Author: James A. Leith
Publisher: University of Regina Press
ISBN: 9780889771086
Category : Art
Languages : en
Pages : 384
Book Description
From 18-26 September 1996, the Department of History of the University of Regina hosted a colloquium entitled, Symbols, Myths and Images of the French Revolution, in honour of James A. Leith (Queen's University), a leading historian of revolutionary France for over three decades who began his teaching career in Saskatchewan. The colloquium brought together an international panel of scholars to discuss the visual imagery, propaganda, and cultural dimensions of the French Revolution--a subject which, since Professor Leith began his career, has come to occupy an ever larger place in revolutionary historiography.
Symbols, Myths and Images of the French Revolution
Author: James A. Leith
Publisher: University of Regina Press
ISBN: 9780889771086
Category : Art
Languages : en
Pages : 384
Book Description
From 18-26 September 1996, the Department of History of the University of Regina hosted a colloquium entitled, Symbols, Myths and Images of the French Revolution, in honour of James A. Leith (Queen's University), a leading historian of revolutionary France for over three decades who began his teaching career in Saskatchewan. The colloquium brought together an international panel of scholars to discuss the visual imagery, propaganda, and cultural dimensions of the French Revolution--a subject which, since Professor Leith began his career, has come to occupy an ever larger place in revolutionary historiography.
Publisher: University of Regina Press
ISBN: 9780889771086
Category : Art
Languages : en
Pages : 384
Book Description
From 18-26 September 1996, the Department of History of the University of Regina hosted a colloquium entitled, Symbols, Myths and Images of the French Revolution, in honour of James A. Leith (Queen's University), a leading historian of revolutionary France for over three decades who began his teaching career in Saskatchewan. The colloquium brought together an international panel of scholars to discuss the visual imagery, propaganda, and cultural dimensions of the French Revolution--a subject which, since Professor Leith began his career, has come to occupy an ever larger place in revolutionary historiography.
The Family and the Nation
Author: Jennifer Ngaire Heuer
Publisher: Cornell University Press
ISBN: 1501725602
Category : History
Languages : en
Pages : 268
Book Description
The French Revolution transformed the nation's—and eventually the world's—thinking about citizenship, nationality, and gender roles. At the same time, it created fundamental contradictions between citizenship and family as women acquired new rights and duties but remained dependents within the household. In The Family and the Nation, Jennifer Ngaire Heuer examines the meaning of citizenship during and after the revolution and the relationship between citizenship and gender as these ideas and practices were reworked in the late 1790s and early nineteenth century.Heuer argues that tensions between family and nation shaped men's and women's legal and social identities from the Revolution and Terror through the Restoration. She shows the critical importance of relating nationality to political citizenship and of examining the application, not just the creation, of new categories of membership in the nation. Heuer draws on diverse historical sources—from political treatises to police records, immigration reports to court cases—to demonstrate the extent of revolutionary concern over national citizenship. This book casts into relief France's evolving attitudes toward patriotism, immigration, and emigration, and the frequently opposing demands of family ties and citizenship.
Publisher: Cornell University Press
ISBN: 1501725602
Category : History
Languages : en
Pages : 268
Book Description
The French Revolution transformed the nation's—and eventually the world's—thinking about citizenship, nationality, and gender roles. At the same time, it created fundamental contradictions between citizenship and family as women acquired new rights and duties but remained dependents within the household. In The Family and the Nation, Jennifer Ngaire Heuer examines the meaning of citizenship during and after the revolution and the relationship between citizenship and gender as these ideas and practices were reworked in the late 1790s and early nineteenth century.Heuer argues that tensions between family and nation shaped men's and women's legal and social identities from the Revolution and Terror through the Restoration. She shows the critical importance of relating nationality to political citizenship and of examining the application, not just the creation, of new categories of membership in the nation. Heuer draws on diverse historical sources—from political treatises to police records, immigration reports to court cases—to demonstrate the extent of revolutionary concern over national citizenship. This book casts into relief France's evolving attitudes toward patriotism, immigration, and emigration, and the frequently opposing demands of family ties and citizenship.
