Author: Janet Hill
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773522732
Category : Drama
Languages : en
Pages : 266
Book Description
Stages and Playgoers demonstrates the long, vital tradition of dialogue between stage and audience from medieval, through Tudor, to Jacobean drama. Janet Hill offers new insights into techniques of addressing playgoers from the stage and how they might have operated under particular staging conditions. Hill calls this dialogue "open address," a term that takes in a range of speeches often called "asides," "monologues," and "soliloquies." She argues that open address is a strategy that challenges playgoers, asking for answers that lie outside the stage in the playgoer/playhouse world.
Stages and Playgoers
Author: Janet Hill
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773522732
Category : Drama
Languages : en
Pages : 266
Book Description
Stages and Playgoers demonstrates the long, vital tradition of dialogue between stage and audience from medieval, through Tudor, to Jacobean drama. Janet Hill offers new insights into techniques of addressing playgoers from the stage and how they might have operated under particular staging conditions. Hill calls this dialogue "open address," a term that takes in a range of speeches often called "asides," "monologues," and "soliloquies." She argues that open address is a strategy that challenges playgoers, asking for answers that lie outside the stage in the playgoer/playhouse world.
Publisher: McGill-Queen's Press - MQUP
ISBN: 9780773522732
Category : Drama
Languages : en
Pages : 266
Book Description
Stages and Playgoers demonstrates the long, vital tradition of dialogue between stage and audience from medieval, through Tudor, to Jacobean drama. Janet Hill offers new insights into techniques of addressing playgoers from the stage and how they might have operated under particular staging conditions. Hill calls this dialogue "open address," a term that takes in a range of speeches often called "asides," "monologues," and "soliloquies." She argues that open address is a strategy that challenges playgoers, asking for answers that lie outside the stage in the playgoer/playhouse world.
Theatre in the Round
Author: Stephen Joseph
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 208
Book Description
Publisher:
ISBN:
Category : Performing Arts
Languages : en
Pages : 208
Book Description
The Irish Play on the New York Stage, 1874-1966
Author: John P. Harrington
Publisher: University Press of Kentucky
ISBN: 0813149576
Category : History
Languages : en
Pages : 209
Book Description
Over the years American—especially New York—audiences have evolved a consistent set of expectations for the "Irish play." Traditionally the term implied a specific subject matter, invariably rural and Catholic, and embodied a reductive notion of Irish drama and society. This view continues to influence the types of Irish drama produced in the United States today. By examining seven different opening nights in New York theaters over the course of the last century, John Harrington considers the reception of Irish drama on the American stage and explores the complex interplay between drama and audience expectations. All of these productions provoked some form of public disagreement when they were first staged in New York, ranging from the confrontation between Shaw and the Society for the Suppression of Vice to the intellectual outcry provoked by billing Waiting for Godot as "the laugh sensation of two continents." The inaugural volume in the series Irish Literature, History, and Culture, The Irish Play on the New York Stage explores the New York premieres of The Shaughraun (1874), Mrs. Warren's Profession (1905), The Playboy of the Western World (1911), Exiles (1925), Within the Gates (1934), Waiting for Godot (1956), and Philadelphia, Here I Come! (1966).
Publisher: University Press of Kentucky
ISBN: 0813149576
Category : History
Languages : en
Pages : 209
Book Description
Over the years American—especially New York—audiences have evolved a consistent set of expectations for the "Irish play." Traditionally the term implied a specific subject matter, invariably rural and Catholic, and embodied a reductive notion of Irish drama and society. This view continues to influence the types of Irish drama produced in the United States today. By examining seven different opening nights in New York theaters over the course of the last century, John Harrington considers the reception of Irish drama on the American stage and explores the complex interplay between drama and audience expectations. All of these productions provoked some form of public disagreement when they were first staged in New York, ranging from the confrontation between Shaw and the Society for the Suppression of Vice to the intellectual outcry provoked by billing Waiting for Godot as "the laugh sensation of two continents." The inaugural volume in the series Irish Literature, History, and Culture, The Irish Play on the New York Stage explores the New York premieres of The Shaughraun (1874), Mrs. Warren's Profession (1905), The Playboy of the Western World (1911), Exiles (1925), Within the Gates (1934), Waiting for Godot (1956), and Philadelphia, Here I Come! (1966).
