Author: Carol Becker
Publisher: Rowman & Littlefield
ISBN: 9780742509207
Category : Art
Languages : en
Pages : 184
Book Description
Leading social critic Carol Becker offers a timely analysis of the nature of art and its role in politics and society. Completed just before the September 11, 2001 World Trade Center catastrophe, this book is remarkably prescient of the new concerns that have now become foremost in our thoughts since the attack. Becker raises the question of the place of art and the function of public intellectuals in a society desperately in need of creativity and leadership. Visit our website for sample chapters!
Surpassing the Spectacle
Author: Carol Becker
Publisher: Rowman & Littlefield
ISBN: 9780742509207
Category : Art
Languages : en
Pages : 184
Book Description
Leading social critic Carol Becker offers a timely analysis of the nature of art and its role in politics and society. Completed just before the September 11, 2001 World Trade Center catastrophe, this book is remarkably prescient of the new concerns that have now become foremost in our thoughts since the attack. Becker raises the question of the place of art and the function of public intellectuals in a society desperately in need of creativity and leadership. Visit our website for sample chapters!
Publisher: Rowman & Littlefield
ISBN: 9780742509207
Category : Art
Languages : en
Pages : 184
Book Description
Leading social critic Carol Becker offers a timely analysis of the nature of art and its role in politics and society. Completed just before the September 11, 2001 World Trade Center catastrophe, this book is remarkably prescient of the new concerns that have now become foremost in our thoughts since the attack. Becker raises the question of the place of art and the function of public intellectuals in a society desperately in need of creativity and leadership. Visit our website for sample chapters!
Competing Spectacles
Author: Tony Reinke
Publisher: Crossway
ISBN: 1433563827
Category : Religion
Languages : en
Pages : 137
Book Description
We live in a world full of shiny distractions, faced with an onslaught of viral media constantly competing for our attention and demanding our affections. These ever-present visual “spectacles” can quickly erode our hearts, making it more difficult than ever to walk through life actively treasuring that which is most important and yet invisible: Jesus Christ. In a journalistic style, Tony Reinke shows us just how distracting these spectacles in our lives have become and calls us to ask critical questions about what we’re focusing on. The book offers us practical steps to redirect our gaze away from the addictive eye candy of the world and onto the Ultimate Spectacle—leading to the joy and rest our souls crave.
Publisher: Crossway
ISBN: 1433563827
Category : Religion
Languages : en
Pages : 137
Book Description
We live in a world full of shiny distractions, faced with an onslaught of viral media constantly competing for our attention and demanding our affections. These ever-present visual “spectacles” can quickly erode our hearts, making it more difficult than ever to walk through life actively treasuring that which is most important and yet invisible: Jesus Christ. In a journalistic style, Tony Reinke shows us just how distracting these spectacles in our lives have become and calls us to ask critical questions about what we’re focusing on. The book offers us practical steps to redirect our gaze away from the addictive eye candy of the world and onto the Ultimate Spectacle—leading to the joy and rest our souls crave.
Comments on the Society of the Spectacle
Author: Guy Debord
Publisher: Verso Books
ISBN: 1844676722
Category : Social Science
Languages : en
Pages : 105
Book Description
First published in 1967, Guy Debord’s stinging revolutionary critique ofcontemporary society, The Society of the Spectacle has since acquired acult status. Credited by many as being the inspiration for the ideasgenerated by the events of May 1968 in France, Debord’s pitiless attackon commodity fetishism and its incrustation in the practices of everydaylife continues to burn brightly in today’s age of satellite televisionand the soundbite. In Comments on the Society of the Spectacle, publishedtwenty years later, Debord returned to the themes of his previousanalysis and demonstrated how they were all the more relevant in aperiod when the “integrated spectacle” was dominant. Resolutely refusingto be reconciled to the system, Debord trenchantly slices through thedoxa and mystification offered tip by journalists and pundits to showhow aspects of reality as diverse as terrorism and the environment, theMafia and the media, were caught up in the logic of the spectacularsociety. Pointing the finger clearly at those who benefit from the logicof domination, Debord’s Comments convey the revolutionary impulse atthe heart of situationism.
Publisher: Verso Books
ISBN: 1844676722
Category : Social Science
Languages : en
Pages : 105
Book Description
First published in 1967, Guy Debord’s stinging revolutionary critique ofcontemporary society, The Society of the Spectacle has since acquired acult status. Credited by many as being the inspiration for the ideasgenerated by the events of May 1968 in France, Debord’s pitiless attackon commodity fetishism and its incrustation in the practices of everydaylife continues to burn brightly in today’s age of satellite televisionand the soundbite. In Comments on the Society of the Spectacle, publishedtwenty years later, Debord returned to the themes of his previousanalysis and demonstrated how they were all the more relevant in aperiod when the “integrated spectacle” was dominant. Resolutely refusingto be reconciled to the system, Debord trenchantly slices through thedoxa and mystification offered tip by journalists and pundits to showhow aspects of reality as diverse as terrorism and the environment, theMafia and the media, were caught up in the logic of the spectacularsociety. Pointing the finger clearly at those who benefit from the logicof domination, Debord’s Comments convey the revolutionary impulse atthe heart of situationism.
