Author: Arnold HAUSER
Publisher:
ISBN:
Category :
Languages : en
Pages : 0
Book Description
Storia sociale dell'arte. 1 vol
Storia sociale dell'arte
Author: Arnold Hauser
Publisher:
ISBN: 9788806160159
Category : Art
Languages : it
Pages : 304
Book Description
Publisher:
ISBN: 9788806160159
Category : Art
Languages : it
Pages : 304
Book Description
Storia sociale dell'arte
Author: Arnold Hauser
Publisher:
ISBN: 9788806043582
Category : Art
Languages : it
Pages : 1042
Book Description
Publisher:
ISBN: 9788806043582
Category : Art
Languages : it
Pages : 1042
Book Description
The Challenge of Periodization
Author: Lawrence Besserman
Publisher: Routledge
ISBN: 1317730933
Category : Literary Criticism
Languages : en
Pages : 278
Book Description
In these essays some of today's leading literary scholars and cultural critics re-examine major writers, genres, and themes in relation to their traditional period affiliations. The essays cover a broad range of writers and periods from the Middle Ages to the present, grouped in two main areas: Chaucer and Medieval and Renaissance studies (Larry D. Benson, Heiko A. Oberman, Lee Patterson, and Aldo Scaglione), and English and American literary history (Sanford Budick, H. M. Daleski, Denis Donoghue, Robert J. Griffin, Geoffrey Hartman, J. Hillis Miller, Jerome McGann, and Helen Vendler). In addition to shedding new light on a specific author, each essay also refines or reinvigorates critical approaches to specific periods. The analyses illuminate and clarify our understanding of what are traditionally but problematically called the Medieval, Renaissance, Enlightenment, Romantic, Modern, and Postmodern eras in European cultural history.
Publisher: Routledge
ISBN: 1317730933
Category : Literary Criticism
Languages : en
Pages : 278
Book Description
In these essays some of today's leading literary scholars and cultural critics re-examine major writers, genres, and themes in relation to their traditional period affiliations. The essays cover a broad range of writers and periods from the Middle Ages to the present, grouped in two main areas: Chaucer and Medieval and Renaissance studies (Larry D. Benson, Heiko A. Oberman, Lee Patterson, and Aldo Scaglione), and English and American literary history (Sanford Budick, H. M. Daleski, Denis Donoghue, Robert J. Griffin, Geoffrey Hartman, J. Hillis Miller, Jerome McGann, and Helen Vendler). In addition to shedding new light on a specific author, each essay also refines or reinvigorates critical approaches to specific periods. The analyses illuminate and clarify our understanding of what are traditionally but problematically called the Medieval, Renaissance, Enlightenment, Romantic, Modern, and Postmodern eras in European cultural history.
Graphic Horizons
Author: Luis Hermida González
Publisher: Springer Nature
ISBN: 3031575792
Category :
Languages : en
Pages : 360
Book Description
Publisher: Springer Nature
ISBN: 3031575792
Category :
Languages : en
Pages : 360
Book Description
Storia sociale dell'arte
Author: Arnold Hauser (Historien d'art, Sociologue de l'art, Hongrie, Grande-Bretagne)
Publisher:
ISBN:
Category :
Languages : it
Pages :
Book Description
Publisher:
ISBN:
Category :
Languages : it
Pages :
Book Description
Venice and the Renaissance
Author: Manfredo Tafuri
Publisher: MIT Press
ISBN: 9780262700542
Category : Architecture
Languages : en
Pages : 436
Book Description
Pursuing the intersections of Venetian culture from the beginning of the sixteenth century through the first decades of the seventeenth, Manfredo Tafuri develops a story crowded with characters and full of surprises. He engages the doges Andrea Gritti and Leonardo Dona; architects and artists Sansovino, Serlio, Palladio, and Scamozzi; and scientists Francesco Barozzi and Galileo. He records the battle that was fought for architecture as metaphor for absolute truth and good government, and contrasts these with the myths that inspired them.