The Stage Year Book
Author: Lionel Carson
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 306
Book Description
Vols. for 1908-10 include the section: The Stage provincial guide; 1950-52: The Stage guide. (Other years published separately).
Publisher:
ISBN:
Category : Theater
Languages : en
Pages : 306
Book Description
Vols. for 1908-10 include the section: The Stage provincial guide; 1950-52: The Stage guide. (Other years published separately).
'Stage-iana', 1,000 funny stories of the playhouse, the play and the players, compiled and ed. by W. Sapte
Staging Shakespeare at the New Globe
Author: P. Kiernan
Publisher: Springer
ISBN: 0230380158
Category : Literary Criticism
Languages : en
Pages : 187
Book Description
What have we learned from the first experiments performed at the reconstructed Globe on Bankside? What light have recent productions shed on the way Shakespeare intended his plays to be seen? Written by the Leverhulme Fellow appointed to study and record actor use of this new-old playhouse, here is the first analytical account of the discoveries that have been made in its important first years, in workshops, rehearsals and performances. It shows how actors, directors and playgoers have responded to the demands of 'historical' constraints (and unexpected freedoms) to provide valuable new insights into the dynamics of Elizabethan theatre.
Publisher: Springer
ISBN: 0230380158
Category : Literary Criticism
Languages : en
Pages : 187
Book Description
What have we learned from the first experiments performed at the reconstructed Globe on Bankside? What light have recent productions shed on the way Shakespeare intended his plays to be seen? Written by the Leverhulme Fellow appointed to study and record actor use of this new-old playhouse, here is the first analytical account of the discoveries that have been made in its important first years, in workshops, rehearsals and performances. It shows how actors, directors and playgoers have responded to the demands of 'historical' constraints (and unexpected freedoms) to provide valuable new insights into the dynamics of Elizabethan theatre.
The Stage Year Book, with which is Included the Stage Periodical Guide
Staging in Shakespeare's Theatres
Author: Andrew Gurr
Publisher: Oxford Shakespeare Topics
ISBN: 9780198711582
Category : Drama
Languages : en
Pages : 192
Book Description
By bringing together evidence from different sources--documentary, archaeological, and the play-texts themselves--Staging Shakespeare's Theatres reconstructs the ways in which the plays were originally staged in the theaters of Shakespeare's own time, and shows how the physical possibilities and limitations of these theaters affected both the writing and the performances. The book explains the conditions under which the early playwrights and players worked, their preparation of the plays for the stage, and their rehearsal practices. It looks at the quality of evidence supplied by the surviving play-texts, and the extant to which audiences of the time differed from modern audiences; and it gives vivid examples of how Elizabethan actors made use of gestures, costumes, props, and the theater's specific design features. Stage movement is analyzed through a careful study of how exits and entrances worked on such stages. The final chapter offers a thorough examination of Hamlet as a text for performance, excitingly returning the play to its original staging at the Globe.
Publisher: Oxford Shakespeare Topics
ISBN: 9780198711582
Category : Drama
Languages : en
Pages : 192
Book Description
By bringing together evidence from different sources--documentary, archaeological, and the play-texts themselves--Staging Shakespeare's Theatres reconstructs the ways in which the plays were originally staged in the theaters of Shakespeare's own time, and shows how the physical possibilities and limitations of these theaters affected both the writing and the performances. The book explains the conditions under which the early playwrights and players worked, their preparation of the plays for the stage, and their rehearsal practices. It looks at the quality of evidence supplied by the surviving play-texts, and the extant to which audiences of the time differed from modern audiences; and it gives vivid examples of how Elizabethan actors made use of gestures, costumes, props, and the theater's specific design features. Stage movement is analyzed through a careful study of how exits and entrances worked on such stages. The final chapter offers a thorough examination of Hamlet as a text for performance, excitingly returning the play to its original staging at the Globe.
The Renascence of the English drama
Passionate Playgoing in Early Modern England
Author: Allison P. Hobgood
Publisher: Cambridge University Press
ISBN: 1107041287
Category : Drama
Languages : en
Pages : 247
Book Description
Passionate Playgoing in Early Modern England examines the emotional effect of stage performance on the minds of the early modern theatre audience.
Publisher: Cambridge University Press
ISBN: 1107041287
Category : Drama
Languages : en
Pages : 247
Book Description
Passionate Playgoing in Early Modern England examines the emotional effect of stage performance on the minds of the early modern theatre audience.