Disposable Futures
Author: Brad Evans
Publisher: City Lights Books
ISBN: 0872866580
Category : Political Science
Languages : en
Pages : 300
Book Description
A dazzling exploration of the seduction of violence and spectacle in politics, culture, entertainment and everyday life
Publisher: City Lights Books
ISBN: 0872866580
Category : Political Science
Languages : en
Pages : 300
Book Description
A dazzling exploration of the seduction of violence and spectacle in politics, culture, entertainment and everyday life
Guy Debord
Author: Anselm Jappe
Publisher: Univ of California Press
ISBN: 9780520212053
Category : Biography & Autobiography
Languages : en
Pages : 212
Book Description
This is the first serious intellectual biography of Guy Debord, prime mover of the Situationist International (1957-1972) and author of The Society of the Spectacle, perhaps the seminal book of May 1968 in France. Anselm Jappe rejects recent attempts to set Debord up as a "postmodern" icon, arguing that he was a social theorist in the Hegelian-Marxist tradition—not a precursor of Jean Baudrillard but an heir of the young Georg Lukács of History and Class Consciousness (1923). Neither hagiographical nor sectarian, Guy Debord places its subject squarely in his historical context: the politicizing Letterist and Situationist "anti-artists" who, in the European aftermath of World War II, sought to criticize and transcend the Surrealist legacy. The book offers a lively, critical, and unusually reliable account of Debord's "last avant-garde" on its way from radical bohemianism to revolutionary theory. Jappe also discusses Debord's films, which are largely inaccessible at present. This English language edition of the book has been revised by the author and features an updated critical bibliography of Debord and the Situationists.
Publisher: Univ of California Press
ISBN: 9780520212053
Category : Biography & Autobiography
Languages : en
Pages : 212
Book Description
This is the first serious intellectual biography of Guy Debord, prime mover of the Situationist International (1957-1972) and author of The Society of the Spectacle, perhaps the seminal book of May 1968 in France. Anselm Jappe rejects recent attempts to set Debord up as a "postmodern" icon, arguing that he was a social theorist in the Hegelian-Marxist tradition—not a precursor of Jean Baudrillard but an heir of the young Georg Lukács of History and Class Consciousness (1923). Neither hagiographical nor sectarian, Guy Debord places its subject squarely in his historical context: the politicizing Letterist and Situationist "anti-artists" who, in the European aftermath of World War II, sought to criticize and transcend the Surrealist legacy. The book offers a lively, critical, and unusually reliable account of Debord's "last avant-garde" on its way from radical bohemianism to revolutionary theory. Jappe also discusses Debord's films, which are largely inaccessible at present. This English language edition of the book has been revised by the author and features an updated critical bibliography of Debord and the Situationists.
Artificial Hells
Author: Claire Bishop
Publisher: Verso Books
ISBN: 1844676900
Category : Art
Languages : en
Pages : 401
Book Description
This searing critique of participatory art—from its development to its political ambitions—is “an essential title for contemporary art history scholars and students as well as anyone who has . . . thought, ‘Now that’s art!’ or ‘That’s art?’” (Library Journal) Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as “social practice.” Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawel Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling, and bolder forms of participatory art and criticism.
Publisher: Verso Books
ISBN: 1844676900
Category : Art
Languages : en
Pages : 401
Book Description
This searing critique of participatory art—from its development to its political ambitions—is “an essential title for contemporary art history scholars and students as well as anyone who has . . . thought, ‘Now that’s art!’ or ‘That’s art?’” (Library Journal) Since the 1990s, critics and curators have broadly accepted the notion that participatory art is the ultimate political art: that by encouraging an audience to take part an artist can promote new emancipatory social relations. Around the world, the champions of this form of expression are numerous, ranging from art historians such as Grant Kester, curators such as Nicolas Bourriaud and Nato Thompson, to performance theorists such as Shannon Jackson. Artificial Hells is the first historical and theoretical overview of socially engaged participatory art, known in the US as “social practice.” Claire Bishop follows the trajectory of twentieth-century art and examines key moments in the development of a participatory aesthetic. This itinerary takes in Futurism and Dada; the Situationist International; Happenings in Eastern Europe, Argentina and Paris; the 1970s Community Arts Movement; and the Artists Placement Group. It concludes with a discussion of long-term educational projects by contemporary artists such as Thomas Hirschhorn, Tania Bruguera, Pawel Althamer and Paul Chan. Since her controversial essay in Artforum in 2006, Claire Bishop has been one of the few to challenge the political and aesthetic ambitions of participatory art. In Artificial Hells, she not only scrutinizes the emancipatory claims made for these projects, but also provides an alternative to the ethical (rather than artistic) criteria invited by such artworks. Artificial Hells calls for a less prescriptive approach to art and politics, and for more compelling, troubling, and bolder forms of participatory art and criticism.