Publisher: MIT Press
ISBN: 9780262700542
Category : Architecture
Languages : en
Pages : 436
Book Description
Pursuing the intersections of Venetian culture from the beginning of the sixteenth century through the first decades of the seventeenth, Manfredo Tafuri develops a story crowded with characters and full of surprises. He engages the doges Andrea Gritti and Leonardo Dona; architects and artists Sansovino, Serlio, Palladio, and Scamozzi; and scientists Francesco Barozzi and Galileo. He records the battle that was fought for architecture as metaphor for absolute truth and good government, and contrasts these with the myths that inspired them.
The Enigma of Piero
Author: Carlo Ginzburg
Publisher: Verso Books
ISBN: 1789607795
Category : Art
Languages : en
Pages : 390
Book Description
Sifting the available evidence, Carlo Ginzburg builds up a vivid portrait of Piero della Francesca's patrons and convincingly explains the contemporary intrigues resonant in his painting. This new edition, extensively illustrated, includes additional material by Ginzburg dealing with the work of Roberto Longhi, the dating of the Arezzo Cycle, and the rediscovery of della Francesca in the twentieth century.
Publisher: Verso Books
ISBN: 1789607795
Category : Art
Languages : en
Pages : 390
Book Description
Sifting the available evidence, Carlo Ginzburg builds up a vivid portrait of Piero della Francesca's patrons and convincingly explains the contemporary intrigues resonant in his painting. This new edition, extensively illustrated, includes additional material by Ginzburg dealing with the work of Roberto Longhi, the dating of the Arezzo Cycle, and the rediscovery of della Francesca in the twentieth century.
Per una storia sociale dell'arte
Images and Identity in Fifteenth-century Florence
Author: Patricia Lee Rubin
Publisher: Yale University Press
ISBN: 9780300123425
Category : Art
Languages : en
Pages : 456
Book Description
An exploration of ways of looking in Renaissance Florence, where works of art were part of a complex process of social exchange Renaissance Florence, of endless fascination for the beauty of its art and architecture, is no less intriguing for its dynamic political, economic, and social life. In this book Patricia Lee Rubin crosses the boundaries of all these areas to arrive at an original and comprehensive view of the place of images in Florentine society. The author asks an array of questions: Why were works of art made? Who were the artists who made them, and who commissioned them? How did they look, and how were they looked at? She demonstrates that the answers to such questions illuminate the contexts in which works of art were created, and how they were valued and viewed. Rubin seeks out the meeting places of meaning in churches, in palaces, in piazzas--places of exchange where identities were taken on and transformed, often with the mediation of images. She concentrates on questions of vision and visuality, on "seeing and being seen." With a blend of exceptional illustrations; close analyses of sacred and secular paintings by artists including Fra Angelico, Fra Filippo Lippi, Filippino Lippi, and Botticelli; and wide-ranging bibliographic essays, the book shines new light on fifteenth-century Florence, a special place that made beauty one of its defining features.
Publisher: Yale University Press
ISBN: 9780300123425
Category : Art
Languages : en
Pages : 456
Book Description
An exploration of ways of looking in Renaissance Florence, where works of art were part of a complex process of social exchange Renaissance Florence, of endless fascination for the beauty of its art and architecture, is no less intriguing for its dynamic political, economic, and social life. In this book Patricia Lee Rubin crosses the boundaries of all these areas to arrive at an original and comprehensive view of the place of images in Florentine society. The author asks an array of questions: Why were works of art made? Who were the artists who made them, and who commissioned them? How did they look, and how were they looked at? She demonstrates that the answers to such questions illuminate the contexts in which works of art were created, and how they were valued and viewed. Rubin seeks out the meeting places of meaning in churches, in palaces, in piazzas--places of exchange where identities were taken on and transformed, often with the mediation of images. She concentrates on questions of vision and visuality, on "seeing and being seen." With a blend of exceptional illustrations; close analyses of sacred and secular paintings by artists including Fra Angelico, Fra Filippo Lippi, Filippino Lippi, and Botticelli; and wide-ranging bibliographic essays, the book shines new light on fifteenth-century Florence, a special place that made beauty one of its defining features.