Author: Michael Robertson
Publisher: Columbia University Press
ISBN: 9780231109697
Category : Language Arts & Disciplines
Languages : en
Pages : 272
Book Description
This critical study of Stephen Crane's journalism examines the climate of change that had begun to blur the line between non-fiction writing and fiction in Crane's era and provides insight into the masculine aesthetic Crane championed in his urban reportage, travel writing and war correspondence.
Stephen Crane, Journalism, and the Making of Modern American Literature
Author: Michael Robertson
Publisher: Columbia University Press
ISBN: 9780231109697
Category : Language Arts & Disciplines
Languages : en
Pages : 272
Book Description
This critical study of Stephen Crane's journalism examines the climate of change that had begun to blur the line between non-fiction writing and fiction in Crane's era and provides insight into the masculine aesthetic Crane championed in his urban reportage, travel writing and war correspondence.
Publisher: Columbia University Press
ISBN: 9780231109697
Category : Language Arts & Disciplines
Languages : en
Pages : 272
Book Description
This critical study of Stephen Crane's journalism examines the climate of change that had begun to blur the line between non-fiction writing and fiction in Crane's era and provides insight into the masculine aesthetic Crane championed in his urban reportage, travel writing and war correspondence.
The Red Badge of Courage
Author: Stephen Crane
Publisher: D. Appleton
ISBN:
Category : United States
Languages : en
Pages : 264
Book Description
A depiction of the American Civil War. It features a young recruit who overcomes initial fears to become a hero on the battlefield.
Publisher: D. Appleton
ISBN:
Category : United States
Languages : en
Pages : 264
Book Description
A depiction of the American Civil War. It features a young recruit who overcomes initial fears to become a hero on the battlefield.
Literature and Journalism in Antebellum America
Author: M. Canada
Publisher: Springer
ISBN: 0230118593
Category : Literary Criticism
Languages : en
Pages : 306
Book Description
Explores the sibling rivalry that emerged in the American literary marketplace in the decades after the advent of the penny press, showing how journalism became a target, a counterpoint, and even a model for numerous American authors, including Thoreau, Cooper, Poe, and Stowe.
Publisher: Springer
ISBN: 0230118593
Category : Literary Criticism
Languages : en
Pages : 306
Book Description
Explores the sibling rivalry that emerged in the American literary marketplace in the decades after the advent of the penny press, showing how journalism became a target, a counterpoint, and even a model for numerous American authors, including Thoreau, Cooper, Poe, and Stowe.
Encyclopedia of the American Novel
Author: Abby H. P. Werlock
Publisher: Infobase Learning
ISBN: 143814069X
Category : American fiction
Languages : en
Pages : 3854
Book Description
Praise for the print edition:" ... no other reference work on American fiction brings together such an array of authors and texts as this.
Publisher: Infobase Learning
ISBN: 143814069X
Category : American fiction
Languages : en
Pages : 3854
Book Description
Praise for the print edition:" ... no other reference work on American fiction brings together such an array of authors and texts as this.
Battle Lines
Author: Eliza Richards
Publisher: University of Pennsylvania Press
ISBN: 0812250699
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
During the U.S. Civil War, a combination of innovative technologies and catastrophic events stimulated the development of news media into a central cultural force. Reacting to the dramatic increases in news reportage and circulation, poets responded to an urgent need to make their work immediately relevant to current events. As poetry's compressed forms traveled more quickly and easily than stories, novels, or essays through ephemeral print media, it moved alongside and engaged with news reports, often taking on the task of imagining the mental states of readers on receiving accounts from the war front. Newspaper and magazine poetry had long editorialized on political happenings—Indian wars, slavery and abolition, prison reform, women's rights—but the unprecedented scope of what has been called the first modern war, and the centrality of the issues involved for national futures, generated a powerful sense of single-mindedness among readers and writers that altered the terms of poetic expression. In Battle Lines, Eliza Richards charts the transformation of Civil War poetry, arguing that it was fueled by a symbiotic relationship between the development of mass media networks and modern warfare. Focusing primarily on the North, Richards explores how poets working in this new environment mediated events via received literary traditions. Collectively and with a remarkable consistency, poems pulled out key features of events and drew on common tropes and practices to mythologize, commemorate, and ponder the consequences of distant battles. The lines of communication reached outward through newspapers and magazines to writers such as Dickinson, Whitman, and Melville, who drew their inspiration from their peers' poetic practices and reconfigured them in ways that bear the traces of their engagements.
