Author: Thomas Vincent
Publisher:
ISBN:
Category : Flute music
Languages : en
Pages : 36
Book Description
Six Solos for a Hautboy, German Flute, Violin, or Harpsicord with a Thorough Bass ... Opera Prima
Author: Thomas Vincent
Publisher:
ISBN:
Category : Flute music
Languages : en
Pages : 36
Book Description
Publisher:
ISBN:
Category : Flute music
Languages : en
Pages : 36
Book Description
Six Solos for the German-flute, Hautboy, or Violin, with a thorough bass for the harpsichord. [Score.]
Author: Alessandro Besozzi
Publisher:
ISBN:
Category : Sonatas (Flute and continuo)
Languages : en
Pages : 36
Book Description
Publisher:
ISBN:
Category : Sonatas (Flute and continuo)
Languages : en
Pages : 36
Book Description
Six solos for a hautboy, German flute, violin, or harpsicord, with a through bass, opera prima
Author: Thomas Vincent
Publisher:
ISBN:
Category : Sonatas (Flute and continuo)
Languages : en
Pages : 38
Book Description
Publisher:
ISBN:
Category : Sonatas (Flute and continuo)
Languages : en
Pages : 38
Book Description
Six Solos for a Hautboy, German Flute, Violin Or Harpsicord with a Thorough Bass
Six Solos for a Violin and Thorough Bass with Some Pieces for the German Flute and Harpsichord
British Music, Musicians and Institutions, C. 1630-1800
Author: Julian Rushton
Publisher: Boydell & Brewer
ISBN: 1783276479
Category : Music
Languages : en
Pages : 317
Book Description
Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and secular institutions. British music in the era from the death of Henry Purcell to the so-called 'Musical Renaissance' of the late nineteenth century was once considered barren. This view has been overturned in recent years through a better-informed historical perspective, able to recognise that all kinds of British musical institutions continued to flourish, and not only in London. The publication, performance and recording of music by seventeenth- and eighteenth-century British composers, supplemented by critical source-studies and scholarly editions, shows forms of music that developed in parallel with those of Britain's near neighbours. Indigenous musicians mingled with migrant musicians from elsewhere, yet there remained strands of British musical culture that had no continental equivalent. Music, vocal and instrumental, sacred and secular, flourished continuously throughout the Stuart and Hanoverian monarchies. Composers such as Eccles, Boyce, Greene, Croft, Arne and Hayes were not wholly overshadowed by European imports such as Handel and J. C. Bach. The present volume builds on this developing picture of the importance of British music, musicians and institutions during the period. Leading musicologists investigate themes such as composition, performance (amateur and professional), and music-printing, within the wider context of social, religious and secular institutions.
Publisher: Boydell & Brewer
ISBN: 1783276479
Category : Music
Languages : en
Pages : 317
Book Description
Building upon the developing picture of the importance of British music, musicians and institutions during the eighteenth century, this book investigates the themes of composition, performance (amateur and professional) and music-printing, within the wider context of social, religious and secular institutions. British music in the era from the death of Henry Purcell to the so-called 'Musical Renaissance' of the late nineteenth century was once considered barren. This view has been overturned in recent years through a better-informed historical perspective, able to recognise that all kinds of British musical institutions continued to flourish, and not only in London. The publication, performance and recording of music by seventeenth- and eighteenth-century British composers, supplemented by critical source-studies and scholarly editions, shows forms of music that developed in parallel with those of Britain's near neighbours. Indigenous musicians mingled with migrant musicians from elsewhere, yet there remained strands of British musical culture that had no continental equivalent. Music, vocal and instrumental, sacred and secular, flourished continuously throughout the Stuart and Hanoverian monarchies. Composers such as Eccles, Boyce, Greene, Croft, Arne and Hayes were not wholly overshadowed by European imports such as Handel and J. C. Bach. The present volume builds on this developing picture of the importance of British music, musicians and institutions during the period. Leading musicologists investigate themes such as composition, performance (amateur and professional), and music-printing, within the wider context of social, religious and secular institutions.
Grove's Dictionary of Music and Musicians
Six Solos for a Hautboy, German Flute, Violin, Or Harpsicord with a Thorough Bass Opera Prima
The Strad
Author:
Publisher:
ISBN:
Category : Bowed stringed instruments
Languages : en
Pages : 484
Book Description
Publisher:
ISBN:
Category : Bowed stringed instruments
Languages : en
Pages : 484
Book Description
Colonial Williamsburg Music
Author: Cynthia Zignego Stiverson
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 224
Book Description
Publisher:
ISBN:
Category : Music
Languages : en
Pages : 224
Book Description