Author: Édouard Lalo
Publisher: Alfred Music
ISBN: 9781457475054
Category : Music
Languages : en
Pages : 52
Book Description
A Cello solo with Piano Accompaniment composed by Édouard Lalo.
Concerto in D Minor
Author: Édouard Lalo
Publisher: Alfred Music
ISBN: 9781457475054
Category : Music
Languages : en
Pages : 52
Book Description
A Cello solo with Piano Accompaniment composed by Édouard Lalo.
Publisher: Alfred Music
ISBN: 9781457475054
Category : Music
Languages : en
Pages : 52
Book Description
A Cello solo with Piano Accompaniment composed by Édouard Lalo.
Sonata in E Minor
Author:
Publisher: Alfred Music Publishing
ISBN: 9780769297583
Category : Music
Languages : en
Pages : 0
Book Description
A solo, for Viola with Piano Accompaniment, composed by Benedetto Marcello.
Publisher: Alfred Music Publishing
ISBN: 9780769297583
Category : Music
Languages : en
Pages : 0
Book Description
A solo, for Viola with Piano Accompaniment, composed by Benedetto Marcello.
Daily Exercises
Author: Louis R. Feuillard
Publisher: Schott Music
ISBN: 3795723981
Category : Music
Languages : en
Pages : 48
Book Description
Louis R. Feuillard (1872–1941) has become known chiefly as the teacher of Paul Tortelier who called him a man with an extraordinary educational instinct. His 'Daily Exercises' take up the most important aspects of the cello technique, such as exercises in neck and thumb positions, double stops and bowing exercises. It is particularly because of the logical structure of the exercises that they have been among the standard works of violoncello study literature since their publication in 1919.
Publisher: Schott Music
ISBN: 3795723981
Category : Music
Languages : en
Pages : 48
Book Description
Louis R. Feuillard (1872–1941) has become known chiefly as the teacher of Paul Tortelier who called him a man with an extraordinary educational instinct. His 'Daily Exercises' take up the most important aspects of the cello technique, such as exercises in neck and thumb positions, double stops and bowing exercises. It is particularly because of the logical structure of the exercises that they have been among the standard works of violoncello study literature since their publication in 1919.
170 Foundation Studies for Violoncello
Author: Alwin Schroeder
Publisher: Courier Dover Publications
ISBN: 0486842932
Category : Music
Languages : en
Pages : 115
Book Description
Compiled by Alwin Schroeder, a former cellist with the Boston Symphony Orchestra and an experienced teacher, this collection of 80 exercises constitutes the first book of a three-volume set. Schroeder drew upon his extensive experience to create original études for instructing students, and in this work he combines them with several others by his distinguished nineteenth-century European colleagues: Karl Schröder. Ferdinand Büchler, Friedrich Dotzauer, Auguste Franchomme, Friedrich Grützmacher, and Sebastian Lee. The carefully selected studies are arranged in order of increasing complexity, and Schroeder provides suggestions for fingering, bowing, and dynamics. Cello students and teachers will find these exercises a splendid resource for the improvement of technique and performance.
Publisher: Courier Dover Publications
ISBN: 0486842932
Category : Music
Languages : en
Pages : 115
Book Description
Compiled by Alwin Schroeder, a former cellist with the Boston Symphony Orchestra and an experienced teacher, this collection of 80 exercises constitutes the first book of a three-volume set. Schroeder drew upon his extensive experience to create original études for instructing students, and in this work he combines them with several others by his distinguished nineteenth-century European colleagues: Karl Schröder. Ferdinand Büchler, Friedrich Dotzauer, Auguste Franchomme, Friedrich Grützmacher, and Sebastian Lee. The carefully selected studies are arranged in order of increasing complexity, and Schroeder provides suggestions for fingering, bowing, and dynamics. Cello students and teachers will find these exercises a splendid resource for the improvement of technique and performance.
Cello Sonata in A Minor, Opus 36
Author: Edvard Grieg
Publisher: Alfred Music
ISBN: 9781457485343
Category : Music
Languages : en
Pages : 68
Book Description
A Cello solo with Piano Accompaniment composed by Edvard Grieg.
Publisher: Alfred Music
ISBN: 9781457485343
Category : Music
Languages : en
Pages : 68
Book Description
A Cello solo with Piano Accompaniment composed by Edvard Grieg.
Six Sonatas
Author: Johann Sebastian Bach
Publisher: Alfred Music
ISBN: 9781457469954
Category : Music
Languages : en
Pages : 140
Book Description
A new complete collection including six sonatas for viola and piano by Bach. Separate parts are included.
Publisher: Alfred Music
ISBN: 9781457469954
Category : Music
Languages : en
Pages : 140
Book Description
A new complete collection including six sonatas for viola and piano by Bach. Separate parts are included.
Two Sonatas, Opus 40, Nos. 1 & 2
Author: Max Reger
Publisher: Alfred Music
ISBN: 9781457470523
Category : Music
Languages : en
Pages : 92
Book Description
A new Kalmus edition including Reger's two clarinet sonatas. Separate parts included for the clarinet and piano.
Publisher: Alfred Music
ISBN: 9781457470523
Category : Music
Languages : en
Pages : 92
Book Description
A new Kalmus edition including Reger's two clarinet sonatas. Separate parts included for the clarinet and piano.