Grétry's Operas and the French Public
Author: R.J. Arnold
Publisher: Taylor & Francis
ISBN: 1134803699
Category : Music
Languages : en
Pages : 245
Book Description
Why, in the dying days of the Napoleonic Empire, did half of Paris turn out for the funeral of a composer? The death of André Ernest Modeste Grétry in 1813 was one of the sensations of the age, setting off months of tear-stained commemorations, reminiscences and revivals of his work. To understand this singular event, this interdisciplinary study looks back to Grétry’s earliest encounters with the French public during the 1760s and 1770s, seeking the roots of his reputation in the reactions of his listeners. The result is not simply an exploration of the relationship between a musician and his audiences, but of developments in musical thought and discursive culture, and of the formation of public opinion over a period of intense social and political change. The core of Grétry’s appeal was his mastery of song. Distinctive, direct and memorable, his melodies were exported out of the opera house into every corner of French life, serving as folkloristic tokens of celebration and solidarity, longing and regret. Grétry’s attention to the subjectivity of his audiences had a profound effect on operatic culture, forging a new sense of democratic collaboration between composer and listener. This study provides a reassessment of Grétry’s work and musical thought, positioning him as a major figure who linked the culture of feeling and the culture of reason - and who paved the way for Romantic notions of spectatorial absorption and the power of music.
Publisher: Taylor & Francis
ISBN: 1134803699
Category : Music
Languages : en
Pages : 245
Book Description
Why, in the dying days of the Napoleonic Empire, did half of Paris turn out for the funeral of a composer? The death of André Ernest Modeste Grétry in 1813 was one of the sensations of the age, setting off months of tear-stained commemorations, reminiscences and revivals of his work. To understand this singular event, this interdisciplinary study looks back to Grétry’s earliest encounters with the French public during the 1760s and 1770s, seeking the roots of his reputation in the reactions of his listeners. The result is not simply an exploration of the relationship between a musician and his audiences, but of developments in musical thought and discursive culture, and of the formation of public opinion over a period of intense social and political change. The core of Grétry’s appeal was his mastery of song. Distinctive, direct and memorable, his melodies were exported out of the opera house into every corner of French life, serving as folkloristic tokens of celebration and solidarity, longing and regret. Grétry’s attention to the subjectivity of his audiences had a profound effect on operatic culture, forging a new sense of democratic collaboration between composer and listener. This study provides a reassessment of Grétry’s work and musical thought, positioning him as a major figure who linked the culture of feeling and the culture of reason - and who paved the way for Romantic notions of spectatorial absorption and the power of music.
Author:
Publisher: Oxford University Press
ISBN: 0198890060
Category :
Languages : en
Pages : 274
Book Description
Publisher: Oxford University Press
ISBN: 0198890060
Category :
Languages : en
Pages : 274
Book Description
Rethinking the Age of Revolutions
Author: David A. Bell
Publisher: Oxford University Press
ISBN: 0190674814
Category : History
Languages : en
Pages : 321
Book Description
Much of the historiography on the age of democratic revolutions has seemed to come to a halt until recent years. Historians of this period have tried to develop new explanatory paradigms but there are few that have had a lasting impact. David A. Bell and Yair Mintzker seek to break through the narrow views of this period with research that reaches beyond the traditional geographical and chronological boundaries of the subject. Rethinking the Age of Revolutions brings together some of the most exciting and important research now being done on the French Revolutionary era, by prominent historians from North America and France. Adopting a variety of approaches, and tackling a wide variety of subjects, such as natural rights in the early modern world, the birth of celebrity culture and the phenomenon of modern political charisma, among others, this collection shows the continuing vitality and importance of the field. This is an important book not only for specialists, but for anyone interested in the origins of some of the most important issues in the politics and culture of the modern West.
