Studying Horror Movies: Characters (2022) PDF Download

Author: Steve Hutchison
Publisher: Tales of Terror
ISBN: 177887178X
Category : Performing Arts
Languages : en
Pages : 98

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Book Description
Film critic Steve Hutchison breaks down 29 monster and maniac archetypes from 2782 horror movies reviewed, rated, ranked, and classified. Character spreads include the four top-ranking films in each category, their average star rating, the character’s relative frequency in the genre, a list of the 10 simplest films, and a list of the 10 most complex ones. This book offers a unique perspective on horror cinema whether you’re looking for niched films to watch, film data for research, or writing inspiration.

Author: Steve Hutchison
Publisher: Tales of Terror
ISBN: 1778871941
Category : Performing Arts
Languages : en
Pages : 169

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Book Description
Film critic Steve Hutchison breaks down 29 monster and maniac archetypes, and 33 subgenres from 2782 horror movies reviewed, rated, ranked, and classified. Character and subgenre spreads include the four top-ranking films in each category, their average star rating, the character/subgenre’s relative frequency in the genre, a list of the 10 simplest films, and a list of the 10 most complex ones. This book offers a unique perspective on horror cinema whether you’re looking for niched films to watch, film data for research, or writing inspiration.

Author: Randy Rasmussen
Publisher: McFarland
ISBN: 0786427256
Category : Performing Arts
Languages : en
Pages : 278

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Book Description
There are six of them: heroines, heroes, wise elders, mad scientists, servants and monsters. One of the most fascinating and also endearing aspects of horror films is how they use these six clearly defined character types to portray good and evil. This was particularly true of the classics of the genre, where actors often appeared in the same type of role in many different films. The development of the archetypal characters reflected the way the genre reacted to social changes of the time. As the Great Depression yielded to the uncertainty of World War II, flawed but noble mad scientists such as Henry Frankenstein gave way to Dr. Nieman (The Ghost of Frankenstein) with his dreams of revenge and world conquest. This work details the development of the six archetypes in horror films and how they were portrayed in the many classics of the 1930s and 1940s.

Author: Carol J. Clover
Publisher: Princeton University Press
ISBN: 0691166293
Category : Performing Arts
Languages : en
Pages : 276

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Book Description
Examining the popularity of low-budget cinema, particularly slasher, occult, and rape-revenge films, the author argues that, while such films have been traditionally understood as offering only sadistic pleasure to their mostly male audiences, in actuality they align spectators not with the male tormentor but with the females being tormented--particularly the slasher movie's "final girls"--Who endure fear and degradation before rising to save themselves.--Adapted from publisher description.

Author: James Manderton
Publisher: GRIN Verlag
ISBN: 3964876828
Category : Literary Collections
Languages : en
Pages : 21

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Book Description
Seminar paper from the year 2022 in the subject English Language and Literature Studies, grade: 2,0, University of Hannover (Englisches Seminar), course: Films and Remakes, language: English, abstract: Analysis of the depiction of violence in the original Halloween movie by John Carpenter as well as its 2007 remake by Rob Zombie. Analysis of the "Remake logic". John Carpenter’s Halloween from 1978 is the 17th scariest horror movie of all time. At least according to the ‘Science of scares’ study conducted by the website Broadbandchoices.co.uk in 2021. The results are based on the average heart rate viewers exhibited during the screening of different horror movies. Whether this indicator serves as a reliable source for actually determining the fear factor of movies is questionable, to say the least. Likewise, scientists and scholars, psychologists and philosophers have been arguing for a long time about what induces fear in the viewer while watching horror movies (and why one should even want to consume these films at all then). Theories range from ones that claim we simply feel empathy and sympathy towards the characters in the movie (e.g., Plantinga 2009) to ones that propose that the viewing experience itself is the scary feature (Hanich 2014). Yet others, mainly psychological approaches, contend that there is a certain level of enjoyment to be had from experiencing fear while knowing there is no actual threat present (Nummenmaa 2021). Whatever the actual explanation might be (perhaps all of them are true to an extent), the discussion surrounding the topic itself serves to illustrate one of the key functions of the horror movie. To make its viewers feel afraid. While there are a multitude of ways to achieve this, one only needs to consider the vast array of different genres of horror, from gory slasher flicks to supernatural and paranormal horror, the ultimate goal can be seen as the evocation of fear.

