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Author: Bertram D. Ashe Publisher: University of Washington Press ISBN: 0295746653 Category : Social Science Languages : en Pages : 248
Book Description
Honorable Mention for the 2022 Modern Language Association Prize for an Edited Collection Interrogates how artists have created new ways to imagine the past of American slavery From Kara Walker’s hellscape antebellum silhouettes to Paul Beatty’s bizarre twist on slavery in The Sellout and from Colson Whitehead’s literal Underground Railroad to Jordan Peele’s body-snatching Get Out, this volume offers commentary on contemporary artistic works that present, like musical deep cuts, some challenging “alternate takes” on American slavery. These artists deliberately confront and negotiate the psychic and representational legacies of slavery to imagine possibilities and change. The essays in this volume explore the conceptions of freedom and blackness that undergird these narratives, critically examining how artists growing up in the post–Civil Rights era have nuanced slavery in a way that is distinctly different from the first wave of neo-slave narratives that emerged from the Civil Rights and Black Power Movements. Slavery and the Post-Black Imagination positions post-blackness as a productive category of analysis that brings into sharp focus recent developments in black cultural productions across various media. These ten essays investigate how millennial black cultural productions trouble long-held notions of blackness by challenging limiting scripts. They interrogate political as well as formal interventions into established discourses to demonstrate how explorations of black identities frequently go hand in hand with the purposeful refiguring of slavery’s prevailing tropes, narratives, and images. A V Ethel Willis White Book
Author: Bertram D. Ashe Publisher: University of Washington Press ISBN: 0295746653 Category : Social Science Languages : en Pages : 248
Book Description
Honorable Mention for the 2022 Modern Language Association Prize for an Edited Collection Interrogates how artists have created new ways to imagine the past of American slavery From Kara Walker’s hellscape antebellum silhouettes to Paul Beatty’s bizarre twist on slavery in The Sellout and from Colson Whitehead’s literal Underground Railroad to Jordan Peele’s body-snatching Get Out, this volume offers commentary on contemporary artistic works that present, like musical deep cuts, some challenging “alternate takes” on American slavery. These artists deliberately confront and negotiate the psychic and representational legacies of slavery to imagine possibilities and change. The essays in this volume explore the conceptions of freedom and blackness that undergird these narratives, critically examining how artists growing up in the post–Civil Rights era have nuanced slavery in a way that is distinctly different from the first wave of neo-slave narratives that emerged from the Civil Rights and Black Power Movements. Slavery and the Post-Black Imagination positions post-blackness as a productive category of analysis that brings into sharp focus recent developments in black cultural productions across various media. These ten essays investigate how millennial black cultural productions trouble long-held notions of blackness by challenging limiting scripts. They interrogate political as well as formal interventions into established discourses to demonstrate how explorations of black identities frequently go hand in hand with the purposeful refiguring of slavery’s prevailing tropes, narratives, and images. A V Ethel Willis White Book
Author: Thylias Moss Publisher: Persea Books ISBN: 9780892553181 Category : Poetry Languages : en Pages : 152
Book Description
Named by Black Issues as the best poetry book of 2004, this is the astonishing story of a slave girl in the antebellum South. This critically acclaimed verse-novel follows the unforgettable Varl, a slave on a plantation in Tennessee, on her path to freedom. Wise beyond her years and wildly creative, Varl must choose between the only life she's knownher Mamalee, her friends (especially her beloved Dob), the farmland she's explored since childhoodand her growing need for self-determination. Standing in her path, waiting to quash her spirit, is her master, the cunning Peter Perry, "a collector of rare things" who aims to add Varl herself to his perverse assortment of oddities. With Slave Moth, Thylias Moss shows herself yet again to be "a visionary storyteller" (Charles Simic). Written in gorgeous verse, it is an explosion of life in the face of servitude.
Author: Wanda M. Brooks Publisher: Rowman & Littlefield ISBN: 9780810860278 Category : Language Arts & Disciplines Languages : en Pages : 266
Book Description
Scholarly studies about the use of books by and about African-American children and young adults in classrooms across the United States.
