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Author: Maaike Lauwaert Publisher: Walther Konig Verlag ISBN: 9783863358723 Category : Architects Languages : en Pages : 0
Book Description
Anne Holtrop (1977) graduated in 2005 from the Academie van Bouwkunst in Amsterdam with a cum laude degree in architecture and in 2009 started his own studio. Today his office is based in Muharraq (Bahrain) and Amsterdam (The Netherlands). His work ranges from models to temporary spaces and buildings. Until very recently, he had only built a few small pavilions and various installations between art and architecture. Outside of the conventional architectural circuit, and more related to art installations, these extremely poetic pavilions consisted of small-scale spatial concepts and personal research on materials. In 2015 he completed his first two major buildings, Museum Fort Vechten and the National Pavilion of the Kingdom of Bahrain. He was course director of the Studio for Immediate Spaces master at the Sandberg Instituut Amsterdam from 2012 to 2016, and was editor of the architectural journal Oase from 2005 to 2013. For his practice he has been awarded several grants from the Mondrian Fund, as well as receiving the Charlotte Kohler Prize for Architecture from the Prins Bernhard Cultuurfonds in 2007.
Author: Maaike Lauwaert Publisher: Walther Konig Verlag ISBN: 9783863358723 Category : Architects Languages : en Pages : 0
Book Description
Anne Holtrop (1977) graduated in 2005 from the Academie van Bouwkunst in Amsterdam with a cum laude degree in architecture and in 2009 started his own studio. Today his office is based in Muharraq (Bahrain) and Amsterdam (The Netherlands). His work ranges from models to temporary spaces and buildings. Until very recently, he had only built a few small pavilions and various installations between art and architecture. Outside of the conventional architectural circuit, and more related to art installations, these extremely poetic pavilions consisted of small-scale spatial concepts and personal research on materials. In 2015 he completed his first two major buildings, Museum Fort Vechten and the National Pavilion of the Kingdom of Bahrain. He was course director of the Studio for Immediate Spaces master at the Sandberg Instituut Amsterdam from 2012 to 2016, and was editor of the architectural journal Oase from 2005 to 2013. For his practice he has been awarded several grants from the Mondrian Fund, as well as receiving the Charlotte Kohler Prize for Architecture from the Prins Bernhard Cultuurfonds in 2007.
Author: Roberto Gigliotti Publisher: ISBN: 9783944669694 Category : Architectural design Languages : en Pages : 0
Book Description
Why do we organise architecture exhibitions? Conventional shows - contexts displaying documentation, technical drawings, three-dimensional models, photographs and videos, frameworks where sketches and drawings are treated as if they were "paintings", models as if they were "sculptures" and photographs idealising what they depict within strangely uninhabited landscapes - are contrasted by practices of display that focus on a different kind of investigation and offer an uncharacteristic way of involving the public with the show by means of spatial solutions within the exhibition space. The attitude that characterises the traditional approach to architecture exhibitions inevitably generates a distinction between the visitors that can read and interpret the displayed objects and those who cannot. Hardly any empathy is generated between the exposed objects and the subjects viewing them; often these kinds of exhibitions only try to solve the problem of presenting objects that cannot be transferred into exhibitions spaces. In the last years we have assisted to the diffusion of exhibitions characterised by different approaches, i.e. shows in which architectural production is presented as an issue which is integrated in a broader critical context and assumes a central role from an unexpected point of view, or exhibitions that concentrate on an emotional involvement of visitors who are not confronted with a specific object and its characteristics, but with the transmission of an experience capable of establishing an intense relationship between the public and the content of the show. In order to explore these issues, this conference brings together critical contributions related to both the conception and the construction of contemporary architecture exhibitions.
Author: Publisher: ISBN: 9783944074269 Category : Languages : en Pages : 136
Book Description
Architecture Monogram' is a book series on emerging architects, landscape designers, photographers, and writers from Belgium and the Netherlands in which the designers reveal the personal obsessions and motivations that stimulate their design process. In this second issue of the series Swiss-Dutch landscape architect Anouk Vogel reflects upon ten years of independent practice in the form of short conversations with her alter ego that reveal the way in which she explores the margins of the discipline.
Author: David Chipperfield Publisher: ISBN: 9780500294543 Category : Architecture Languages : en Pages : 0
Book Description
Sir David Chipperfield is of one of Britain's leading architects. Renowned for his quiet and thoughtful style, he has a huge international reputation and has created works in China, Japan, Italy, USA, Spain and Germany. Chipperfield produces sophisticated buildings, from museums to homes, with an acute sensitivity for materials and a powerful awareness of their environment. This revised and expanded book presents projects spanning Chipperfield's entire career. Each has a project profile, many accompanied by specially commissioned photographs, along with a complete project chronology. Among the featured works are the River and Rowing Museum in Henley-on-Thames, the Neues Museum Berlin, BBC Scotland at Pacific Quay, The Hepworth Wakefield, Turner Contemporary Margate, Naga Museum Sudan and Fayland House. This new edition includes 34 new projects, including One Pancras Square and the Royal Academy extension.