Author: Seth Grahame-Smith
Publisher: Quirk Books
ISBN: 1594745684
Category : Performing Arts
Languages : en
Pages : 182

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Book Description
Written by the screenwriter and producer behind Stephen King’s It, and with an introduction by horror icon Wes Craven (A Nightmare on Elm Street), this is a hilarious must-read for any horror movie fan—and it just might save your life Are you reading this in a cornfield, at a summer camp, or in an abandoned mental institution? Have you noticed that everything is poorly lit, or that music surges every time you open a door? If the answer is yes, you’re probably trapped in a horror movie. But don’t freak out—just read this book! With it you will learn how to overcome every obstacle found in scary films, including: • How to determine what type of horror film you’re trapped in • The five types of slashers and how to defeat them • How to handle killer dolls, murderous automobiles, and other haunted objects • How to deal with alien invasions, zombie apocalypses, and other global threats • What to do if you did something last summer, if your corn has children in it, or if you suspect you’re already dead So don't be afraid: no vampire, zombie horde, cannibal hillbilly, Japanese vengeance ghost, or other horror movie monster can hurt you—as long as you have this book.

Author: George. A Romero
Publisher: Dark Horse Comics
ISBN: 1506719031
Category : Performing Arts
Languages : en
Pages : 160

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Book Description
Insightful interviews of horror legends George Romero, John Landis, Joe Dante, Brian Yuzna, and more, by former editor-in-chief of Rue Morgue, Dave Alexander, about the scariest horror movies never made! Take a behind-the-scenes look into development hell to find the most frightening horror movies that never were, from unmade Re-Animator sequels to alternate takes on legendary franchises like Frankenstein and Dracula! Features art, scripts, and other production material from unmade films that still might make you scream--with insights from dozens of directors, screenwriters, and producers with decades of experience. Featured Interviews With: George A. Romero John Landis Joe Dante Vincenzo Natali Brian Yuzna William Lustig William Malone Buddy Giovinazzo Tim Sullivan Richard Raaphorst Ruggero Deodato Jim Shooter Bob Layton David J. Skal

Author: Michael Crandol
Publisher: Bloomsbury Publishing
ISBN: 1350178756
Category : Performing Arts
Languages : en
Pages : 265

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Book Description
Ghost in the Well is the first study to provide a full history of the horror genre in Japanese cinema, from the silent era to Classical period movies such as Nakagawa Nobuo's Tokaido Yotsuya kaidan (1959) to the contemporary global popularity of J-horror pictures like the Ring and Ju-on franchises. Michael Crandol draws on a wide range of Japanese language sources, including magazines, posters and interviews with directors such as Kurosawa Kiyoshi, to consider the development of kaiki eiga, the Japanese phrase meaning "weird" or "bizarre" films that most closely corresponds to Western understandings of "horror". He traces the origins of kaika eiga in Japanese kabuki theatre and traditions of the monstrous feminine, showing how these traditional forms were combined with the style and conventions of Hollywood horror to produce an aesthetic that was both transnational and peculiarly Japanese. Ghost in the Well sheds new light on one of Japanese cinema's best-known genres, while also serving as a fascinating case study of how popular film genres are re-imagined across cultural divides.

Author: Seçmen, Emre Ahmet
Publisher: IGI Global
ISBN:
Category : Performing Arts
Languages : en
Pages : 347

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Book Description
Visual continuity in sequels poses a daunting challenge for filmmakers as they strive to maintain coherence while expanding upon established narratives and visual aesthetics. With cinema's evolution, audiences' expectations have grown more sophisticated, demanding seamless transitions and immersive experiences across film series. However, achieving this continuity requires a delicate balance between honoring the original work and introducing innovative elements to captivate viewers. Addressing this complication is the book, Studies on Cinematography and Narrative in Film: Sequels, Serials, and Trilogies, which emerges with a comprehensive approach. By delving into the interplay between cinematography and narrative structure, this book offers invaluable insights for filmmakers seeking to navigate the complexities of sequel production. Through meticulous analysis of prominent film series and theoretical frameworks, it provides a roadmap for achieving visual coherence while pushing creative boundaries.

Author: Darren Elliott-Smith
Publisher: University of Wales Press
ISBN: 1786836270
Category : Fiction
Languages : en
Pages : 258

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Book Description
This anthology comprises essays that study the form, aesthetics and representations of LGBTQ+ identities in an emerging sub-genre of film and television termed ‘New Queer Horror’. This sub-genre designates horror crafted by directors/producers who identify as gay, bi, queer or transgendered, or works like Jeepers Creepers (2001), Let the Right One In (2008), Hannibal (2013–15), or American Horror Story: Coven (2013–14), which feature homoerotic or explicitly homosexual narratives with ‘out’ LGBTQ+ characters. Unlike other studies, this anthology argues that New Queer Horror projects contemporary anxieties within LGBTQ+ subcultures onto its characters and into its narratives, building upon the previously figurative role of Queer monstrosity in the moving image. New Queer Horror thus highlights the limits of a metaphorical understanding of queerness in the horror film, in an age where its presence has become unambiguous. Ultimately, this anthology aims to show that in recent years New Queer Horror has turned the focus of fear on itself, on its own communities and subcultures.