Publisher: University of Pennsylvania Press
ISBN: 0812250699
Category : Literary Criticism
Languages : en
Pages : 256
Book Description
During the U.S. Civil War, a combination of innovative technologies and catastrophic events stimulated the development of news media into a central cultural force. Reacting to the dramatic increases in news reportage and circulation, poets responded to an urgent need to make their work immediately relevant to current events. As poetry's compressed forms traveled more quickly and easily than stories, novels, or essays through ephemeral print media, it moved alongside and engaged with news reports, often taking on the task of imagining the mental states of readers on receiving accounts from the war front. Newspaper and magazine poetry had long editorialized on political happenings—Indian wars, slavery and abolition, prison reform, women's rights—but the unprecedented scope of what has been called the first modern war, and the centrality of the issues involved for national futures, generated a powerful sense of single-mindedness among readers and writers that altered the terms of poetic expression. In Battle Lines, Eliza Richards charts the transformation of Civil War poetry, arguing that it was fueled by a symbiotic relationship between the development of mass media networks and modern warfare. Focusing primarily on the North, Richards explores how poets working in this new environment mediated events via received literary traditions. Collectively and with a remarkable consistency, poems pulled out key features of events and drew on common tropes and practices to mythologize, commemorate, and ponder the consequences of distant battles. The lines of communication reached outward through newspapers and magazines to writers such as Dickinson, Whitman, and Melville, who drew their inspiration from their peers' poetic practices and reconfigured them in ways that bear the traces of their engagements.
The Oxford Handbook of Jack London
Author: James W. Williams
Publisher: Oxford University Press
ISBN: 0199315175
Category : Biography & Autobiography
Languages : en
Pages : 673
Book Description
With his novels, journalism, short stories, political activism, and travel writing, Jack London established himself as one of the most prolific and diverse authors of the twentieth century. Covering London's biography, cultural context, and the various genres in which he wrote, The Oxford Handbook of Jack London is the definitive reference work on the author.
Publisher: Oxford University Press
ISBN: 0199315175
Category : Biography & Autobiography
Languages : en
Pages : 673
Book Description
With his novels, journalism, short stories, political activism, and travel writing, Jack London established himself as one of the most prolific and diverse authors of the twentieth century. Covering London's biography, cultural context, and the various genres in which he wrote, The Oxford Handbook of Jack London is the definitive reference work on the author.
Narrating Class in American Fiction
Author: W. Dow
Publisher: Springer
ISBN: 0230617964
Category : Language Arts & Disciplines
Languages : en
Pages : 273
Book Description
Focusing on American fiction from 1850-1940, Narrating Class in American Fiction offers close readings in the context of literary and political history to detail the uneasy attention American authors gave to class in their production of social identities.
Publisher: Springer
ISBN: 0230617964
Category : Language Arts & Disciplines
Languages : en
Pages : 273
Book Description
Focusing on American fiction from 1850-1940, Narrating Class in American Fiction offers close readings in the context of literary and political history to detail the uneasy attention American authors gave to class in their production of social identities.
