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Author: Catherine Zuromskis Publisher: MIT Press ISBN: 0262544113 Category : Photography Languages : en Pages : 369
Book Description
An examination of the contradictions within a form of expression that is both public and private, specific and abstract, conventional and countercultural. Snapshots capture everyday occasions. Taken by amateur photographers with simple point-and-shoot cameras, snapshots often commemorate something that is private and personal; yet they also reflect widely held cultural conventions. The poses may be formulaic, but a photograph of loved ones can evoke a deep affective response. In Snapshot Photography, Catherine Zuromskis examines the development of a form of visual expression that is both public and private. Scholars of art and culture tend to discount snapshot photography; it is too ubiquitous, too unremarkable, too personal. Zuromskis argues for its significance. Snapshot photographers, she contends, are not so much creating spontaneous records of their lives as they are participating in a prescriptive cultural ritual. A snapshot is not only a record of interpersonal intimacy but also a means of linking private symbols of domestic harmony to public ideas of social conformity. Through a series of case studies, Zuromskis explores the social life of snapshot photography in the United States in the latter half of the twentieth century. She examines the treatment of snapshot photography in the 2002 film One Hour Photo and in the television crime drama Law and Order: Special Victims Unit; the growing interest of collectors and museum curators in “vintage” snapshots; and the “snapshot aesthetic” of Andy Warhol and Nan Goldin. She finds that Warhol’s photographs of the Factory community and Goldin’s intense and intimate photographs of friends and family use the conventions of the snapshot to celebrate an alternate version of “family values.” In today’s digital age, snapshot photography has become even more ubiquitous and ephemeral—and, significantly, more public. But buried within snapshot photography’s mythic construction, Zuromskis argues, is a site of democratic possibility.
Author: Catherine Zuromskis Publisher: MIT Press ISBN: 0262544113 Category : Photography Languages : en Pages : 369
Book Description
An examination of the contradictions within a form of expression that is both public and private, specific and abstract, conventional and countercultural. Snapshots capture everyday occasions. Taken by amateur photographers with simple point-and-shoot cameras, snapshots often commemorate something that is private and personal; yet they also reflect widely held cultural conventions. The poses may be formulaic, but a photograph of loved ones can evoke a deep affective response. In Snapshot Photography, Catherine Zuromskis examines the development of a form of visual expression that is both public and private. Scholars of art and culture tend to discount snapshot photography; it is too ubiquitous, too unremarkable, too personal. Zuromskis argues for its significance. Snapshot photographers, she contends, are not so much creating spontaneous records of their lives as they are participating in a prescriptive cultural ritual. A snapshot is not only a record of interpersonal intimacy but also a means of linking private symbols of domestic harmony to public ideas of social conformity. Through a series of case studies, Zuromskis explores the social life of snapshot photography in the United States in the latter half of the twentieth century. She examines the treatment of snapshot photography in the 2002 film One Hour Photo and in the television crime drama Law and Order: Special Victims Unit; the growing interest of collectors and museum curators in “vintage” snapshots; and the “snapshot aesthetic” of Andy Warhol and Nan Goldin. She finds that Warhol’s photographs of the Factory community and Goldin’s intense and intimate photographs of friends and family use the conventions of the snapshot to celebrate an alternate version of “family values.” In today’s digital age, snapshot photography has become even more ubiquitous and ephemeral—and, significantly, more public. But buried within snapshot photography’s mythic construction, Zuromskis argues, is a site of democratic possibility.
Author: Rob Sheppard Publisher: Peachpit Press ISBN: 032182377X Category : Computers Languages : en Pages : 265
Book Description
A guide to landscape photography using a DSLR camera covers such topics as light, composition, perspective, lenses, black-and-white images, and HDR.
Author: Laurie Excell Publisher: Peachpit Press ISBN: 0321794508 Category : Photography Languages : en Pages : 240
Book Description
In 'Wildlife Photography' Laurie Excell shows aspiring wildlife photographers how to get the best shots of birds, bears, and bugs - whether they're on Safari, on vacation, or on a nature walk around their own backyard.
