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Author: Rosemary Edghill Publisher: Tor Books ISBN: 1466878169 Category : Fiction Languages : en Pages : 182
Book Description
Karen Hightower (aka "Bast") is a single which witch living in Manhattan, working as a freelance graphic designer while reading tarot cards on the side. But when a close friend dies mysteriously, Bast must turn detective to find out why. Bast's investigation leads her through the cults and covens of New York's occult underground--in search of a killer who may have black magic on his side, in Rosemary Edghill's Speak Daggers to Her. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Author: Rosemary Edghill Publisher: Tor Books ISBN: 1466878169 Category : Fiction Languages : en Pages : 182
Book Description
Karen Hightower (aka "Bast") is a single which witch living in Manhattan, working as a freelance graphic designer while reading tarot cards on the side. But when a close friend dies mysteriously, Bast must turn detective to find out why. Bast's investigation leads her through the cults and covens of New York's occult underground--in search of a killer who may have black magic on his side, in Rosemary Edghill's Speak Daggers to Her. At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Author: Rosemary Edghill Publisher: Forge Books ISBN: 1466878134 Category : Fiction Languages : en Pages : 453
Book Description
Rosemary Edghill cast a keenly observant, friendly, yet faintly amused eye on an intriguing American micro-culture. The Bast novels offer a very new view of the practitioners of a very old faith. Edghill allows that there's still magic in the air. Rosemary Edghill's Bast novels are a real treat. Bell, Book, and Murder contains all three Bast novels, Speak Daggers to Her, Book of Moons, and The Bowl of Night (excerpted in USA Today). At the Publisher's request, this title is being sold without Digital Rights Management Software (DRM) applied.
Author: William Shakespeare Publisher: HarperCollins ISBN: 1443441554 Category : Drama Languages : en Pages : 104
Book Description
Among the most enduring poetry of all time, William Shakespeare’s 154 sonnets address such eternal themes as love, beauty, honesty, and the passage of time. Written primarily in four-line stanzas and iambic pentameter, Shakespeare’s sonnets are now recognized as marking the beginning of modern love poetry. The sonnets have been translated into all major written languages and are frequently used at romantic celebrations. Known as “The Bard of Avon,” William Shakespeare is arguably the greatest English-language writer known. Enormously popular during his life, Shakespeare’s works continue to resonate more than three centuries after his death, as has his influence on theatre and literature. Shakespeare’s innovative use of character, language, and experimentation with romance as tragedy served as a foundation for later playwrights and dramatists, and some of his most famous lines of dialogue have become part of everyday speech. HarperPerennial Classics brings great works of literature to life in digital format, upholding the highest standards in ebook production and celebrating reading in all its forms. Look for more titles in the HarperPerennial Classics collection to build your digital library.
Author: Tom Stoppard Publisher: Grove/Atlantic, Inc. ISBN: 155584894X Category : Drama Languages : en Pages : 134
Book Description
Acclaimed as a modern dramatic masterpiece, Rosencrantz & Guildenstern are Dead is the fabulously inventive tale of Hamlet as told from the worm’s-eve view of the bewildered Rosencrantz and Guildenstern, two minor characters in Shakespeare’s play. In Tom Stoppard’s best-known work, this Shakespearean Laurel and Hardy finally get a chance to take the lead role, but do so in a world where echoes of Waiting for Godot resound, where reality and illusion intermix, and where fate leads our two heroes to a tragic but inevitable end. Tom Stoppard was catapulted into the front ranks of modem playwrights overnight when Rosencrantz and Guildenstern Are Dead opened in London in 1967. Its subsequent run in New York brought it the same enthusiastic acclaim, and the play has since been performed numerous times in the major theatrical centers of the world. It has won top honors for play and playwright in a poll of London Theater critics, and in its printed form it was chosen one of the “Notable Books of 1967” by the American Library Association.