Author: Mary C. Karasch Publisher: Princeton University Press ISBN: 0691656991 Category : History Languages : en Pages : 448
Book Description
Rio de Janeiro in the first half of the nineteenth century had the largest population of urban slaves in the Americas—primary contributors to the atmosphere and vitality of the city. Although most urban historians have ignored these inhabitants of Rio, Mary Karasch's generously illustrated study provides a comprehensive description and analysis of the city's rich Afro-Cariocan culture, including its folklore, its songs, and accounts of its oral history. Professor Karasch's investigation of the origins of Rio's slaves demonstrates the importance of the "Central Africaness" of the slave population to an understanding of its culture. Challenging the thesis of the comparative mildness of the Brazilian slave system, other chapters discuss the marketing of Africans in the Valongo, the principal slave market, and the causes of early slave mortality, including the single greatest killer, tuberculosis. Also examined in detail are adaptation and resistance to slavery, occupations and roles of slaves in an urban economy, and art, religion, and associational life. Mary C. Karasch is Associate Professor of History at Oakland University in Rochester, Michigan. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Author: Rebekka Mallinckrodt Publisher: Walter de Gruyter GmbH & Co KG ISBN: 3110749866 Category : History Languages : en Pages : 206
Book Description
This volume documents the practice of bringing enslaved people to early modern Europe not only as a side effect of overseas colonial regimes but as a pan-European experience that even developed its own dynamics on the continent. Drawing on examples from France, Scotland, the Netherlands, Denmark, and the Holy Roman Empire, the contributors show how slavery affected both the enslaved and the enslavers' societies, changing European notions of freedom, dependence, and subjugation. At the same time, Afro-European families and cultural productions challenge the view of the Black diaspora as Europe's "other." The volume thus reveals not only the roots of present-day racism extending far back into the past, but also a common heritage yet to be discovered.
Author: Susan Juster Publisher: Cornell University Press ISBN: 9780801482120 Category : History Languages : en Pages : 306
Book Description
Follows the influences of race and gender on the Protestant tradition in America from the late eighteenth to the early twentieth century.
Author: Emily K. Abel Publisher: Harvard University Press ISBN: 0674020022 Category : Medical Languages : en Pages : 338
Book Description
The image of the female caregiver holding a midnight vigil at the bedside of a sick relative is so firmly rooted in our collective imagination we might assume that such caregiving would have attracted the scrutiny of numerous historians. As Emily Abel demonstrates in this groundbreaking study of caregiving in America across class and ethnic divides and over the course of ninety years, this has hardly been the case. While caring for sick and disabled family members was commonplace for women in nineteenth- and early-twentieth-century America, that caregiving, the caregivers' experience of it, and the medical profession's reaction to it took diverse and sometimes unexpected forms. A complex series of historical changes, Abel shows, has profoundly altered the content and cultural meaning of care. Hearts of Wisdom is an immersion into that "world of care." Drawing on antebellum slave narratives, white farm women's diaries, and public health records, Abel puts together a multifaceted picture of what caregiving meant to American women--and what it cost them--from the pre-Civil War years to the brink of America's entry into the Second World War. She shows that caregiving offered women an arena in which experience could be parlayed into expertise, while at the same time the revolution in bacteriology and the transformation of the formal health care system were weakening women's claim to that expertise. Table of Contents: Acknowledgments Introduction Part One: 1850-1890 1. "Hot Flannels, Hot Teas, and a Great Deal of Care": Emily Hawley Gillespie and Sarah Gillespie, 1858-1888 2. An Overview of Nineteenth-Century Caregiving 3. "Tried at the Quilting Bees": Con'icts between "Old Ladies" and Aspiring Professionals Part Two: 1890-1940 4. A "Terrible and Exhausting" Struggle: Martha Shaw Farnsworth, 1890-1924 5. "Just as You Direct": Caregiver Translations of Medical Authority 6. Negotiating Public Health Directives: Poor New Yorkers at the Turn of the Century Reviews of this book: This excellent historical review of female caregiving within families as a transformative experience identifies conditions that make this form of human connectedness rewarding and meaningful. --J.E. Thompson, Choice This is a breathtaking work in terms of its depth and its breadth. Emily Abel's research is impressive in its time frame, wide range of topics, and wonderful source material. What she has given us, for the first time, is a full-length study of the female support network, not only for childbirth but for a whole range of health issues. With her pleasing writing style and clear, readable prose, she gives us much more than mere glimpses of anonymous people--she provides the reader with a sense of the texture of human lives. --Susan L. Smith, University of Alberta The reader of Hearts of Wisdom is surprised by the topic and content, but is left with the sense that the most central story of human possibility has been left out of all other history books. The work offers a substantive contribution to history, feminist scholarship, caregiving professions, and informal caregivers. --Patricia Benner, R.N., Ph.D, University of California, San Francisco