Publisher: Oxford University Press
ISBN: 0190674814
Category : History
Languages : en
Pages : 321
Book Description
Much of the historiography on the age of democratic revolutions has seemed to come to a halt until recent years. Historians of this period have tried to develop new explanatory paradigms but there are few that have had a lasting impact. David A. Bell and Yair Mintzker seek to break through the narrow views of this period with research that reaches beyond the traditional geographical and chronological boundaries of the subject. Rethinking the Age of Revolutions brings together some of the most exciting and important research now being done on the French Revolutionary era, by prominent historians from North America and France. Adopting a variety of approaches, and tackling a wide variety of subjects, such as natural rights in the early modern world, the birth of celebrity culture and the phenomenon of modern political charisma, among others, this collection shows the continuing vitality and importance of the field. This is an important book not only for specialists, but for anyone interested in the origins of some of the most important issues in the politics and culture of the modern West.
Quatremère de Quincy
Author: David Gilks
Publisher: Oxford University Press
ISBN: 0191062758
Category : History
Languages : en
Pages : 274
Book Description
Antoine-Chrysosthôme Quatremère de Quincy (1755-1849) was the most distinguished writer on art and architecture at the end of the enlightenment. However, as David Gilks shows in Quatremère de Quincy: Art and Politics during the French Revolution, he was never simply an esoteric antiquarian and theoretician; he was also a zealous functionary and skilled publicist whose writings on the arts often served political purposes. Quatremère de Quincy: Art and Politics during the French Revolution demonstrates how Quatremère's early writings on art and antiquity formed the foundation for a politics grounded in faith, authority, and hierarchy that favoured gradual social and political evolution over destruction and experimentation. Gilks then traces how Quatremère set aside his antiquarian research and became a royalist politician and publicist during the revolutionary decade. Quatremère feared that the Revolution would destroy the cosmopolitan republic of letters that had flourished when states across Europe supported the papacy's rediscovery of the past, restoration of taste and, revival of learning. Yet Gilks reveals that Quatremère was also a resourceful and an opportunistic political actor who deployed his opponents' language for strategic reasons. Gilks therefore reinterprets Quatremère's interventions by situating them in their polemical contexts and treating them as contributions to debates and quarrels, by locating his sources and reconstructing his social and political networks. The resulting study revises our understanding of Quatremère's famous reflections on the Academy of Painting and Sculpture, the Panthéon, art plunder, and museums, but it also discovers and sheds light on previously ignored writings. Although the study focuses on the period 1789-1799, it examines the second half of Quatremère's life to substantiate his commitment to crown and altar and show how he fought against the Revolution's legacy of godless materialism and calculation that was inimical to the arts. This is a thoroughly researched and richly detailed contextual study of the most eventful period in Quatremère's life, but it also offers an original and unfamiliar history of the French Revolution. Gilks integrates the study of political power with the history of ideas and art history, and provides a window into institutional and legal reforms and debates about cultural patronage and education.
Publisher: Oxford University Press
ISBN: 0191062758
Category : History
Languages : en
Pages : 274
Book Description
Antoine-Chrysosthôme Quatremère de Quincy (1755-1849) was the most distinguished writer on art and architecture at the end of the enlightenment. However, as David Gilks shows in Quatremère de Quincy: Art and Politics during the French Revolution, he was never simply an esoteric antiquarian and theoretician; he was also a zealous functionary and skilled publicist whose writings on the arts often served political purposes. Quatremère de Quincy: Art and Politics during the French Revolution demonstrates how Quatremère's early writings on art and antiquity formed the foundation for a politics grounded in faith, authority, and hierarchy that favoured gradual social and political evolution over destruction and experimentation. Gilks then traces how Quatremère set aside his antiquarian research and became a royalist politician and publicist during the revolutionary decade. Quatremère feared that the Revolution would destroy the cosmopolitan republic of letters that had flourished when states across Europe supported the papacy's rediscovery of the past, restoration of taste and, revival of learning. Yet Gilks reveals that Quatremère was also a resourceful and an opportunistic political actor who deployed his opponents' language for strategic reasons. Gilks therefore reinterprets Quatremère's interventions by situating them in their polemical contexts and treating them as contributions to debates and quarrels, by locating his sources and reconstructing his social and political networks. The resulting study revises our understanding of Quatremère's famous reflections on the Academy of Painting and Sculpture, the Panthéon, art plunder, and museums, but it also discovers and sheds light on previously ignored writings. Although the study focuses on the period 1789-1799, it examines the second half of Quatremère's life to substantiate his commitment to crown and altar and show how he fought against the Revolution's legacy of godless materialism and calculation that was inimical to the arts. This is a thoroughly researched and richly detailed contextual study of the most eventful period in Quatremère's life, but it also offers an original and unfamiliar history of the French Revolution. Gilks integrates the study of political power with the history of ideas and art history, and provides a window into institutional and legal reforms and debates about cultural patronage and education.