Author: Publisher: ISBN: 9783037786864 Category : Languages : en Pages : 180
Book Description
Two stars of contemporary architecture explore the unique handling of light and heat in the architecture of Burkina Faso Across the African continent, but especially in the sub-Saharan regions, the light has a particularly stark quality, which becomes most apparent in relation to older buildings. Before electricity, architecture was required to make use of the sun as a light source within a building, while also protecting its inhabitants from the heat. This resulted in vernacular architecture that features very few or small openings, which consequently render the inside of a building near pitch black, while the outside is illuminated by sunshine that bears down mercilessly. On the initiative of the lighting technology company Zumtobel Group, photographer Iwan Baan (born 1975) and architect Francis Kéré (born 1965) set out to capture how the sun's natural light cycle shapes vernacular architecture in Burkina Faso with little to no artificial light sources. They traveled to three exemplary locations: communal compounds in Gando; the main mosque of Bobo Dioulasso; and the terraced houses in Dano. Baan's pictures are accompanied by architectural sketches by Francis Kéré, who himself grew up in this light environment and whose architecture is inspired by it. The stunning photographs are printed using a special technique, to give a sense of being immersed in the very light conditions documented here.
Author: Valerio Olgiati Publisher: Quart Architektur ISBN: 9783037610695 Category : Architecture Languages : en Pages : 424
Book Description
The Visible Origin of Architecture: "I asked architects to send me important images that show the basis of their work. Images that are in their head when they think. Images that show the origin of their architecture. In this book we find 44 individual 'musees imaginaires'. The most unique architects living today each present up to 10 images to explain the autobiographical roots of their oeuvre. The images are explanations, metaphors, foundations, memories and intentions. They are poetic and philosophical avowals. They reveal a personal perspective on thoughts. They show the roots of architecture and expectations concerning projects. Conscious and unconscious. This book has the format of a reader. As little as possible is said. The images are small, legible and interpretable as icons. As individual collections, they present a personal view of an individual world, while as a whole they provide a universal view of the perceptible origin of contemporary architecture." Valerio Olgiati The images submitted to Olgiati are personal, confidential and poetic revelations of the deeper foundations on which the architects' projects are based. The collection acts as a kind of depth gauge of contemporary world architecture. The list comprises the 44 most unique architects living today: David Adjaye, Francisco Aires Mateus, Manuel Aires Mateus, Alejandro Aravena, Ben van Berkel, Mario Botta, Alberto Campo Baeza, Adam Caruso, Peter St John, David Chipperfield, Preston Scott Cohen, Hermann Czech, Roger Diener, Peter Eisenman, Sou Fujimoto, Anton Garcia-Abril, Go Hasegawa, Jacques Herzog, Pierre de Meuron, Steven Holl, Anne Holtrop, Junya Ishigami, Arata Isozaki, Toyo Ito, Bijoy Jain (Studio Mumbai), Momoyo Kaijima, Yoshiharu Tsukamoto (Atelier Bow-Wow), Christian Kerez, Hans Kollhoff, Winy Maas (MVRDV), Peter Markli, Jurgen Mayer H., Richard Meier, Glenn Murcutt, Ryue Nishizawa, Valerio Olgiati, John Pawson, Cecilia Puga, Smiljan Radic, Richard Rogers, Kazuyo Sejima, Jonathan Sergison, Stephen Bates, Miroslav ik, Alvaro Siza Vieira, Eduardo Souto de Moura, Robert Venturi, Denise Scott Brown, Peter Wilson (Bolles + Wilson), Peter Zumthor."
Author: Marina Montresor Publisher: Quart Architektur ISBN: 9783037611739 Category : Architects Languages : en Pages : 0
Book Description
The two editors, graduate architects from the Mendrisio Academy of Architecture asked six renowned architects and four well-known artists, all among the latest generation in their field, about their underlying motivation, orientation and stances with respect to architecture and art. The result is inspiring, in-depth reflection, enhanced by quotes, symbolic images and presentations of real projects from the world of architecture and art that underline and symbolize their ideas and reflections. Interviews with the architects Kersten Geers (Office KGDVS, Brussels), François Charbonnet (Made in, Geneva), Go Hasegawa (Tokyo), Anne Holtrop (Bahrain and Amsterdam), Pier Vittorio Aureli and Martino Tattara (DOGMA, Brussels and London), Junya Ishigami (Tokyo) and the artists Ila Bêka and Louise Lemoine (film-makers, Paris), Philipp Schaerer (Zurich and Steffisburg), Yuri Ancarani (visual artist and film-maker, Milan), Bas Princen (photographer, Zurich and Rotterdam).
Author: Ole Bouman Publisher: Nai010 Publishers ISBN: 9789056627263 Category : Architecture Languages : en Pages : 0
Book Description
Architecture of Consequence began life as the Dutch presentation at the São Paolo Architecture Biennale in 2009. "Shape our country!" was the call that the Netherlands Architecture Institute (NAi) made to its public over a six-month period. The result was a deluge of proposals, as the people of the Netherlands rose to the challenge of naming their needs: new guidelines for food production, alternative energy sources, solutions for space shortage, social cohesion, a healthy living environment and the recalibration of economic value. Formulating responses to such fundamental questions of our time is, it seems, everyone's business. All of the above issues converge at spatial planning and design, where real opportunities for social innovation still await. For this project, the Netherlands Architecture Institute selected 22 Dutch architecture firms with genuinely innovative ideas on these seven imperatives and the will to do something about them. The result is an agenda for the future of our living environment and a proof that designers have the creative power to make it happen. Architecture of Consequence proves that any notion that architecture should be an "expression of its time," or should do no more than express the vanity of its commissioners, pales into insignificance when compared to its tremendous potential for resolving urgent societal problems.
Author: Maaike Lauwaert
Author: Maaike Lauwaert
Author: Fredi Fischli
Author: Roberto Gigliotti
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Author: David Chipperfield
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Author: Valerio Olgiati
Author: Marina Montresor
Author: Ole Bouman