Star Wars: Ahsoka PDF Download

Author: E. K. Johnston
Publisher: Disney Electronic Content
ISBN: 148470567X
Category : Juvenile Fiction
Languages : en
Pages : 283

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Book Description
Fans have long wondered what happened to Ahsoka after she left the Jedi Order near the end of the Clone Wars, and before she re-appeared as the mysterious Rebel operative Fulcrum in Rebels. Finally, her story will begin to be told. Following her experiences with the Jedi and the devastation of Order 66, Ahsoka is unsure she can be part of a larger whole ever again. But her desire to fight the evils of the Empire and protect those who need it will lead her right to Bail Organa, and the Rebel Alliance....

Author: John Ostrander
Publisher:
ISBN: 9781616551438
Category : Extraterrestrial beings
Languages : en
Pages : 0

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Book Description
Darth Vadar searches for the remaining Jedi who survived Order 66, while the Jedi fight to remain alive and destroy the Sith Lord for good.

Author: Joe Schreiber
Publisher: Lucas Books
ISBN: 0345520815
Category : Fiction
Languages : en
Pages : 284

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Book Description
A horror tale set in the Star Wars universe follows the harrowing experiences of the crew of an Imperial prison barge that scavenges an abandoned Star Destroyer when their own ship breaks down, a mission after which surviving team members bring back a lethal infection. Reprint. A best-selling book.

Author: Tanner Mirrlees
Publisher: Routledge
ISBN: 0415519810
Category : Business & Economics
Languages : en
Pages : 317

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Book Description
A critical cultural materialist introduction to the study of global entertainment media. In Global Entertainment Media, Tanner Mirrlees undertakes an analysis of the ownership, production, distribution, marketing, exhibition and consumption of global films and television shows, with an eye to political economy and cultural studies. Among other topics, Mirrlees examines: Paradigms of global entertainment media such as cultural imperialism and cultural globalization. The business of entertainment media: the structure of capitalist culture/creative industries (financers, producers, distributors and exhibitors) and trends in the global political economy of entertainment media. The "governance" of global entertainment media: state and inter-state media and cultural policies and regulations that govern the production, distribution and exhibition of entertainment media and enable or impede its cross-border flow. The new international division of cultural labor (NICL): the cross-border production of entertainment by cultural workers in asymmetrically interdependent media capitals, and economic and cultural concerns surrounding runaway productions and co-productions. The economic motivations and textual design features of globally popular entertainment forms such as blockbuster event films, TV formats, glocalized lifestyle brands and synergistic media. The cross-cultural reception and effects of TV shows and films. The World Wide Web, digitization and convergence culture.

Author: Abigail De Kosnik
Publisher: MIT Press
ISBN: 0262544741
Category : Computers
Languages : en
Pages : 441

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Book Description
An examination of how nonprofessional archivists, especially media fans, practice cultural preservation on the Internet and how “digital cultural memory” differs radically from print-era archiving. The task of archiving was once entrusted only to museums, libraries, and other institutions that acted as repositories of culture in material form. But with the rise of digital networked media, a multitude of self-designated archivists—fans, pirates, hackers—have become practitioners of cultural preservation on the Internet. These nonprofessional archivists have democratized cultural memory, building freely accessible online archives of whatever content they consider suitable for digital preservation. In Rogue Archives, Abigail De Kosnik examines the practice of archiving in the transition from print to digital media, looking in particular at Internet fan fiction archives. De Kosnik explains that media users today regard all of mass culture as an archive, from which they can redeploy content for their own creations. Hence, “remix culture” and fan fiction are core genres of digital cultural production. De Kosnik explores, among other things, the anticanonical archiving styles of Internet preservationists; the volunteer labor of online archiving; how fan archives serve women and queer users as cultural resources; archivists' efforts to attract racially and sexually diverse content; and how digital archives adhere to the logics of performance more than the logics of print. She also considers the similarities and differences among free culture, free software, and fan communities, and uses digital humanities tools to quantify and visualize the size, user base, and rate of growth of several online fan archives.