Liberty or Death
Author: Peter McPhee
Publisher: Yale University Press
ISBN: 0300219504
Category : History
Languages : en
Pages : 420
Book Description
A strinking account of the impact of the French Revolution in Paris, across the French countryside, and around the globe The French Revolution has fascinated, perplexed, and inspired for more than two centuries. It was a seismic event that radically transformed France and launched shock waves across the world. In this provocative new history, Peter McPhee draws on a lifetime’s study of eighteenth-century France and Europe to create an entirely fresh account of the world’s first great modern revolution—its origins, drama, complexity, and significance. Was the Revolution a major turning point in French—even world—history, or was it instead a protracted period of violent upheaval and warfare that wrecked millions of lives? McPhee evaluates the Revolution within a genuinely global context: Europe, the Atlantic region, and even farther. He acknowledges the key revolutionary events that unfolded in Paris, yet also uncovers the varying experiences of French citizens outside the gates of the city: the provincial men and women whose daily lives were altered—or not—by developments in the capital. Enhanced with evocative stories of those who struggled to cope in unpredictable times, McPhee’s deeply researched book investigates the changing personal, social, and cultural world of the eighteenth century. His startling conclusions redefine and illuminate both the experience and the legacy of France’s transformative age of revolution. “McPhee…skillfully and with consummate clarity recounts one of the most complex events in modern history…. [This] extraordinary work is destined to be the standard account of the French Revolution for years to come.”—Publishers Weekly (starred review)
Publisher: Yale University Press
ISBN: 0300219504
Category : History
Languages : en
Pages : 420
Book Description
A strinking account of the impact of the French Revolution in Paris, across the French countryside, and around the globe The French Revolution has fascinated, perplexed, and inspired for more than two centuries. It was a seismic event that radically transformed France and launched shock waves across the world. In this provocative new history, Peter McPhee draws on a lifetime’s study of eighteenth-century France and Europe to create an entirely fresh account of the world’s first great modern revolution—its origins, drama, complexity, and significance. Was the Revolution a major turning point in French—even world—history, or was it instead a protracted period of violent upheaval and warfare that wrecked millions of lives? McPhee evaluates the Revolution within a genuinely global context: Europe, the Atlantic region, and even farther. He acknowledges the key revolutionary events that unfolded in Paris, yet also uncovers the varying experiences of French citizens outside the gates of the city: the provincial men and women whose daily lives were altered—or not—by developments in the capital. Enhanced with evocative stories of those who struggled to cope in unpredictable times, McPhee’s deeply researched book investigates the changing personal, social, and cultural world of the eighteenth century. His startling conclusions redefine and illuminate both the experience and the legacy of France’s transformative age of revolution. “McPhee…skillfully and with consummate clarity recounts one of the most complex events in modern history…. [This] extraordinary work is destined to be the standard account of the French Revolution for years to come.”—Publishers Weekly (starred review)
Women Writing Opera
Author: Jacqueline Letzter
Publisher: Univ of California Press
ISBN: 0520226534
Category : History
Languages : en
Pages : 360
Book Description
At the same time it demonstrates how the Revolution fostered many dreams and ambitions for women that would be doomed to disappointment in the repressive post-Revolutionary era.".
