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Author: Ewing Campbell Publisher: Macmillan Reference USA ISBN: Category : Literary Criticism Languages : en Pages : 204
Book Description
"Perhaps the most significant and influential figure in this century's wave of American realism, Raymond Carver (1938-1988) is credited not only with reviving the short story as an artistically legitimate form, but also with perfecting minimalist fiction. His 1981 collection, What We Talk about When We Talk about Love, remains the standard against which minimalist literature is measured, and his numerous prize-winning and frequently anthologized stories have established him as the extender of a modernist tradition stretching from Chekhov through Joyce and Hemingway. In his later collections, such as Cathedral (1983) and Where I'm Calling From (1988), Carver surpasses even his own great achievement, setting a bold new path for his short fiction and intensifying the scholarly attention he'd first inspired with "Will You Please Be Quiet, Please?" (anthologized in Best American Short Stories of 1967)." "Moving chronologically through Carver's complete short fiction canon and examining key stories in depth, Ewing Campbell traces the author's development through and beyond literary minimalism, into the tradition of tragic allegory. He explores Carvers persistent use of myth and archetype; motifs of the grotesque; religious iconography; and oppressed, spiritually paralyzed characters. From the earliest stories through the latest, Campbell illuminates Carvers constant fascination with the way individuals connect or fail to connect with one another."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Ewing Campbell Publisher: Macmillan Reference USA ISBN: Category : Literary Criticism Languages : en Pages : 204
Book Description
"Perhaps the most significant and influential figure in this century's wave of American realism, Raymond Carver (1938-1988) is credited not only with reviving the short story as an artistically legitimate form, but also with perfecting minimalist fiction. His 1981 collection, What We Talk about When We Talk about Love, remains the standard against which minimalist literature is measured, and his numerous prize-winning and frequently anthologized stories have established him as the extender of a modernist tradition stretching from Chekhov through Joyce and Hemingway. In his later collections, such as Cathedral (1983) and Where I'm Calling From (1988), Carver surpasses even his own great achievement, setting a bold new path for his short fiction and intensifying the scholarly attention he'd first inspired with "Will You Please Be Quiet, Please?" (anthologized in Best American Short Stories of 1967)." "Moving chronologically through Carver's complete short fiction canon and examining key stories in depth, Ewing Campbell traces the author's development through and beyond literary minimalism, into the tradition of tragic allegory. He explores Carvers persistent use of myth and archetype; motifs of the grotesque; religious iconography; and oppressed, spiritually paralyzed characters. From the earliest stories through the latest, Campbell illuminates Carvers constant fascination with the way individuals connect or fail to connect with one another."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Greg Johnson Publisher: ISBN: Category : Literary Criticism Languages : en Pages : 264
Book Description
"Joyce Carol Oates is often called America's most prolific living writer, but it is perhaps her versatility that is most astounding. Just as she is a revered novelist, playwright, poet, and critic, the short stories gathered in her 21 published collections - from By the North Gate (1963) to Haunted: Tales of the Grotesque (1994) - vary in theme and style, although all evoke the bedrock natural and social reality that has consistently informed her fiction." "In this comprehensive survey of Oates's stories, Greg Johnson selects eight of her collections that he considers most representative of her work and among her most successful books. He analyzes stories in which Oates experiments with form, genre, allusion, and Gothicism and presents postmodern allegories of American life. Separate chapters are devoted to Oates's early Eden County stories in By the North Gate and Upon the Sweeping Flood (1966), her stories focused on female experience in The Wheel of Love (1970) and The Goddess and Other Women (1974), her experimentation with fictional form and genre in Marriages and Infidelities (1972) and Night-Side (1977), and her recent work in Raven's Wing (1986) and Heat (1991), dealing with the psychology and culture of contemporary life." "The volume's second part presents a 1981 interview with Oates (conducted by Sanford Pinsker), as well as a copious selection of Oates's writing about her stories and the form generally - a discussion of her early stories; separate appraisals of "Funland," "Heat," "The Swimmers," and "Why Don't You Come Live with Me It's Time"; her response to the question "Is there a female voice?"; and her comments on the translation of short story into film. Part 3 consists of four critical essays - by scholars Marilyn C. Wesley, Daniel L. Zins, Robert McPhillips, and Gretchen Schulz - commissioned specifically for this volume, as well as previously published essays by William Abrahams, Elaine Showalter, and Elizabeth Pochoda." "Johnson's exploration of the stories he considers key to an understanding of Oates's mastery of the genre is essential reading for students of Oates's work and of the contemporary American short story."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Author: Tom Quirk Publisher: University of Missouri Press ISBN: 0826266215 Category : Literary Criticism Languages : en Pages : 309
Book Description