Author: Clément Chéroux Publisher: ISBN: Category : ART Languages : en Pages : 256
Book Description
"The advent of the Kodak camera in 1888 made photography accessible to amateurs as well as to professionals. Artists were not immune to its allure, and many began experimenting with the camera as a means of capturing images as studies for final works and of observing the world and the people in it. Snapshot investigates seven Post-Impressionist painters and printmakers: Pierre Bonnard, George Hendrik Breitner, Maurice Denis, Henri Evenepoel, Henri Riviere, Felix Vallotton, and Edouard Vuillard. Although celebrated for their works on canvas and paper, these artists also made many personal and informal snapshots. Depicting interiors, city streets, nudes, and portraits, these photographs were kept private and never exhibited. As a result, most have never been published. Juxtaposing personal photographs with the related paintings and prints by these Post-Impressionist artists, Snapshot offers a new perspective on early photography and on the synthesis of painting and photography at the end of the 19th century"--
Author: Chris Orwig Publisher: Rocky Nook, Inc. ISBN: 1681983486 Category : Photography Languages : en Pages : 591
Book Description
The most successful portraits take us well beyond the surface of how someone looks and show us the inner essence of who someone is. They reveal character, soul, and depth. They uncover hidden hopes and profound truths, revealing that authentic and deeply human light that shines within. And while technical expertise is undoubtedly important, it’s not the light, camera, or pose that creates a great portrait. It’s you, and it’s the connection you create with the subject that makes all the difference. In Authentic Portraits, photographer Chris Orwig teaches you that the secret to creating meaningful portraits is simple: curiosity, empathy, kindness, and soul…plus a bit of technique. While Chris spends significant time on the fundamentals of “getting the shot”—working with natural light, nailing focus, dialing in the correct exposure, effectively posing and directing the subject, intentionally composing the frame—he also passionately discusses the need for personal development, creative collaboration, and connection with the subject. Because who you are directly and deeply affects what you create, and it is only through cultivating your own inner light that you will be able to bring it out in your subjects. Filled with instruction, insight, and inspiration, Authentic Portraits is an honest and personal book about creating better frames. It’s also about becoming your best self. Take the journey, and you’ll learn to find your vision and voice, bring intention to your photography and your life, embrace mystery, and understand the importance of gratitude and empathy. Along the way, you will teach the camera to see in a way that replicates how you feel, and you’ll find you have all you need to create work of lasting significance.
Author: J.J. Long Publisher: Routledge ISBN: 1135253633 Category : Art Languages : en Pages : 192
Book Description
Over the past twenty-five years, photography has moved to centre-stage in the study of visual culture and has established itself in numerous disciplines. This trend has brought with it a diversification in approaches to the study of the photographic image. Photography: Theoretical Snapshots offers exciting perspectives on photography theory today from some of the world’s leading critics and theorists. It introduces new means of looking at photographs, with topics including: a community-based understanding of Spencer Tunick’s controversial installations the tactile and auditory dimensions of photographic viewing snapshot photography the use of photography in human rights discourse. Photography: Theoretical Snapshots also addresses the question of photography history, revisiting the work of some of the most influential theorists such as Roland Barthes, Walter Benjamin, and the October group, re-evaluating the neglected genre of the carte-de-visite photograph, and addressing photography’s wider role within the ideologies of modernity. The collection opens with an introduction by the editors, analyzing the trajectory of photography studies and theory over the past three decades and the ways in which the discipline has been constituted. Ranging from the most personal to the most dehumanized uses of photography, from the nineteenth century to the present day, from Latin America to Northern Europe, Photography: Theoretical Snapshots will be of value to all those interested in photography, visual culture, and cultural history.
Author: Michael F. Williams Publisher: ISBN: Category : History Languages : en Pages : 246
Book Description
From the sod houses of South Dakota to the skyscrapers of New York City, these personal photographs form the first people's photo history of America.
Author: Laurie S. Excell Publisher: Peachpit Press ISBN: 0133813800 Category : Photography Languages : en Pages : 265
Book Description
Now that you’ve bought an amazing new DSLR, you need a book that goes beyond the camera manual to teach you how to take great shots. That’s where Composition: From Snapshots to Great Shots, Second Edition, comes in, teaching you the fundamentals of composition—the creative arrangement of elements in the shot, and the way a viewer’s eye travels through an image—so you can get great shots no matter what gear you use. In this book, author and professional photographer Laurie Excell starts with the basics of composition—such as the popular rule of thirds—and illustrates how elements like color, shape, angles, and contrast work to create compelling images. In the process, she covers all key camera features that affect composition (regardless of what type of DSLR you have), including the ability to freeze and convey motion depending on what shutter speed you choose, and the correlation between aperture and depth of field. In addition to dozens of brand-new images and more in-depth coverage on topics such as patterns and textures and arranging elements in a frame, this revised edition features several completely new chapters. These will include a chapter of step-by-step examples that highlight the compositional technique used to get just the right shot; a new chapter on black-and-white photography; and a chapter on what to do after the shot—enhancing and editing the images in post-processing. Beautifully illustrated with large, vibrant photos, this book will help you bring your own unique artistic expression to any situation whether taking portraits, action shots, landscapes, or events, teaching you how to take control of your photography to get the image you want every time you pick up the camera. The book includes coverage of Lightroom for image management; Nikon Capture NX2 for RAW processing; Photoshop for image processing; and NIK and OnOne software for creative effects.
Author: Catherine Zuromskis
Author: Catherine Zuromskis
Author: Rob Sheppard
Author: Laurie Excell
Author: Barbara Levine
Author: Clément Chéroux
Author: Chris Orwig
Author: J.J. Long
Author: Michael F. Williams
Author: Laurie S. Excell
Author: Martin J. Harding