Publisher: Univ of California Press
ISBN: 0520226534
Category : History
Languages : en
Pages : 360
Book Description
At the same time it demonstrates how the Revolution fostered many dreams and ambitions for women that would be doomed to disappointment in the repressive post-Revolutionary era.".
Christianity and Confucianism
Author: Christopher Hancock
Publisher: Bloomsbury Publishing
ISBN: 0567657698
Category : Religion
Languages : en
Pages : 697
Book Description
Christianity and Confucianism: Culture, Faith and Politics, sets comparative textual analysis against the backcloth of 2000 years of cultural, political, and religious interaction between China and the West. As the world responds to China's rise and China positions herself for global engagement, this major new study reawakens and revises an ancient conversation. As a generous introduction to biblical Christianity and the Confucian Classics, Christianity and Confucianism tells a remarkable story of mutual formation and cultural indebtedness. East and West are shown to have shaped the mind, heart, culture, philosophy and politics of the other - and far more, perhaps, than either knows or would want to admit. Christopher Hancock has provided a rich and stimulating resource for scholars and students, diplomats and social scientists, devotees of culture and those who pursue wisdom and peace today.
Publisher: Bloomsbury Publishing
ISBN: 0567657698
Category : Religion
Languages : en
Pages : 697
Book Description
Christianity and Confucianism: Culture, Faith and Politics, sets comparative textual analysis against the backcloth of 2000 years of cultural, political, and religious interaction between China and the West. As the world responds to China's rise and China positions herself for global engagement, this major new study reawakens and revises an ancient conversation. As a generous introduction to biblical Christianity and the Confucian Classics, Christianity and Confucianism tells a remarkable story of mutual formation and cultural indebtedness. East and West are shown to have shaped the mind, heart, culture, philosophy and politics of the other - and far more, perhaps, than either knows or would want to admit. Christopher Hancock has provided a rich and stimulating resource for scholars and students, diplomats and social scientists, devotees of culture and those who pursue wisdom and peace today.
Crafting Allure: Beauty, Culture and Identity
Author: Jacque Lynn Foltyn
Publisher: BRILL
ISBN: 1848882998
Category : Social Science
Languages : en
Pages : 154
Book Description
This volume was first published by Inter-Disciplinary Press in 2014. Crafting Allure: Beauty, Culture and Identity explores the complexity of physical beauty, the kind we can see in human beings, their representations, and in nature. From the self-presentations of eighteenth-century English ladies, to that of Civil Rights era African-American protestors, Afro-French women, and contemporary Asian-Indians; to the meanings of mannequins, retail beauty work, eating disorders, and hair; to a reconsideration of naturalised beauty in architecture, the embodiment of truth as a beautiful women, and what the appearance of Amerindians symbolised for Europeans of the Age of Exploration, culture and identity thread their way through the book. Written by scholars from a range of disciplines that reflect the book’s diversity as well as the complexity of visual beauty itself, Crafting Allure consists of eleven chapters divided into four parts: Fashioning Beauty Cultures, Beauty Workers, Racialising Beauty, and Beauty in Architecture and Allegory
Publisher: BRILL
ISBN: 1848882998
Category : Social Science
Languages : en
Pages : 154
Book Description
This volume was first published by Inter-Disciplinary Press in 2014. Crafting Allure: Beauty, Culture and Identity explores the complexity of physical beauty, the kind we can see in human beings, their representations, and in nature. From the self-presentations of eighteenth-century English ladies, to that of Civil Rights era African-American protestors, Afro-French women, and contemporary Asian-Indians; to the meanings of mannequins, retail beauty work, eating disorders, and hair; to a reconsideration of naturalised beauty in architecture, the embodiment of truth as a beautiful women, and what the appearance of Amerindians symbolised for Europeans of the Age of Exploration, culture and identity thread their way through the book. Written by scholars from a range of disciplines that reflect the book’s diversity as well as the complexity of visual beauty itself, Crafting Allure consists of eleven chapters divided into four parts: Fashioning Beauty Cultures, Beauty Workers, Racialising Beauty, and Beauty in Architecture and Allegory