A Man's Game
Author: John Dudley
Publisher: University of Alabama Press
ISBN: 0817313478
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
Demonstrates how concepts of masculinity shaped the aesthetic foundations of literary naturalism A Man’s Game explores the development of American literary naturalism as it relates to definitions of manhood in many of the movement’s key texts and the aesthetic goals of writers such as Stephen Crane, Jack London, Frank Norris, Edith Wharton, Charles Chestnutt, and James Weldon Johnson. John Dudley argues that in the climate of the late 19th century, when these authors were penning their major works, literary endeavors were widely viewed as frivolous, the work of ladies for ladies, who comprised the vast majority of the dependable reading public. Male writers such as Crane and Norris defined themselves and their work in contrast to this perception of literature. Women like Wharton, on the other hand, wrote out of a skeptical or hostile reaction to the expectations of them as woman writers. Dudley explores a number of social, historical, and cultural developments that catalyzed the masculine impulse underlying literary naturalism: the rise of spectator sports and masculine athleticism; the professional role of the journalist, adopted by many male writers, allowing them to camouflage their primary role as artist; and post-Darwinian interest in the sexual component of natural selection. A Man’s Game also explores the surprising adoption of a masculine literary naturalism by African American writers at the beginning of the 20th century, a strategy, despite naturalism's emphasis on heredity and genetic determinism, that helped define the black struggle for racial equality
Publisher: University of Alabama Press
ISBN: 0817313478
Category : Literary Criticism
Languages : en
Pages : 233
Book Description
Demonstrates how concepts of masculinity shaped the aesthetic foundations of literary naturalism A Man’s Game explores the development of American literary naturalism as it relates to definitions of manhood in many of the movement’s key texts and the aesthetic goals of writers such as Stephen Crane, Jack London, Frank Norris, Edith Wharton, Charles Chestnutt, and James Weldon Johnson. John Dudley argues that in the climate of the late 19th century, when these authors were penning their major works, literary endeavors were widely viewed as frivolous, the work of ladies for ladies, who comprised the vast majority of the dependable reading public. Male writers such as Crane and Norris defined themselves and their work in contrast to this perception of literature. Women like Wharton, on the other hand, wrote out of a skeptical or hostile reaction to the expectations of them as woman writers. Dudley explores a number of social, historical, and cultural developments that catalyzed the masculine impulse underlying literary naturalism: the rise of spectator sports and masculine athleticism; the professional role of the journalist, adopted by many male writers, allowing them to camouflage their primary role as artist; and post-Darwinian interest in the sexual component of natural selection. A Man’s Game also explores the surprising adoption of a masculine literary naturalism by African American writers at the beginning of the 20th century, a strategy, despite naturalism's emphasis on heredity and genetic determinism, that helped define the black struggle for racial equality
Danger and Vulnerability in Nineteenth-century American Literature
Author: Jennifer Travis
Publisher: Lexington Books
ISBN: 1498563422
Category : Literary Criticism
Languages : en
Pages : 175
Book Description
Nineteenth-Century Americans saw danger lurking everywhere: in railway cars and trolleys, fireplaces and floods, and amid social and political movements, from the abolition of slavery to suffrage. After the Civil War, Americans were shaken by financial panic and a volatile post-slave economy. They were awe-struck and progressively alarmed by technological innovations that promised speed and commercial growth, but also posed unprecedented physical hazard. Most of all, Americans were uncertain, particularly in light of environmental disasters like hurricanes and wildfires, about their own city on a hill and the once indisputable and protective hand of a beneficent God. The disasters, accidents, and social and political upheavals that characterized nineteenth-century culture had enormous explanatory power, metaphoric and real. Today we speak of similar insecurities: financial, informational, environmental, and political, and we obsessively express our worry and fear for the future. Cultural theorist Paul Virilio refers to these feelings as the “threat horizon,” one that endlessly identifies and produces new dangers.Why, he asks, does it seem easier for humanity to imagine a future shaped by ever-deadlier accidents than a decent future? Danger and Vulnerability in Nineteenth Century American Literature; or, Crash and Burn American invites readers to examine the “threat horizon” through its nascent expression in literary and cultural history. Against the emerging rhetoric of danger in the long nineteenth century, this book examines how a vocabulary of vulnerability in the American imaginary promoted the causes of the structurally disempowered in new and surprising ways, often seizing vulnerability as the grounds for progressive insight. The texts at the heart of this study, from nineteenth-century sensation novels to early twentieth-century journalistic fiction, imagine spectacular collisions, terrifying conflagrations, and all manner of catastrophe, social, political, and environmental. Together they write against illusions of inviolability in a growing technological and managerial culture, and they imagine how the recognition of universal vulnerability may challenge normative representations of social, political, and economic marginality.
