Author: Isabel Davis Publisher: Boydell & Brewer Ltd ISBN: 1843844079 Category : Literary Criticism Languages : en Pages : 266
Book Description
Fama, or fame, is a central concern of late medieval literature. Where fame came from, who deserved it, whether it was desirable, how it was acquired and kept were significant inquiries for a culture that relied extensively on personal credit and reputation. An interest in fame was not new, being inherited from the classical world, but was renewed and rethought within the vernacular revolutions of the later Middle Ages. The work of Geoffrey Chaucer shows a preoccupation with ideas on the subject of fama, not only those received from the classical world but also those of his near contemporaries; via an engagement with their texts, he aimed to negotiate a place for his own work in the literary canon, establishing fame as the subject-site at which literary theory was contested and writerly reputation won. Chaucer's place in these negotiations was readily recognized in his aftermath, as later writers adopted and reworked postures which Chaucer had struck, in their own bids for literary place. This volume considers the debates on fama which were past, present and future to Chaucer, using his work as a centre point to investigate canon formation in European literature from the late Middle Ages and into the Early Modern period. Isabel Davis is Senior Lecturer in Medieval Literature at Birkbeck, University of London; Catherine Nall is Senior Lecturer in Medieval Literature at Royal Holloway, University of London. Contributors: Joanna Bellis, Alcuin Blamires, Julia Boffey, Isabel Davis, Stephanie Downes, A.S.G. Edwards, Jamie C. Fumo, Andrew Galloway, Nick Havely, Thomas A. Prendergast, Mike Rodman Jones, William T. Rossiter, Elizaveta Strakhov.
Author: Sheila Delany Publisher: ISBN: 9780813012599 Category : Literary Criticism Languages : en Pages : 134
Book Description
On its original publication this classic title made sense of a difficult poem for the first time and brought that poem to the center of a concern with the nature of tradition, textuality, and language that is current today. The book forces late-medieval philosophy out of the closet and into a relation with literature, and it validates the use of contemporary methods and sensibility in literary criticism. In Sheila Delany's view, House of Fame portrays the ambiguity of old or new communication, with skeptical fideism as the means of transcending ambiguity.
Author: Wilbur Owen Sypherd Publisher: Forgotten Books ISBN: 9780364032732 Category : Literary Collections Languages : en Pages : 194
Book Description
Excerpt from Studies in Chaucer's House of Fame A confirmation of the previous discussion occurs in Part IV., where in keeping with the theory advanced in Part I., and with its partial justification in Part III., I present an explanation of the inner meaning of the Bous of Fame. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Author: Benjamin Granade Koonce Publisher: Princeton University Press ISBN: 140087694X Category : Literary Criticism Languages : en Pages : 302
Book Description
The author's aim is to "restore to the reading of the poem a background of medieval meanings familiar enough to Chaucer’s contemporary reader but almost lost to the modem." Mr. Koonce believes that fame was a clearly defined Christian concept in the Middle Ages, and his interpretation of Chaucer’s allegory proceeds from that central focus. Originally published in 1966. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Barry A. Windeatt Publisher: Boydell & Brewer Ltd ISBN: 0859910725 Category : History Languages : en Pages : 190
Book Description
This volume makes available in translation the texts that lie behind Chaucer's dream poems - The Book of the Duchess, The Parliament of Fowls, The House of Fame and Prologue to the Legend of Good Women. Chaucer's dream poems are now being increasingly studied and appreciated. With their attractively bookish dreamer figure and their graceful use of conventions and traditions, they have their distinctive place in Chaucer's work. But the nodern reader of these medieval poems particularly needs a sense of their literary context in the tradition of comparable narrative poems - largely in OId French - which Chaucer knew and drew upon. None of these French poems has ever been made available in English translation before, and many of the texts are difficult to access, being available only in dated French scholarly editions. The authors represented are Froissart, Machaut and Deschamps, as well as some minor and anonymous poems, and there are also relevant translations from Cicero and Boccaccio. The book gives an idea of what Chaucer's sources were in themselves, and in what ways the English poet was inspired to use and go beyond them, and this presents a picture of the poet at work. Some of the French poems are translated carefully by Chaucer, while with other poems he is selective, interested in certain sections of his sources only. In further cases, the original material can be seen to have provided a more general point of departure for Chaucer's own developments on his work.