Author: Peter Campion Publisher: University of Chicago Press ISBN: 022666337X Category : Literary Criticism Languages : en Pages : 270
Book Description
What do American poets mean when they talk about freedom? How can form help us understand questions about what shapes we want to give our poetic lives, and how much power we have to choose those shapes? For that matter, what do we even mean by we? In this collection of essays, Peter Campion gathers his thoughts on these questions and more to form an evolutionary history of the past century of American poetry. Through close readings of the great modernists, midcentury objectivists, late twentieth-century poets, his contemporaries, and more, Campion unearths an American poetic landscape that is subtler and more varied than most critics have allowed. He discovers commonalities among poets considered opposites, dramatizes how form and history are mutually entailing, and explores how the conventions of poetry, its inheritance, and its inventions sprang from the tensions of ordinary life. At its core, this is a book about poetic making, one that reveals how the best poets not only receive but understand and adapt what comes before them, reinterpreting the history of their art to create work that is, indeed, radical as reality.
Author: Lovalerie King Publisher: Indiana University Press ISBN: 025300697X Category : Literary Criticism Languages : en Pages : 393
Book Description
Essays exploring contemporary black fiction and examining important issues in current African American literary studies. In this volume, Lovalerie King and Shirley Moody-Turner have compiled a collection of essays that offer access to some of the most innovative contemporary black fiction while addressing important issues in current African American literary studies. Distinguished scholars Houston Baker, Trudier Harris, Darryl Dickson-Carr, and Maryemma Graham join writers and younger scholars to explore the work of Toni Morrison, Edward P. Jones, Trey Ellis, Paul Beatty, Mat Johnson, Kyle Baker, Danzy Senna, Nikki Turner, and many others. The collection is bracketed by a foreword by novelist and graphic artist Mat Johnson, one of the most exciting and innovative contemporary African American writers, and an afterword by Alice Randall, author of the controversial parody The Wind Done Gone. Together, King and Moody-Turner make the case that diversity, innovation, and canon expansion are essential to maintaining the vitality of African American literary studies. “A compelling collection of essays on the ongoing relevance of African American literature to our collective understanding of American history, society, and culture. Featuring a wide array of writers from all corners of the literary academy, the book will have national appeal and offer strategies for teaching African American literature in colleges and universities across the country.” —Gene Jarrett, Boston University “[This book describes] a fruitful tension that brings scholars of major reputation together with newly emerging critics to explore the full range of literary activities that have flourished in the post-Civil Rights era. Notable are such popular influences as hip-hop music and Oprah Winfrey’s Book Club.” —American Literary Scholarship, 2013
Author: Mary P. Ryan Publisher: Univ of North Carolina Press ISBN: 0807876682 Category : History Languages : en Pages : 445
Book Description
In a sweeping synthesis of American history, Mary Ryan demonstrates how the meaning of male and female has evolved, changed, and varied over a span of 500 years and across major social and ethnic boundaries. She traces how, at select moments in history, perceptions of sex difference were translated into complex and mutable patterns for differentiating women and men. How those distinctions were drawn and redrawn affected the course of American history more generally. Ryan recounts the construction of a modern gender regime that sharply divided male from female and created modes of exclusion and inequity. The divide between male and female blurred in the twentieth century, as women entered the public domain, massed in the labor force, and revolutionized private life. This transformation in gender history serves as a backdrop for seven chronological chapters, each of which presents a different problem in American history as a quandary of sex. Ryan's bold analysis raises the possibility that perhaps, if understood in their variety and mutability, the differences of sex might lose the sting of inequality.
Author: Bertram D. Ashe
Author: Bertram D. Ashe
Author: Thylias Moss
Author: Wanda M. Brooks
Author: Mary C. Karasch
Author: Rebekka Mallinckrodt
Author: Susan Juster
Author: Emily K. Abel
Author: Peter Campion
Author: Lovalerie King
Author: Mary P. Ryan