Publisher: Lexington Books
ISBN: 1498563422
Category : Literary Criticism
Languages : en
Pages : 175
Book Description
Nineteenth-Century Americans saw danger lurking everywhere: in railway cars and trolleys, fireplaces and floods, and amid social and political movements, from the abolition of slavery to suffrage. After the Civil War, Americans were shaken by financial panic and a volatile post-slave economy. They were awe-struck and progressively alarmed by technological innovations that promised speed and commercial growth, but also posed unprecedented physical hazard. Most of all, Americans were uncertain, particularly in light of environmental disasters like hurricanes and wildfires, about their own city on a hill and the once indisputable and protective hand of a beneficent God. The disasters, accidents, and social and political upheavals that characterized nineteenth-century culture had enormous explanatory power, metaphoric and real. Today we speak of similar insecurities: financial, informational, environmental, and political, and we obsessively express our worry and fear for the future. Cultural theorist Paul Virilio refers to these feelings as the “threat horizon,” one that endlessly identifies and produces new dangers.Why, he asks, does it seem easier for humanity to imagine a future shaped by ever-deadlier accidents than a decent future? Danger and Vulnerability in Nineteenth Century American Literature; or, Crash and Burn American invites readers to examine the “threat horizon” through its nascent expression in literary and cultural history. Against the emerging rhetoric of danger in the long nineteenth century, this book examines how a vocabulary of vulnerability in the American imaginary promoted the causes of the structurally disempowered in new and surprising ways, often seizing vulnerability as the grounds for progressive insight. The texts at the heart of this study, from nineteenth-century sensation novels to early twentieth-century journalistic fiction, imagine spectacular collisions, terrifying conflagrations, and all manner of catastrophe, social, political, and environmental. Together they write against illusions of inviolability in a growing technological and managerial culture, and they imagine how the recognition of universal vulnerability may challenge normative representations of social, political, and economic marginality.
Cuba's Wild East
Author: Peter Hulme
Publisher: Liverpool University Press
ISBN: 1846317487
Category : Literary Criticism
Languages : en
Pages : 473
Book Description
As a whole, Cuban history, culture, and art are often misconstrued with a heritage specific to Havana. In Cuba's Wild East, Peter Hulme attempts to right this wrong, focusing on the eastern region of the island and the specific fictions, poetries, locations, and histories that constitute a specific eastern culture. Examining a region with a rich insurgent and revolutionary history, Peter Hulme examines the stories of rebellion, heroism, and sacrifice that are so intimately tied to the places and sites that have now become part of a national pantheon, at the same time showing the international influence of US journalists and novelists whose presence in Cuban literature alongside native Cuban writers further defines the region as a place of encounter.
Publisher: Liverpool University Press
ISBN: 1846317487
Category : Literary Criticism
Languages : en
Pages : 473
Book Description
As a whole, Cuban history, culture, and art are often misconstrued with a heritage specific to Havana. In Cuba's Wild East, Peter Hulme attempts to right this wrong, focusing on the eastern region of the island and the specific fictions, poetries, locations, and histories that constitute a specific eastern culture. Examining a region with a rich insurgent and revolutionary history, Peter Hulme examines the stories of rebellion, heroism, and sacrifice that are so intimately tied to the places and sites that have now become part of a national pantheon, at the same time showing the international influence of US journalists and novelists whose presence in Cuban literature alongside native Cuban writers further defines the region as a place of encounter.