Beethoven Forum 4
Author: Beethoven Forum
Publisher: U of Nebraska Press
ISBN: 9780803239166
Category : Music
Languages : en
Pages : 226
Book Description
In "Deconstructing Periodization," Tia DeNora examines how historical depictions of Beethoven's work in late eighteenth-century Vienna. K. M. Knittel have tended to impose patterns rather than reveal them. When perceived through modern sociological and ethnographic methods, Beethoven's early career is neither as neat nor as evolutionary as often supposed. K. M. Knittel also looks critically at traditional assumptions in "Imitation, Individuality, and Illness: Behind Beethoven's Three Styles." Two of Beethoven's most beloved piano sonatas are placed in wider cultural contexts by Janet Schmalfeldt and Thomas Sipe. Schmalfeldt examines "Form as the Process of Becoming: The Beethoven-Hegelian Tradition and the 'Tempest' Sonata: and Sipe considers the critical reception of op. 57 in "Beethoven, Shakespeare, and the 'Appassionata'." Beethoven's Fifth Symphony is his most famous, sometimes, it seems, too famous to be heard afresh. But Richard Taruskin identifies a potential borrowing in "Something New about the Fifth." And, drawing on Beethoven's sketches, Alain Frogley demonstrates subtle connections between rhythmic patterns and tonal plan in" Beethoven's Struggle for Simplicity in the Sketches for the Third Movement of the Sixth Symphony." In "Florestan Reading Fidelio," Christopher Reynolds clarifies how Romantic composers trod the narrow path between emulating great composers and expressing themselves originally. Reynolds looks at Brahms and Wagner, among others, with special attention to Schumann's studies of Fidelio. In "Beethoven with or without Kunstgepräng': Metrical Ambiguity Reconsidered," . William Rothstein contributes a precise analysis of one of Beethoven's complex compositional techniques.
Publisher: U of Nebraska Press
ISBN: 9780803239166
Category : Music
Languages : en
Pages : 226
Book Description
In "Deconstructing Periodization," Tia DeNora examines how historical depictions of Beethoven's work in late eighteenth-century Vienna. K. M. Knittel have tended to impose patterns rather than reveal them. When perceived through modern sociological and ethnographic methods, Beethoven's early career is neither as neat nor as evolutionary as often supposed. K. M. Knittel also looks critically at traditional assumptions in "Imitation, Individuality, and Illness: Behind Beethoven's Three Styles." Two of Beethoven's most beloved piano sonatas are placed in wider cultural contexts by Janet Schmalfeldt and Thomas Sipe. Schmalfeldt examines "Form as the Process of Becoming: The Beethoven-Hegelian Tradition and the 'Tempest' Sonata: and Sipe considers the critical reception of op. 57 in "Beethoven, Shakespeare, and the 'Appassionata'." Beethoven's Fifth Symphony is his most famous, sometimes, it seems, too famous to be heard afresh. But Richard Taruskin identifies a potential borrowing in "Something New about the Fifth." And, drawing on Beethoven's sketches, Alain Frogley demonstrates subtle connections between rhythmic patterns and tonal plan in" Beethoven's Struggle for Simplicity in the Sketches for the Third Movement of the Sixth Symphony." In "Florestan Reading Fidelio," Christopher Reynolds clarifies how Romantic composers trod the narrow path between emulating great composers and expressing themselves originally. Reynolds looks at Brahms and Wagner, among others, with special attention to Schumann's studies of Fidelio. In "Beethoven with or without Kunstgepräng': Metrical Ambiguity Reconsidered," . William Rothstein contributes a precise analysis of one of Beethoven's complex compositional techniques.
The Monthly Musical Record
Mendelssohn, Time and Memory
Author: Benedict Taylor
Publisher: Cambridge University Press
ISBN: 1139501364
Category : Music
Languages : en
Pages : 315
Book Description
Felix Mendelssohn has long been viewed as one of the most historically minded composers in western music. This book explores the conceptions of time, memory and history found in his instrumental compositions, presenting an intriguing new perspective on his ever-popular music. Focusing on Mendelssohn's innovative development of cyclic form, Taylor investigates how the composer was influenced by the aesthetic and philosophical movements of the period. This is of key importance not only for reconsideration of Mendelssohn's work and its position in nineteenth-century culture, but also more generally concerning the relationship between music, time and subjectivity. One of very few detailed accounts of Mendelssohn's music, the study presents a new and provocative reading of the meaning of the composer's work by connecting it to wider cultural and philosophical ideas.
Publisher: Cambridge University Press
ISBN: 1139501364
Category : Music
Languages : en
Pages : 315
Book Description
Felix Mendelssohn has long been viewed as one of the most historically minded composers in western music. This book explores the conceptions of time, memory and history found in his instrumental compositions, presenting an intriguing new perspective on his ever-popular music. Focusing on Mendelssohn's innovative development of cyclic form, Taylor investigates how the composer was influenced by the aesthetic and philosophical movements of the period. This is of key importance not only for reconsideration of Mendelssohn's work and its position in nineteenth-century culture, but also more generally concerning the relationship between music, time and subjectivity. One of very few detailed accounts of Mendelssohn's music, the study presents a new and provocative reading of the meaning of the composer's work by connecting it to wider cultural and philosophical ideas.