Mark Twain once claimed that he could read human character as well as he could read the Mississippi River, and he studied his fellow humans with the same devoted attention. In both his fiction and his nonfiction, he was disposed to dramatize how the human creature acts in a given environment—and to understand why. Now one of America’s preeminent Twain scholars takes a closer look at this icon’s abiding interest in his fellow creatures. In seeking to account for how Twain might have reasonably believed the things he said he believed, Tom Quirk has interwoven the author’s inner life with his writings to produce a meditation on how Twain’s understanding of human nature evolved and deepened, and to show that this was one of the central preoccupations of his life. Quirk charts the ways in which this humorist and occasional philosopher contemplated the subject of human nature from early adulthood until the end of his life, revealing how his outlook changed over the years. His travels, his readings in history and science, his political and social commitments, and his own pragmatic testing of human nature in his writing contributed to Twain’s mature view of his kind. Quirk establishes the social and scientific contexts that clarify Twain’s thinking, and he considers not only Twain’s stated intentions about his purposes in his published works but also his ad hoc remarks about the human condition. Viewing both major and minor works through the lens of Twain’s shifting attitude, Quirk provides refreshing new perspectives on the master’s oeuvre. He offers a detailed look at the travel writings, including The Innocents Abroad and Following the Equator, and the novels, including The Adventures of Tom Sawyer, Adventures of Huckleberry Finn, and Pudd’nhead Wilson, as well as an important review of works from Twain’s last decade, including fantasies centering on man’s insignificance in Creation, works preoccupied with isolation—notably No. 44,The Mysterious Stranger and “Eve’s Diary”—and polemical writings such as What Is Man? Comprising the well-seasoned reflections of a mature scholar, this persuasive and eminently readable study comes to terms with the life-shaping ideas and attitudes of one of America’s best-loved writers. Mark Twain and Human Nature offers readers a better understanding of Twain’s intellect as it enriches our understanding of his craft and his ineluctable humor.
Author: Helen S. Garson Publisher: Frederick Ungar ISBN: Category : Biography & Autobiography Languages : en Pages : 232
Book Description
A brief biographical profile accompanies a detailed analysis of Capote's novels and short stories, and an assessment of his influence on modern literature.
Author: Naomi Lindstrom Publisher: Twayne Pub ISBN: 9780805783278 Category : Fiction Languages : en Pages : 174
Book Description
Examines both periods of the Argentine writer's works--his early baroque style with elaborate plot construction, and his later more traditional narratives
Author: Chester L. Wolford Publisher: ISBN: Category : Fiction Languages : en Pages : 184
Book Description
This is a full-length study of Crane's short stories, tracing their formal development and relating Crane's work to the aesthetic principles of American modernism. As mirrors of his time, Crane's stories reflected the major forces that transformed American life between 1850 and 1900: the Civil War, industrialism and the rise of cities and slums, and the disappearance of the American frontier. Consequently, the predominant theme of much of Crane's work is the conflict between chaos and order, emphasizing what Crane saw as man's fragmented perception of reality. In his search for meaning in human existence, Crane turned to ritual in his late fiction. ISBN 0-8057-8315-6: $18.95.
Author: Pauline E. Hopkins Publisher: Graphic Arts Books ISBN: 1513298496 Category : Fiction Languages : en Pages : 18
Book Description
Talma Gordon (1900) is a short story by Pauline E. Hopkins. Recognized as the first African American mystery story, Talma Gordon was originally published in the October 1900 edition of The Colored American Magazine, America’s first monthly periodical covering African American arts and culture. Combining themes of racial identity and passing with a locked room mystery plot, Hopkins weaves a masterful tale of conspiracy, suspicion, and murder. “When the trial was called Jeannette sat beside Talma in the prisoner’s dock; both were arrayed in deepest mourning, Talma was pale and careworn, but seemed uplifted, spiritualized, as it were. [...] She had changed much too: hollow cheeks, tottering steps, eyes blazing with fever, all suggestive of rapid and premature decay.” When Puritan descendant Jonathan Gordon is discovered murdered under suspicious circumstances, the ensuing trial implicates his own daughter Talma. Despite being declared innocent, the townsfolk are determined to believe that Talma conspired to have her father killed after he discovered her mixed racial heritage. Freed from the prospect of imprisonment, Talma is left with only her sister’s protection against the anger and violence of her neighbors. With this thrilling tale of murder and racial tension, Hopkins proves herself as a true pioneer of American literature, a woman whose talent and principles afforded her the vision necessary for illuminating the injustices of life in a nation founded on slavery and genocide. With a beautifully designed cover and professionally typeset manuscript, this edition of Pauline E. Hopkins’ Talma Gordon is a classic work of African American literature reimagined for modern readers.
Author: Patricia Leavy Publisher: Routledge ISBN: 1315428474 Category : Psychology Languages : en Pages : 278
Book Description
The turn to fiction as a social research practice is a natural extension of what many researchers and writers have long been doing. Patricia Leavy, a widely published qualitative researcher and a novelist, explores the overlaps and intersections between these two ways of understanding and describing human experience. She demonstrates the validity of literary experimentation to the qualitative researcher and how to incorporate these practices into research projects. Five short stories and excerpts from novellas and novels show these methods in action. This book is an essential methodological introduction for those interested in studying or practicing arts-based research.