Author: John Brenkman
Publisher: Routledge
ISBN: 1317366735
Category : Psychology
Languages : en
Pages : 248
Book Description
Major psychoanalytic thinkers from Freud to Ricoeur to Lacan considered the Oedipus complex the key to explaining the human psyche and human sexuality, even culture itself. But, in fact, they were merely theorizing males. In this title, originally published in 1993, the author reassesses the benchmark concepts of Freudian thought, building on feminist criticisms of psychoanalysis and the new history of sexuality. The psychoanalytic questions become political questions: How do the norms of heterosexuality and masculinity themselves emerge within modern society and culture? How do the institutions of compulsory heterosexuality and modern patriarchy shape identity and desire? What make heterosexuality compulsory in our society? Brenkman argues that the larger social world is part and parcel of the Oedipus complex. He challenges psychoanalysis to reinvent its cultural project, as a therapeutics and an ethics, by recovering the moral-political dimension in its approach to family, sexuality and gender. Straight Male Modern casts a new light on psychoanalysis’s contribution to modern life, revealing the richness of the Freudian tradition’s encounter with modern politics and culture, and the poverty of its response.
Straight Male Modern
Author: John Brenkman
Publisher: Routledge
ISBN: 1317366735
Category : Psychology
Languages : en
Pages : 248
Book Description
Major psychoanalytic thinkers from Freud to Ricoeur to Lacan considered the Oedipus complex the key to explaining the human psyche and human sexuality, even culture itself. But, in fact, they were merely theorizing males. In this title, originally published in 1993, the author reassesses the benchmark concepts of Freudian thought, building on feminist criticisms of psychoanalysis and the new history of sexuality. The psychoanalytic questions become political questions: How do the norms of heterosexuality and masculinity themselves emerge within modern society and culture? How do the institutions of compulsory heterosexuality and modern patriarchy shape identity and desire? What make heterosexuality compulsory in our society? Brenkman argues that the larger social world is part and parcel of the Oedipus complex. He challenges psychoanalysis to reinvent its cultural project, as a therapeutics and an ethics, by recovering the moral-political dimension in its approach to family, sexuality and gender. Straight Male Modern casts a new light on psychoanalysis’s contribution to modern life, revealing the richness of the Freudian tradition’s encounter with modern politics and culture, and the poverty of its response.
Publisher: Routledge
ISBN: 1317366735
Category : Psychology
Languages : en
Pages : 248
Book Description
Major psychoanalytic thinkers from Freud to Ricoeur to Lacan considered the Oedipus complex the key to explaining the human psyche and human sexuality, even culture itself. But, in fact, they were merely theorizing males. In this title, originally published in 1993, the author reassesses the benchmark concepts of Freudian thought, building on feminist criticisms of psychoanalysis and the new history of sexuality. The psychoanalytic questions become political questions: How do the norms of heterosexuality and masculinity themselves emerge within modern society and culture? How do the institutions of compulsory heterosexuality and modern patriarchy shape identity and desire? What make heterosexuality compulsory in our society? Brenkman argues that the larger social world is part and parcel of the Oedipus complex. He challenges psychoanalysis to reinvent its cultural project, as a therapeutics and an ethics, by recovering the moral-political dimension in its approach to family, sexuality and gender. Straight Male Modern casts a new light on psychoanalysis’s contribution to modern life, revealing the richness of the Freudian tradition’s encounter with modern politics and culture, and the poverty of its response.
Mostly Straight
Author: Ritch C. Savin-Williams
Publisher: Harvard University Press
ISBN: 067497638X
Category : Family & Relationships
Languages : en
Pages : 251
Book Description
Based on research, the author explores in this publication the personal stories of forty young men to help us understand the biological and psychological factors that led them to become mostly straight and the cultural forces that are loosening the sexual bind that many boys and young men experience.
Publisher: Harvard University Press
ISBN: 067497638X
Category : Family & Relationships
Languages : en
Pages : 251
Book Description
Based on research, the author explores in this publication the personal stories of forty young men to help us understand the biological and psychological factors that led them to become mostly straight and the cultural forces that are loosening the sexual bind that many boys and young men experience.