The Subversive Imagination
Author: Carol Becker
Publisher: Psychology Press
ISBN: 9780415905923
Category : Art
Languages : en
Pages : 284
Book Description
First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
Publisher: Psychology Press
ISBN: 9780415905923
Category : Art
Languages : en
Pages : 284
Book Description
First Published in 1994. Routledge is an imprint of Taylor & Francis, an informa company.
Fireworks
Author: Simon Werrett
Publisher: University of Chicago Press
ISBN: 0226893774
Category : History
Languages : en
Pages : 387
Book Description
Fireworks are synonymous with celebration in the twenty-first century. But pyrotechnics—in the form of rockets, crackers, wheels, and bombs—have exploded in sparks and noise to delight audiences in Europe ever since the Renaissance. Here, Simon Werrett shows that, far from being only a means of entertainment, fireworks helped foster advances in natural philosophy, chemistry, mathematics, and many other branches of the sciences. Fireworks brings to vibrant life the many artful practices of pyrotechnicians, as well as the elegant compositions of the architects, poets, painters, and musicians they inspired. At the same time, it uncovers the dynamic relationships that developed between the many artists and scientists who produced pyrotechnics. In so doing, the book demonstrates the critical role that pyrotechnics played in the development of physics, astronomy, chemistry and physiology, meteorology, and electrical science. Richly illustrated and drawing on a wide range of new sources, Fireworks takes readers back to a world where pyrotechnics were both divine and magical and reveals for the first time their vital contribution to the modernization of European ideas.
Publisher: University of Chicago Press
ISBN: 0226893774
Category : History
Languages : en
Pages : 387
Book Description
Fireworks are synonymous with celebration in the twenty-first century. But pyrotechnics—in the form of rockets, crackers, wheels, and bombs—have exploded in sparks and noise to delight audiences in Europe ever since the Renaissance. Here, Simon Werrett shows that, far from being only a means of entertainment, fireworks helped foster advances in natural philosophy, chemistry, mathematics, and many other branches of the sciences. Fireworks brings to vibrant life the many artful practices of pyrotechnicians, as well as the elegant compositions of the architects, poets, painters, and musicians they inspired. At the same time, it uncovers the dynamic relationships that developed between the many artists and scientists who produced pyrotechnics. In so doing, the book demonstrates the critical role that pyrotechnics played in the development of physics, astronomy, chemistry and physiology, meteorology, and electrical science. Richly illustrated and drawing on a wide range of new sources, Fireworks takes readers back to a world where pyrotechnics were both divine and magical and reveals for the first time their vital contribution to the modernization of European ideas.
Transgression and the Inexistent
Author: Mehdi Belhaj Kacem
Publisher: Bloomsbury Publishing
ISBN: 147252862X
Category : Political Science
Languages : en
Pages : 265
Book Description
A contemporary philosopher of Tunisian origin, Mehdi Belhaj Kacem is here published in English for the first time. His new book, Transgression and the Inexistent: A Philosophical Vocabulary, is a comprehensive foray into Kacem's elaborate philosophical system in twenty-seven discreet chapters, each dedicated to a single concept. In each chapter, he explicates a critical re-thinking of ordinary lived experiences - such as desire, irony, play - or traditional philosophical ideas – such as catharsis, mimesis, techne – in light of 'the spirit of nihilism' that marks the contemporary human condition. Kacem gained notoriety in the domain of critical theory amid his controversial break with his mentor and leading contemporary philosopher, Alain Badiou. Transgression and the Inexistent lays out the essential concepts of his philosophical system: it is the most complete and synthetic book of his philosophical work, as well as being one of the most provocative in its claims. As a Francophone author engaging with contemporary world thought, he is able to develop novel philosophical perspectives that reach beyond the Middle East or the Continental, and the East/West binary. This is the book's first publication in any language, constituting a much-awaited first translation of Kacem into English.
Publisher: Bloomsbury Publishing
ISBN: 147252862X
Category : Political Science
Languages : en
Pages : 265
Book Description
A contemporary philosopher of Tunisian origin, Mehdi Belhaj Kacem is here published in English for the first time. His new book, Transgression and the Inexistent: A Philosophical Vocabulary, is a comprehensive foray into Kacem's elaborate philosophical system in twenty-seven discreet chapters, each dedicated to a single concept. In each chapter, he explicates a critical re-thinking of ordinary lived experiences - such as desire, irony, play - or traditional philosophical ideas – such as catharsis, mimesis, techne – in light of 'the spirit of nihilism' that marks the contemporary human condition. Kacem gained notoriety in the domain of critical theory amid his controversial break with his mentor and leading contemporary philosopher, Alain Badiou. Transgression and the Inexistent lays out the essential concepts of his philosophical system: it is the most complete and synthetic book of his philosophical work, as well as being one of the most provocative in its claims. As a Francophone author engaging with contemporary world thought, he is able to develop novel philosophical perspectives that reach beyond the Middle East or the Continental, and the East/West binary. This is the book's first publication in any language, constituting a much-awaited first translation of Kacem into English.
New Art Examiner
Author:
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 562
Book Description
The independent voice of the visual arts.
Publisher:
ISBN:
Category : Art
Languages : en
Pages : 562
Book Description
The independent voice of the visual arts.