Symbol and Satire in the French Revolution PDF Download

Author: Ernest Flagg Henderson
Publisher:
ISBN:
Category : Caricatures and cartoons
Languages : en
Pages : 508

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Author: Jeffrey Brooks
Publisher: Cambridge University Press
ISBN: 1108484468
Category : Art
Languages : en
Pages : 349

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Book Description
A century of Russian artistic genius, including literature, art, music and dance, within the dynamic cultural ecosystem that shaped it.

Author: Paul Harold Beik
Publisher: American Philosophical Society Press
ISBN:
Category : History
Languages : en
Pages : 132

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Book Description
This book is the first product of an investigation of the conflicting social theories of the French Revolution. The writings of these men disclosed several unexplored connections between the old regime and the contemporary world. Their testimony offered an unaccustomed view of the French Revolution and an illustration of the revolution's interaction with the main currents of European thought. Contents: (1) Who will defend the old regime?; (2) The shock of 1789; (3) Deputies of the right; (4) Resistance to the constitutional monarchy; (5) Adversity; (6) Joseph de Maistre; (7) Louis de Bonald; (8) Rene de Chateaubrand; (9) Troubled orthodoxy; (10) Social theories in motion; References. This is a print on demand edition of an important, hard-to-find publication.

Author: Anthony Gottlieb
Publisher: W. W. Norton & Company
ISBN: 0393354229
Category : Philosophy
Languages : en
Pages : 425

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Book Description
"His book...supplant[s] all others, even the immensely successful History of Western Philosophy by Bertrand Russell."—A. C. Grayling Already a classic, this landmark study of early Western thought now appears in a new edition with expanded coverage of the Middle Ages. This landmark study of Western thought takes a fresh look at the writings of the great thinkers of classic philosophy and questions many pieces of conventional wisdom. The book invites comparison with Bertrand Russell's monumental History of Western Philosophy, "but Gottlieb's book is less idiosyncratic and based on more recent scholarship" (Colin McGinn, Los Angeles Times). A New York Times Notable Book, a Los Angeles Times Best Book, and a Times Literary Supplement Best Book of 2001.

Author: GEORGE. ORWELL
Publisher:
ISBN: 9781038729538
Category :
Languages : en
Pages : 0

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Author: Arthur Young
Publisher:
ISBN:
Category : Agriculture
Languages : en
Pages : 446

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Author: Dina Gusejnova
Publisher: Cambridge University Press
ISBN: 1107120624
Category : History
Languages : en
Pages : 393

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Book Description
Explores European civilisation as a concept of twentieth-century political practice and the project of a transnational network of European elites. This title is available as Open Access.

Author: Ambrose Bierce
Publisher: Standard Ebooks
ISBN:
Category : Fiction
Languages : en
Pages : 341

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Book Description
“Dictionary, n: A malevolent literary device for cramping the growth of a language and making it hard and inelastic. This dictionary, however, is a most useful work.” Bierce’s groundbreaking Devil’s Dictionary had a complex publication history. Started in the mid-1800s as an irregular column in Californian newspapers under various titles, he gradually refined the new-at-the-time idea of an irreverent set of glossary-like definitions. The final name, as we see it titled in this work, did not appear until an 1881 column published in the periodical The San Francisco Illustrated Wasp. There were no publications of the complete glossary in the 1800s. Not until 1906 did a portion of Bierce’s collection get published by Doubleday, under the name The Cynic’s Word Book—the publisher not wanting to use the word “Devil” in the title, to the great disappointment of the author. The 1906 word book only went from A to L, however, and the remainder was never released under the compromised title. In 1911 the Devil’s Dictionary as we know it was published in complete form as part of Bierce’s collected works (volume 7 of 12), including the remainder of the definitions from M to Z. It has been republished a number of times, including more recent efforts where older definitions from his columns that never made it into the original book were included. Due to the complex nature of copyright, some of those found definitions have unclear public domain status and were not included. This edition of the book includes, however, a set of definitions attributed to his one-and-only “Demon’s Dictionary” column, including Bierce’s classic definition of A: “the first letter in every properly constructed alphabet.” Bierce enjoyed “quoting” his pseudonyms in his work. Most of the poetry, dramatic scenes and stories in this book attributed to others were self-authored and do not exist outside of this work. This includes the prolific Father Gassalasca Jape, whom he thanks in the preface—“jape” of course having the definition: “a practical joke.” This book is a product of its time and must be approached as such. Many of the definitions hold up well today, but some might be considered less palatable by modern readers. Regardless, the book’s humorous style is a valuable snapshot of American culture from past centuries. This book is part of the Standard Ebooks project, which produces free public domain ebooks.

Author: Elisabeth Cheauré
Publisher: transcript Verlag
ISBN: 3839428580
Category : History
Languages : en
Pages : 139

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Book Description
Humour can be used as a »weapon« or as a means of coping with problematic historical events, especially in times of war and crisis. The book presents examples from different cultures (Russia, Europe, USA), from different historical epochs (from the Napoleonic era up to the current time) and from different medias (caricature, journalism, film). By looking at the individual cases it becomes possible to recognize some general structural patterns and to gain a deeper insight into the »functioning« of humour and laughter.

Author: Hollis Clayson
Publisher: Getty Publications
ISBN: 0892367296
Category : Art
Languages : en
Pages : 224

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Book Description
In this engrossing book, Hollis Clayson provides the first description and analysis of French artistic interest in women prostitutes, examining how the subject was treated in the art of the 1870s and 1880s by such avant-garde painters as Cézanne, Degas, Manet, and Renoir, as well as by the academic and low-brow painters who were their contemporaries. Clayson not only illuminates the imagery of prostitution-with its contradictory connotations of disgust and fascination-but also tackles the issues and problems relevant to women and men in a patriarchal society. She discusses the conspicuous sexual commerce during this era and the resulting public panic about the deterioration of social life and civilized mores. She describes the system that evolved out of regulating prostitutes and the subsequent rise of clandestine prostitutes who escaped police regulation and who were condemned both for blurring social boundaries and for spreading sexual licentiousness among their moral and social superiors. Clayson argues that the subject of covert prostitution was especially attractive to vanguard painters because it exemplified the commercialization and the ambiguity of modern life.