Not Gay
Author: Jane Ward
Publisher: NYU Press
ISBN: 1479825174
Category : Psychology
Languages : en
Pages : 251
Book Description
A different look at heterosexuality in the twenty-first century A straight white girl can kiss a girl, like it, and still call herself straight—her boyfriend may even encourage her. But can straight white guys experience the same easy sexual fluidity, or would kissing a guy just mean that they are really gay? Not Gay thrusts deep into a world where straight guy-on-guy action is not a myth but a reality: there’s fraternity and military hazing rituals, where new recruits are made to grab each other’s penises and stick fingers up their fellow members’ anuses; online personal ads, where straight men seek other straight men to masturbate with; and, last but not least, the long and clandestine history of straight men frequenting public restrooms for sexual encounters with other men. For Jane Ward, these sexual practices reveal a unique social space where straight white men can—and do—have sex with other straight white men; in fact, she argues, to do so reaffirms rather than challenges their gender and racial identity. Ward illustrates that sex between straight white men allows them to leverage whiteness and masculinity to authenticate their heterosexuality in the context of sex with men. By understanding their same-sex sexual practice as meaningless, accidental, or even necessary, straight white men can perform homosexual contact in heterosexual ways. These sex acts are not slippages into a queer way of being or expressions of a desired but unarticulated gay identity. Instead, Ward argues, they reveal the fluidity and complexity that characterizes all human sexual desire. In the end, Ward’s analysis offers a new way to think about heterosexuality—not as the opposite or absence of homosexuality, but as its own unique mode of engaging in homosexual sex, a mode characterized by pretense, dis-identification and racial and heterosexual privilege. Daring, insightful, and brimming with wit, Not Gay is a fascinating new take on the complexities of heterosexuality in the modern era.
Publisher: NYU Press
ISBN: 1479825174
Category : Psychology
Languages : en
Pages : 251
Book Description
A different look at heterosexuality in the twenty-first century A straight white girl can kiss a girl, like it, and still call herself straight—her boyfriend may even encourage her. But can straight white guys experience the same easy sexual fluidity, or would kissing a guy just mean that they are really gay? Not Gay thrusts deep into a world where straight guy-on-guy action is not a myth but a reality: there’s fraternity and military hazing rituals, where new recruits are made to grab each other’s penises and stick fingers up their fellow members’ anuses; online personal ads, where straight men seek other straight men to masturbate with; and, last but not least, the long and clandestine history of straight men frequenting public restrooms for sexual encounters with other men. For Jane Ward, these sexual practices reveal a unique social space where straight white men can—and do—have sex with other straight white men; in fact, she argues, to do so reaffirms rather than challenges their gender and racial identity. Ward illustrates that sex between straight white men allows them to leverage whiteness and masculinity to authenticate their heterosexuality in the context of sex with men. By understanding their same-sex sexual practice as meaningless, accidental, or even necessary, straight white men can perform homosexual contact in heterosexual ways. These sex acts are not slippages into a queer way of being or expressions of a desired but unarticulated gay identity. Instead, Ward argues, they reveal the fluidity and complexity that characterizes all human sexual desire. In the end, Ward’s analysis offers a new way to think about heterosexuality—not as the opposite or absence of homosexuality, but as its own unique mode of engaging in homosexual sex, a mode characterized by pretense, dis-identification and racial and heterosexual privilege. Daring, insightful, and brimming with wit, Not Gay is a fascinating new take on the complexities of heterosexuality in the modern era.
