Catalogue of the Allen A. Brown Collection of Music in the Public Library of the City of Boston PDF Download

Author: Geoffrey Norris
Publisher: Oxford University Press, USA
ISBN: 9780198164883
Category : Biography & Autobiography
Languages : en
Pages : 196

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Book Description
Following political changes in Russia and the emergence of new biographical material, Geoffrey Norris reassesses Rachmaninoff's life and works: the solo piano music and concertos, the symphonies, songs, and choral works.

Author: Allen A. Brown Collection (Boston Public Library)
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 354

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Book Description

Author: Joel Lester
Publisher: Oxford University Press
ISBN: 0195171446
Category : Music
Languages : en
Pages : 197

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Book Description
J.S. Bach's sonatas and partitas for solo violin have been central to the violin repertoire since the mid-18th century. This engaging introduction to these works is the first comprehensive exploration of their place within Bach's music, focusing on their structural and stylistic features as they have been perceived since their creation. Combining an analytical study, a historical guide, and an insightful introduction to Bach's style, this book will help violinists, scholars, and other listeners develop a deeper personal involvement with many aspects of these wonderful pieces.

Author: Boris Berman
Publisher: Yale University Press
ISBN: 0300145004
Category : Music
Languages : en
Pages : 256

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Book Description
Boris Berman draws on his intimate knowledge of Prokofiev's work to guide music lovers and pianists through the composer's nine piano sonatas.

Author: Sergei Rachmaninoff
Publisher: Independently Published
ISBN:
Category :
Languages : en
Pages : 46

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Book Description
This is a newly edited and engraved edition: this new edition is based on the most authoritative early publications; mistakes and misprints from the old editions are corrected; missing technical markings and other inconsistencies have been resolved; all texts, titles and dates are carefully checked with Grove's Music Dictionary; the new layout offers more comfortable reading; increased staff size will help to make the score more legible on music stands, tablets or other digital media. Now, this new edition finally offers musicians the opportunity to fully enjoy this beautiful piece.

Author: Ludwig Van Beethoven
Publisher:
ISBN:
Category :
Languages : en
Pages : 24

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Book Description
Sonata no. 5 in c minor, opus 10 no. 1, URTEXT with Fingerings. For advanced students and professional pianists

Author: Alexandre Tansman
Publisher:
ISBN:
Category : Sonatas (Piano)
Languages : en
Pages : 26

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Book Description

Author: Gabriel Fauré
Publisher:
ISBN:
Category : Sonatas (Cello and piano)
Languages : en
Pages : 58

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Book Description

Author:
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 322

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Book Description

Author: Johann Sebastian Bach
Publisher: Courier Corporation
ISBN: 0486255298
Category : Music
Languages : en
Pages : 129

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Book Description
Early in his career, Bach began to transcribe for the keyboard a number of concertos for violin, oboe, and other instruments by such baroque masters as Vivaldi and Telemann. His purpose: to study and explore the works of other composers as well as to supply good clavier music for his own performances. This collection of sixteen of these celebrated transcriptions is reprinted from the definitive Bach-Gesellschaft edition prepared by Ernst Naumann and presented in a study format designed to give amateur and professional pianists and harpsichordists a lifetime of pleasurable study and use. Six of these glorious keyboard works are known to be transcriptions of Vivaldi violin concertos. Three are based on concertos written by Duke Johann Ernst of Saxe-Weimar, the son of Bach's employer at Weimar. One is based on a violin concerto by Telemann, another on an oboe concerto by Alessandro Marcello, and another on a concerto by Benedetto Marcello. The sources of the remaining works are unknown. Vivaldi, whose music Bach probably first heard in 1712, was to provide a strong influence on the young composer. Bach would eventually assimilate the Italian's style and use it with his own contrapuntal heritage and the Northern idiom in creating what we recognize today as the typical Bach style. These transcriptions, which represent his introduction to the new idiom, richly display a dynamic virtuosity that makes their performance an exhilarating experience.