and intensity of harmony that characterize his orchestral works. The popular acclaim accorded the symphony "From the New World" tends to overshadow Dvo ak's other symphonies, but "Grove's Dictionary of Music and Musicians" notes the "interesting form folk-spirit virile serenity" of Symphony No. 8. The delightful freshness and uninhibited emotionalism of the composition have contributed to its lasting success. The Dover edition presents both symphonic masterpieces among the most popular works in the orchestral repertoire reprinted from authoritative editions in one inexpensive, practical volume. This full-size, easy-to-read score has been printed with generous margins to allow insertion of notes, analyses, etc. The sturdy binding, high quality of reproduction, and affordable price make this volume ideal for musicians, music students, and music lovers in general."

Author: Ludwig van Beethoven
Publisher: Courier Corporation
ISBN: 0486314839
Category : Music
Languages : en
Pages : 272

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Book Description
Superb, highly authoritative editions (Henry Litolff's Verlag) of Symphony No. 8 in F Major, Op. 93, and Symphony No. 9 in D Minor, Op. 125. Large, clear noteheads and wide margins.

Author: Charles Marie Widor
Publisher: Courier Corporation
ISBN: 0486266915
Category : Music
Languages : en
Pages : 208

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Book Description
The greatest French organist of his day, Widor (1844–1937) composed 10 organ "symphonies" — actually solo compositions usually consisting of 6 or 7 short movements, that treat the organ as a kind of self-contained orchestra. Series I includes Symphonies Nos. 1–4, Op. 13 and Symphonie No. 5, Op. 42. Frequently performed today. Glossary of French terms.

Author: Joseph Haydn
Publisher: Courier Corporation
ISBN: 0486314308
Category : Music
Languages : en
Pages : 386

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Book Description
Begun in 1793, this series features 6 symphonies, Nos. 99–104. Perennial favorites include the "Military" symphony (No. 100), the "Clock" symphony (No. 101), and "Drumroll" (No. 103). Reproduced from an authoritative early edition.

Author: Camille Saint-Saëns
Publisher: Courier Corporation
ISBN: 0486283062
Category : Music
Languages : en
Pages : 192

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Book Description
Stirring symphony, widely regarded as Saint-Saens' major orchestral work, is one of the few to incorporate the organ as featured instrument. It bears all the hallmarks of the composer's fluent mastery of orchestral composition. The work is reprinted in this edition from an authoritative full-score edition published by Durand et Schoenewerk, Paris."

Author: Anton Bruckner
Publisher: Courier Corporation
ISBN: 0486262626
Category : Music
Languages : en
Pages : 303

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Book Description
Monumental and inspiring, the nine symphonies of Anton Bruckner (1824 1896) stand as late landmarks in the Austro-Germanic symphonic tradition. Their grandeur, originality, and nobility of vision have made them staples of the orchestral repertoire. Unfortunately, Bruckner's symphonies suffered in his own lifetime from revision and editing by other musicians, so that the first published editions of several of the works were quite foreign to the composer's intentions. The two symphonies in this volume have been reproduced from the authoritative Bruckner Society editions by Robert Haas, which represent most faithfully Bruckner's ideal versions. Included here are his most famous symphonies, the Symphony No. 4 in E-flat ("Romantic") and the Symphony No. 7 in E."

Author: Wolfgang Amadeus Mozart
Publisher: Courier Corporation
ISBN: 048641390X
Category : Music
Languages : en
Pages : 303

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Book Description
These 21 symphonies, composed by Mozart between 1764 and 1771 while he was still a boy, are astonishing displays of his precocious genius. Reproduced from the authoritative Breitkopf and Härtel Complete Works Edition, they abound in the qualities that characterize his finest works: melodic richness, musical invention, and a much-imitated but unsurpassed grace. A splendid way for musicians and music lovers alike to savor and study the composer's youthful development and growing mastery of symphonic form, this new and modestly priced volume completes Dover's three-part cycle of Mozart's symphonic compositions, which include Symphonies Nos. 22–34 and Nos. 35–41. All are among the most performed and recorded works in the orchestral repertoire.

Author: Bodewalt Lampe
Publisher: Courier Corporation
ISBN: 0486497534
Category : Music
Languages : en
Pages : 147

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Book Description
This rare collection features violin part and separate piano reduction of 25 works by Brahms, Dvorak, Händel, Herbert, Saint-Saëns, Schubert, Schumann, Mendelssohn, Massenet, Elgar, and others. Suitable for intermediate-level violinists, this is an ideal edition for students, teachers, hobbyists, and professionals to use for practice, instruction, and recitals. Contents include Dvorak's Humoresk, Anton Rubinstein's Melody in F, Mendelssohn's Spring Song, Schubert's Serenade, Hungarian Dance No. 5 by Brahms, Love's Greeting by Elgar, and Handel's Largo from Xerxes. Additional melodies include Massenet's Elegie, Intermezzo from Mascagni's Cavalleria Rusticana, Saint-Saëns' The Swan, and more than a dozen others.

Author: Ralph Vaughan Williams
Publisher: Courier Corporation
ISBN: 0486292630
Category : Music
Languages : en
Pages : 209

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Book Description
Composed 1912-1913; first revised before 1918. Published in 1920. Dedicated to George Butterworth. This Dover edition is available again after being out of print for some time.

Author: A. Peter Brown
Publisher: Indiana University Press
ISBN: 0253072115
Category : Music
Languages : en
Pages : 1026

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Book Description
Central to the repertoire of Western art music since the 18th century, the symphony has come to be regarded as one of the ultimate compositional challenges. Surprisingly, heretofore there has been no truly extensive, broad-based treatment of the genre, and the best of the existing studies are now several decades old. In this five-volume series, A. Peter Brown explores the symphony from its 18th-century beginnings to the end of the 20th century. Synthesizing the enormous scholarly literature, Brown presents up-to-date overviews of the status of research, discusses any important former or remaining problems of attribution, illuminates the style of specific works and their contexts, and samples early writings on their reception. The Symphonic Repertoire provides an unmatched compendium of knowledge for the student, teacher, performer, and sophisticated amateur. The series is being launched with two volumes on the Viennese symphony. Volume IV The Second Golden Age of the Viennese Symphony Brahms, Bruckner, Dvorák, Mahler, and Selected Contemporaries Although during the mid-19th century the geographic center of the symphony in the Germanic territories moved west and north from Vienna to Leipzig, during the last third of the century it returned to the old Austrian lands with the works of Brahms, Bruckner, Dvorák, and Mahler. After nearly a half century in hibernation, the sleeping Viennese giant awoke to what some viewed as a reincarnation of Beethoven with the first hearing of Brahms's Symphony No. 1, which was premiered at Vienna in December 1876. Even though Bruckner had composed some gigantic symphonies prior to Brahms's first contribution, their full impact was not felt until the composer's complete texts became available after World War II. Although Dvorák was often viewed as a nationalist composer, in his symphonic writing his primary influences were Beethoven, Schubert, and Brahms. For both Bruckner and Mahler, the symphony constituted the heart of their output; for Brahms and Dvorák, it occupied a less central place. Yet for all of them, the key figure of the past remained Beethoven. The symphonies of these four composers, together with the works of Goldmark, Zemlinsky, Schoenberg, Berg, Smetana, Fibich, Janácek, and others are treated in Volume IV, The Second Golden Age of the Viennese Symphony, covering the period from roughly 1860 to 1930.