Social Radicalism and the Arts, Western Europe PDF Download

Author: Donald Drew Egbert
Publisher: Bloomsbury Academic
ISBN:
Category : Art
Languages : en
Pages : 916

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Author: Donald Drew Egbert
Publisher: Knopf Books for Young Readers
ISBN: 9780394446004
Category : Arts
Languages : en
Pages : 821

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Author: David Art
Publisher: Cambridge University Press
ISBN: 1139498835
Category : Political Science
Languages : en
Pages : 289

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What explains the cross-national variation in the radical right's electoral success over the last several decades? Challenging existing structural and institutional accounts, this book analyzes the dynamics of party building and explores the attitudes, skills and experiences of radical right activists in eleven different countries. Based on extensive field research and an original data set of radical right candidates for office, David Art links the quality of radical right activists to broader patterns of success and failure. He demonstrates how a combination of historical legacies and incentive structures produced activists who helped party building in some cases and doomed it in others. In an age of rising electoral volatility and the fading of traditional political cleavages, Inside the Radical Right makes a strong case for the importance of party leaders and activists as masters of their own fate.

Author: Jacopo Galimberti
Publisher: Value: Art: Politics
ISBN: 9781786940056
Category : Art
Languages : en
Pages : 363

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"This volume is the first publication to examine in detail the phenomenon of collective art practice in the continental Western Europe of the late 1950s and of the 1960s. The book elaborates a comparative perspective, engaging with a cultural history of art deeply concerned with political ideas and geopolitical conflicts. Groups of artists and activists including Equipo 57, Equipo Cronica, Equipo Realidad, N, GRAV, Spur, Geflecht and Kommune I, have often been neglected in the English-speaking world. This happened partly because they were active in allegedly minor art centres such as Valencia, Padua, Cordoba, West-Berlin and Munich. However, their works, debates and intellectual networks cast new light on both the art produced during the Cold War and the heightened interest in participatory and collaborative art practices that has characterised the art world of the 2000s and 2010s. Individuals against Individualism tells the stories of these artists and activists, and focuses on their attempts to depict and embody forms of egalitarianism opposing the Eastern bloc authoritarianism as much as the Free world's ethos. By setting their political use of collective authorship, resistance to institutional co-optation and attack on the ideology of freedom, against the backdrop of the Cold War, the book largely speaks to the present."--Cover page 4.

Author: W. Eugene Kleinbauer
Publisher: University of Toronto Press
ISBN: 9780802067081
Category : Art
Languages : en
Pages : 548

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A collection of essays that reflect the breadth of twentieth-century scholarship in art history. Kleinbauer has sought to illustrate the variety of methods scholars have developed for conveying the unfolding of the arts in the Western world. Originally published by Holt, Rinehart, and Winston, 1971.

Author: David Roberts
Publisher: Cornell University Press
ISBN: 0801461456
Category : Art
Languages : en
Pages : 305

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In this groundbreaking book David Roberts sets out to demonstrate the centrality of the total work of art to European modernism since the French Revolution. The total work of art is usually understood as the intention to reunite the arts into the one integrated whole, but it is also tied from the beginning to the desire to recover and renew the public function of art. The synthesis of the arts in the service of social and cultural regeneration was a particularly German dream, which made Wagner and Nietzsche the other center of aesthetic modernism alongside Baudelaire and Mallarmé. The history and theory of the total work of art pose a whole series of questions not only to aesthetic modernism and its utopias but also to the whole epoch from the French Revolution to the totalitarian revolutions of the twentieth century. The total work of art indicates the need to revisit key assumptions of modernism, such as the foregrounding of the autonomy and separation of the arts at the expense of the countertendencies to the reunion of the arts, and cuts across the neat equation of avant-gardism with progress and deconstructs the familiar left-right divide between revolution and reaction, the modern and the antimodern. Situated at the interface between art, religion, and politics, the total work of art invites us to rethink the relationship between art and religion and art and politics in European modernism. In a major departure from the existing literature David Roberts argues for twin lineages of the total work, a French revolutionary and a German aesthetic, which interrelate across the whole epoch of European modernism, culminating in the aesthetic and political radicalism of the avant-garde movements in response to the crisis of autonomous art and the accelerating political crisis of European societies from the 1890s forward.

Author: P. McLaughlin
Publisher: Springer
ISBN: 1137034823
Category : Political Science
Languages : en
Pages : 221

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Confusion, controversy and even fear surrounds the political phenomenon of radicalism. This book attempts to make conceptual and historical sense of this phenomenon, both as a kind of practice and as a kind of thought, before defending it in a traditional if unfashionable form: a form that is historically progressive and politically humanistic.

Author: Janet Wolff
Publisher: NYU Press
ISBN: 0814792707
Category : Art
Languages : en
Pages : 207

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In The Social Production of Art Janet Wolff shows systematically that the arts can be understood adequate only in a sociological perspective and argues that art is the complex construction of a number of historical factors.

Author: Annie Gérin
Publisher: University of Toronto Press
ISBN: 1442697083
Category : Art
Languages : en
Pages : 706

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Arguably, public art is experienced daily by more people than most offerings in galleries, yet our notion of what constitutes public art is surprisingly limited. Public Art in Canada broadens the critical discussion by exploring public art's varied means of engaging with public space and the public sphere. Annie Gérin and James S. McLean have assembled contributions from new and established Canadian scholars, curators, and artists. Each contributor enlivens our understanding of public art as a practice and its place in the social and aesthetic formation of which it is a part. As a result, the book provides an overview of the current debates in the field of public art that are informed by the theories and critical literature of art history, communication studies, cultural studies, sociology, and urban studies. The rigorous essays and original works of art collected in this volume present a compelling demonstration of the strategies, aesthetic and otherwise, used by artists to elicit intellectual, sensual, or emotional responses that can only be obtained through artistic practices in public places. Public Art in Canada is a major contribution to the study of Canadian art and culture.

Author: Gail E. Husch
Publisher: UPNE
ISBN: 9781584650065
Category : Art
Languages : en
Pages : 332

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This major contribution to the study of antebellum religious art offers a detailed case study of American postmillennialism and its many visual expressions. Treating paintings as "intersections of cultural expression," Gail E. Husch begins with a single painting to spin out an interpretation in many directions, from the specific aesthetic and social concerns of artist and patron to the wider political and cultural concerns of Americans in the mid-19th century. Arguing that "genuine apocalyptic faith" was fundamental to American Protestants, Husch shows how artists, patrons, and ordinary citizens actively engaged contemporary questions of peace and war, freedom and slavery, and the equality of human beings before God in their visual arts. Part of an emerging revaluation of the role of the religious in American art, Husch asks us to read ideas as they function in works, rather than see images merely as passive illustrations of ideas. Weaving images drawn from high and low culture, politics, and religion, she develops a complex cultural narrative of the times, thus showing the truth of one picture being worth a thousand words.