Author: Jason Fry
Publisher: Scholastic Inc.
ISBN: 1338118188
Category : Juvenile Nonfiction
Languages : en
Pages : 132

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Book Description
Star Wars' most popular character headlines this in-depth biography, filled with illustrations, artifacts, and fast facts -- part of the Backstories series of favorite character biographies.

Author: Phil Szostak
Publisher: Harry N. Abrams
ISBN: 9781419717802
Category : Performing Arts
Languages : en
Pages : 0

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Book Description
Featuring exclusive interviews with the entire creative team of "Star Wars, The Force Awakens," a visual collection includes hundreds of works of art, including production paintings, concept sketches, storyboards, blueprints, and matte paintings.

Author: Matthew Fillbach
Publisher: Dark Horse
ISBN: 9781593078324
Category : Comics & Graphic Novels
Languages : en
Pages : 0

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Book Description
The battle for the fate of the galaxy is on, and you've got a front seat! The Clone Wars have spread to every corner of the Star Wars universe, bringing with them more death-defying Jedi rescues, more terrifying monster attacks, and more planet-shaking confrontations between armies of droids and clones! Featuring four all-ages adventures, this volume is jam packed with only the most awesome heroes and most dastardly villains locked in a conflict of epic proportions! Every Star Wars fan is sure to love the amazing action, blazing lightsabers, and thrill-a-minute plot twists in this full-tilt collection of stories, told in the same stripped-down style as Cartoon Network's series Star Wars: Clone Wars!

Author: Patrick Turner
Publisher: Routledge
ISBN: 1134831692
Category : Social Science
Languages : en
Pages : 329

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Book Description
'What is the real hip hop?' 'To whom does hip hop belong?' 'For what constructive purposes can hip hop be put to use?' These are three key questions posed by hip hop activists in Hip Hop Versus Rap, which explores the politics of cultural authenticity, ownership, and uplift in London’s post-hip hop scene. The book is an ethnographic study of the identity, role, formation, and practices of the organic intellectuals that populate and propagate this ‘conscious’ hip hop milieu. Turner provides an insightful examination of the work of artists and practitioners who use hip hop ‘off-street’ in the spheres of youth work, education, and theatre to raise consciousness and to develop artistic and personal skills. Hip Hop Versus Rap seeks to portray how cultural activism, which styles itself grassroots and mature, is framed around a discursive opposition between what is authentic and ethical in hip hop culture and what is counterfeit and corrupt. Turner identifies that this play of difference, framed as an ethical schism, also presents hip hop’s organic intellectuals with a narrative that enables them to align their insurgent values with those of policy and to thereby receive institutional support. This enlightening volume will be of interest to post-graduates and scholars interested in hip hop studies; youth work; critical pedagogy; young people and crime/justice; the politics of race/racism; the politics of youth/education; urban governance; social movement studies; street culture studies; and vernacular studies.

Author: Melissa Ursula Dawn Goldsmith
Publisher: Bloomsbury Publishing USA
ISBN:
Category : Social Science
Languages : en
Pages : 933

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Book Description
This set covers all aspects of international hip hop as expressed through music, art, fashion, dance, and political activity. Hip hop music has gone from being a marginalized genre in the late 1980s to the predominant style of music in America, the UK, Nigeria, South Africa, and other countries around the world. Hip Hop around the World includes more than 450 entries on global hip hop culture as it includes music, art, fashion, dance, social and cultural movements, organizations, and styles of hip hop. Virtually every country is represented in the text. Most of the entries focus on music styles and notable musicians and are unique in that they discuss the sound of various hip hop styles and musical artists' lyrical content, vocal delivery, vocal ranges, and more. Many additional entries deal with dance styles, such as breakdancing or b-boying/b-girling, popping/locking, clowning, and krumping, and cultural movements, such as black nationalism, Nation of Islam, Five Percent Nation, and Universal Zulu Nation. Country entries take into account politics, history, language, authenticity, and personal and community identification. Special care is taken to draw relationships between people and entities such as mentor-apprentice, producer-musician, and more.