Straight Man
Author: Richard Russo
Publisher: Vintage
ISBN: 0307809943
Category : Fiction
Languages : en
Pages : 417
Book Description
Hilarious and true-to-life, witty, compassionate, and impossible to put down, Straight Man follows Hank Devereaux through one very bad week in this novel from the Pulitzer Prize-winning author of Empire Falls. • Now the AMC Original Series Lucky Hank. William Henry Devereaux, Jr., is the reluctant chairman of the English department of a badly underfunded college in the Pennsylvania rust belt. Devereaux's reluctance is partly rooted in his character—he is a born anarchist—and partly in the fact that his department is more savagely divided than the Balkans. In the course of a single week, Devereaux will have his nose mangled by an angry colleague, imagine his wife is having an affair with his dean, wonder if a curvaceous adjunct is trying to seduce him with peach pits, and threaten to execute a goose on local television. All this while coming to terms with his philandering father, the dereliction of his youthful promise, and the ominous failure of certain vital body functions. In short, Straight Man is classic Russo—side-splitting, poignant, compassionate, and unforgettable. Look for Richard Russo's new book, Somebody's Fool, coming soon.
Publisher: Vintage
ISBN: 0307809943
Category : Fiction
Languages : en
Pages : 417
Book Description
Hilarious and true-to-life, witty, compassionate, and impossible to put down, Straight Man follows Hank Devereaux through one very bad week in this novel from the Pulitzer Prize-winning author of Empire Falls. • Now the AMC Original Series Lucky Hank. William Henry Devereaux, Jr., is the reluctant chairman of the English department of a badly underfunded college in the Pennsylvania rust belt. Devereaux's reluctance is partly rooted in his character—he is a born anarchist—and partly in the fact that his department is more savagely divided than the Balkans. In the course of a single week, Devereaux will have his nose mangled by an angry colleague, imagine his wife is having an affair with his dean, wonder if a curvaceous adjunct is trying to seduce him with peach pits, and threaten to execute a goose on local television. All this while coming to terms with his philandering father, the dereliction of his youthful promise, and the ominous failure of certain vital body functions. In short, Straight Man is classic Russo—side-splitting, poignant, compassionate, and unforgettable. Look for Richard Russo's new book, Somebody's Fool, coming soon.
Straight White Male
Author: John Niven
Publisher: Open Road + Grove/Atlantic
ISBN: 0802192335
Category : Fiction
Languages : en
Pages : 377
Book Description
From the bestselling author of Kill Your Friends, a wildly funny look at the midlife crisis of a loveable rogue. “A high-octane novel of excess” (Ian Rankin). Irish novelist Kennedy Marr is a first rate bad boy. When he is not earning a fortune as one of Hollywood’s most sought after scriptwriters, he is drinking, insulting, and philandering his way through Los Angeles, ‘successfully debunking the myth that men are unable to multitask.’ He is loved by many women, but loathed by even more including ex-wives on both sides of the pond. Kennedy’s appetite for trouble is insatiable, but when he discovers that he owes 1.4 million dollars in back taxes, it seems his outrageous, hedonistic lifestyle may not be as sustainable as he thought. Forced to accept a teaching position at sleepy Deeping University, where his ex-wife and teenaged daughter now reside, Kennedy returns to England with a paper trail of tabloid headlines and scorned starlets hot on his bespoke heels. However, as he acclimatizes to the quaint campus Kennedy is forced to reconsider his laddish lifestyle. Incredible as it may seem, there might actually be a father and a teacher lurking inside this ‘preening, narcissistic, priapic sociopath’. “A sharp and knowing satire of the film industry, publishing and academia.” —The Guardian
Publisher: Open Road + Grove/Atlantic
ISBN: 0802192335
Category : Fiction
Languages : en
Pages : 377
Book Description
From the bestselling author of Kill Your Friends, a wildly funny look at the midlife crisis of a loveable rogue. “A high-octane novel of excess” (Ian Rankin). Irish novelist Kennedy Marr is a first rate bad boy. When he is not earning a fortune as one of Hollywood’s most sought after scriptwriters, he is drinking, insulting, and philandering his way through Los Angeles, ‘successfully debunking the myth that men are unable to multitask.’ He is loved by many women, but loathed by even more including ex-wives on both sides of the pond. Kennedy’s appetite for trouble is insatiable, but when he discovers that he owes 1.4 million dollars in back taxes, it seems his outrageous, hedonistic lifestyle may not be as sustainable as he thought. Forced to accept a teaching position at sleepy Deeping University, where his ex-wife and teenaged daughter now reside, Kennedy returns to England with a paper trail of tabloid headlines and scorned starlets hot on his bespoke heels. However, as he acclimatizes to the quaint campus Kennedy is forced to reconsider his laddish lifestyle. Incredible as it may seem, there might actually be a father and a teacher lurking inside this ‘preening, narcissistic, priapic sociopath’. “A sharp and knowing satire of the film industry, publishing and academia.” —The Guardian
Straight White Men
Author: Young Jean Lee
Publisher: Dramatists Play Service, Inc.
