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Author: Cecilia Morgan Publisher: McGill-Queen's Press - MQUP ISBN: 0228013275 Category : History Languages : en Pages : 441
Book Description
By the late nineteenth century, Canadian women had begun forging careers as professional actresses, appearing not just in Canada, but in the United States, Britain, Australia, and New Zealand. They played an integral role in theatrical networks and helped shape transnational middle-class culture. Taking the approach of feminist collective biography, Sweet Canadian Girls Abroad writes the lives of women who, despite their renown during their lifetimes, have been all too easily forgotten. Cecilia Morgan examines these “sweet girls’” childhoods, their experiences of work, touring, and company management, the plays in which they appeared, and the celebrity they enjoyed. In so doing she shows how women helped convey messages about race, empire, and white identity in popular culture. Investigating a period from the 1870s to the 1940s, Morgan demonstrates how actresses evolved within a period of change in theatre, how they coped with new challenges, and how they brought their craft to new media. Paying particular attention to the careers of Margaret Bannerman, Tony Award-winner Beatrice Lillie, Margaret Anglin, Julia Arthur, and Frances Doble, among many others, this book explores how being an actress abroad became work as well as profession for Canadian women. Extensively researched and generously illustrated, Sweet Canadian Girls Abroad argues for the importance of theatre, both to Canadian women’s history and to our understanding of Canada in a transnational world.
Author: Cecilia Morgan Publisher: McGill-Queen's Press - MQUP ISBN: 0228013275 Category : History Languages : en Pages : 441
Book Description
By the late nineteenth century, Canadian women had begun forging careers as professional actresses, appearing not just in Canada, but in the United States, Britain, Australia, and New Zealand. They played an integral role in theatrical networks and helped shape transnational middle-class culture. Taking the approach of feminist collective biography, Sweet Canadian Girls Abroad writes the lives of women who, despite their renown during their lifetimes, have been all too easily forgotten. Cecilia Morgan examines these “sweet girls’” childhoods, their experiences of work, touring, and company management, the plays in which they appeared, and the celebrity they enjoyed. In so doing she shows how women helped convey messages about race, empire, and white identity in popular culture. Investigating a period from the 1870s to the 1940s, Morgan demonstrates how actresses evolved within a period of change in theatre, how they coped with new challenges, and how they brought their craft to new media. Paying particular attention to the careers of Margaret Bannerman, Tony Award-winner Beatrice Lillie, Margaret Anglin, Julia Arthur, and Frances Doble, among many others, this book explores how being an actress abroad became work as well as profession for Canadian women. Extensively researched and generously illustrated, Sweet Canadian Girls Abroad argues for the importance of theatre, both to Canadian women’s history and to our understanding of Canada in a transnational world.
Author: Katja Lee Publisher: Wilfrid Laurier Univ. Press ISBN: 1771124318 Category : Biography & Autobiography Languages : en Pages : 473
Book Description
At the heart of fame is the tricky business of image management. Over the last 115 years, the celebrity autobiography has emerged as a popular and useful tool for that project. In Limelight, Katja Lee examines the memoirs of famous Canadian women like L. M. Montgomery, Nellie McClung, the Dionne Quintuplets, Margaret Trudeau, and Shania Twain to trace the rise of celebrity autobiography in Canada and the role gender has played in the rise to fame and in writing about that experience. Arguing that the celebrity autobiography is always negotiating historically specific conditions, Lee charts a history of celebrity in English Canada and the conditions that shape the way women access and experience fame. These contexts shed light on the stories women tell about their lives and the public images they cultivate in their autobiographies. As strategies of self-representation change and the pressure to represent the private life escalates, the celebrity autobiography undergoes distinct shifts—in form, function, and content—during the period examined in this study. Limelight: Canadian Women and the Rise of Celebrity Autobiography is the first book to explore the history and development of the celebrity autobiography and offers compelling evidence of the critical role of gender and nation in the way fame is experienced and represented.
Author: Maggie B. Gale Publisher: Manchester University Press ISBN: 1526136872 Category : History Languages : en Pages : 423
Book Description
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. This book presents a collection of cutting-edge historical and cultural essays in the field of women, theatre and performance. The chapters explore women’s networks of professional practice in the theatre and performance industries between 1900 and 1950, with a focus on women’s sense and experience of professional agency in an industry largely controlled by men. The book is divided into two sections: ‘Female theatre workers in the social and theatrical realm’ looks at the relationship between women’s work – on and off stage – and autobiography, activism, technique, touring, education and the law. ‘Women and popular performance’ focuses on the careers of individual artists, once household names, including Lily Brayton, Ellen Terry, radio star Mabel Constanduros and Oscar-winning film star Margaret Rutherford.
Author: Cecilia Morgan Publisher: ISBN: 9780228011385 Category : Art Languages : en Pages : 440
Book Description
Taking the approach of feminist collective biography, this book tells the story of the Canadian women who forged careers as professional actresses from the 1870s to the 1940s. Appearing in Canada, the United States, Britain, Australia, and New Zealand, they were integral in theatrical networks and helped shape transnational middle-class culture.
Author: M. Ann Hall Publisher: James Lorimer & Company ISBN: 1552770214 Category : Biography & Autobiography Languages : en Pages : 98
Book Description
With the Canadian women's Olympic hockey team and other high-profile female athletes in recent years drawing a healthy share of the sports media limelight, there is a perception that Canadian women are finally getting into sport in a big way. Not true. Canadian women have been playing and competing since the latter part of the nineteenth century, eager to participate and partake of the benefits that sports and physical exertion bring. From the beginning, social obstacles have made the playing field uneven for women. The resistance has used everything from arguments about unladylike dress and deportment and the dangers of exercise for Canada's future mothers, to barriers to sports facilities and overt harassment. Yet schoolgirls, society women and working-class women have relished sport and fought for their right to play and compete, with grit and dignity. Often their efforts have been honoured by city and provincial sports halls of fame, but their achievements are still little known. This book, illustrated throughout, tells the story of pioneering women athletes, and of the early sports media -- some of Canada's first women sportswriters --who championed them every step of the way.
Author: Cecilia Morgan
Author: Cecilia Morgan
Author: John Charles Shea
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Author: Katja Lee
Author: J. Gordon Mowat
Author: Maggie B. Gale
Author: Cecilia Morgan
Author: M. Ann Hall