Author: Stephen Greenblatt Publisher: Princeton University Press ISBN: 1400848091 Category : Literary Criticism Languages : en Pages : 347
Book Description
In Hamlet in Purgatory, renowned literary scholar Stephen Greenblatt delves into his longtime fascination with the ghost of Hamlet's father, and his daring and ultimately gratifying journey takes him through surprising intellectual territory. It yields an extraordinary account of the rise and fall of Purgatory as both a belief and a lucrative institution--as well as a capacious new reading of the power of Hamlet. In the mid-sixteenth century, English authorities abruptly changed the relationship between the living and dead. Declaring that Purgatory was a false "poem," they abolished the institutions and banned the practices that Christians relied on to ease the passage to Heaven for themselves and their dead loved ones. Greenblatt explores the fantastic adventure narratives, ghost stories, pilgrimages, and imagery by which a belief in a grisly "prison house of souls" had been shaped and reinforced in the Middle Ages. He probes the psychological benefits as well as the high costs of this belief and of its demolition. With the doctrine of Purgatory and the elaborate practices that grew up around it, the church had provided a powerful method of negotiating with the dead. The Protestant attack on Purgatory destroyed this method for most people in England, but it did not eradicate the longings and fears that Catholic doctrine had for centuries focused and exploited. In his strikingly original interpretation, Greenblatt argues that the human desires to commune with, assist, and be rid of the dead were transformed by Shakespeare--consummate conjurer that he was--into the substance of several of his plays, above all the weirdly powerful Hamlet. Thus, the space of Purgatory became the stage haunted by literature's most famous ghost. This book constitutes an extraordinary feat that could have been accomplished by only Stephen Greenblatt. It is at once a deeply satisfying reading of medieval religion, an innovative interpretation of the apparitions that trouble Shakespeare's tragic heroes, and an exploration of how a culture can be inhabited by its own spectral leftovers. This expanded Princeton Classics edition includes a new preface by the author.
Author: Regina Mara Schwartz Publisher: Oxford University Press ISBN: 0192514601 Category : Literary Criticism Languages : en Pages : 170
Book Description
In thinking about Justice, we ignore Love to our peril. Loving Justice, Living Shakespeare asks why love is considered a 'soft' subject, fit for the arts and religion perhaps, but unfit for boardrooms, parliamentary and congressional debates, law schools and courtrooms, all of whom are engaged in the 'serious' discourse of justice, including questions of distribution, questions of contract, and questions of retribution. Love is separate, out of order in the decidedly rational public sphere of justice. But for all of this separation of love and justice, it turns out that in the biblical tradition, no such distinction is even imaginable. The biblical law is summed up as loving the neighbour—this is further elaborated as loving the stranger, loving the widow, the orphan, and the poor—those who lack a protecting community. Analysis of these foundational 'love commands' shows that in them, love means care, that is, apprehending and responding to the needs of others. This is both love and justice. Prevailing political concepts of justice are incomplete for they are premised on a belief in scarcity: limited supply (of goods, opportunities, even forgiveness) suggests they must be meted out in fair measure. To the contrary, with love, the good sought is not in scarce supply. Its distribution is not a problem for the more of it you give, the more it is replenished. So with love, the emphasis is not on how to apportion fairly—how much love do I give each of my children!—but how to understand and respond to need. This understanding of justice as including mutual care has a rich history in religious thought as constituting social glue. The revival of the Bible during the Reformation and the ubiquitous allusions to neighbor love in the Book of Common Prayer made it ever-present in Renaissance discourse, and Shakespeare brought this ethos to audiences in many of his plays. Part of the reason Shakespeare endures is that this ethic resonates for audiences today: we abhor the evil of Iago, the greed of Macbeth, the narcissism of Lear, and to even begin to understand how the sacrifices of Romeo and Juliet could heal ancient social conflict, we must assent to the power of love to create justice.
Author: Marvin Bennet Krims Publisher: Bloomsbury Publishing USA ISBN: 0313081425 Category : Psychology Languages : en Pages : 241
Book Description
Dr. Krims, a psychoanalyst for more than three decades, takes readers into the sonnets and characters of Shakespeare and unveils the Bard's talent for illustrating psychoanalytical issues. These hidden aspects of the characters are one reason they feel real and, thus, have such a powerful effect, explains Krims. In exploring Shakespeare's characters, readers may also learn much about their own inner selves. In fact, Krims explains in one chapter how reading Shakespeare and other works helped him resolve his own inner conflicts. Topics of focus include Prince Hal's aggression, Hotspur's fear of femininity, Hamlet's frailty, Romeo's childhood trauma and King Lear's inability to grieve. In one essay, Krims offers a mock psychoanalysis of Beatrice from Much Ado about Nothing. All of the essays look at the unconscious motivations of Shakespeare's characters, and, in doing so, both challenge and extend common understandings of his texts.
Author: Rosemary Edghill
Author: Rosemary Edghill
Author: Rosemary Edghill
Author: William Shakespeare
Author: Tom Stoppard
Author: Stephen Greenblatt
Author: Eleanor Prosser
Author: Regina Mara Schwartz
Author: 
Author: Marvin Bennet Krims
Author: Ebenezer Cobham Brewer