ISBN: 082223596X
Category : Drama
Languages : en
Pages : 77
Book Description
When Ed and his three adult sons come together to celebrate Christmas, they enjoy cheerful trash-talking, pranks, and takeout Chinese. Then they confront a problem that even being a happy family can’t solve: When identity matters, and privilege is problematic, what is the value of being a straight white man?
Publisher: Dramatists Play Service, Inc.
ISBN: 082223596X
Category : Drama
Languages : en
Pages : 77
Book Description
When Ed and his three adult sons come together to celebrate Christmas, they enjoy cheerful trash-talking, pranks, and takeout Chinese. Then they confront a problem that even being a happy family can’t solve: When identity matters, and privilege is problematic, what is the value of being a straight white man?
How To Be Gay
Author: David M. Halperin
Publisher: Harvard University Press
ISBN: 0674070860
Category : Social Science
Languages : en
Pages : 421
Book Description
No one raises an eyebrow if you suggest that a guy who arranges his furniture just so, rolls his eyes in exaggerated disbelief, likes techno music or show tunes, and knows all of Bette Davis's best lines by heart might, just possibly, be gay. But if you assert that male homosexuality is a cultural practice, expressive of a unique subjectivity and a distinctive relation to mainstream society, people will immediately protest. Such an idea, they will say, is just a stereotype-ridiculously simplistic, politically irresponsible, and morally suspect. The world acknowledges gay male culture as a fact but denies it as a truth. David Halperin, a pioneer of LGBTQ studies, dares to suggest that gayness is a specific way of being that gay men must learn from one another in order to become who they are. Inspired by the notorious undergraduate course of the same title that Halperin taught at the University of Michigan, provoking cries of outrage from both the right-wing media and the gay press, How To Be Gay traces gay men's cultural difference to the social meaning of style. Far from being deterred by stereotypes, Halperin concludes that the genius of gay culture resides in some of its most despised features: its aestheticism, snobbery, melodrama, adoration of glamour, caricatures of women, and obsession with mothers. The insights, impertinence, and unfazed critical intelligence displayed by gay culture, Halperin argues, have much to offer the heterosexual mainstream.
Publisher: Harvard University Press
ISBN: 0674070860
Category : Social Science
Languages : en
Pages : 421
Book Description
No one raises an eyebrow if you suggest that a guy who arranges his furniture just so, rolls his eyes in exaggerated disbelief, likes techno music or show tunes, and knows all of Bette Davis's best lines by heart might, just possibly, be gay. But if you assert that male homosexuality is a cultural practice, expressive of a unique subjectivity and a distinctive relation to mainstream society, people will immediately protest. Such an idea, they will say, is just a stereotype-ridiculously simplistic, politically irresponsible, and morally suspect. The world acknowledges gay male culture as a fact but denies it as a truth. David Halperin, a pioneer of LGBTQ studies, dares to suggest that gayness is a specific way of being that gay men must learn from one another in order to become who they are. Inspired by the notorious undergraduate course of the same title that Halperin taught at the University of Michigan, provoking cries of outrage from both the right-wing media and the gay press, How To Be Gay traces gay men's cultural difference to the social meaning of style. Far from being deterred by stereotypes, Halperin concludes that the genius of gay culture resides in some of its most despised features: its aestheticism, snobbery, melodrama, adoration of glamour, caricatures of women, and obsession with mothers. The insights, impertinence, and unfazed critical intelligence displayed by gay culture, Halperin argues, have much to offer the heterosexual mainstream.
Maternal Pasts, Feminist Futures
Author: Lynne Huffer
Publisher: Stanford University Press
ISBN: 0804730261
Category : Literary Criticism
Languages : en
Pages : 212
Book Description
This book examines the relations among nostalgia, gender, and foundational philosophies through a critique of the lost mother as a ground for thinking about sexual difference. More specifically, the author critiques the nostalgic tendencies of feminist theory, arguing that an emancipatory system of thought must move beyond a maternally oriented structure. Through close readings of works by Maurice Blanchot, Luce Irigaray, Julia Kristeva, and Nicole Brossard, the book elucidates the many dimensions of nostalgic paradigmsliterary, psychoanalytic, epistemological, ontological, and sociopolitical. This critique ultimately confronts postmodernism, and especially the burgeoning field of performative theory, as an intellectual paradigm that claims to subvert systems of meaning. Analyzing the writings of J. L. Austin, Judith Butler, and Irigaray, the author argues that despite its antinostalgic structure, performative theory provides an inadequate model for understanding the connections among language, identity, and the social bonds that constitute the ethical and political sphere. Asserting, through the example of performative theory, that a critique is not enough, the book examines the possibility of a constructive model that is both non-nostalgic and informed by ethical constraints. One such model is offered through a reading of the Quebecois writer Nicole Brossard, which explores her work in relation to the question of lesbian writing. Demystifying nostalgia, Brossard not only uncovers and subverts the structures through which a concept of origins is produced, but also provides a different, visionary way of thinking about the relationship between subjectivity and language. Finally, the book argues for further feminist work on the relationship between narrative and ethics, a field whose future lies in the elaboration of a bridge between the moral commitments of ethical theory and the fractured realities that find their expression in literary forms.
Publisher: Stanford University Press
ISBN: 0804730261
Category : Literary Criticism
Languages : en
Pages : 212
Book Description
This book examines the relations among nostalgia, gender, and foundational philosophies through a critique of the lost mother as a ground for thinking about sexual difference. More specifically, the author critiques the nostalgic tendencies of feminist theory, arguing that an emancipatory system of thought must move beyond a maternally oriented structure. Through close readings of works by Maurice Blanchot, Luce Irigaray, Julia Kristeva, and Nicole Brossard, the book elucidates the many dimensions of nostalgic paradigmsliterary, psychoanalytic, epistemological, ontological, and sociopolitical. This critique ultimately confronts postmodernism, and especially the burgeoning field of performative theory, as an intellectual paradigm that claims to subvert systems of meaning. Analyzing the writings of J. L. Austin, Judith Butler, and Irigaray, the author argues that despite its antinostalgic structure, performative theory provides an inadequate model for understanding the connections among language, identity, and the social bonds that constitute the ethical and political sphere. Asserting, through the example of performative theory, that a critique is not enough, the book examines the possibility of a constructive model that is both non-nostalgic and informed by ethical constraints. One such model is offered through a reading of the Quebecois writer Nicole Brossard, which explores her work in relation to the question of lesbian writing. Demystifying nostalgia, Brossard not only uncovers and subverts the structures through which a concept of origins is produced, but also provides a different, visionary way of thinking about the relationship between subjectivity and language. Finally, the book argues for further feminist work on the relationship between narrative and ethics, a field whose future lies in the elaboration of a bridge between the moral commitments of ethical theory and the fractured realities that find their expression in literary forms.
Memoirs of a Straight Male Hairstylist: Sex, Cuts, and Rock n’ Roll
Author: Jason Dankert
Publisher: eBooks2go, Inc.
ISBN: 1545750939
Category : Biography & Autobiography
Languages : en
Pages : 93
Book Description
CAUTION: Reading this book has caused readers to; laugh till almost pissing themselves, getting a little turned on, have conflicted feelings of being both appalled and jealous of the author's true-life experiences, and of actually having learned life-changing advice not expected from a book like this. You're about to embark on a wild ride - so lay back and hold on to your bedpost as if your life depends on it.
Publisher: eBooks2go, Inc.
ISBN: 1545750939
Category : Biography & Autobiography
Languages : en
Pages : 93
Book Description
CAUTION: Reading this book has caused readers to; laugh till almost pissing themselves, getting a little turned on, have conflicted feelings of being both appalled and jealous of the author's true-life experiences, and of actually having learned life-changing advice not expected from a book like this. You're about to embark on a wild ride - so lay back and hold on to your bedpost as if your life depends on it.
Language and Sexuality (through and) beyond Gender
Author: Costas Canakis
Publisher: Cambridge Scholars Publishing
ISBN: 1443822094
Category : Language Arts & Disciplines
Languages : en
Pages : 260
Book Description
This volume is a collection of papers on aspects of language and sexuality as understood and problematized by scholars in linguistics and anthropology. The idea behind this volume was to bring together people working on language-and-sexuality issues from within these two fields given that linguistic research on this topic is, more often than not, fieldwork-related and anthropological research characteristically focuses on issues of sexual onomasiology and semasiology, a concomitant of its preoccupation with social categories and categorization. This endeavor is in many respects a continuation of the discussion on the social constitution of gender while following up on a slowly but steadily growing tradition of research on language and sexuality, both in relation to gender and beyond it. Although gender and sexuality may be thought of as distinct, in principle, they interact not only in the framework provided by heteronormativity, but also in contexts where their presupposed alignment is questioned, if not summarily rebuked. Therefore, if there is, indeed, something to be said about language and sexuality beyond gender, any such discussion will also have to go through it. On the other hand, work on gendered language will have to co-estimate the findings of research on language-and-sexuality. Contributors in this volume have assumed a variety of theoretical positions from which to tackle their diverse topics, covering a wide range of sexually relevant language pertaining to heterosexual, lesbian, gay, and queer experience but also to voice, silence, the unconscious, and nationalism. Issues of identities and desires inevitably take center stage in many of the papers, reflecting dominant theoretical approaches and tensions in the field, even as authors may remain skeptical of the usefulness of the ensuing polarizations. At the same time, the polyphony envisioned by the editors and contributors in this volume will be operative in the ongoing critical appraisal of theoretical stances towards the intricate indexical relation between language, gender, and sexuality.
Publisher: Cambridge Scholars Publishing
ISBN: 1443822094
Category : Language Arts & Disciplines
Languages : en
Pages : 260
Book Description
This volume is a collection of papers on aspects of language and sexuality as understood and problematized by scholars in linguistics and anthropology. The idea behind this volume was to bring together people working on language-and-sexuality issues from within these two fields given that linguistic research on this topic is, more often than not, fieldwork-related and anthropological research characteristically focuses on issues of sexual onomasiology and semasiology, a concomitant of its preoccupation with social categories and categorization. This endeavor is in many respects a continuation of the discussion on the social constitution of gender while following up on a slowly but steadily growing tradition of research on language and sexuality, both in relation to gender and beyond it. Although gender and sexuality may be thought of as distinct, in principle, they interact not only in the framework provided by heteronormativity, but also in contexts where their presupposed alignment is questioned, if not summarily rebuked. Therefore, if there is, indeed, something to be said about language and sexuality beyond gender, any such discussion will also have to go through it. On the other hand, work on gendered language will have to co-estimate the findings of research on language-and-sexuality. Contributors in this volume have assumed a variety of theoretical positions from which to tackle their diverse topics, covering a wide range of sexually relevant language pertaining to heterosexual, lesbian, gay, and queer experience but also to voice, silence, the unconscious, and nationalism. Issues of identities and desires inevitably take center stage in many of the papers, reflecting dominant theoretical approaches and tensions in the field, even as authors may remain skeptical of the usefulness of the ensuing polarizations. At the same time, the polyphony envisioned by the editors and contributors in this volume will be operative in the ongoing critical appraisal of theoretical stances towards the intricate indexical relation between language, gender, and sexuality.